Canon Sirius Through Quotes

Canon Sirius through quotes

Part 2. Intelligence and recklessness. Sirius Black (and James Potter, with a bit of Remus and Peter too)

Or who is the smartest of the Marauders?

Sirius and James are described multiple times as exceptionally intelligent. They didn’t need help from Remus or Lily to pass their exams. James didn’t envy Sirius for being ahead academically, and Sirius didn’t ask Remus for help. They could handle everything on their own.

For example, McGonagall rarely gives praise without good reason. Here are her words about James (often unfairly depicted as less intelligent than Sirius or Remus) and Sirius:

‘Precisely,’ said Professor McGonagall. ‘Black and Potter. Ringleaders of their little gang. Both very bright, of course – exceptionally bright, in fact – but I don’t think we’ve ever had such a pair of troublemakers –’

Being "exceptionally bright" is an extremely high praise for intellectual ability from McGonagall.

As for Peter, she speaks rather average of him:

‘Pettigrew... that fat little boy who was always tagging around after them at Hogwarts?’ said Madam Rosmerta. ‘Hero-worshipped Black and Potter,’ said Professor McGonagall. ‘Never quite in their league, talent-wise. I was often rather sharp with him. You can imagine how I – how I regret that now...’ She sounded as though she had a sudden head cold.

Moreover, Peter "was always hopeless at duelling," according to McGonagall. This means that over 7 years, Peter failed to impress McGonagall with his academic achievements. As the head of his house, she was aware of all his grades. Perhaps he was just an average student, but then it's unclear why McGonagall was "often rather sharp with him." She doesn't seem like the type to be sharp over trivial matters.

Slughorn:

‘Well, anyway, he (Sirius) was a big pal of your father’s at school. The whole Black family had been in my house, but Sirius ended up in Gryffindor! Shame – he was a talented boy. I got his brother Regulus when he came along, but I’d have liked the set.’

While Lupin’s words might be biased, he often speaks quite judiciously about people around him, thus:

"Look, Harry, what you’ve got to understand is that your father and Sirius were the best in the school at whatever they did – everyone thought they were the height of cool – if they sometimes got a bit carried away –"

He confirms that Sirius and James were the best at everything in school. Meaning academically first of all, because school is primarily about studying.

"It took them the best part of three years to work out how to do it. Your father and Sirius here were the cleverest students in the school, and lucky they were, because the Animagus transformation can go horribly wrong – one reason the Ministry keeps a close watch on those attempting to do it."

And a bit more praise from Lupin towards Sirius and James' giftedness. They were both gifted – Sirius and James.

Even Dumbledore acknowledges:

‘Sirius told me all about how they became Animagi last night,’ said Dumbledore, smiling. ‘An extraordinary achievement – not least, keeping it quiet from me.’

So, not only did they become Animagi (Peter wasn’t much help, according to Lupin), created the Marauder's Map, which contained very unusual magic (they, of course, all created the Map together, but based on the description above, I can assume that the main magical component of the map was the responsibility of James and Sirius), excelled in their studies, created a magical FaceTime – an artefact for communication among themselves, they also managed to keep a lot from the school's headmaster and other teachers. Intelligence plus cunning.

Sirius and James' reaction to others' "stupidity":

‘How thick are you, Wormtail?’ said James impatiently. ‘You run round with a werewolf once a month –’ 

‘Keep your voice down,’ implored Lupin. 

‘Well, I thought that paper was a piece of cake,’ he heard Sirius say. ‘I’ll be surprised if I don’t get “Outstanding” on it at least.’ 

‘Me too,’ said James.

Here, I don’t want to dwell on their rudeness, but rather on the reaction itself. Often Lupin is seen studying more than anyone (I too like to see him buried in books), but perhaps Lupin simply needed to study more to pass his exams. He buried himself in textbooks not because he was the smartest, but because it was necessary for him. Remus is clearly not dumb; he became a professor at Hogwarts, he’s also described as intelligent in the canon, but things came much easier to James and Sirius, and they were well aware of how smart they were. Hence their reaction. When a teenager is confident in their superiority, and their intellect is often validated by external factors (grades, teachers' praise), such a reaction from James and Sirius, considering their personalities, is quite expected for their still maturing characters.

‘We’ve still got Transfiguration, if you’re bored you could test me. Here...’ and he (Lupin) held out his book.

But Sirius snorted. ‘I don’t need to look at that rubbish, I know it all.’

Sirius' reaction is unequivocal. He doesn’t need to read anything like Lupin, memorising paragraphs. To him, it’s all "rubbish" that he already knows. Sirius likely had a very good long-term memory.

Sirius' memory and attention to detail even after 12 years in Azkaban are also quite remarkable.

"Congratulations on getting past the Horntail, whoever put your name in that Goblet shouldn’t be feeling too happy right now! I was going to suggest a Conjunctivitis curse, as a dragon’s eyes are its weakest point –"

‘That’s what Krum did!’ Hermione whispered.

Clearly, during his 12 years in Azkaban, he didn’t need this knowledge. It’s unlikely he ever used this knowledge in practice. But he remembered it, ready to mention it right away, not having peeked in any books. Even Hermione didn’t know.

‘My God,’ said Lupin softly, staring from Scabbers to the picture in the paper and back again.

‘His front paw...’

‘What about it?’ said Ron defiantly.

‘He’s got a toe missing,’ said Black.

And this is about his attentiveness. To notice that a rat is missing a toe from a small photograph while sitting in Azkaban… I wouldn’t have noticed even without Azkaban.

As for adult Sirius, the fourth book shows many of Sirius' reasonable assumptions that eventually are confirmed. What people mistake for stupidity is his recklessness, as well as his willingness to die for those he loves, to protect them at any cost. His recklessness is usually related to this.

‘The Ministry’s forced through another decree, which means we’re not allowed to have Quidditch teams –’

‘Or secret Defence Against the Dark Arts groups?’ said Sirius. There was a short pause.

‘How did you know about that?’ Harry demanded.

‘You want to choose your meeting places more carefully,’ said Sirius, grinning even more broadly.

‘The Hog’s Head, I ask you.’

‘Well, it was better than the Three Broomsticks!’ said Hermione defensively. ‘That’s always packed with people –’

‘Which means you’d have been harder to overhear,’ said Sirius. ‘You’ve got a lot to learn, Hermione.’

Hermione is very smart, but Sirius immediately explains their tactical mistake. But it still sounds somewhat condescending.

‘But, Sirius, this is taking an awful risk –’ Hermione began.

‘You sound like Molly,’ said Sirius. ‘This was the only way I could come up with answering Harry’s letter without resorting to a code – and codes are breakable.’

It might seem reckless, but he's right, codes can be cracked. And he really wanted to reply to his godson – it's more about his inability to refuse the only living person he loves now and his desire to protect him.

Sirius repeatedly makes correct deductions in the fourth book, here are a couple of examples, but generally, the fourth book is full of rational remarks, assumptions, and overall, he's ready to provide Harry with information, especially in the fifth book, when Harry is having the toughest time and most people simply refuse to tell him anything.

‘Yeah, and Dumbledore said it happened whenever Voldemort was feeling a powerful emotion,’ said Harry, ignoring, as usual, Ron and Hermione’s winces. ‘So maybe he was just, I dunno, really angry or something the night I had that detention.’

‘Well, now he’s back it’s bound to hurt more often,’ said Sirius.

‘So you don’t think it had anything to do with Umbridge touching me when I was in detention with her?’ Harry asked.

‘I doubt it,’ said Sirius. ‘I know her by reputation and I’m sure she’s no Death Eater –’

‘Now, I’ve been keeping an eye on the Daily Prophet, Harry –’

‘You and the rest of the world,’ said Harry bitterly.

‘– and, reading between the lines of that Skeeter woman’s article last month, Moody was attacked the night before he started at Hogwarts. Yes, I know she says it was another false alarm,’ Sirius said hastily, seeing Harry about to speak, ‘but I don’t think so, somehow. I think someone tried to stop him getting to Hogwarts. I think someone knew their job would be a lot more difficult with him around. And no one’s going to look into it too closely, Mad-Eye’s heard intruders a bit too often. But that doesn’t mean he can’t still spot the real thing. Moody was the best Auror the Ministry ever had.’

And much more.

For Harry in the fourth and fifth books, Sirius became the one who supported him and provided information, and all his attempts to break through to Harry, risking being caught – this is an expression of love and desire to help his godson. It's precisely in such moments that his recklessness is revealed – when he wants to help.

Moreover Sirius often gives Harry good advice, there is just one example:

‘Don’t lose your temper,’ said Sirius abruptly. ‘Be polite and stick to the facts.’

‘Good luck,’ said Lupin.

‘I’m sure it will be fine.’ ‘And if it’s not,’ said Sirius grimly, ‘I’ll see to Amelia Bones for you...’

Here's the interweaving of Sirius' rationality and recklessness. He knows the right way. But he himself is ready to throw himself into the line of fire. He never gave Harry impulsive advice. But when it comes to himself or when someone needs protecting, Sirius has a different standard of normalcy.

In conclusion, throughout the series, Sirius makes a number of insightful remarks, and his intelligence and giftedness are exceptionally highly regarded by Dumbledore, McGonagall, and Lupin. I wouldn’t attribute his pathological desire to help those he loves to stupidity. Furthermore, adult Sirius shows recklessness mainly when it concerns his own safety and life — he doesn't cherish his own life if it means the well-being of someone he loves, thus he readily throws himself into danger.

Sirius was a brave, clever and energetic man, and such men are not usually content to sit at home in hiding while they believe others to be in danger. (Dumbledore)

More Posts from Cmoneman and Others

4 months ago

Secrets of the Darkest Art: How to Make a Horcrux

So I saw many theories regarding how to make a Horcrux, but none of them really made perfect sense to me, so I decided to give it a crack myself as part of my mission to understand Lord Voldemort/Tom Marvolo Riddle (Which I think I did, big post coming about that at some point, this is but another piece of that puzzle of a man)

So this is my reverse engineering of a ritual to create Horcruxes based on book evidence, my knowledge of real-world alchemy, real-world ancient Greek cults and rituals and linguistic analysis.

How to reverse engineering a dark magical ritual:

The first thing, is to define what we knew fore certain:

The name: "Horcrux"

The creator is an Ancient Greek wizard named Harpo the Foul.

A death is required in the making.

A Horcrux holds a piece of the casters soul that anchors them to life so they won't die.

I'll actually start with the third point.

How to split a soul?

Both Dumbledore and Slughorn mention a death being required to tear your soul to make a Horcrux, and that never really sat right with me. It magically doesn't make sense and even the canon examples we have for Horcrux murders make this statment iffy.

We have seven examples of murders used to create Horcruxs (thanks to one Tom Riddle being dramatic):

The Diary - Myrtle Warren - killed by a basilisk. Sure, Tom freed the Basilisk, but it hardly seemed targeted at Myrtle specifically and you can argue he didn't actually kill her (more a manslaughter by negligence). He didn't cast the spell, so how come this tore his soul?

The Ring - his father (Tom Riddle Sr) - Avada Kadevra.

The Cup - Hepzibah Smith - she was poisoned by her house elf. Sure, the elf was under the imperious, but it wasn't a first-degree murder, and like with the Basilisk I find it hard to consider this the same as casting a killing curse. Magically those are very different things.

The Locket - Muggle Tramp - Avada Kadevra

The Diadem - Albanian Peasant - Avada Kadevra

Harry Potter - himself - backfired Avada Kadevra

Nagini - Bertha Jorkins - Avada Kadevra

Now, I used the term "magically different" or "magically make sense" what do I mean by that?

Well, besides the fact I'm going to make a full post about how I see magical theory in the Harry Potter Wizarding World, I'll say it takes a lot after occult philosophies from Alchemy that are very old, Slughorn mentions as much in book 6 and there are a few other references to it. I'm just gonna cover the basics required for this theory.

In Alchemy, everything (people, animals, plants and rocks) are built of three base components:

The Salt - the body - the physical form.

The Sulfur - the soul - the self that holds the divine flame.

The Murcury - the spirit - the life essence that binds the salt and sulfer together.

Now, in Alchemy, the main study is in purifying and combining these different aspects of material. Let's look at a herb, for an example:

If we want to retrieve its salt, we'll dry the herb completely using fire to leave behind a fine light grey ash that represents only the physical form.

If we wanted its mercury we'd distill all liquids from it until we get a purified, clear liquid which in the case of plants would be alcohol (it's why alcohol is referred to as "spirit").

And if we wanted its soul, we would take the remains from the distillation and drying process which would be a kind of oil.

(it can get more complicated with different materials, but this isn't a post about Alchemy)

Now, back to Horcruxs.

So, if we would want to split a soul, Alchemecly, how do we go about it?

Well, we don't. Not really. See a soul can't really be split, as every part of it, every bit of that oil from our random herb represents the entire soul. It's why something like a Horcrux could theoretically work in giving a full life to the diary the way we see in Chamber of Secrets.

Additionally, to work with any material in Alchemy, you are required to purify it first. It means that to get a piece of soul to bind to a diary, you need a pure soul.

Killing someone else won't sever your own soul from the spirit and the body, it's not how this works. Killing someone severs their spirit and therefore splits their body, spirit, and soul. Besides, an Ancient Greek man, like Herpo was, would hardly consider murder as vile as we do today. It wouldn't even cross his mind that any murder (even an indirect one) could harm one's own soul.

No, the only way to "split" a soul is to first sever it from life, disconnecting the bond between soul and body. Essentially, the only way to promise you immortality is to kill yourself.

I know it sounds a little confusing, but, essentially, once the soul is severed from the spirit and body you can split it. Think of the herbal oil, once you have the oil, separate from the rest of the plant parts, you can combine it with new ingredients. You can only work on a specific aspect once you severed it from the other two and as what binds all three together is spirit — life — the only way to do it for a human soul — is death.

But really, how?

Well, here comes the second thing we know about making Horcruxs — that dear Herpo was Ancient Greek.

In Ancient Greece they had multiple different religious cults, some of which were Chthonic cults. Cults that dedicated themselves to death or ditties and heroes associated with death and more importantly — rebirth.

Many of these cults were dedicated to figures like Orpheous, Dyonysus, Persephone, characters in mythology who are known for going through the underworld — through death — and coming back out. These cults were very secretive and not much is known about their practices, but some is.

What is known is that they had rituals were they reenacted a death and then rebirth (usually drinking wine — a water if life, was the representation of rebirth).

This created a very clear idea in my head — to split a soul, you'll have to ritualisticlly, magically kill yourself, severe a peice of your soul and then revive yourself with a water of life — a potion.

This potion is never mentioned, but I believe it exists due to these Chthonic cult rituals and how they were structured. Not only that, but the Greek underworld did have a river known for being incredibly painful to drink, literally made of fire, but being able to bring the dead back - The Phlegethon River.

Note: Lethe River Water (the river in the Greek Underworld that makes the drinker forget) is a canon ingredient in a Forgetfulness Potion.

So what is the dead body for?

Well, congratulations, you killed yourself to retrieve a sliver of your soul and revived yourself so you won't stay dead. You found an item you can keep secure to tie that sliver of soul, too. Now, how would you bind then? After all, the only thing meant to bind a human soul to a body is a human spirit - a human life... you get where I'm going with this.

This is why Tom didn't have to be the one to do the deed. As long as he had a recently deceased corpse to harvest the life from to use to bind his newly split soul and the item of his choice.

It explains why nothing was missing from the bodies. Myrtle and the Riddles were investigated by the Ministry of Magic. One would assume the aurors would've noticed if any corpse was missing a hand due to the killer eating it (as other Horcrux theories suggest).

Not only was nothing missing from the body, the soul was intact. Myrtle became a ghost after death, a ghost is quite literally, just the soul, no body, no spirit.

So the only thing that was taken from Tom's victims was their life, quite literally at that.

Is that all? Can we make a Horcrux now?

Not really. See, when analyzing spells in Harry Potter is their name.

Avada Kadevra - is a reference to an Aramaic healing spell "Abracadabra" pronounced in Aramaic as: "Avra Kadebra" and meaning "I will create as commanded". Merged with the Latin word "cadaver" meaning "corpse" to create -> "I will create dead bodies as commanded"

Or Wingardium Laviosa - is a cross of the English word "wing", the Latin word "arduus" (meaning "high, tall, lofty, steep, proudly elevated"), or "arduum" (meaning "steep place, the steep" and the Latin word "levo" (meaning to "raise, lift up"). So together the spell means -> "lift high up".

So, it's pretty clear spells, their names and incantations are very self-explanatory. So a Horcrux should be no different.

I've seen some attempts at translating the name Horcrux. Unfortunately, these attempts treated the name as Latin, modern Greek, or Old English. Herpo, was Ancient Greek, though, so I went and translated a few possible meanings from Ancient Greek (Classical Greek and Homeric Greek are what I looked at):

ὅρκος (orkus, pronounced "hor-kus") - an oath, the object by which one swears, bound by oath (still used in modern Greek).

κρόκες (crukes, pronounced "cru-kes") - saffron-colored (blood red in Greek), crocus flower. The crocus flower symbolizes both death (the saffron that is the spice) and rebirth (the golden crocus which brings renewal and joy) because Demeter wears them when Persephone returns from the underworld in myth.

So what we have is a spell called "binding oath of death and rebirth" which all around sounds fitting.

There might also be a "made in blood" tucked at the end due to the association of κρόκες with the color of blood.

But what does it matter?

Well, somewhat. As now with this name, I expect the binding between the spirit from the victim, the split soul, and the item would be done in a sort of oath - an orkus.

The association with blood gives us another hint. Blood is the part of the human body most representative of life. Therefore, in Alchemy, your blood is your spirit. So it'll make sense that your own blood would be used in the binding process or more correctly in the process of turning another person's spirit into your own. Making the thread to bind the body (item) and the soul piece your own. As it also refers to just a red firey color, it can indicate the Phlagatton potion I hypothesize should be part of the ritual due to how Chthonic rituals usually went, as the Phlagaton river is made of fire.

So we have a general idea on how to make a Horcrux. You need an item of your choice to bind your soul to. You need a life (spirit) harvested from a human that you transformed into being your own using your blood. And you need a piece of your own soul, which you get by killing yourself and then reviving yourself. And you finish it off by binding it all together with an oath.

But how could you make one accidentally?

So, everyone knows Voldemort succeeded in somehow making a Horcrux accidentally, something a lot of theories I saw don't account for. Becouse whatever process you need to go to to make a Horcrux, Voldemort went through all of it the night he died the first time and marked Harry.

All the steps for my method of making a Horcrux were met that night.

The item in qustion is baby Harry, nothing interesting there.

The soul sliver was split the way it always is — through death. Voldemort dies, killed by his own killing curse and that is what splits his soul.

The life or spirit that then binds his soul to Harry isn't Lily's spirit or James'; it's his own spirit that acts as a binder between Harry and Voldemort’s split soul. Because the spirit was already his, there was no need to transform it by blood.

Step-by-step guide to making Horcruxes:

I'm not going to actually give the full step-by-step least a budging dark lord is looking for this information. I do have notes about exact incantations and even the full recipe and instructions for the Phlagaton potion I'm going to mention. These instructions won't be here since they are more in the realm of speculation and headcanon. This is just the overview of the ritual based on canon information and the occult philosophy I mentioned above.

Step 1 - Life and Blood

Get access to a recently deceased human and extract their Mercury (Spirit or Life Essence).

Submerge the retrieved life essence with your own blood on a new moon (life and vitality). (7 drops of blood will probably do)

Step 2 - Water of Fire

To complete the cycle of death and rebirth you’ll need the Phlegeton Water potion to return you to life at the end of the cycle.

As you brew the potion, it must be brewed in a dark room, preferably underground to remind as much of the underworld as possible.

While brewing the potion one must be in the mindset of the Phlegeton, must be willing to go through agony to achieve eternal life and imbue these thoughts in their potion. (In alchemy, when working, it is believed you imbue your work with your thoughts during the Alchemical process. As an Alchemical process affects both the material being worked and the Alchemist themselves)

Likley Ingrediants:

Saffron spice

Golden crocus flower juice

Pomegranate juice

Step 3 - The Ritual Preparation

Set up your space so none of the components may escape the ritual space and so the ritual will not be interfered with.

Make sure the spirit you retrieved is within reach.

Make sure the item you desire will hold the Horcrux will be within reach as well.

Coax the spirit into the item and prepare it to tie your soul to the next step.

Step 4 - Death and Rebirth

To create a thread of your soul to tie to the ritual, you must die figuratively. Go through death to return stronger from the underworld.

Once you feel like death has reached you and your soul is separated you should heal your soul and finish the cycle, bringing you out of death and back to life by drinking the Phlegeton potion.

After the pain subsides you will feel healthier than before, stronger than before, and you’ll have an additional thread of sulfur (soul) in your chest to be pulled out and placed into the Horcrux.

The split-off soul should, on its own, try to search for life and a body to be bound to. If it doesn't, coax it out yourself and bind it to the Horcrux with the spirit you made in step 1.

Step 5 - Oath of Life

The connection between the body (the item), soul, and spirit is still unstable, if most likely strong enough to hold.

Swear the oath of life to finalise the bound between you, the Horcrux, and the soul thread together to ward off death.

I'll end with this note I made regarding Horcruxes when I started working on this theory:

I don't know what all goes into the process of making a Horcrux but I don't believe a person who truly likes themselves and doesn't want to inflict pain on themselves could make a Horcrux. Tearing up your soul is an act of arrogance above nature, sure, thinking you deserve to change the laws of the world and be the exception is part of it, but it's also an act of self-hatred. You need to hate yourself enough to be willing to kill yourself, hurt yourself, and tear yourself up in the most unnatural ways — hence why so few can do so, let alone more than once.

And Tom Riddle does seem to have that exact mix of arrogance, spite, and low self-esteem that would allow it.

4 months ago

here’s your not so gentle reminder harry’s not piteously pathetic at potions. here’s a refresher:

fifth year, he sat for his owls and scored an exceeds expectations. not an acceptable, or poor, or dreadful, or troll (an ee in owls most probably equals a >75 in gsce o’s during the 90s)

he didn’t duplicate hermione, shrink her, and sneak her into the exam hall to pluck answers off her brain. he didn’t scribble a cheat sheet a la fa mulan on his arm

fifth year he has yet to clap eyes on the half-blood prince’s notes

as always, he didn’t feel confident about his answers/abilities, but he bloody exceeded expectations

he got into newts potions, a class of only twelve students

so harry got an ee, ron got an ee, maybe everyone else got an oustanding. or maybe only half a dozen got outstanding, and the rest exceeds expectations.

it still means the entirety of hufflepuff sixth years aren’t promising potioneers except ernie macmillan. poor boy probably tutors the others in the common room. all of the slytherin sixth years, excluding four, are absolutely worse off than harry and ron at potions. ravenclaw sixth years are shamefully inadequate at potions too, aside from four students.

harry’s not a marvel at potions. he doesn’t enjoy potions. but he’s good at potions, he’s capable enough. he isn’t blowing up cauldrons every month, that’s seamus. he can differentiate the ingredients. he knows how to cut, dice, chop, and stir. the spirit of sixteen year old severus snape didn’t possess him via the pages to help him brew his elixirs and essences in slughorn’s class. harry deciphered snape’s spidery, crammed annotations and executed them perfectly.

i’m bloody tired of these rancid ‘harry sucks so bad at potions except when he’s got the prince or hermione’s help’ takes.

2 months ago
I Love This Bit Sm In Deathly Hallows Bc They Were All So Sad And Yk Scared That Seeing Hermione Being

i love this bit sm in deathly hallows bc they were all so sad and yk scared that seeing hermione being "back to normal" in a way made them both smile at the normality.

ps. a little before this harry points out that hermione was so focused in what was happening in the moment and debating with ron that she forgot she was mad at ron and harry also was relieved by that lmao by boi loves them both sm i wanna cry.

this book has so many tiny moments like this that i love sm.

4 months ago
Ah Well, People Can Be A Bit Stupid About Their Pets.

ah well, people can be a bit stupid about their pets.

- hagrid

1 month ago

Voldemort feared the halfblood boy more than the pureblood boy because only a halfblood straddles the line between inexcusable weakness and birthright power. Only a halfblood boy would have the hunger to rise up against him, especially since Voldemort had positioned himself to be aligned with the pureblood upperclass.

I don't think he intentionally thought of Harry as an equal over Neville. I don't recall whether or not he heard that portion of the prophecy from snape. But we do know that both the Potters and the Longbottoms 'defied' him thrice. I'd always understood the Longbottoms as older, old enough to be well established and known aurors. Perhaps they fought for years during this 11-year-long First Wizarding War, perhaps neville was a conscious choice that may have seemed like an act of defiance but certainly wasn't an act of defiance to Voldemort himself. The Longbottoms no doubt had ample opportunities to clash with Voldemort's plots and plans. The Potters on the other hand joined the Order as teenagers with nothing more than some vicious schoolyard scrapping to their resume. I'd always liked the theory that their choice to marry and keep the baby (that became Harry) in that political climate when they were only 20 years old was itself an act of defiance. But the other two instances during which the Potters 'defied' him must have resonated. Lily must have said something that stuck with him, that forced him to forever associate her with his weakness, with muggles, even though she was not a muggle but a mudblood. A talented witch that even he noticed enough to consider snape's plea to spare her but also unforgettably "muggle". And James must have made enough of an impact for Voldemort to memorize his countenance years to come -- voldemort doesn't usually remember all his murders unless they meant something personal to his journey to immortal power. Yet somehow Voldemort recognizes the need to turn Peter so thoroughly and somehow Voldemort remembers James standing tall and formidable enough to try to taunt Harry with it at the graveyard.

Both Lily and James Potter had been living rent-free in Voldemort’s mind for enough time that their halfblood child was the first kid to pop into his mind at the news of the prophecy.

Also, Voldemort believes in pureblood supremacy the way Jordan Peterson is a Christian who believes in Christianity as salvation...aka, its largely a cloak for the pursuit of power, gets him the connections with the right people, he's conviced enough people with his narrative that it almost seems like he's convinced himself, but there’ll always be signs.

I wasn’t sure how to incorporate this into the options, but add in the tags if you think he also hated purebloods!


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2 months ago

Pleaseee do Hinny art soon. I would love to see them in your style.

i’ve drawn hinny before hehe enjoy this doodle i did while listening to the audiobook of hbp:

Pleaseee Do Hinny Art Soon. I Would Love To See Them In Your Style.

i find them so cute sometimes


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3 months ago
🏆 The Triwizard Champions 🏆

🏆 The Triwizard Champions 🏆

I worked on this piece for a while, figuring out the designs, poses, uniforms, composition. It was really fun! I like that I added the decorative border at the last moment. It really pulls the whole thing together✨

I’m really interested in the other wizarding schools, like Beauxbatons and Durmstrang. I am still figuring out the uniforms.. I might do a sketch sheet on those soon. You’ll see :)

Which Champion’s your favourite?🌟 Personally, I really like Fleur, because she’s the first character I read about that shared my name. Nine-year-old me was very, very excited about that.

2 months ago

I've always liked the idea of magic working in whimsical and mysterious ways, more than the school of thought that makes magic more 'technical'. The way Harry Potter's story is, I feel like I've been conditioned to enjoy the interplay between "magic" and "luck".

This to say, I'd always imagined Peter as a powerful wizard that few recognized until Voldemort. I imagine Dumbledore never had a clue-- he makes mistakes, he misses things. I like to imagine either James or Lily had a subconscious inkling, but never really thought about it. James just knew Peter was a self-conscious little fool at times, when he didn't need to be, really, see Peter! you became a freakin animagus! idk why you doubt yourself...

Voldemort canonically sought out the Potters at first (the motivations of which, is a whole other topic to whcih I want insight). Peter was a last resort, a means to end, but I imagine Voldemort was clever enough to realize that Peter was meant for the inner circle. Of course, anyone close to his plans for immortality automatically were held close out of necessity. No doubt, Snape initially entered that inner circle not for his Sectumsempra, but because he had been attracted to 'prophecy'/'destiny'. Both Voldie and Harry gradually develop a "sixth sense" for these things.

I personally subscribe to the headcanon of Peter deliberately blasting a nearby gas plant that fateful Nov day. Not only does that theory satisfy my personal belief that Peter was the creative escape-artist of the Marauders (james was most creative at inventing problems, sirius at getting into problems, remus at avoiding problems, peter at getting out of problems), but also allows the Muggles a shred of truth. It's both logical and 'lucky'. (Did Peter set the location of their confrontation deliberately, or was he drawn near to a gas plant through magic?)

Anyway, great Peter meta. Yes to Voldemort negging Peter. GoF Peter is a disgusting pitiful mess. It's fascinating to imagine a 'toxic relationship' there

Voldemort constantly belittling Peter throughout GoF is so interesting because he, Voldemort, is probably the person who best knows Peter's abilities at this point. He expresses surprise at Peter being able to convince Bertha Jorkins to go with him. And like...dude, you of all people KNOW how much of a manipulative snake Peter is, you Know how he convinced Lily and James and Sirius to trust him...why are you acting so surprised? Like Voldemort is the last person who should underestimate Peter. But he does: I think because he knows full well Peter is actually competent but belittles him to keep him loyal. Ohhhh the psychology of these two. It's so fascinating.

(....petermort? someone stop me.)


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1 month ago

McGonagall and Trelawny anything but deep disdain is making me laugh, but ..reblogging for the intrigue

the official lesbian hogwarts professor relationship chart

The Official Lesbian Hogwarts Professor Relationship Chart
2 months ago

Basically agree with it all, but damn a 13 inch height difference is mad!

Canon Couples and the Random Heights I Assigned Them

Just because I recently re-read this post and it's on my mind. Here's what I think these canon couples' final heights came to be and some justifications behind my thought process, as well as some headcanons. Let's start with my OTP -

Harry (6'1") and Ginny (5'0")

I'm kinda obsessed with the idea that 17yo Harry being the same height as his 21yo deceased father would grow just a couple more inches

Ginny being 5ft fits with her being the noticeably "smallest one" in the DoM during OOTP and with Harry being able to easily look over her head during the infamous First Kiss scene in HBP, putting her head at chest height of Harry (as of HBP)

Ginny is the only one who knows about Harry's petty satisfaction when he ran into Draco Malfoy some years after the war and realized he had continued to grow and Malfoy hadn't

James (5'11") and Lily (5'8")

Because they're both tall enough to be considered "tall", but not the kind of tall that is shocking

Lily being 5'8" makes her tall enough to have to look down at 14yo Harry in the graveyard scene of GOF

Ron (6'5") and Hermione (5'8")

In order for Fred and George to be "shorter and stockier" than 14yo Ron, but still slightly over 6ft so as to shrink to 5'11" in DH, I have to assume Ron's final height came to be one that most people would put in the "Holy shit you're tall" category

I know I'm going to get shouted at for Hermione's height, because she's never described as particularly tall in the books HOWEVER she's never described as particularly short either, just shorter than Harry

This 9 inch height difference give Ron & Hermione the perfect height difference for Ron to comfortably rest his chin on her head without having to hunch over awkwardly like Harry does with Ginny, so I'm sticking to it

Arthur (5'11") and Molly (4'11")

I know the movies made Arthur short and round, but he was described as thin in the books and all the Weasley boys wind up being pretty tall, so they had to get that from somewhere.

Molly is consistently described as short and dumpy throughout the series, and while Ginny is often compared to Molly physically, I just like the idea that Ginny managed to grow that extra inch that Molly never did.

Draco (6'0") and Astoria (5'11")

we know in DH Draco was slightly taller than Harry at the Malfoy Manor scene (p.457, U.S. edition of DH), so if we assume the like linked post above that Harry was 5'11" during DH, then I'd put Draco at 6 foot.

we literally know nothing about Astoria (CC doesn't count), but I picked 5'11" because it is the curse of all tall women to wind up with men roughly the same height

Lucius (5'10") and Narcissa (5'10")

we know Harry and Narcissa are the same height in HBP, so I put her at 5'10"

correct me if I'm wrong, but Lucius is never described as particularly tall, while Narcissa is. And of course, tall for a woman is average for a man. I put Lucius to be around around the same height as Narcissa because I just don't see Lucius' personality allowing him to be with a woman taller than himself.

also, see the curse of tall women above

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cmoneman - purple clouds and a peeled grape moon
purple clouds and a peeled grape moon

This lil puddle of an ex-poet, stressed medical student, ARMY, potterhead, etc. Watch your step, dear

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