Any Tips On How To Design Reproductive/family Life For Long Lived Species? If They Could Live For 1000

You’re a mimic. You were disguised as a chair in a dungeon when an adventurer decided to take you as loot. You’ve actually enjoyed your life ever since as furniture in a jolly tavern. So when some ruffians try to rob the now-elderly adventurer’s business, you finally reveal yourself.

don't forget y'all that sonic channel specifically asked to please credit them if you repost/upload their works 🙏

If you guys have an hour or two to kill, I highly recommend these two videos by Cardinal West on the Xenofiction genre. I have a far greater appreciation and understanding of the genre and it’s sub-categories thanks to him and his videos. These and his other xenofiction video essays are all so well written and entertaining and such a great resource for people wanting to get into reading or writing the genre.

Wildstar, Character Design, Female Objectification, Sexual Dimorphism and Biology in Video Games

We need to talk about the character designs in Wildstar.

We need to talk about the character designs in all science fiction and fantasy franchises that feature non-humans.

Wildstar is a science-fiction MMO currently in beta, developed by Carbine Studios. The general thrust of Wildstar is something along the lines of Firefly, Star Wars, and Ratchet & Clank; not exactly a grimdark sci-fi thriller. The mechanical features look interesting and the art style, in and of itself, is really vivid—but what they’re doing within the style?

Well.

The NDA dropped on a bunch of Wildstar content and character creation videos are up. You can watch them all, but here I’m just going to focus on the Granok, Draken, and Mechari.

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Concept: xenofiction sci-fi where the main characters are different alien beings. It’s all treated and framed as “normal” from both the audience’s and each other’s perspective, even when their behavior is obviously not something a human would do.

Eventually, we meet a human character, whose actual name appears to be “Smith the Human”, and who acts like aliens from mediocre pop sci-fi stories – like, someone goes “Oh, I’ve never met a human before!” and he responds by spouting random (technically-accurate-to-real-life) factoids about human culture and biology in a way that no real human being ever would, i.e. “Humans are social persitence hunters and apex predators – on our harsh homeworld of Terra, we evolved to form hierarchal hives or colonies, like your world’s Zoink-Ants or Frisk-Bees! We weren’t that fast over short distances, and so we caught our prey, not by ambush or by pursuit, but by simply walking, brisk jogging, and tracking our prey until the prey tired itself out, allowing us to catch it at our leisure!” He always maintains the same stilted but forceful tone of voice, devoid of any emotional content, and his facial expression never changes from “we didn’t bother to animate his face”-style dull surprise.

He wears American soldier gear and says “Humans are a Proud Warrior Race™!” without a trace of irony.

Now, one possible punchline would be that the protagonists eventually meet other humans, and it turns out that he’s the only human who’s Like That. However, I think that in order to commit to the whole “xenofiction” bit, you’d need to make every human completely identical, in exactly the same way that members of an alien species in pop sci-fi are identical. The way I personally would do it is,the loud-deadpan-weirdo routine is just an “unreliable narration” due to the perceptions of characters who aren’t familiar with humans; as a group, even if the nonhuman characters are like “Wow, they really are synchronized like a hive of Frisk-Bees!” or whatever, the humans behave exactly how an actual group of humans would behave in that kind of situation, if you read between the lines. (And, y'know, a squadron of uniformed soldiers with a CO in the background is inevitably going to act differently from a similarly-sized group of civilians; the nonhuman characters, and hence the audience, just don’t get to see how they are “normally”.)

The actual punchline is that after the “human” plot is resolved (maybe they’re antagonists, and the prior ramble about their biology proves to be a vital component?), there’s a scene where the viewpoint character is a human, and the whole situation is precisely reversed: humans look more diverse and talk like normal people, and all the nonhuman characters of each species are identical and do the loud-deadpan-weirdo thing.

I've been watching some videos about xenofiction for... reasons... *glances at my recent writing projects* AHEM yeah and this guy mentioned something that... vaguely got me to understand my friends more.

I'm (unfortunately) friends with lots of people who think a lot of the things I'm interested in are "too weird" for them. They can't watch The Last Unicorn because they find the unicorn as well as the art style creepy. They can't watch Watership Down because they can't wrap their head around talking rabbits who haven't advanced to Wind in the Willows levels of society yet. Or maybe they can't watch or read animal xenofiction or consume anthro art whatsoever because animals don't talk or do those things and they think that it could have been as good with human characters. It's like their brain does all of these gymnastics that I haven't in all my life considered. I just liked these pieces of media as a kid because I thought they were... cool... I've never found it hard to understand that the rabbits in this story talk, even though they don't in real life. That objective/subjective concept has never crossed my mind whatsoever.

This guy talked about verisimilitude and suspension of disbelief. Verisimilitude is pretty much just continuity and rules in a story. Firebenders in The Last Airbender cannot bend water. Rabbits in Watership down can talk to each other, vaguely understand other animals, and cannot understand humans. They're fabricated rules of reality that exist within a narrative.

Suspension of disbelief is basically your capacity to understand and believe those fabricated rules. This can swing wildly in two directions. You can either be just wholely unconvinced of anything that doesn't follow normal rules of life or be totally gullible to the point of disregarding plot holes and crappy deux ex machina. I feel like I lean more toward disregarding plot holes lmao.

Not sure where I was going with this post but it felt sorta nice to hear another fan of xenofiction describe this... weird thing when you read a book or watch a movie that changes your life and you recommend it to a friend and their first reaction is "uh... how is she able to understand the wolf?" and that stuff is too weird for them to even consider picking up a masterpiece of art. I guess it makes me feel less like my friends are intentionally withholding understanding to be mean to me and more that this is just... how some people are and some people just seem incapable of understanding certain stories and media.

@bananaruntz i think what sucks the most about it with xenofiction in particular is that when you have characters that are simultaneously nonhuman and anthropomorphic, it creates this issue where you're forced to accept any misogyny at face value and assume that it's just scientific accuracy, because nature CAN be notoriously unfair. it can't be denied that the females of many species get the shorter end of the stick, but way too many xenofiction authors seem to operate on the idea that this is innately true for the entire animal kingdom when it's just not. even if you are writing about a species where male animals generally dominate the hierarchy, that still shouldn't preclude you from being able to write well-rounded female characters, especially ones that aren't bound by suspiciously human misogynistic tropes.

xenofiction presents so so so many fascinating opportunities to really examine things like sexism and identity and biological determinism but it feels like no one has properly taken advantage of that yet. i am being so fucking serious when i say that xenofiction desperately needs a queer, trans, feminist upheaval.

I have realized that ironically, while the cat is one of the most known and loved animals/pets. The Wildcat still lingers in the shadows and is a very little noticed animal. Especially in the popular media.

We need more wild cat media, not just domestic cats, because those are all I see.

(And I'm referring to the "Felis silvestris", the others at least people can spot them).

And it seems that people have forgotten or do not realize that the cats we know are domestic animals, that have little or nothing to do in nature (I include stray/feral cats, because they are still domestic cats) and that their wild relative/ancestor exists and is still alive.

It's not like with dogs, there are dog media and there are wolf media, people know how to differentiate one from the other. But what about cats, can you locate any popular stories where wild cats are even in the wild (TRULY wild, not feral domesticated ones)?

And it's kind of sad, wild cats deserve to be noticed and recognized. Sadly many of them are in a vulnerable state and are disappearing.

I would like to see a xenofiction story with wild cats living their lives, hunting hares, taking on lynx, living in wild territory, doing things of their species that emphasize how they are different from their domesticated descendants.

Although I doubt that something like this will happen for a long time, it is one of those cases where you just have to say "If I don't do it, no one else will".