Don’t know if anyone’s made a comic about this or anything, but I can’t help but smile thinking of what Loid’s thought process would be like watching Spy Wars. He’d watch it, and in his mind he would pick apart every single detail. Like, he’d get stupidly focused because of all the inaccuracies. He’d think stuff like, “That’s not the kind of weapon you would use.” “This is ridiculous, a line like that would’ve easily gotten me caught.” “That’s a terrible tactic, back in that mission a couple years ago, I…” He’d be comparing the adventures to past missions and get so annoyed. Because of how much it’d make his brain hurt though, I don’t think he’d watch much more. That, and somewhere in the midst of the analyzation, he’d realize, “Wait… this is just a kid’s show.” Then he’d probably get slightly embarrassed because he just spend a good twenty minutes critiquing a program for children. (Glad it works for Saberspark though…)
Anya looks so cute 🥺❤️
I got the remaining sets of Jump Festa SxF cards I had preordered, one of which I scanned here and the other will be posted soon 🙂 This set features the Forgers in "French casual" outfits, with each of them having a main design and two chibi designs~
<- Return to Part 10
This, but with Twilight and Thorn Princess
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reblogging for bort
I'm at a :.|:; for words.
I don't think the two necessarily conflict one another. It's one thing to view media expecting something unpleasant or a jumpscare. It's another to not only not expect it, but also to be constantly on edge due to the atmosphere, lack of knowledge of what's ahead, and so on. Not to mention our instincts of course. So it's only natural for our body to be frightened, so to speak. Of course, this could be my overthinking brain bothering me at midnight yet again about something very small in the grand scheme of things.
I may also have a penchant for dramatism.
As someone who has multiple Calvin and Hobbes books, this just makes me love them even more. You done good, Bill. You done good.
I thinks folks expressing incredulity at the quality of the writing and composition in Calvin and Hobbes are often missing the context that Bill Watterson is arguably the most influential sequential artist of his generation. Like, this is a guy who once told the editors of nationally syndicated newspapers to go fuck themselves when they wanted to mess with his panel layouts, and not only did he keep his job, he got his way. He could have had literally any gig he wanted, and he chose to be the Sunday funnies guy because that's what made him happy. He's basically the Weird Al of sequential art.
You can only reblog this today.