i will never forgive popular UT fanon for using chara as a scapegoat in the genocide run and making "sans recognizes them and attacks them on sight regardless of what run they're in" headcanons so pervasive.
mostly because "restless spirit of a long dead child who's obsessed with the concept of cosmic retribution and facing consequences for your actions" + "guy whose job is just that but he treats it on par with his hot dog sidegig" is potentially one of the most hysterical dynamics you could come up with
"I'm alive because they made me alive."
Good. Die. Die for her⌠itâs the only goddamn good youâll ever do her. Itâs all any of you ever knew how to give her.
(close-ups under the cut)
Some oc art. The flowers are: blue iris, chaste tree flowers, narcissus, poppies, white cyclamen and gum cistus. The symbolism of each is relevant.
The ongoing "Jason Todd is a cop" debate has reminded me of a brilliant brief image essay by Joey deVilla. So here it is, images first and the full essay text below:
"A common leftist critique of superhero comics is that they are inherently anti-collectivist, being about small groups of individuals who hold all the power, and the wisdom to wield that power. I donât disagree with this reading. I donât think itâs inaccurate. Superheroes are their own ruling class, the concept of the Ăźbermensch writ large. But itâs a sterile reading. It examines superhero comics as a cold text, and ignores something that I believe in fundamental, especially to superhero storytelling: the way people engage with text. Not what it says, but how it is read. The average comic reader doesnât fantasize about being a civilian in a world of superheroes, they fantasize about being a superhero. One could charitably chalk this up to a lust for power, except for one fact⌠The fantasy is almost always the act of helping people. Helping the vulnerable, with no reward promised in return. Being a century into the genre, weâve seen countless subversions and deconstructions of the story. But at its core, the superhero myth is about using the gifts youâve been given to enrich the people around you, never asking for payment, never advancing an ulterior motive. We should (and do) spend time nitpicking these fantasies, examining their unintended consequences, their hypocrisies. But itâs worth acknowledging that the most eduring childhood fantasy of the last hundred years hasnât been to become rich. Superheroes come from every class (donât let the MCU fool you). The most enduring fantasy is to become powerful enough to take the weak under your own wing. To give, without needing to take. So yes, the superhero myth, as a text, isnât collectivist. But thatâs not why we keep coming back to it. Thatâs not why children read it. We keep coming back to it to learn one simple lesson⌠The best thing we can do with power IS GIVE IT AWAY." - Joey deVilla, 2021 https://www.joeydevilla.com/2021/07/04/happy-independence-day-superhero-style/
No chipotle đ¤
I'm Your Man, Mitski /// âyou said the lambs were ready,â come the slumberless to the land of nod, Traci Brimhall /// I WILL BE GOOD AS LONG AS YOU WANT ME, @towriteabutch /// 'the reciprocity of the attack dog and the hand that holds the short leash' (edited), @finalgirlabigailhobbs /// Moon Song, Phoebe Bridgers /// Still Life Based on Hunting (detail), c. 1665-1701, David De Koninck /// It Will Come Back, Hozier /// "youâve always been more of a dog person," @trinakeepstrying
Imogen's immense capacity for empathy for things wriggly and "wrong" and lonely, things grotesque on the outside with a pure sort of want a sincerity, a truth on the inside.
Ashton, feeling fundamentally broken, fighting for good, for a purpose, telling her she has quite a crew of broken things following her. Saying there's a reason for that. Himself and Laudna.
(Ashton counting themself and Laudna as kindred spirits, Ashton looking at Imogen and seeing some reflection of what Laudna sees.)
(Imogen saying - Ashton is good. That they're special. Imogen who does lethal things when it needs it, who has almost taken a level of satisfaction in Ashton's approving assessments of her lethality, her decisionmaking.)
Imogen says she likes the All Minds Burn, she actually does, Ashton agreeing, thanking her for backing them. Imogen and things cast away, things found as horrifying, and an almost inexplicable empathy. Ashton and things to fight for, things to throw their lot behind until the light in their skull goes out.
Its like, both so sudden and also- no i kind of get it. I get it. They're complimenting each other very intensely, openly, they're both laughing with a weird seed of a telepathic brain between both of them, walked into a den of danger and back out again and like. No. I get it.
If there is a story you wanna tell, but you don't think you will ever have the time or resources to organize and tell it ""properly"" as like...a novel or a comic or whatever, it can absolutely just be...a bunch of brain storm-y blog posts and sketches that you share and compile over time on your blog. That is still a story. It is still a format. In theory, it might not be the "best, most effective" format...but in practise, the best, most effective format is the one that is accessible enough to let you get your ideas and narratives out at allâĄ
And, yanno--it is just nice to be able to give folks some context for your characters n stuff :3c
ESP/ENG! They/Them | Call me Amanita RPG Maker & Horror & DnD & Critical Role and D20 Enthusiast This is an artblog, sometimes
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