Halfas Actually Do Have Lairs, But As They Are Only Halfas, They Don't Know How To Find Them.

Halfas actually do have lairs, but as they are only Halfas, they don't know how to find them.

Vlad has one, Dani has one, Dan has one, and Danny has one. Danny and Dans are separate, and out of all the Halfas only Dan knows where his is.

After all, for a period of time, he was a full on ghost.

Dan and other ghosts warn Danny and Dani that when they find their lairs, they'll have to start from the ground up. The door is the first stage, and when a lair gets big enough it can expand beyond the door. However, the ghost must build the home in their lair. The door opens to an island floating in a void, but it's up to the ghost who owns it to build the "house" so to speak.

Walkers had started out as a replica of his Office from his life, and then grown into the massive prison Danny had been trapped in. Skulker's had started out as a small hut in a jungle, and grown into the fortress he kept all his "prizes".

One day, Danny is exploring the Ghost Zone when he comes across a door that he knows, beyond the shadow of a doubt, is his.

It's on someone else's lair, weirdly enough, but that door belongs to Danny.

He opens the door, expecting the lair to be unkempt or wild, something he'll have to work on as a fixer upper, but...it's orderly. It's not what he could have or would have expected.

It's a field in permanent night, with the Aurora Borealis shining down and illuminating the ghostly mimicry of plants below it. There's...there's a house? It looks old fashioned.

He wanders in, and there's little bits and bobs lining hand-made shelves.

It's a small cabin, decorated with various random stuff loosely related to space. There's stars notched into the wooden ceiling rafters, the bed posts are carved to look sort of like rockets, like whoever had done it wasn't too sure how to work with ecto yet.

He leaves the cabin and takes stock of the island, looking closer.

It looks like there's...a field? There's a field of some kind.

He flies closer, and realizes it's not a field. It's some kind of orchard? The trees being grown are a ghostly mimicry of Weeping Willows on one side and apple trees on the other.

He recognizes an attempt to breed a new kind of plant when he sees it thanks to Sam, and lands to walk in further.

The Weeping Willows get younger the further he goes in, and start to look very different. Their leaves start to glow at the tips, become speckled with spashes of purple and blue, and by the time he gets to the youngest one, it looks like a tree made of space.

The apple trees, too, were the result of someone's experiments. The youngest apple tree that's bearing fruit? Those apples are clear, like glass, with little glowing seeds in them, like a little glass ball with a fake galaxy in the center.

Someone, obviously, has not only been walking in and out of Danny's lair, but has been taking care of it. They've been preparing it for Danny, and they've done a pretty damn good job.

But who?

~~~~~~

When Jon Kent Sr died, he'd known immediately where his "lair" was. Naturally, after finding the door and preparing the land for planting, he decided to take a break by introducing himself to his neighbors.

But he only had one.

A flimsy purple door was next to his, and when he opened it, the land behind it was wild; an overgrown forest with an untamed clearing full of brambles. There was no one there.

He'd gone back to his own lair, confused. He'd continued altering and bettering his own lair, breaking free of the door's confines and making a fairly large island with a perfect replica of his home in Smallville.

The abandoned door stayed the same. In fact, it didn't move out of his lair's territory. It stayed on his land, a small door to an abandoned lair.

As a full ghost, he knew this wasn't normal. Lairs were supposed to move and give space to an expanding lair; it was one of the many, many ghost facts that any full ghost just knew upon formation.

So he felt bad.

Something was wrong with the lair, or the ghost that owned it.

He spent some time inside of it, tidying up clearing out debris. Took out the bramble patches. Removed some of the ghost plants that weren't looking quite right.

One day, after he'd finished his work on his farm and was heading into the abandoned lair to keep busy, he was stopped by an Ancient.

Not just an Ancient, but the Ancient of Time.

He found out...a lot of stuff. Some right sad stuff.

Thing's that didn't sit well with him.

The abandoned lair wasn't abandoned. It belonged to the ghost of a child with a space obsession. That ghost hadn't been formed right, and didn't know how to find his own lair.

The Ancient assured him that, in time, the little ghost kid would find it, so if he could put up with it on his land until said kid could understand how to move it, that would be much appreciated.

And. Well.

Jon is a bit of an empty nester.

Knowing that the owner was a kid? A lost one?

The Zone was big, he wouldn't be able to find a kid he didn't even know. Wouldn't know where to begin. He doesn't like that the Ancient clearly does and isn't helping, but that Ancient also promised to help keep the space kid safe.

So Jon's keep-busy projects got a little...involved.

He built a small cabin. Just a little starter thing so the kid wouldn't have to worry too much about a house; he could add on or get rid of it later.

And, well, the cabin wasn't enough. It needed some sprucing up! Jon had been a farmer from Kansas in life, and he knows a thing or two about whittling.

So he started carving some space stuff onto the ceiling beams. Carved some rockets on the posts for the bed he'd made from ecto.

Decided to pass the time by making a "welcome home" gift to the kid, but while he could build with ecto, his gift has always been to grow things.

He just...played around with some trees, splicing and breeding the ghostly qualities he wanted.

Tamed that clearing so that it would be safe and fun for a kid to run in.

Just in case, he decided he'd better add another room to the house in his own lair. Cuz, kids sometimes needed places to stay with adults present so they could feel safe. No other reason.

That room, also, was decorated with things about space as well as Jon could do it.

Then, one day, the door looks far more stable.

Jon nods to himself, finishes up his chores, and goes to finally greet his neighbor.

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Alligator Bites Might Never Heal, But Doechii Is Good At Holding Alligators

Doechii won the Grammy for Best Rap Album for Alligator Bites Never Heal, but she also should have won the coveted and definitely not fictitious "Best Alligator Handling" award for the way she held Coconut on the cover!

An image of Doechii, a Black woman, holding Coconut, an albino alligator. This image is the album cover to her mixtape Alligator Bites Never Heal. In this image, Doechii is seated, and holding the alligator using two hands and supporting the animal's body with her knee and forearm.
An image of Doechii, a Black woman, holding Coconut, an albino alligator. In this image, Doechii is standing, and holding the alligator using two hands and supporting the animal's body with her forearm and holding her close to her body. Doechii's smiling in this one. The alligator is calm and unbothered.
An image of Doechii, a Black woman, holding Coconut, an albino alligator. In this image, Doechii is standing, and holding the alligator using two hands and supporting the animal's body with her forearm and holding her close to her body. Doechii's not smiling in this one, and it's zoomed out more than the previous image. The alligator remains calm and unbothered.

(Yes, it's this Coconut.)

And the best part? She released a BTS video showing how they shot the cover, meaning that we can see more than just the still image! If a picture's worth a thousand words, video's worth... a lot more. (Sorry if it autoplays I don't think I have any control over that either way)

So, using the photoshoot images and video as evidence, let's take a look at how Doechii handled this alligator very well! I'm going to go into excruciating detail here because I think it's important to know why something is good just as much as it is important to know why something is bad. It's hard to understand alligator body language a lot of the time, so in this writeup, I will address how Doechii's holding the gator and what she's doing right, as well as point out how you can tell from Coconut's reactions that she is not distressed.

Body Support

In the album cover image, Doechii is seated, which is good, because even though she's a small alligator, Coconut is a very strong and powerful creature. That tail is pure muscle! But even in the standing images, you can see that Doechii is giving Coconut great body support and holding her correctly- close to the body, but without grabbing too tightly or being restrained uncomfortably. I think for a gator of this size I would have recommended pinning the back foreleg against her body for a little additional support and movement restriction- but I don't think she had to restrict movement because Coconut seems quite relaxed!

In the seated image, Doechii has one hand under Coconut's chest, supporting her sternum and head. The other hand is on top of her tail, and her knee is under the pelvic girdle. This type of hold lets the alligator feel safe; remember that these are aquatic and terrestrial creatures. An insecure hold that risks dropping them is going to stress them out and make them uncomfortable. By holding the alligator gently against her body and not squeezing, she's avoiding any uncomfortable pressure.

Head and Throat Support

In all of the images, Doechii is bringing her hand under Coconut's neck, creating a cradle with her hand so that the alligator can rest her head. But what she's not doing is she is not squeezing or grabbing the throat. The throat is one of the soft bits of an alligator, and squeezing it too tightly is very uncomfortable for them. But the way Doechii is supporting her gives her several degrees of freedom to move her head if she so chooses.

Body Language

Another indication of good handling is that it's clear that Coconut is not uncomfortably stressed. Alligators express displeasure with being held in a lot of ways, including struggling to get away, hissing, and holding their mouths open. (If you want to know more and see my sources, you can read my post on alligator body language. LOTS of info there, including peer-reviewed ethology sources that explain what alligators do and why they do it! Go get your data-driven answers!)

But Coconut isn't doing that; she's calm and alert. You can see in the BTS video that she's active on set. She's not shut down, and when she wants to walk around, she's not restrained. Obviously the video is an edited timelapse, and it's not the whole story- but when people show alligators in media, they usually don't know enough about them to edit out any uncomfortable body language. So I think that if she had been upset, we would have seen that.

We can also see in the video that Coconut is unbanded, meaning her mouth was not held shut. I thought they might have banded her and then edited the band out for the cover, but no, there was nothing restricting any distress cues. Banding is usually done for public safety, but the facility Coconut's from... doesn't do that, so I'm not surprised she's unbanded. At least it gives more evidence that she's not trying to gape!

One more good indicator that Coconut was comfortable is that she's got her eyes open, which you can even kinda see in the video if you zoom in. Reptiles will often squinch their eyes shut to avoid distressing stimuli or signal distress, and albino alligators have even more reasons to do this. They're much more sensitive to light than their pigmented counterparts. But it looks like her on-set work was completed quickly, meaning that she didn't have to be around bright lights for long.

In conclusion:

A hastily assembled award certificate that says Certificate of Appreciation: This certificate is proudly presented to Doechii for being very nice and polite to Coconut the Alligator and doing a great job of holding her and making her feel supported. There are two really goofy clip art alligators on the otherwise bland corporate award certificate.

Doechii's album cover is an example of good alligator handling. Yay!

That said, please note that this is only about handling and is divorced from any other issues surrounding this particular alligator. (Read the body language post if you want more on that.) These are not issues I'm touching in this post, because that's not the point! I simply want to point out an instance of good handling and how you can identify relaxed body language in an animal that is notoriously hard to read when posted on social media.


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7 months ago
I’m Just Going To Leave This Here…

I’m just going to leave this here…

9 months ago

"Stop saying 15 year olds with weird interests are cringe, they're 15" this is true however you should also stop saying adults with weird interests are cringe because who gives a shit


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8 months ago

Tiny god damn dolphin


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9 months ago
My Son Who I Hate

my son who i hate


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6 months ago
You Were Right

You were right

The albino one is called astarion

Hamsters are the perfect reference for doodling Bamfs

Do you see what I mean, how is this not perfect for a Bamf

Hamsters Are The Perfect Reference For Doodling Bamfs
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Hamsters Are The Perfect Reference For Doodling Bamfs

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choccochocco - Chocco
Chocco

Alt: @clown-worm-enthusiestAsk me anything about niche animated series (like dino squad, rescue bots, pls ask me anything) Pro Palestine 🇵🇸 (Minor)

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