current fan creation landscape is kinda like if you went to a party with a homemade cake and everyone takes a slice and silently thumbs up at you with no attempt to start a conversation except for occasionally some guy sits in the corner with a tape recorder critiquing the cake as though he was a restaurant critic and another guy is handing the cake to an uber driver like "yeah i need you to find a restaurant that makes cake like this so i can have more of it" and the only person that's talked to you in 30 minutes is a very sweet little guy who was like "hey i liked your cake" and then ran away apologizing for bothering you the moment you said thank you.
I was writing for years before I encountered a problem with writing as a whole—that most ideas have already been published.
When someone first told me that though, they said it like, "You'll never think of something that hasn't already been written."
The phrasing makes it sound like all story ideas are a waste of your time. I began spiraling. I researched every short story I'd ever written. I looked up books similar or identical to other books I loved.
Turns out, that person was right.
Sort of.
Think about how long humanity has existed. Think about the many experiences that generations have shared—love, loss, happiness, adventure, self-growth, your coming-of-age years.
Story ideas inspired by whatever you go through in life have likely already been lived or thought of, given the trillions of people who have walked this planet and interacted with each other.
BUT
This is what I wish someone had told me back when I was spiraling.
I'll say it again for those in the back—
It also comes from your voice and your perspective!
Voice can feel tricky to grasp when you're starting out as a writer. Everyone can throw a few words on a page. How do you know what your voice sounds like and if readers will respond well to it?
Imagine two friends going on a trip. They do everything together. They sit on the beach, they eat lunch at a restaurant, and watch a movie before heading home. Then they each journal about their day in notebooks.
Those entries would look nothing alike! One friend might relax on the beach and feel so at peace that they take a nap, while another gets sunburned easily and hides under their umbrella with a scowl. Both ultimately enjoyed their day for different reasons. The beach lover got time by the ocean and the other friend who liked the beach much less fell in love with a new dish at the restaurant because they're a foodie.
You'll also frame your stories differently than any other writer. Like accents change the way every person speaks out loud, writers structure sentences and describe things/events/emotions very differently.
These may seem like insignificant details that set stories apart, but they make all the difference.
Think about Homer’s Odyssey. Circe is a minor character in the long tale and basically gets about a minute of the reader's time before Odysseus moves on to the next phase of his journey home. In Madeline Miller's Circe, the goddess becomes the main character and the ultimate portrayal of fear, rage, hurt and healing that are universally experienced but are especially true to the female experience.
Both stories follow the same timeline, so readers don't pick them up to necessarily get surprised by something Brand New to Literature™. Instead, they read direct retellings to learn from the characters in new ways, live momentarily through someone else's eyes, and bond over another aspect of the human experience.
Circe is an incredible work of art. Your idea—whether it's a direct retelling, indirect retelling, or full of literary devices from previous works—can be incredible too.
If a story idea doesn't immediately make you jump for your computer or a pen/paper, is it worth writing? My best advice is to sit with it.
Some of my best work has come from stories that got to marinate. I put them in the back of my mind and thought about the characters or themes or plot when something sparked another idea. By the time I started typing, the story was more vivid than when I first though of it.
But also, I have probably twenty failed ideas for every story I've written.
Give yourself time to get to know your ideas. If they're worth your time, they'll sit with you too.
(the last few bullet points will be talking about CSA so if that triggers you or makes you uncomfortable, don't read this)
Hi pookies, sorry for being awol, I've been prepping for finals, as well as annotating a secret history, and I had some thoughts I felt like sharing.
first of all fuck Henry
Bunny being the one to say " to live forever" is the definition of being doomed by the narritive
there is no version of the story where bunny lives, and by him being the one who says that, is in a way a challenge to Henrey
Richard opens the book by claiming to be a good liar, and in every situation where he lies he does it horribly is the funniest thing ever
Henry was a budding serial killer, and I think that by the simple fact of giving poor Charles those pills
I also don't think Bunny was as bad as the group made him out to be. Richard is obviously a self-admitted unreliable narrator, but I really don't think Bunny was as bad as they were making him out to be
sure he was probably really annoying, but the week before his death I don't think he was being purposely antagonistic but acting afraid
and in a sense when Richard found out about the murder, that was bunny signing his death certificate.
i think Henry was always going to kill Bunny, he was just waiting for a good enough excuse
when Jullian left Henry started decompensating like a serial killer, and that's why he lost control when talking to Charles
and while it is clearly the best choice to send Fransis to the police, Henry tells Charles to go because Charles is easy to manipulate
i think Fransis is obviously disalutioned by Henry from the beginning of the book, while Charles and Richard were still drinking the Kool-aid
Camilla is obviously romantisized by Richard, and I think that in all reality he probably viewed women in a simmular way Bunny did
in Camilla's descriptions she is often barefoot, and he makes note to mention that during the act of the murder she wasn't present
he also compares most women to Marion a person he thinks is too stupid and girly
people forget how physically imposing henry is, by Richard describing him it almost infantilizes him, in a way.
he is physically imposing which made him look odd, but he lifted camila with great ease, and lifts weight despite is limp
i think he hurt camilla by pulling out her hair, and hurting her wrist
i feel bad for bunny because while he was teetering over the edge he must have been so afraid
richard and henry could have been the same under slightly different circumsances
camilla is not as oblivious to things as people belive she is, obviously she is a victim, but the narrative implies that she is for lack of a better term, not completely innocent
she is a victim of her circumstances, but not completely innocent
richard clings to the group because they are every thing he wanted to
henry killed himself to achieve some fucked up version of godhood.
fransis is the most complex character because by the end of the book we feel bad for him despite taking advantage of 2 of the other characters in the book
he is also clearly in love with Charles but yk
okay so i think its pretty clear that Charles is a CSA victim
he very clearly has an eating disorder, and a alcohol problem which Fransis exacerbates by getting him drunk and hooking up with him frequently
not only that but he is really dependent on his friendships and is constantly paranoid that they are talking about him, but needs constant reassurance like a child
but also when bunny is making digs at the group, he starts talking about the preversions of the catholic church, i don't think that group cared, nor do i belive that any of them are particularly religious, but I do belive that Bunny was making a dig about Charles being molested by a preist
and if that's the case than his ultimate outcome makes the most sense,
that also makes sense why he would frequently sleep with camilla and fransis
foreshadowing done well makes me go feral like there’s NOTHING better than getting to the end a book or an important storyline moment and realising that the author laced information so intricately into their writing that weren’t noticeable upon first read but when you read back sections they’re light giant red flags like wow writing is amazing
sorry guys for the breif break, but school got out and I decided to allow myself a bit of a break. for the past two weeks I have had the luxury of being a slug, but i start my job in two days and decided to begin to acclimate myself to being a functional human. throughout my break i was proud of myself because i wrote every day, weather that was journaling or working on something publishable, and i read daily.
being home was an unwelcome change, me and my mom don't get along, and thankfully she had been working in office the past 2 weeks, but now that shes working from home I've decided to spend as little time as possible at home. my mom is generally unsupportive of anything that she doesn't seem as valuable, and sees my hobbies as a waste of time unless she can brag to her friends about it.
in other good news, i've found a new eq barn and am trying it out tomorrow, I've been drinking water consistently and i found my bracelet and necklace that i thought i loss. they belonged to my dad before i 'stole' them, and have become very important to me, despite my hatred of working retail, i am excited to have some structure in my life, i find that when i have appointments or schedules it makes me more productive so working again should be good for me, anyway here's to what i did today
whay i did today:
wahsed hair
oiled scalp
read only the brave washed and put away clothes
washed dishes
cooked
journaled
went through storage bins
drunk a crap ton of water
"And I had to explain a lot of stuff to him." It amazed me how Johnny could get more meaning out of the stuff in there than I could— I was supposed to be the deep one."
The Outsiders, SE Hinton
Don’t fall into the perfectionist trap! The best thing you can do for yourself is the first something.
you don't need to spend hours crafting a perfect diet with balanced macros - just have a fruit or veg with your meal
you don't need to get the newest water bottle - drink a glass of water right now
you don't need to have an elaborate skincare routine with expensive products - wash your face and put on some spf before going out today
you don't need the big life-changing day 1 - just do something right now, I promise you will feel better
basially why i haven't been posting
if you can't get rid of it, you might as well romanticise it, right?
lying awake on hot summer nights and listening to a sad girl playlist
sitting by the ocean or lake while looking melancholic
collecting sea shells and other little trinkets to look at
reading ancient philosophy and russian literature in public
strolling around your neighbourhood and befriending stray cats
eating way too much fruit
thinking about the fig tree
watching the moon and staying up until sunrise
mourning your non-existent summer romance
wired headphones
getting really good at making iced coffees
watching sad summer movies
writing poetry on postcards that you will never send
taking lots of Polaroids of mundane things
crying
I myself have been dealing with what I like to call "the summer blues" so I felt like writing something like this, I hope it resonates with some of you!! As always, please feel free to share your own suggestions and tips in the comments! <3
love ya ・:*₊‧✩
'Cause if I just vanished, do you think you'd manage? Or would you disappear right beside me? Do you think you're ready when I go unsteady? Lover, please prepare for my absence
“Though I remembered now. What was in them was promise. They dealt in transformations; they suggested an endless series of possibilities, extending like the reflections in two mirrors set facing one another"
Absence Song by Rio Romeo, Geto and Gojo from JJK, Margaret Atwood, The Handmaid's Tale, All the Young Dudes" by Mott the Hoople
Encouragment for writers that I know seems discouraging at first but I promise it’s motivational-
• Those emotional scenes you’ve planned will never be as good on page as they are in your head. To YOU. Your audience, however, is eating it up. Just because you can’t articulate the emotion of a scene to your satisfaction doesn’t mean it’s not impacting the reader.
• Sometimes a sentence, a paragraph, or even a whole scene will not be salvagable. Either it wasn’t necessary to the story to begin with, or you can put it to the side and re-write it later, but for now it’s gotta go. It doesn’t make you a bad writer to have to trim, it makes you a good writer to know to trim.
• There are several stories just like yours. And that’s okay, there’s no story in existence of completely original concepts. What makes your story “original” is that it’s yours. No one else can write your story the way you can.
• You have writing weaknesses. Everyone does. But don’t accept your writing weaknesses as unchanging facts about yourself. Don’t be content with being crap at description, dialogue, world building, etc. Writers that are comfortable being crap at things won’t improve, and that’s not you. It’s going to burn, but work that muscle. I promise you’ll like the outcome.
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