Hi I’m curious I’ve tried writing 30 minutes a day but I feel burnt out doing that would writing 5 minutes a day and building writing as a muscle over time be a better option?
Hi! Firstly, I'm sorry this took so long to get to. I didn't forget about you!
Also, the whole 'write a certain amount per day' is more of a guideline than an actual rule. It works for some writers really well. It does not work for everyone.
If you are interested in trying to write every day, I would absolutely encourage you to start where you believe you will be successful. If you can only seem to commit to writing five minutes, write for five minutes! Five minutes is more than no minutes, and who knows--you might hit a stride and end up writing for ten or twenty. Maybe over time you will be able to write for longer, or maybe this little 5 minute stretch is perfect for you.
I tend to only get burnt out of writing when I'm forcing myself to write when I just can't commit the energy, time, or brain capacity. It's meant to be fun! Figure out when and for how long you have the most fun writing, and make that your schedule.
Full offense but your writing style is for you and nobody else. Use the words you want to use; play with language, experiment, use said, use adverbs, use “unrealistic” writing patterns, slap words you don’t even know are words on the page. Language is a sandbox and you, as the author, are at liberty to shape it however you wish. Build castles. Build a hovel. Build a mountain on a mountain or make a tiny cottage on a hill. Whatever it is you want to do. Write.
Sorry for my absence from answering asks lately and just reblogging fanworks 💕
I'm finally feeling much better mentally over these past few days, and would love to focus that energy on writing the IF! All I can manage as far as my blog at this moment is posting biweekly updates and sharing any cool things that pass my way 🥺✨
I will post all of these art I got from various artists when Chapter 2 comes out -- in the meantime, have a sneak peek at them!! 🫶💖
My wallet weeps at the loss, but my heart sings for joy! 💸 (I've got 3 more on the way, but once I've got enough, I'll be getting more art for the future!)
*grabbing you by the shoulders and shaking you* don’t EVER say it’s so over. it’s not over. There’s hope. It’s not over for the flowers that get paved over because they grow through the cracks in the concrete, stronger than ever. It’s not over for the moths on a soot-blackened tree because they will grow black wings and evade predators faster than ever. It’s not over for the tree that gets chopped down because it will survive off nutrients from its root neighbors and keep holding on. It’s not over because it’s hard. There’s hope. There’s hope. There’s hope.
made this in response to not having anything for small joys saturdays
“people have endured the worst events in human history and lived to share their experiences,” i say after taking a sharp deep breath through my nose
“people have found small comforts in small ways throughout humanity’s bleakest moments,” I say, resisting the urge the scream
“people have survived the worst atrocities humanity has thrown their way and lived to share what they went through,” I say as my eye twitches
“even though the worst parts of history may end up repeating itself that also leaves the possibility of the best parts of history also repeating itself,” I say, trying to comfort myself
Beautiful covers compared to their equally beautiful alternative covers
When I was a younger writer I always considered my settings last in scene writing. It went action -> Characters -> Maaaaaybe setting if I felt like it. This can work—a lot of stories get by without having very memorable or strong settings—after all we’re there for the story within them. But once I got older and started moving and leaving places behind, I began to recognize how much a setting or place can hold—in memory, symbolism, feeling.
These aspects of a place are just as important to imbue in fiction—they can convey an emotional impact, reinforce the tone, provide details on background. More than anything else, I find setting is where you can imbue your story with magic.
(Specifically, I’m talking more about individual settings rather than worldbuilding. Check out my worldbuilding posts here!)
Most important to start with is consider what this place means to the character. For example, “home” is a concept as varied as the people who use it. It can mean safety, love, belonging, alienation, escape, confinement, freedom, etc. etc.
What memories reinforce that meaning of home? How does the character’s background relate to and lead up to their concept of home?
Then, once you know this, what decoration or ‘look’ would convey this? A character who views home as a temporary place to be abandoned at the drop of a hat would have very few personal items in their home. Maybe hardly any furniture—maybe they live out of a suitcase and keep only a carton of milk and a box of crackers in their kitchen.
A character who has lived in the same childhood home for their entire life may have just as much of their parents’ things as their own—their surroundings reflecting generations of loved ones.
These objects hold memory as much as their surroundings do. This is where we can really explore background and the emotional ties to a place. How loved is it? What does loving a place look like for that character? Maybe love looks like keeping it perfectly clean and tidy—maybe it looks like filling it to the brim with pretty things.
What makes two characters’ homes different? We want to avoid stating the obvious. You don’t really need to mention that your character has a bed, a nightstand, and a lamp in their bedroom—unless you’re making a point of how little or how much they have. You may want to mention which items are new and which are old—especially if it’s a room that they’ve been in since childhood, or throughout several periods of their life.
Just like levelling up description—what makes a place unique? What message are you trying to convey?
Good luck!
New Sketch-a-Wish for October’s Patreon vote! Featuring Xingyin and the Venerable Four Dragons from Daughter Of the Moon Goddess by Sue Lynn Tan!
This request ironically was an amalgamation of the two previous DOTMG fanarts I’ve done, so I decided to take it down a different route for styling (a mix of my illustration and papercraft design). I had a super fun time creating this piece, very chaotic and clean!
And perfect timing, since the sequel Heart of the Sun Warrior comes out next week!! I was able to get a beautiful arc of this several weeks back, but my eyes and hands have been abysmally scrapped for free time to make any progress in a small pile of arcs I’ve received this year. 😭 I’m pretty much waiting for the audiobook at this point, my ears are ready!! Only a few more days! I’m so excited to revisit this world!
21 | Chinese | Autistic | Aspiring Fantasy Writer and Narrative Designer | Fae and Chinese Mythology Enjoyer | @charmycharmcharms' writeblr!
91 posts