Me Upon Realizing They Are Literally Me And My SO🙃

Fitzsimmons Dictionary | Kisses

{definition: touch or caress with the lips as a sign of love, sexual desire, or greeting}

+ bonus (even their shadow-selves like to get it on)

WEDNESDAY AND TYLER WORKING TOGETHER TO SOLVE A NEW MYSTERY!! WEDNESDAY BREAKING HIM OUT OF WILLOWHILL!!! PLEASE!!!!

I love just how unbothered she looks at Hyde Tyler...

She just like, "Really, we're doing this again?" 😒

But more importantly...HOW DID HE GET OUT OF HIS HOLDING CELL?

DID WEDNESDAY LET HIM OUT??

Misunderstood Rich Girl - Pacifica Starter Pack

Joining a part of the no ai starter pack trend! I’ll make one for Dipper and Mabel as well~

I need fanart of all of my favorite ships making out right now or else I’m actually going to pass away

EVERYONE LOOK AT THE VERY LARGE JELLYFISH :D

Giants lurk in the ocean’s mysterious midwaters.

While surveying the Gumdrop Seamount off the central California coast in 1998, MBARI staff spotted an unusual—and exceptionally large—jelly. This crimson creature was a full meter across. Unlike jellies that dwell near the ocean’s surface, this one didn’t have tentacles. Instead, a cluster of finger-like oral arms dangled beneath its bulky bell.

A closer look confirmed this was a new species—and one that had actually eluded our scientists five years earlier. Detailed video observations captured by our robotic submersibles helped MBARI researcher George Matsumoto and his colleagues in California and Japan formally describe this unusual jelly. They named it Tiburonia granrojo in honor of MBARI’s now-retired remotely operated vehicle (ROV) Tiburon, which was instrumental in documenting this delicate drifter in its natural environment.

Scientists have since spotted this jelly across the Pacific Ocean, from Baja California to Hawaii to Japan. That something so big remained undiscovered for so long shows how little we’ve explored the deep sea—and what more must be out there waiting to be found.

Unfortunately my boyfriend’s goodnight text had a slight tone (that I very likely imagined) so I now must be sad and slightly bitter for the rest of the night until I fall asleep because there is a tiny chance that he is mad at me. Makes perfect sense

Willow kissing Hunter's neck? ;)

kisskiss chuchuuu

AAAAAAAAAAAAAAA

Tyler's police station monologue analysis - to hurt, frighten or warn?

The discussion of the police station scene, and specifically the posts by @fullofwoe5321 and @claimedcrossbows, inspired me to write my own analysis. It turned out to be really big.

I've been trying to understand and explain this scene since my very first viewing. I've considered it while writing fanfiction, participated in numerous discussions.

I can't even count how many times I've watched it.

First, I'll take a step back and write a bit about the torture scene.

I consider Wednesday's actions very foolish and reckless, motivated more by resentment towards Tyler than by common sense. First, because if he truly was the Hyde, he could have transformed under torture and killed everyone in the shed; second, because she didn’t try to grasp the full picture, to see something more in Tyler than just a monster.Her justification could be that Wednesday was certain Tyler's master had been killed, that he is free, but doesn't want to tell her the truth - though in reality, he simply couldn't.

But clearly, for Tyler, these tortures were a devastating blow - literally a knife in the back. Wednesday had been the only person in years who genuinely showed interest to him. He had a poor relationship with his father, no real friends, and Laurel had turned him into a murderer, exploiting him. Wednesday was his hope, and the torture shattered this hope. A genuine betrayal. He thought she'd be able to accept his darker side, but instead, she chained him up and inflicted pain - just as Laurel had done to unlock the Hyde.

Of course, Tyler wanted revenge, to hurt Wednesday back, to mock her, hit her where it hurt the most - to show that he had outplayed her.

But I've concluded that this wasn't the sole, or even the primary, reason he approached her and delivered his monologue.

At first glance, this scene is a classic reveal of the villain who pretended to be good (some call this the "Prince Hans move," referring to Frozen), meant to serve as a turning point and hurt us - all viewers who liked Tyler. And admittedly, it worked. This scene genuinely frightened and hurt me. It's brilliantly acted and directed.But from Tyler's perspective, what's the point of this confession?

He makes an effort and takes a risk to approach Wednesday at the police station. She’s already about to leave, but he stops her, convinces his father to let them speak... and then directly states that he's the Hyde, even though at that moment there's no real evidence besides Wednesday's vision. Why this straightforward confession?

To mock her and deliver a villainous "I'm bad, very evil and bloodthirsty - see how I've outsmarted you!" speech?

Two things:

1. It's premature. She hasn't lost yet. At that moment, Laurel's entire plan was seriously threatened. The Sheriff and Weems had just agreed Wednesday would leave Nevermore hours before the night of the Blood Moon.

2. From point 1, it follows that Tyler’s confession wasn't beneficial to Laurel’s plan at that moment. What does it achieve? It only confirms Wednesday’s suspicions that he's the Hyde, deeply frightening her.

Moreover, there's still a day left until the Blood Moon. He could have waited just a day and then gloated as much as he wanted about how he'd won and she'd lost - for instance, at the crypt or on the way there from the station. Because only then would she have truly and irreversibly lost...

What an impatient Tyler... He spent so long pretending but couldn't wait another day, exposing himself unnecessarily. Let me remind you, he says all this in the police station, a couple of meters away from some woman who could've overheard something. Wednesday might've even had a recorder with her...

However, he deliberately made an effort to speak to her precisely there. Therefore, I think the true purpose of this monologue wasn’t gloating at all. It was meant to frighten her - really frighten her. But most importantly, to warn her.

If you look closely at how the scene is constructed, the most crucial line is the very last one. It stands out musically and through intonation:

“You have no idea what's coming.”

What is this if not a warning? In the woods Wednesday repeatedly insisted that Hyde's master was Kinbott. She was certain the master had been killed, and the Hyde was now on his own. She stopped looking for Laurel, thinking she was dead.

Obviously, Tyler couldn't tell her directly that she was mistaken. But the phrase "You have no idea what's coming," I think, is precisely about this.

Later, when Wednesday visits Xavier, she explicitly says, "Tyler warned me that something bad was coming."

I'll briefly step aside here for one paragraph to mention my thoughts about the scene with Xavier. In his toxic scene at the police station - which initially caused me a lot of negativity - he actually tries to protect her. I think he dreamed that she would die, and he's practically saying openly, "Do you want to stop this? Then leave! Go far away and never come back. That can't happen if you're not here. That's how you’ll save everyone!"

Despite my bias against him, it's an attempt to protect her. Interestingly, in their most toxic scenes, both Tyler and Xavier were actually protecting Wednesday.

But back to Tyler. The second purpose of his confession is to frighten her. Frighten enough that she would stop pursuing him, genuinely pack her bags, and leave Nevermore.I suspect Tyler knew about the arrangement Weems and the Sheriff made. It wouldn’t surprise me if he himself planted the idea of her leaving, something along the lines of, "While she's here, I don't feel safe. Make her leave." Because later, Weems explicitly says that Wednesday's departure was the Sheriff's condition.

It's hard to scare Wednesday, and Tyler knows this perfectly. He knows her obsession with the monster, her trip to the mansion at night. She's not the type to be easily frightened. But he says exactly what does scare her - that he enjoyed killing innocent people. That he's a real monster. She's scared and hurt; it’s clear in her eyes.

It's worth noting that from the perspective of Laurel’s plan, Tyler should have acted very differently. It would have been beneficial for him to continue playing innocent, pretending he understood nothing. Maybe even pretend willingness to cooperate, give her new evidence, rekindle her interest, and attempt to regain her trust.

In @thelovelybookworm comment I've seen the idea that Tyler knew the only way for Wednesday to survive would be his own death. Thus, he behaved in such a way that if a direct confrontation occurred, she'd be prepared to kill him. That seems too radical for me, but there's a grain of truth here.

Later, we learn Laurel sent Tyler to pick Wednesday up at the train station. Clearly, she didn’t know he had confessed everything. That means Tyler didn't tell Laurel about his monologue at the police station - after what he said there, would it be logical to send him to the station? To drag Wednesday by force and draw attention?

I wouldn't be surprised if Laurel also didn't know exactly why Wednesday was expelled, still believing Wednesday thought Xavier was the Hyde and trusted Tyler. Judging by the greenhouse scene, that's very likely. That means Tyler concealed this important, practically key fact from Laurel, and went to the station despite risking the whole plan.

By the way, interestingly, in the end, Wednesday is delivered to Laurel not by Tyler, but by Weems. But that's a topic for another discussion.

Perhaps at the train station, Wednesday would have been so frightened of Tyler that she would never go anywhere with him willingly - and she'd resist fiercely.

Now imagine the police station scene never happened.

Wednesday simply left; he didn't tell her anything. She'd feel defeated but wouldn't have been so scared. She would still believe Laurel was Kinbott, who was already dead, and Tyler was the only remaining enemy. Most likely, she'd continue pursuing him, seeking the truth, thus giving him a perfect opportunity to lead her right into Laurel’s hands.

In conclusion, I agree that one purpose of Tyler’s police station monologue was indeed to demonstrate his superiority to Wednesday, to hurt her deeply. But the primary goal was different - to warn her. And when Tyler utters the key line of the monologue, he's nearly crying. Clearly, he’s not thrilled about what's coming and about what's happening to him.

Previously, I believed it was the Hyde speaking at the police station, and that Tyler had lost control of himself after the torture - but now, I'm not so sure.

Tyler really is a good liar, actor, and manipulator - but in this scene, he's manipulating against his own interests. He confesses everything when it isn't necessary, genuinely frightens Wednesday, and permanently pushes her away, although from Laurel’s perspective, his goal should've been precisely the opposite.

Yet we remember he's angry with Wednesday, that she hurt him deeply by betraying his hope. Despite that, he's trying to protect her by pushing her away forever.

Many people say he was acting everywhere except in this scene - but I think the opposite: in this scene he was acting. Acting so convincingly that he broke not only Wednesday’s heart but the viewer’s as well. But I'm convinced it hurt him just as much as it hurt her.

In conclusion - I don’t exclude the possibility that everything I've written above is just my chronic hidden meaning search syndrome. And maybe it really was just a "Prince Hans move" by the writers to shock the viewers. However, I still believe that Tyler’s character is much more complex than merely a villain who enjoys killing.

AI ART IS NOT PUNK!!!!!

This is directed at the tumblr ad I just saw for a post-punk music playlist or event or something that decided to use ai “art” for its image rather than support an actual artist or graphic designer like a true punk would do

Get asked out nerd