Small Reminder: The World Needs Your Stories, Even The Ones You’re Not Sure Are “good Enough”

A powerful origin story for a sympathetic villain and the "heroes" whose lack of empathy created him

The prophecy foretold that The Great Evil would awaken 1000 years after his original defeat. As it turns out, the people took this very seriously, so when he awakened, he was met with an army of blessed knights, an evil containment system, and two dozen automated holy turrets aimed at him.

The Monster of Sentan is an excellent story to be compared to! In my mind this was a continuation of another writing prompt I'd started.

"I knew he was afraid of my conquering army, but I didn't think he would be stupid enough to leave you behind." "Oh, no, you quite misunderstand. Your army's already dead."

A Very Special Lighting

The hero awoke with a groan. Their head was pounding, their body was freezing, and something was very, very wrong.

The first thing they noticed was an offensively loud countdown from what sounded like a cacophony of voices.

They(?) yelled excitedly, “THREE!…TWO!…”

The second thing that they noticed was that they were not horizontal—how one would typically wake up in the morning. Instead, they were vertical, and something was now insultingly bright for what they presumed to be dawn.

“ONE!!!”

Roaring cheers followed closely with the end of the suspicious countdown. Hero had barely had time to consider covering their ears before another one of their senses was assaulted, this time by the onslaught of light. They automatically blinked the blurs out of their eyes and were met with starbursts of twinkling yellow.

Were those…Christmas lights?

All their limbs were lost in the glow. They tried to move but found that they couldn’t. With what little sensation they held, they surmised there were some kind of restraints keeping their legs and arms spread like a starfish.

No, not a starfish.

A star.

Below them laid hundreds of green branches that stretched out to the edges of the square in the city’s center. Hundreds more dots (people?) lined around the ginormous skirt.

They were stuck on top of a giant Christmas tree.

And, if they weren’t mistaken,…they were the topper.

As if their day(…night?) couldn’t get any better, one aforementioned dot started to enlarge, making the flight up several stories to their level. They groaned in realization as the figure approached.

Hero only knew one dastardly mastermind who could fly.

Villain stopped to float only a few feet in front of them, greeting gleefully, “Hero! I’m so glad you could make it to the lighting ceremony! This is a very special day for lots of children, you know.”

Hero gaped, though they doubted their face could be seen with the intensity of the light source behind and around them.

Since when did Villain care about children?

And more importantly, since when did Villain have a beard?!

Fluffy white hair flowed down from their chin, and it took Hero a moment to connect the cherry red suit and matching floppy hat, not to mention the extra padding surrounding their midsection that looked far too impractical to be used as protection in a fight.

Villain was dressed as Santa.

Villain was dressed as Santa.

Their head pulsed again with pain. Feelings of confliction flooded their thoughts as they watched the joy swim below them.

They knew they should be focusing on taking down Villain but…would that…(and they couldn’t believe they were thinking this) ruin it?

They asked the only question they could think of, muttering the words through ridiculously chapped lips and chattering teeth, “What- what time is it?”

“Midnight, silly!”

Right. They were supposed to be watching this on TV right now, from the warmth of their heated blanket with a homemade mug of hot chocolate. As much as they would have loved to participate in the ceremony, this was…definitely not what they would have had in mind. A plan of their own would have involved a lot more marshmallows, and a lot less Villain.

“Are you…gonna let me down?”

“I’m afraid I don’t remember seeing that particular request on your Christmas list. Send me another letter, and I’ll see what I can do.”

Villain bellowed a rolling laugh that sounded suspiciously close to a classic ‘ho-ho-ho’. Before Hero could even begin to think of a retort to what they had suggested, Villain was already moving far enough away for them to deem the effort futile.

A bewildered Hero could only watch as they took off, having mounted a sled-looking contraption that they carried with them into the sky, led by several floating deer-looking animals, the nose of one of which was adorned with a small glowing red dot. The unmistakable sound of jingling bells followed.

Villain exclaimed merrily as they flew away into the night, “Merry Christmas, City!”

Apparently, even villains could enjoy the holidays.

Though, if you asked Hero, Villain was enjoying this one a little too much.

The Faithless (Part 2)

Part 1

The hunter approached the end of a misty alley, following little red droplets that led behind a derelict building. Crawling away in the dark was the wounded vampire, tired and worn.

“Ah... My faithless little hunter,” the vampire rasped. “What circumstances to be reunited. You appear stronger since last we met."

“I am,” the hunter agreed. They closed the space between them, looming over the fallen vampire.

"It seems faith is no longer a... necessary shield," the vampire murmured. "And yet, you kept the bauble, I've noticed."

“I saw what you did." The hunter tucked the bauble away from view. “Attacking the Guild leader in plain view. Very bold.”

"Well deserved."

"A foolish target, in any case."

The vampire laughed, then coughed at the effort. “Why the... Pleasantries? Savoring your victory?”

The hunter knelt. "The entire Guild is after you."

The vampire grimaced. "It seems you shouldn't stall, then. Others may take your prey."

"They won't," the hunter said. They brought out a dagger.

The vampire stared, and a very human fear flitted across their face.

"I've reached the end of the road," the vampire conceded. "I won't claim to embrace death, but I'd rather it be you."

The hunter tilted their head. "How unlike you to give up."

"I've carried out my vengeance." The vampire tilted back their head. "Now satisfy yours."

"I had a different plan," the hunter said. They nicked the end of their thumb with the dagger's edge, and pressed it to the vampire's lips.

Wonder. Confusion. "You've truly lost me," the vampire whispered. "You're doing this... To what end?"

"Paying what is owed. Stop asking questions."

"You're playing with fire." The vampire's voice was low with hunger. "Offering your blood to one such as I. It seems you haven't shaken your wish for death."

"I've spilled more blood while training," the hunter scoffed.

"And if I forget myself?" The vampire whispered. "What then?"

"You're in no position to worry about that," the hunter said. "Drink."

With little other option, the vampire accepted the tithe of blood. Their cheeks flushed, and their wounds closed with unnatural speed.

"That should suffice." The vampire licked their lips and pulled away. "Thank--"

"I owe you nothing, and you owe me nothing." The hunter stood and backed away, eager to put distance between them. "We are not friends."

"Then, what are we?" The vampire gazed up at them, strangely vulnerable.

The hunter avoided their eyes. "Follow the path down to the ravine. If you leave now, you will reach the next town by sundown."

"Hunter--"

"If I see you again," the hunter said, "I will end you."

"Ah." The vampire stood and approached the hunter.

The hunter backed away, raw with a sudden panic. "D-didn't you hear me?"

"Your hand is still bleeding."

The hunter hit wall. "Hardly."

"Let me tend to it."

The hunter reluctantly held out their hand. They took the wounded thumb and gently bandaged it. Then, boldly, they pressed a small kiss in the small of their palm.

The hunter stared, then tore their eyes away with a blush.

Shouting sounded from the end of the alleyway. The Guild hunters.

"They're here," the hunter hissed. "Go, now."

"Till we meet again," The vampire whispered. "My faithless little hunter."

And then they disappeared into the mist.

love the solid impact and the feeling of weight

Too Many Beds

(Reverse Trope: Too many beds, as seen on @out-of-jams )

Context: Hero and Villain forced to work together and need a place to stay for the night

Hero had been sent back to the car to gather their things while Villain booked them rooms for the night. Refusing to use a readily available luggage cart, Hero pridefully piled several bags across their body. They held two in each hand, two more were strapped crossbody–one resting on each hip for balance–making them so wide they would have had to step through the lobby door sideways. That is, if they could open the door in the first place, considering their hands were full and this hotel was sketchy enough to be skirting the ADA.

When Villain came back outside with only one room key, Hero could only hope that there would be two beds awaiting them behind shoddy wooden door.

Image their surprise when they unlocked the door to find not one, not two, but three beds clad in all-white linens.

Villain, ignoring the gobsmacked hero, pushed all the way into the room and made a bee-line for the bathroom. In a rather fittingly-villainous move, Villain had refused to relieve Hero of any of their cumbersome stuff during the trek up to their second-story room. The hero finally gathered themselves and their bags enough to step into the room, throwing villain’s bags on the far bed, placing their own bags on the bed closest to the wall, and sitting themselves on the bed in the middle. Immediately feeling their aching joints relax, hero fell back into the plush dramatically. They contemplated the merits of stealing some of the extra pillows to transfer to their bed before a light bulb lit up over their head. After a moment’s consideration, they stood up and started pushing the center mattress towards the one on the wall.

Mega Bed. First come, first serve.

“Hey! I got that one for me,” yelled an incredulous voice behind them. Apparently, Villain was back from the bathroom, and they were very very jealous of Mega Bed.

“You don’t need two beds!”

“Neither do you!”

“Sure I do!”

To punctuation their point, hero belly-flopped dramatically onto their claimed, enlarged sleeping arrangement.

“If you wanted more room to sleep, then you should have booked a room yourself!”

“What kind of motel has rooms with three beds anyway?!” Hero’s question was muffled by the comforter as they held their ground starfished face down over the blankets.

“This one does,” stated the villain from what sounded suspiciously far from his allocated regular-sized bed on the other side of the room.

“Obvishushlee,” the hero mumbled in reply.

“…”

The hero recognized this as a dangerous silence. The silence of plotting.

“Look, we can be adults about this-“ Hero was cut off with a yelp as they were dragged by the ankle out of Mega Bed and onto the questionably-clean carpeted motel floor. Villain attempted to step over them, presumably to claim Mega Bed for themselves, but Hero caught onto their ankle in a grand feat of revenge, thus preventing Villain from crawling into the rumpled sheets.

Hero would not give up Mega Bed without a fight.

As Hero and Villain tumbled on the ground, knocking over the lamp and accidentally turning the TV to the Spanish channel in the process, a stroke of genius hit. Hero grabbed Villain by the back of the shirt, stalling their scramble for the bedpost, playground-king-of-the-hill style.

“Stop! Stop-,” Hero shouted, then added placatingly, “I have an idea.”

And thus the Super Mega Bed was born.

CW: Death

but this advice lives in my mind rent-free

some of the best writing advice I’ve ever received: always put the punch line at the end of the sentence.

it doesn’t have to be a “punch line” as in the end of a joke. It could be the part that punches you in the gut. The most exciting, juicy, shocking info goes at the end of the sentence. Two different examples that show the difference it makes:

doing it wrong:

She saw her brother’s dead body when she caught the smell of something rotting, thought it was coming from the fridge, and followed it into the kitchen.

doing it right:

Catching the smell of something rotten wafting from the kitchen—probably from the fridge, she thought—she followed the smell into the kitchen, and saw her brother’s dead body.

Periods are where you stop to process the sentence. Put the dead body at the start of the sentence and by the time you reach the end of the sentence, you’ve piled a whole kitchen and a weird fridge smell on top of it, and THEN you have to process the body, and it’s buried so much it barely has an impact. Put the dead body at the end, and it’s like an emotional exclamation point. Everything’s normal and then BAM, her brother’s dead.

This rule doesn’t just apply to sentences: structuring lists or paragraphs like this, by putting the important info at the end, increases their punch too. It’s why in tropes like Arson, Murder, and Jaywalking or Bread, Eggs, Milk, Squick, the odd item out comes at the end of the list.

Subverting this rule can also be used to manipulate reader’s emotional reactions or tell them how shocking they SHOULD find a piece of information in the context of a story. For example, a more conventional sentence that follows this rule:

She opened the pantry door, looking for a jar of grape jelly, but the view of the shelves was blocked by a ghost.

Oh! There’s a ghost! That’s shocking! Probably the character in our sentence doesn’t even care about the jelly anymore because the spirit of a dead person has suddenly appeared inside her pantry, and that’s obviously a much higher priority. But, subvert the rule:

She opened the pantry door, found a ghost blocking her view of the shelves, and couldn’t see past it to where the grape jelly was supposed to be.

Because the ghost is in the middle of the sentence, it’s presented like it’s a mere shelf-blocking pest, and thus less important than the REAL goal of this sentence: the grape jelly. The ghost is diminished, and now you get the impression that the character is probably not too surprised by ghosts in her pantry. Maybe it lives there. Maybe she sees a dozen ghosts a day. In any case, it’s not a big deal. Even though both sentences convey the exact same information, they set up the reader to regard the presence of ghosts very differently in this story.

For months, you are haunted by vivid nightmares.

At the center of it is always the same strange, distinctly dressed person wearing a mask. After months of torment, you are terrified of seeing this nightmare entity.

One day you meet with a friend, and you find them dressed like the masked entity from your nightmares.

Plumes of smoke clouded the dark horizon. The smokey scent of a campfire wafted through the cold air. The villain pulled the hero close and kissed their head.

"What are we?" The hero asked softly.

"Cupid's a chaos goblin," the villain stated, skewering a marshmallow onto a tree branch. "I love you, in case you haven't noticed. What are you feeling?"

The hero smiled fondly. "I... feel the same."

"But?" The villain gazed at them. "Your tone tells me there's something else."

The hero paused, then nodded and hugged themselves.

"You love me now," they whispered. "But... You haven't seen my unloveable side."

"You know I have an unlovable side," the villain retorted around a mouthful of marshmallow. "Why are you so afraid of me seeing yours?"

"Don't talk with your mouth full," the hero scolded. "That's a choking hazard."

The villain rolled their eyes.

"I... Everyone just... Eventually..." The hero struggled to articulate their thoughts. "There's something everyone really, really hates about me. I don't know what it is."

"Well, you are dating a villain." The villain threw a marshmallow at the hero's face. "Plus, you could stand to lighten up. We started out fighting, so it can only get better from here."

The hero glowered. "Can't you take ANYTHING seriously?!"

"But you're so good at that!" The villain said. "Why would I take your job?"

The hero grabbed the marshmallow bag and threw a handful at them. "What is WRONG WITH YOU?!"

The villain shook off the marshmallows. "I don't know, but I'm shocked every day you put up with me."

The hero's groaned and buried their face in their hands.

The villain reached out and gently touched their shoulder. "...and it makes me want to be a better person. You make me better."

The hero's expression softened, and they kissed the hand on their shoulder. "You make me better, too."

"I'll try to get better at... This." The villain gestured between them vaguely. "Maybe... Maybe you can try to have faith I won't just walk away from you. Not without a proper conversation."

"Deal," the hero said, and rested a head on the other's shoulder.

The villain pet their head gently, then reached stealthily for a fallen marshmallow.

"You're not eating those marshmallows off the ground," the hero said, eyes closed.

"Oh, come on--"

The man who strides in is haggard and unkempt. He looks at you with a dead-eyed expression and a look of utter despair.

"So, uh, here goes," he says. "People say you have some kind of power. And I just... I'm wondering if you can check my red string."

"Of course," you say. The request is not unusual. "I'll even tell you who's on the other side, if you like."

You find the start of the string and motion for him to follow. He trails behind you wordlessly, his eyes glued to the floor.

Outside, you can see the string disappear into the horizon.

"We'll take my car," you say.

You drive down the road in silence, following the twists and turns of the string. Sometimes you lose sight of it and have to retrace your steps. It's a bit difficult to pinpoint one string in an area full of people.

Finally you reach a residential building. The string goes straight into the walls of the third floor.

"We can stop," the man whispers. He sags in his seat and buries his head in his hands.

"You recognize this building?" you ask.

He nods quietly.

You touch his shoulder gently. "Then why--"

"It'll never work," he mutters. "My roommate, he's so... Oblivious."

You tilt your head. "Have you shared your feelings?"

He laughs. "So, so many times. He just doesn't get it. He doesn't think... Two guys..." He sighs and shakes his head in resignation. "I need to move out."

"You don't have to explain it," you say gently.

"Do you want to come in for some tea?" he asks.

You nod.

You walk up the stairs behind him. The string pulls taught as you reach his floor. You walk down the hallway, glancing at the various apartments, and pause at the door that the string leads to.

"Why are you stopped over there?" he says. "I live over here."

You blink, then follow him. He hesitates at the door. "I think he's home," he says.

"He can't be. The string leads down the hall," you say.

He opens the door. "Oh. Hey, roomie," he says.

His roommate waves back.

He gestures for you to sit.

You shake your head. "I have to tell you something," you whisper.

"Don't worry, he's got a headset on and he can't hear you right now," the man says.

"He's not your soulmate," you say.

"What?" he squawks.

You look at the string. It pulled taught straight into the wall.

"Come out to the hallway with me," you say. You knock on the door the string leads you to.

The man who answers says, "Oh no. Is your roommate being dumb again?"

Your client hesitates. He experiences a moment of realization.

"Oh. Y-yeah," he says.

"I got your favorite snacks," says the man who answered. "Also I need to share this new show with you. I know you'll love it."

Your client looks at you uncertainly. You smile.

"Oh, you're, um, welcome to join too," the man who answered says.

"No, you two have fun," you say with a knowing smile.

Your client smiles. "Thanks."

Some say that an invisible red string is tied around the fingers of soulmates meant to be together forever. As it turns out, you can see these red strings, and have therefore created a highly successful matchmaking business.