Corruption-core

not to hype up my malevolent playlist again but it is consistently so funny to me that I have this shit organized like the navy in painstaking order with attention put to every single song choice and placement with very intentional vibes per season from the chaotic rough minor key of s1 to the horror soundtracks and liminality of s2 to the grief and betrayal and hurt of s3 to the meandering and rediscovering and new faces of s4 to the lost but finally synced up and driven s5. and also bonetrousel is in there for yorick fwsjahdjahfj

and also i refuse to change the name because i think its funny

Hey Tmagp fandom I saw your guy

°C stands for Correct temperature and °F stands for Freak temperature

Im gonna go fucking insane if I can't eat a landlord this time TOMORROW

Thinking about Chance and Shadow qpr again...

Literally the only canonical queer platonic relationship I've seen in any media ever. I love how casually it was brought up and how it was brought up a few seasons after everyone was debating if they were dating or not. I love how it was brought up because Chance was commenting on how annoying it is to have to explain to people what that is. I love how they sometimes partake in things that are generally seen as romantic, but they still continue to be respected as queerplatonic.

In short: they're so so so special to me and I love them so so much <3

Arthur Lester

we would be so lost without garlic

- cherry wine is about domestic abuse. it’s now called a cute proposal song.

- too sweet is about seizing the day and ignoring healthy habits in favor of having more fun with unhealthy ones. he’s actively critical of himself in the song. it’s now called a song about thinking you’re superior for drinking black coffee.

- take me to church is about worship as a metaphor for sex. it’s called a religious song.

- eat your young is a song about war and political greed. it’s called a song about sex.

- now, the strongly political message of nobody’s soldier is being ignored in favor of calling it a metaphor for hozier’s relationship with his fans.

when are we going to stop simplifying hozier’s music down to cute little cottagecore bogman forest music? maybe you dont want to hear this but i don’t care. quit listening to hozier for the aesthetic. there’s a reason why empire now, foreigner’s god, butchered tongue, etc. songs with unignorable political messages are among his least popular songs.