I live like 30 minutes away!! I’m going to church y’all
Yeah reading’s hard sometimes lmao. Thanks for your understanding and being so chill.
I’m also glad we agree on the important bit <3
@confusledqueer apologizes for not responding sooner, it’s been a busy couple days and—honestly—I forgot for a bit.
Moving on-
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Me equating some of the things that anti-Jedi people say to antisemitism and, sometimes, outright Nazi-esque rhetoric is not “wild” or “a stretch,” as you’re implying.
Justification of their genocide, denial that it actually was a genocide, a belief that the genocided party “caused” their own genocide, and a belief that they genocided party were wrong or “led astray” while one person was sent to make things right- (via either making them change their ways or outright destroying them/their culture) -are all things I’ve seen people say about the Jedi…
…but they’re also things that people have actually said about Jews.
Take the example I put in the post of someone denying that the Jedi Purge was actually a genocide, and how—by changing “Jedi” to “Judaism” and “Force-religions” to “Abrahamic Faiths”—it sounds verbatim to Holocaust denial.
Or, as another example, people claiming that the Jedi “kidnapped kids to brainwash them”…don’t you see how that sounds like Blood Libel?
So me pointing out that a lot of stuff anti-Jedi people say sounds like antisemitic rhetoric isn’t a stretch, not when a lot of it sounds verbatim to what people are saying with the rise of antisemitism and stuff they have said in the past.
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Now, I’m not Jewish, but it’s not just me, your neighborhood White Girl™️, who’s pointing this stuff out.
Actual Jewish people have pointed out the alarming similarities between anti-Jedi rhetoric and straight up antisemitism. So, if you wanna argue about- “you shouldn’t compare real world discrimination to fictional stuff” -then you should probably take that into account.
Go ahead and try telling Jewish Star Wars fans to stop calling out antisemitic rhetoric in the fandom, I’m sure that’ll go down real well.
I also find it hilarious that you’re telling me to be careful about the rhetoric I use in a thread about how I shouldn’t point out that some of the rhetoric other people spout is basically antisemitism rebranded.
And my point in that post wasn’t- “since this is based off of a real world culture/religion, you can’t criticize it.”
My point was- “since this is based off of a real world culture/religion then you need to be careful about how you criticize it, otherwise you might unconsciously be spouting bigoted beliefs and antisemitic rhetoric because you don’t recognize that that’s what it is because you’re saying it about a fictional culture.”
By all means, I get that some people just don’t like the Jedi, that’s their prerogative and we all have our own tastes.
Criticize them, if you feel like it, but don’t go around spouting rebranded antisemitism to do it. I’m sure you can come up with plenty of things to complain about them for without doing so.
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Now, I can understand why you might be worried about the slippery slope from this to shit like actual censorship—which, I think we can all agree, is a bad thing. Or how you might think criticizing this could lead to the whole “fandom purity” debate.
My thing is, it all comes down to does it actually harm people?
Perpetuating harmful stereotypes via saying stuff like the Jewish based characters “steal children,” or “lost their way,” or “they caused/deserved their genocide”—that does cause actual harm.
Think about why the “angry black man” stereotype or the “cheating bisexual” stereotype are bad and people- (rightly) -push back against them. It’s the same thing here.
Shipping a problematic ship, calling a fictional serial killer “babygirl,” writing about dark topics*, headcanoning characters as gay or trans…none of that is actively harming people.
(*obviously when writing about dark topics you should tag appropriately so people can avoid triggers, but that’s another topic for another day)
That’s the difference.
And, for the record, I think letting people spout bigotry just because they’re saying it about something fictional is the more dangerous mindset than calling it out.
I know this is like,, a Bellarke thing but can I also just put Klance out here real quick
raise your hand if you have ever had to wait 7 seasons for your ship to become canon even though they are the least platonic pairing in the history of tv
Somebody finally said it we all drew our suns in the corner
when i was younger, i used to draw the sun in the corner of the paper every time.
Pedro being cute on the TV Guide yacht at 2014 Comic Con. - (x)
Note: this is regarding the lore made up by tumblr collaboratively about a fake Martin Scorsese film. See the post that started it all and fake poster.
Goncharov was released in 1973. It was written by Matteo JWHJ 0715 and directed (?) and/or possibly co-written by Martin Scorsese. Scorsese’s big name helped popularize the film, but as a result JWHJ 0715’s significant contribution is often overlooked
Goncharov was forgotten and was actually difficult to acquire for many years. This may have been due to corporations hoarding rights and access, the actually mafia targeting distribution of the film, other factors, or a combination of these. This led to pirating of the film, which allegedly led to pirating discourse surrounding the film
There are talks of a Goncharov II or remake
Goncharov is a mafia boss in Naples of Russian origin. His wife/fiancée is named Katya, also of Russian origin. Goncharov may or may not have fled Russia, and may or may not have been pursued by someone trying to get him back to Russia, possibly to face legal justice. One such person trying to do this could be Valery Michailov
Valery Michailov in Katya’s sister. He may resent Goncharov due to his relationship with his sister and due to Goncharov being wanted by the Russian government. He is somewhat patriotic, possibly a former government worker or soldier.
Katya’s last name is either Michailova or Goncharova (although possibly with the wrong suffix). Her relationship with Goncharov is strained, tense, and possibly loveless. She ends up betraying him in the end. This is often seen as a subversion on the typical tropes for women in mafia movies.
At some point, Katya is on a bridge with Goncharov. At some point, Katya points a gun at Goncharov. At some point, Katya is injured on a boat/in a boathouse.
Katya is amicable with someone named Sofia, who has brown hair. She also has subtextual homoerotic tension with her
Sofia may be working class/poorer than many of the other characters are.
Goncharov has subtextual homoerotic tension with someone named Andrey. Andrey is Goncharov’s old friend/best friend/nemesis/enemy/competitor. There is at least one instance of one of them trying to kill the other.
Ice pick Joe is played by John Cazale, making this his 6th movie. He has a famous 10 minute scene with Katya, and at some point dies, also possibly at the hands of Katya.
Mario Ambrosini works with Goncharov, possibly as a lackey or number two. At some point in the middle of the story, he betrays Goncharov and Goncharov tells him that he “never wants to see [Mario] again”. It is unclear what happens to him after that. Mario also has a relationship with Andrey that some have described as “fascinating”. It is unclear how.
There is a clock motif in Goncharov, and a general theme regarding “running out of time” before death. There are a few characters who seem at the very least subconsciously aware of the fact that they have little time until their death. The film also deals with the theme of fate, of death and tragedy being and inevitable thing for these characters.
Goncharov dies at the end of the movie, due to someone’s betrayal.
Goncharov (1973) was heavily influenced by the American Cold War propaganda of the time. Some argue that it plays right into the stereotypes of Russians, others say it is a clever subversion of the propaganda and stereotypes of the time.
Feel free to add more/expand/add alternative information!
u ever see someone with extremely fucked up views (or actions) and think wowww if a couple of things in my life went the tiniest bit differently that would have been me
Othello:
Hamlet:
Julius Caesar:
Richard III:
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