Back It Up Back It Up BACK IT UP

"That smell. What is that?"

"I'm not sure."

"I've smelled it before. It's so familiar."

"You're imagining things."

"No, no, it's this tea. You made me this tea before."

"...You should go."

The Beast (Part 1)

The crowd screamed and ran at the sight of Hero's monstrous transformation. Hero roared, a pained and animalistic sound. Their shaking hands grew to long and sharp claws. Their teeth, jagged and pointed.

Hero cautiously approached a mirror mounted on the wall, terrified by what they might find. They recoiled at the beast that stared back.

They fled, out the doors and into the crowded streets. More people screamed. Someone threw a can, and they yelped. Shots rang out.

"The beast is getting away!" Someone cried.

They darted down an alleyway, and they kept running until they felt well and truly alone.

Or, so they thought.

"Ah, so you're the one they're after," said a voice in the shadows.

Hero bristled. They knew that voice.

"Oh. Oh my," Villain whispered reverently, stepping into the light. "You're marvelous."

"It went this way!" A voice cried.

"You're not safe here," Villain said. They threw open the doors to an abandoned warehouse. "Quick, inside."

Hero scrambled into the warehouse doors, up the wall and into the ceiling rafters.

The Villain shouted, "It went the other way!"

The angry voices receded, and Hero momentarily relaxed.

Villain closed the doors and all looked around. "Well, that's not ideal."

Hero shrank back into the shadows. Villain couldn't see them.

Villain ran to an intercom mounted near the doors.

"Listen up," Villain called over the intercom. "My pet is loose somewhere in this warehouse. Whoever brings them to me unharmed receives a little bonus."

Their lackeys sprung into action, running back and forth along rows of shelving and in and out of the various shipping containers littering the warehouse. A few ran into each other in their haste.

"Where did you go?" Villain muttered, scanning the ceiling.

They locked eyes with Hero, who bristled.

"They're on the ceiling nearest the compactor," Villain announced over the intercom.

Hero jumped down and scampered across the concrete flooring. Two lackeys tried to head them off, and they ran towards a set of stairs. Two more lackeys blocked their path, and they jumped off the stairs and darted over the shelving, toppling boxes in their wake.

"Boss, they're too fast!" One of the lackeys complained.

"Get the tranqs," Villain said.

Darts whizzed by as Hero tried to shake their pursuers. They cursed themselves for seeking asylum from a villain of all people.

They dove down to a set of doors and launched at them, but they wouldn't budge. They looked for some kind of lock or obstruction, but too late.

Something hit their shoulder. They tried to wrench it out, much too late.

They snarled as Villain approached them.

"Sorry, darling, but I can't have you tearing apart my warehouse," Villain said.

Hero realized they were laying down. They tried to get up, but they suddenly felt so, so weak. Villain knelt down and pet them gently, peering into their terrified eyes. They tried to nip at the Villain's hand, but that didn't seem to deter them.

"Rest now," Villain said.

Hero whined and went limp.

Part 2

#136

Not many villains are brave enough—or stupid enough—to come straight through the front doors of the agency, so the agency never thought to put up anything more secure than a barrier for heroes to scan through on their way in.

The villain saunters in, hops straight over the barrier, and loudly demands, “Which of you assholes is meant to be [Hero]’s boss?”

The heroes leap on them, of course, and twenty against one is barely a fight. The hero’s boss, it turns out, is just the guy they wanted to see anyway.

“Why are you just strolling through my agency?” the superhero asks incredulously.

“Someone's clearly dramatised my entrance. I didn’t get past reception,” the villain corrects with a scowl. “And it’s not my fault you lot have the same amount of security as a train station. Anyway, that’s not why I’m here. I’m here to tear you a new one.”

The hero standing behind them makes a noise dangerously resembling laugh. Even the superhero quirks an eyebrow disbelievingly. The villain is sitting in his office in cuffs, sure, but this is only the beginning of what will be an ass kicking.

“You villains are so violent.” The superhero tuts, opening a tin box next to him with a shake of his head. “Has anything happened to warrant this so-called new one tearing, or is this just routine?”

“I’m glad you asked. Did you not notice [Hero] was missing?”

“Oh, yeah I did.” A biscuit comes out of the tin and promptly disappears into the superhero’s mouth. “Are they with you then?”

The disgusted silence the villain leaves is a second too long. “… Yes.”

The superhero nods mindlessly. “Cool.”

This silence is even longer. The villain can hear the hero behind them shuffle awkwardly. “You don’t care,” they say flatly.

“[Hero]’s a rookie,” the superhero offers with a shrug. “Catch one of my best, and I’ll consider coming to visit sometime. I don’t send rescue parties for just anyone.”

The villain can only stare at him in disbelief as he nonchalantly fishes about for another biscuit. Villains would never do that. Villains leave no man behind. The idea that they could be trapped somewhere, in enemy territory, with no promise of at least someone coming for them, is a horror enough to haunt their nightmares.

The villain really thought they’d done something when they’d managed to catch the hero. The hero was scared, of course, but the villain had put that down to the usual. A hero in a villain’s grasp won’t be without injury for long. But the hero had had a certain defeated look in their eye as well, and it’s only now that the villain is realising that that was probably because someone like them disappearing into a villain’s lair means they aren’t getting out.

The cuffs rattle slightly, and the villain heaves a deep breath to stop their hands from shaking. “I've heard them crying every night, knowing you’re not coming for them,” they snap coldly. “You’re heartless.”

The superhero can just about be bothered to meet their eye for a second before his interest diverts back to the food in his hand. “You don’t become a superhero by loving everyone, [Villain]. Do we have a cell set up?”

The hero behind the villain clears their throat. “We do.”

The superhero waves them off, and that’s the end of the conversation. The hero shoves the villain into a cell, and several hours later finds the back of that cell blown clean out with the villain’s friends at the detonator.

The villain never had a doubt they would be set free—they always are. Villains may not be looked upon favourably, but having a posse of like-minded outcasts can make some real ride-or-dies.

-

The hero wipes their eyes when they hear the door at the end of the corridor opening, rubbing their sleeve against their nose in an attempt to look a little less pathetic. They glance up to realise it’s not just the villain, but several of their friends too, all watching them with curiosity. Their stomach drops.

“You got it bad, huh?” the villain says lightly.

The hero doesn’t know what to say to that. They turn their gaze down at their hands to avoid everyone’s burning stares.

There’s a heavy clunk, and out the corner of their eye they can see the cell door swinging open. The villain shoots them a smile as they look up confusedly.

“We were wondering if you’d like to come with us,” the villain continues. “I mean, you’re welcome to stay in here, in the cold and the damp, like a hero. But, y’know…”

The villain shrugs. “We don’t leave people behind, I’ll say that much.”

A hero should never consider an offer from a villain. It’s a trap, the superhero always said. It’s common sense, it’s the right thing to do, it’s what a hero would do.

They didn’t think heroes were left at the mercy of their enemies by their own either, but here they are.

The hero wipes at their face again and clears their throat, painfully aware of how much they’ve been crying. “Um,” they say, their voice a horrible rasp. “O-Okay.”

They all cheer as the villain reaches in to pull them out. Someone hands them a thick jacket. “Put it on,” someone else says. “You’re in the gang now!”

It almost feels like they’re happy to see the hero as one of them. It’s a new feeling, and one the hero finds they like.

The hero lay on the floor curled in on themselves, willing the pain to go away. The creaking and clinking from the other room told them the villain was rooting around in their stuff again.

"Ugh… Villain?" They called.

Silence.

"Villain, I know you're out there."

They groaned and tried to stand. Not a good idea.

"Villain, if you're out there, bring me my meds, will you? They're on the counter?"

A pause in the shuffling. Footsteps.

A pill bottle hit their face.

"Ow!"

The villain retreated.

Silence.

The hero shakily lifted the pills to their lips.

The villain returned with a bag of bread and a bottle of water.

The hero looked up at them questioningly.

"You're not supposed to take that on an empty stomach," the villain said simply.

"Who eats bread from the bag?" The hero grumbled, but they pulled out a piece to nibble on anyway.

"You're lucky it's not poisoned," the villain replied.

"Am I?" The hero groaned.

"Lot of pain, huh?"

"…Yeah."

The villain knelt down in front of them. "Good."

The hero glared up at them. "Any chance of giving me a break today?"

The villain snatched the half-eaten bread and bit into it greedily. "I think you forgot we're enemies."

The hero laid back down. "Yeah, okay."

Uncomfortable silence.

"So, uh, this normal for you?" The villain tried. "You look a little… Not good."

"I'm kicking your butt so hard when these pills kick in," the hero grumbled. "Can you at least get back to looting my house?"

"I mean, I could kidnap you right now," The villain said. "You're at your most vulnerable."

The hero threw the bread at them. "Just because I'm not up to fighting you doesn't mean I'm helpless."

The bag hit the villain's foot. They gave the hero a deadpan stare.

"I'll bite your ankles," the hero tried.

Then the villain kidnapped them, and they went to Urgent Care together.

Part 1

The Beast (Part 2)

The hero awoke. Still disoriented, they stared at their hands.

Claws.

Last they knew... They had transformed into some kind of beast and taken refuge in the villain's warehouse. The villain then tranquilized them.

The room appeared to be some kind of kennel. Concrete floor and walls, and sturdy iron bars with a locked door. Something soft beneath them-- a bed and blanket. They rolled to stand. Something clinked, and they felt a pull on their neck. A collar chained to the concrete wall.

A beast chained to a wall.

Ironically, they were in the one place where being a beast was safer than their real form. If they managed to escape, they weren't safe outside--

Deep breaths.

They just needed to call--... Well, text someone the situation. Surely someone would come save them.

They reached down and felt only fur.

Only fur.

They couldn't focus. They couldn't breathe.

Even their breathing sounded monstrous--

Their thoughts were interrupted by the creak and scrape of the kennel door opening and closing. They scurried under a blanket.

Villain.

"Good morning, darling," the villain cooed. They were dressed head to toe in protective clothing. "How did you sleep?"

The hero grit their teeth. They wanted to demand to be let out, to scream for help. They wanted to proclaim they were a human, not some beast--

All that came out was a horrible yowl.

"Shh sh-shhh... Don't worry, I'm here now." They brushed the hero's face with their fingertips. "Are you hungry?"

The beast snapped.

"I'll take that as a yes," the villain chuckled. They pulled out a walkie-talkie. "Bring him in."

A horrible scream echoed through the corridor.

"What's going on? Where are you taking me? I'll make you regret this!!"

Two henchmen stopped at the door holding a writhing prisoner. They wrenched a bag off his head. His indignant cries became a small whimper.

"Meet my beloved new pet." The villain threw a hand around the prisoner's shoulder. "They haven't been fed recently. Do you know how hard it is to find good, fresh meat? Do you have any pets?"

"W-what is that thing," the man stammered.

I'm human, the hero wanted to scream. I'm human, and I can help you. They pulled hard against their chains, even as the man trembled in fright.

"Gorgeous," the villain said proudly. "And very hungry."

"Fine! I'll give you the codes! Anything! J-just get me away from that thing!"

That thing.

The hero shrank back.

That thing.

They retreated to the back of the cage.

That thing.

Tears sprang from their eyes. They tried to wipe them away with furry hands.

The villain seemed to notice their struggle, and that made it all the worse.

"Take the prisoner to the drawing room," the villain said. "I'll follow in a moment."

Both the prisoner and henchmen, eager to leave, clamored out of the room.

The villain turned to the beast before them.

The hero curled into a ball, hiding their tear-streaked face.

"What's wrong, darling?"

A small, plaintive whine. The hero shook in a futile effort to contain their sorrow. They hated themselves for crying in front of the villain.

The villain laid a gentle hand on their back.

"Look at me," the villain said.

The hero turned to them with haunted eyes.

"I'm sorry, darling. I can tell that upset you deeply." The villain softly stroked their fur. "The way he yelled at you. I'll make him regret those words. I promise."

The hero shook their head vigorously.

"No?"

The villain pet them absentmindedly, deep in thought.

"Wait... You can understand me, can't you?"

The beast hesitated. Nodded.

The villain looked a bit taken aback. "Oh. I see. Oh my. I thought-- well, can you speak?"

A yowl. The hero shook their head. They pulled at the fur on their arm.

"This form is... New?"

Nod.

"You're trapped in this form." The villain gave them a look of intrigue. "Oh. Oh my. What caused this? Do you know?"

The hero shook their head.

The villain clapped their hands. "Oh, oh, very exciting, very exciting." They patted the hero's back, who snarled indignantly. "We'll get to the bottom of this, you and I. This is fascinating."

The hero had a very, very bad feeling about this.

Part 3

You guys get ONE animated wip for the Laikas Comet AMV I’m working on ‼️‼️ It’s with the song Neighborhood #2 (Laika)

It will be posted on my YouTube channel! (But I’ll let you all know when it’s finished dw)

Villain could feel her mind go blank. God, she really said that out loud.

Hero was close, much too close, and her strong arms gripped her shoulders so, so tightly. She smelled a little like strawberries and musk, and her hair tickled her face a little. No one had ever gotten this close before. Villain twisted her wrists in the cuffs behind her back and tried to ignore the warm feeling in her gut.

"I… Um…" Villain tried, flustered. Her eyes flicked to Hero's lips. They looked soft.

Hero cleared her throat and put an arm's length between them. "Nice try, but you're still going to prison."

Villain's stomach did little somersaults. "You're, uh, going to take me there yourself?"

Hero blinked and seemed to avoid her eyes. "Well, um. Yes."

"And, um, keep a close eye on me?"

Hero flicked a glance at her and grabbed a walkie-talkie with one hand. "Hey, Superhero," Hero squeaked, voice cracking, "When's your ETA?"

Villain could see a little pink in her ears.

Static. Hero muttered a curse. Superhero always took his time answering.

Villain knew she should take the opportunity to try to run. Hero only had one hand on her shoulder. One warm, strong hand.

She pulled her shoulder back and barreled into the Hero. Hero, caught off guard, dropped the walkie-talkie and fell back. Villain made a run for it, jumping off the rooftop onto a fire escape.

"Hey! No, get back here!" Hero roared. She leapt onto the fire escape below Villain, cutting off where she was headed. Villain jumped off the fire escape to the ground, and Hero launched after her.

The full impact hit Villain square in the back, and the resulting fall knocked the wind out of her. Hero straddled her from the back and roughly grabbed her arms.

"Don't think I'll go easy on you just because you're cute," Hero grunted.

Villain's heart fluttered. She turned her head as much as she was able. "You think I'm cute?"

Hero reached for her walkie-talkie and came up empty.

"It's on the rooftop," Villain helpfully reminded her. "Does he normally take this long to respond?"

Hero seemed conflicted in whether to answer. "…Yeah," She conceded.

"With just you, or--"

"I really, really don't want to talk about it," Hero sighed tiredly. "Just… Please."

Villain hummed. "You deserve better," She said.

"So do your victims," Hero said, voice hard.

Villain opened her mouth. Shut it. "This seems personal," she said.

"It is," Hero said. "Superhero saved me from Villains like you. So now, I work for him and pay it forward."

"Funny," Villain said, voice lowering an octave. "Superhero is the reason I'm like this."

Hero was going to ask what she meant, but Superhero came flying from above. A short while later, a prisoner transfer vehicle arrived.

"Thanks for your help as always, Hero," Superhero said. He flashed a wide, toothy grin for the paparazzi as he secured Villain into the back of the vehicle.

"I have something important to take care of, so I'll see you back at the base, Sport," Superhero said, patting Hero's back. Hero slid into the passenger's seat quietly, knuckles white. She watched him laughing with the press as the car rolled away.

"Wow, he can't even help escort me back?" Villain said, smile sardonic. "Also, what was that just now? Is he stealing the credit from you?"

"I don't want the attention," Hero said. She looked down. "Justice is its own reward."

Villain snorted. "Oh, honey... You keep telling yourself that."

The driver flicked his eyes towards the backseat, and pushed a button to lock the car doors.

"Just ignore her," Hero said to the driver, flashing a smile. "Have we met? You don't look familiar."

"He didn't get in the car," The driver gruffed.

Villain sighed. "I know, I know, but proceed with the plan anyways."

"Yes, boss," said the driver.

Hero whirled around. "Hey, wait, what plan--"

There was a sudden sting in her arm as the driver injected her with an unknown substance.

"What th--" Hero ripped the tranquilizer from her arm and tried to grab the wheel.

The car veered and the driver wrenched her arm back. She elbowed him in the eye and grappled for the wheel. He pulled out a gun and aimed it at her.

"Hey, now," Villain said, reaching her arms through the bars. "I like her, so be gentle."

"Yes, boss," The driver said. He kept the gun ready, and glowered at Hero with his good eye. They were speeding down a gravel path. Hero tried the door but her hands felt weak.

"Child lock," Villain said.

Hero bit her tongue to stave off the unnatural woozy feeling in her head. "You'll... Be... S-sorry," she said.

"Don't worry, shh, I'll take care of you," Villain shushed, petting her hair gently. "I just can't let you interfere with my plans. Okay? Okay? Sleep."

Hero's eyes went heavy. She leaned into the soothing hand despite herself. Her vision went black.

Prompt (440)

The hero clicked the handcuffs over the villain’s wrists. “You’re done terrorizing the city. Any last words?”

“I think I’m in love with you,” the villain said.

The hero turned the villain around. “What?”

They found you in the outskirts of town, mucking out stalls in indentured servitude. The Imperial Mage was collecting his mare from the stalls and pointedly berating you for the smell and to do your job properly, when he saw the birthmark on your forearm, and recognized it for what it was. The mark of the Emerald Phoenix, fated to bring an end to the Obsidian King. In an instant, he paid off your debts, you were whisked away to the castle.

The King himself ordained you as the Emerald Phoenix, the Chosen One, and you were given the robes and insignia to denote your unique station. Attendants set to work removing the years of muck and mire on your skin, burning your tattered tunic in lieu of sumptuously embroidered court uniforms. You were paraded through the streets, celebrated and revered by the people who once spat on you. For weeks, they trained you, pampered you, like their vast resources were but a pittance. For weeks, they gave you feasts, as if they could make you forget your hunger.

When the time came for the Great Battle, they fitted you with chainmail and plated armor with the crest of the King. They brought you forth and rallied behind you, a beacon of hope. And when you called upon your true power, like releasing a chained beast, the crowd cheered. A fierce cry tore from the back of your throat, and you were encompassed with flames. The plated armor on your back sloughed off, now hot molten metal. The fire erupted at all sides. The cheers faltered, and scattered into screams. Too late they ran, too late they all ran, but the fire scorched and melted and cremated like a crucible, and it consumed everyone, even you.

The prophecy fortold you would end the Obsidian King. No one seemed to question how.

You awaken in the ashes of your kingdom. The silence of ruin is engulfed by a moaning wind. The embers have died. Pools of molten metal, now cooled, surround you. Your skin appears foreign, new. You are reborn.

You are so hungry.

When you were selected as the Chosen One, you were showered with gifts, training, and a new cushy room in the castle. The Kingdom thought you would automatically be on their side, but the memories of your impoverished childhood will never fade.

You see their name on caller ID. Tears form in your eyes. You collect yourself and pick up, only to hear the line disconnect.

CW: Death

but this advice lives in my mind rent-free

some of the best writing advice I’ve ever received: always put the punch line at the end of the sentence.

it doesn’t have to be a “punch line” as in the end of a joke. It could be the part that punches you in the gut. The most exciting, juicy, shocking info goes at the end of the sentence. Two different examples that show the difference it makes:

doing it wrong:

She saw her brother’s dead body when she caught the smell of something rotting, thought it was coming from the fridge, and followed it into the kitchen.

doing it right:

Catching the smell of something rotten wafting from the kitchen—probably from the fridge, she thought—she followed the smell into the kitchen, and saw her brother’s dead body.

Periods are where you stop to process the sentence. Put the dead body at the start of the sentence and by the time you reach the end of the sentence, you’ve piled a whole kitchen and a weird fridge smell on top of it, and THEN you have to process the body, and it’s buried so much it barely has an impact. Put the dead body at the end, and it’s like an emotional exclamation point. Everything’s normal and then BAM, her brother’s dead.

This rule doesn’t just apply to sentences: structuring lists or paragraphs like this, by putting the important info at the end, increases their punch too. It’s why in tropes like Arson, Murder, and Jaywalking or Bread, Eggs, Milk, Squick, the odd item out comes at the end of the list.

Subverting this rule can also be used to manipulate reader’s emotional reactions or tell them how shocking they SHOULD find a piece of information in the context of a story. For example, a more conventional sentence that follows this rule:

She opened the pantry door, looking for a jar of grape jelly, but the view of the shelves was blocked by a ghost.

Oh! There’s a ghost! That’s shocking! Probably the character in our sentence doesn’t even care about the jelly anymore because the spirit of a dead person has suddenly appeared inside her pantry, and that’s obviously a much higher priority. But, subvert the rule:

She opened the pantry door, found a ghost blocking her view of the shelves, and couldn’t see past it to where the grape jelly was supposed to be.

Because the ghost is in the middle of the sentence, it’s presented like it’s a mere shelf-blocking pest, and thus less important than the REAL goal of this sentence: the grape jelly. The ghost is diminished, and now you get the impression that the character is probably not too surprised by ghosts in her pantry. Maybe it lives there. Maybe she sees a dozen ghosts a day. In any case, it’s not a big deal. Even though both sentences convey the exact same information, they set up the reader to regard the presence of ghosts very differently in this story.