wrote like 1.5k words of just outlining my story and a bunch of it was 'and stuff' 'then smth happens' 'they talk about stuff' we are making progress here people!
so I got into grad school today with my shitty 2.8 gpa and the moral of the story is reblog those good luck posts for the love of god
my brain really decided to fuck me over last night cause after my whole life of never having a nightmare that has actually scared me I had two last night
they were about a guy getting eating alive by rats and me almost getting kidnapped if you wanna know
Seeing as my internal rewards system has moved on to 'trans fiction' from 'queer horror audio drama podcast' I thought I should do a little roundup of everything I listened to the past few months.
A rough ranking:
Malevolent. Just squeaking into the top spot here based on 1) technical prowess (iykyk) 2) compelling characters and story and 3) they are my blorbos your honor!!! Mind boggling that Harlan Guthrie has so much chemistry with himself.
The Silt Verses. Only topped by Malevolent bc season 1 is not as polished, but it really doesn't matter. Top tier characters, amazing worldbuilding, intricate plotting and it had something to SAY about the casual violence of systems, the nature of hope, the complexity of being human in a world that tries to make us inhuman. Also, it doesn't rely on some thin recording contrivance (a framing device that has its place) and instead truly takes the mantle of audio drama without apology.
The White Vault. On the topic of framing devices, TWV has a very cool take on found footage recordings. A group of [researchers/archeologists] are sent to investigate a remote site in [Svalbard/Patagonia] and the podcast is structured as a documentarian presenting the notes, recordings and diary entries in a reconstructed timeline. My favorite element is that many of the characters don't make their notes in English, so the segments will often open with the VA speaking German, Spanish, Mandarin, Icelandic, Russian, etc etc before fading into the translation. There are miniseries between the seasons available on their patreon and they were so worth the $10 I paid to access them for a month. Reveals are slow, but worthwhile, and the mythology built for the show is highly original and intriguing.
Deviser. A one season contained story from Harlan Guthrie of Malevolent. Scifi, psychological, lots of wet awful body horror. If you're a fan of Harlan wimpering into a mic, you'll love this one.
WOE.BEGONE. Long, ongoing, and so so so far from the original premise it's hilarious, I'm ranking this higher than it maybe deserves for two factors 1) the creator and the VAs are clearly having a blast and 2) it's riding the line of taking itself serious despite a premise that invites irony poisoning without becoming too wrapped up in itself. It's fun, I think, that keeps w.bg strong.
The Magnus Archives. Should this be one up? Probably. But everyone bloody well knows tma by this point, it's good, great even! Beyoncé of horror podcasts.
I Am In Eskew. Only knocked down due to the actually godawful sound quality. Truly unsettling stories though (the one with the building architect haunts me) and a surprisingly realistic conclusion. You can see the bones of The Silt Verses here, from the same creative team.
The Magnus Protocol. Everything above this is there due to originality. As a sequel series, TMAGP will always suffer in that measure. However, I like our new cast and I do love an alternate reality. Curious to see where season 2 takes us. I'd like to kill Mr Bonzo in a fire.
The Inexplicables. Another one season story, this time from Rusty Quill, with really fun, flawed characters and no recording framing device!
Wolf 359. Storywise, great! Characters, excellent! Kicking it way to the bottom bc they just would NOT STOP referencing H***y P****r. Yes, Doug's characterization hangs on excessive reference humor, but that was one well I wish they'd left alone.
Red Valley. Knocked for HP references too (come ON british podcasters, do better) but more importantly for veering WAY WAY WAY WAY WAY too close to real life in season 3 onward. I was here for a horror sci fi story about cryogenics, not to listen to my worst climate disaster fears brought to life via hearing rich old sods try to buy their way out of consequences while the world burns and eco terrorism escalates. Too real. Not bad storytelling, just very much not fulfilling my escapism needs.
It's kinda crazy to me that anytime I mention this genre to normies in my life they say, "oh, like true crime podcasts?" And then I die inside. No dude, like radio drama. Like War of the Worlds.
Anyway, I'm off to get even less relatable by reading a zillion niche trans novels (hello Welcome to Dorley Hall, aka, what if there really was a 'trans cult' force femming dudes to undermine their masculinity? It's amazing how much yarn we can make by subverting the cis gaze.)
The entirety of Dracula by Bram Stoker is really just:
Dr Seward: I wish we could figure out what’s wrong with Lucy.
Van Helsing: I figured it out immediately but I’m just going to let you solve it yourselves.
Dr Seward: Or you could just tell us.
Van Helsing: Friend John :( I have known you for one thousand years and you have been one of my very good friends and best students :( Do you not trust me? Why do you not trust me, friend John? Have I ever given you a reason to doubt me? Do you not think I have a good reason for withholding vital information? :(:(:(:( Have faith in me, your very old and good friend.
Dr Seward: You’re right :(
Lucy: I love everyone so much and I’m going to tell them every day 🥰💕 also legalise polyamory wtf
Renfield: look at all my pets that I’m definitely not eating 🪰🪰🪰🪰
Dr Seward: What happened to all the birds I gave you?
Renfield, with a mouth full of a feathers: I have no idea.
Arthur: I think… I miss my wife… also how the fuck didn’t we realise Dracula’s house was right next door?
Quincey: I keep saying I’m not that smart but I’m the only one to immediately point out that something was actively taking Lucy’s blood. Brb need to go shoot a giant bat with a gun.
Mina: I am the only person keeping this shit show together. We literally would not have made it without me and no one who adapts my character seems to get that. Women are the heart of this story. I am the glue that binds this group together. I just want ONE MOVIE that understands that and values my intelligence, which is at the forefront of my character.
Renfield: I have an entire character arc but don’t expect any adaptations to show it.
Quincey: ok but what if… we shot Dracula with a gun??? Also stop fucking cutting me from all the adaptations.
Jonathan: has seen indescribable horrors, is a shell of his former self, will literally never be what he was before going to Transylvania
Dracula: oh Jonathan! 🥰🥰🧛🏻🧛🏻🥰🩸🩸🥰🥰
BONUS: everyone is constantly holding hands, especially all of the men, and talking about how they’re going to be best friends forever. The male friendships in this book are shockingly pure and the women are incredible. The Crew of Light are actually the only found family ever, I think.
For part one, click here. I went on another audio drama binge and I found some that were pretty fun to listen to. I usually tend to go after the ones that are completed because the longer the wait, the more likely I will forget the details, but this time I just went for anything that caught my attention. This also isn’t in any particular order.
Keep reading
on the Demeter, straight up “eating it.” and by it. well, haha, let’s justr say. the entire crew
Not romantic, not platonic, just gods favorite and god himself
I've been neglecting faroeverse lately
I also don't think Noel fully bought that lie but he's respectful like that. An ally!!
I wanted to mess around with stamp textures and now we're here