*places This Here So I Can Come Back Later*

So a free tool called GLAZE has been developed that allows artists to cloak their artwork so it can't be mimicked by AI art tools.

AI art bros are big mad about it.

The gang’s all here folks!

As someone who is both an older sister and raised their younger sibling, let me tell you why this scene was so good

It would be so easy to misinterpret Yang’s protectiveness over Blake here, but that’s not what’s happening. We’ve always seen Ruby as happy-go-lucky, follow-your-heart and do-the-right-thing, and it’s easy to forget that Yang raised Ruby, and the implied subtext there is that it *wasn’t* always sunshine and rainbows.

Yes, Yang is protective over her newfound relationship. Yes, she’ll maybe feel a little wounded that her sister is lashing out. But what we see here is Yang shifting ever so subtly into mother-mode. Yang knows this isn’t about Blake, or her and Blake’s relationship, she’s stepping in front of Blake to protect her before Ruby can say or do something she regrets. In essence, protecting both of them and trying to control the situation from escalating. Yang is stepping in front because she can take it, she’s GIVING her someone to yell at, because god knows she’s probably had to, at some point, take some lip in the past while the others have only ever known her as a strong, positive leader. She doesn’t shout at Ruby, she’s calm, lets her get it out and just looks sternly with a simple “Hey!” as in, ‘hey, that’s enough now’. 

Yang has expressed concern, and is concerned, but this is 100% Yang shifting into parent mode. This is brilliant because earlier in the episode and even last episode we’ve seen examples of Yang’s ‘concerned big sister’ side which is soft and supportive. There’s no malice in Yang’s expression, and it’s difficult to catch it because we haven’t had the best representations of ‘good mothers’ in the show, especially not ones that have had to chastise their kids at some point, but you can bet your ass that this is Yang’s parental mode stepping in to bring calm and stability to a chaotic situation. And that doesn’t always present as ‘let’s hug this out’, sometimes it’s stern, tough love and recognising that the younger one isn’t in the space to receive comfort, so the best you can do for them is diffuse the situation and be an authoritative voice of reason because she recognises her sister’s fragile mental state.

This is without going into how amazing Ruby’s portrayal was. Going after your sister’s new relationship is RAW, and personal, but it’s also what siblings do - they lash out sometimes when they’re under stress. The way Ruby says ‘we’re sOoOo happy for you by the way good for you’ - just SMACKS of younger sibling cutting loose and saying something they don’t mean, which makes Yang’s response all the more realistic for me. She recognises the tone, the almost-petulance and steps in before it can go any further.

It’s so subtle, but it SPOKE to me so massive kudos to Miles Luna and the animators for this. And god bless the clowns that use it as some sort of Anti-Bees discourse - the nuance is entirely lost on you.

PREACH IT!!!

a criticism I see of sao is often along the lines of “what’s the message? that video games are better than real life? that being trapped in the game was Good, Actually? that doesn’t apply to real life at all. that’s a useless thought experiment akin to contemplating the ethics of fucking your clone.”

the way the aincrad arc was about how you have to find love and happiness in the here & now, no matter how bleak things are. because when fighting for a cause, it’s so easy to deny yourself joy until that far-off dream is achieved; you tell yourself you’ll rest after you’ve saved enough money for early retirement. or when capitalism is over and homelessness eradicated. or when you’ve finally reached peak physical form. or when the war is over.

but so many people die before that happens. or they live to see it but shortly succumb to trauma or just the ravages of time. all those years spent fighting for your cause, but now you’ve won you’re an adult and you never had a chance to have any semblance of a childhood. or now you’ve grown so accustomed to misery, you don’t know how to treat happiness- so accustomed to pressure and hatred, you’re cruel and harsh to the people around you.

in sao, life went on, in its strange way. people went fishing. they got married. they cooked and ate for pleasure. they did quests and events for fun. people sarcastically say “they’re trapped in a death game and all they can think about is buying a cottage and fucking?” as if there wasn’t a very direct reasoning for this in the plot. them experiencing a sort of burnout, as well as distrust in the system as it was. them realising their own mortality, that they could be killed any day now; that it’s better to die in love than to die miserable.

Reblog if you're a Hufflepuff.

gryffindor | ravenclaw | slytherin

Nagisa-kun's not just a cutie (۶•̀ᴗ•́)۶🔥

(Reference from "Shikimori's not just a cutie")

Beautiful

Found my fav STP route recently. Dragon my beloved. Your horrifying beak mouth was an impossible-to-refuse lip syncing challenge 💖

Shoutouts to @blacktabbygames for making such a cool game!

“Kill me. Kill me and live with the memory. Then tell the stars that you won.” Is such a metal quote. But it’s from fucking. Warrior Cats.

Character Flaws and Their Meanings

Impulsiveness : Acts on instinct without careful planning. Perfectionism : Sets unrealistically high standards, leading to self-criticism. Indecisiveness : Struggles to commit to decisions or choose a path. Arrogance : Overestimates one’s abilities and dismisses others. Pessimism : Habitually expects negative outcomes in most situations. Cynicism : Distrusts the motives and sincerity of others. Overconfidence : Places excessive faith in one’s skills, often underestimating risks. Stubbornness : Resists change and refuses to adapt to new ideas. Jealousy : Feels envious of others' success or possessions. Insecurity : Experiences frequent self-doubt and a lack of confidence. Procrastination : Tends to delay tasks, often leading to missed opportunities. Passivity : Avoids taking initiative and relies on others to act. Aggressiveness : Responds with hostility or force rather than reason. Selfishness : Prioritizes personal gain over the welfare of others. Fragility : Is overly sensitive to criticism and easily discouraged. Egotism : Constantly focuses on oneself and one’s own importance. Defensiveness : Quickly rejects or rationalizes away critique or new information. Manipulativeness : Exploits others to fulfill personal needs or desires. Recklessness : Shows a careless disregard for potential risks or consequences. Resentfulness : Holds lingering bitterness and grudges over perceived wrongs. Distractibility : Finds it hard to maintain focus amid competing interests. Impatience : Lacks the willingness to wait, often spoiling opportunities to learn. Perfunctory : Performs actions in a mechanical, uninspired manner. Self-Doubt : Consistently questions personal abilities and decisions. Arbitraryness : Makes decisions based on whim rather than reason or evidence. Rigidity : Is inflexible and unwilling to consider alternative viewpoints. Gullibility : Trusts too easily, often leading to being misled or deceived. Obsession : Becomes excessively fixated on particular ideas or details. Aloofness : Maintains emotional distance, appearing detached or indifferent. Intolerance : Refuses to accept differing perspectives or lifestyles.

Writing Advice for Brainstorming

Mix genres and time periods: Experiment by combining elements from different eras or genres to create unique settings and narratives.

Use "what if" scenarios: Pose unexpected questions (e.g., What if time travel operated on emotions rather than mechanics?) to spark novel ideas.

Draw from diverse mediums: Engage with art, music, or even scientific papers to inspire unexpected plot twists.

Embrace absurdity: Let illogical or surreal ideas guide you; sometimes the wildest thoughts lead to compelling stories.

Reverse clichés: Identify common tropes in your favorite genres and deliberately invert them to create fresh perspectives.

Incorporate personal anomalies: Transform your idiosyncrasies and personal struggles into rich, multi-dimensional characters.

Use mind-mapping: Visually plot your ideas in a freeform way to uncover hidden connections between disparate elements.