Completely Real And Unedited Screenshots From Ii18 Guys!!!!! (Goes Insane)

As someone who used to be big into Danganronpa back in 2020, GOD was it generally just done so badly. I don't just mean the fandom; the horrible stereotypes and treatment of the characters with trauma (the first one off the top of my head is Mikan) is genuinely so fucked up. As someone who now understands how fucked it was without the emotional hyperfixation barrier that blinded me back in 2020, I can still recognize the potential in the concepts. In fact, I find Inanimate Ronpa did it in a better way, though that is also because it pulls from way better done characters.

anyways TLDR: Danganronpa had a ton of lost potential and DAMN was I stupid

Also I might redesign and/or brainstorm about how some of the characters could've been done better because. Why not lmao

Hey guys I like Ducktales

Doodle of Webby and Lena (humanized) for Weblena week

Day 1- Crushing hard

(I had another doodle to add but the day's almost over for me. Maybe I'll post it another day if I finish it!)

guys hear me out...,; /hj

Shadow should've been in Frontiers Shadow should have been in Frontiers Shadow should have be

Hello again!! The following details the personalities, or part of them, that the characters will be portraying!!

The Hero

The family hero is your typical Type A personality: a hard-working, overachieving perfectionist. Through his or her own achievements, the hero tries to bring the family together and create a sense of normalcy. Unfortunately, a driving need to “do everything right” tends to put an extreme amount of pressure on the hero, leaving them highly anxious and susceptible to stress-related illnesses later in life.

The Scapegoat

The scapegoat is just what you would expect: the one person who gets blamed for the whole family’s problems. He or she offers the family a sense of purpose by providing someone else to blame. They voice the family’s collective anger, and may shield the addicted parent from a lot of blame and resentment. When the scapegoat gets older, males tend to out in violence, while females often run away or participate in promiscuous sex.

The Mascot

Think of the mascot as the class clown, always trying to deflect the stress of the situation by supplying humor. This role is usually taken on by the youngest child; they’re fragile, vulnerable, and desperate for the approval of others. Providing comic relief is also the mascot’s defense against feeling pain and fear himself. Mascots often grow up to self-medicate with alcohol, perpetuating the cycle of addiction.

The Lost Child

The lost child role is usually taken on by the middle or youngest child. They’re shy, withdrawn, and sometimes thought of as “invisible” to the rest of the family. They don’t seek (or get) a lot of attention from other family members, especially when making decisions, have trouble with forming intimate relationships, and choose to spend time on solitary activities as a way to cope.

Silly little Mitsukou doodle (art practice mostly)

Ignore how fucking red the paper is, idk why my device did that

II18 spoilers

Uuuuuuhhh 👍

Can u draw that one scene with Yeva and Nori??

If not, that's fine! Just Yeva and Nori w/o the poses is cool

Done! I really hope this was the scene you meant :)