I keep thinking about the possibiity of Arthur and John both dying, John going back to the Dark World... and Arthur not winding up in the Dark World but instead finding himself back in the Waylay.
His Blood & Sand is still waiting, right where he left it. This time it's accompanied by the person who ordered it for him: Parker.
And Parker says, hey, you're finally here, it's all okay now. You've been through all kinds of hell, but now it's over. You can rest. We'll go find your little girl, and you can be at peace together, and be done with all of the pain you've suffered. You can rest. Just come with me, okay?
Arthur's still a little dazed--not quite sure where he is or how he got here or why it's so strange to see Parker again, feels like maybe he's forgetting something important--but oh god he's tired and everything hurts, he knows that much, and going to be with Faroe and have all the time in forever to just be, without worries or fears, sounds like--well, he's not a believer, obviously, but it sounds like heaven. He agrees, and starts to follow Parker out of the bar to whatever's next.
And then the band starts playing a different song:
And you call it madness, oh, but I call it love...
And Arthur remembers what he's forgotten that was so important, and remembers who he'll be leaving behind if he goes this way. Who he'll be leaving behind, alone, in a dark and horrific place, forever. Who he once told he would find again, should they both find themselves in hell.
And Arthur Lester has a choice to make.
you reckon the reason the spiral took micheal shelly and helen is cause it saw their curls and went 'ive got to have that'
Whenever humans appear in fantasy or science fiction we are usually the boring default who aren’t strong or fast or magical and the writer has to make something up to make us interesting but we already have a special ability: our stamina.
We can go forever compared to most other animals on earth. When you look it up you’ll mostly find stuff about running but our ability to walk and walk and walk is insane too. We are not the only creature with this ability but we are among the top.
I used to go on walks with my housemate and sometimes her cat would join us. He’d start huffing and puffing halfway through the walk and she’d joke about how out of shape he was but in reality cats just aren’t made for long continuous walking. They hide and attack in quick bursts. Heck I’d sometimes go on walks that turned out to be too long for my dogs despite dogs being endurance hunters like us.
So I think we deserve more acknowledgment for our stamina and endurance in otherworldly settings. We are the race that can keep going long after our party had to sit down and take a breather.
on the Demeter, straight up “eating it.” and by it. well, haha, let’s justr say. the entire crew
Why can't Kayne see the lighter and why is he always talking about John and Arthur having "something special that I can't see," and why did the Vanguard say, "This too shall pass," and the lighter was Roland's but Faroe's light is in the fire, in EVERY fire that Arthur lights with his magic little lighter??? It's not literally Faroe, is it? (Her name is so much like "lighthouse" in Spanish, is that where it's from? She's his guiding light?) Is it hope? Is hope what Kayne doesn't understand? The hope that, yes, this too shall pass? Can you tell I binged all this shit so recently that I never had to wait for episodes before the last one?
codependency
I've been neglecting faroeverse lately
I also don't think Noel fully bought that lie but he's respectful like that. An ally!!
A currency that isn’t gold-standard/having gold be as valuable as tin
A currency that runs entirely on a perishable resource, like cocoa beans
A clock that isn’t 24-hours
More or less than four seasons/seasons other than the ones we know
Fantastical weather patterns like irregular cloud formations, iridescent rain
Multiple moons/no moon
Planetary rings
A northern lights effect, but near the equator
Roads that aren’t brown or grey/black, like San Juan’s blue bricks
Jewelry beyond precious gems and metals
Marriage signifiers other than wedding bands
The husband taking the wife's name / newlyweds inventing a new surname upon marriage
No concept of virginity or bastardry
More than 2 genders/no concept of gender
Monotheism, but not creationism
Gods that don’t look like people
Domesticated pets that aren’t re-skinned dogs and cats
Some normalized supernatural element that has nothing to do with the plot
Magical communication that isn’t Fantasy Zoom
“Books” that aren’t bound or scrolls
A nonverbal means of communicating, like sign language
A race of people who are obligate carnivores/ vegetarians/ vegans/ pescatarians (not religious, biological imperative)
I’ve done about half of these myself in one WIP or another and a little detail here or there goes a long way in reminding the audience that this isn’t Kansas anymore.
I wanted to mess around with stamp textures and now we're here
The entirety of Dracula by Bram Stoker is really just:
Dr Seward: I wish we could figure out what’s wrong with Lucy.
Van Helsing: I figured it out immediately but I’m just going to let you solve it yourselves.
Dr Seward: Or you could just tell us.
Van Helsing: Friend John :( I have known you for one thousand years and you have been one of my very good friends and best students :( Do you not trust me? Why do you not trust me, friend John? Have I ever given you a reason to doubt me? Do you not think I have a good reason for withholding vital information? :(:(:(:( Have faith in me, your very old and good friend.
Dr Seward: You’re right :(
Lucy: I love everyone so much and I’m going to tell them every day 🥰💕 also legalise polyamory wtf
Renfield: look at all my pets that I’m definitely not eating 🪰🪰🪰🪰
Dr Seward: What happened to all the birds I gave you?
Renfield, with a mouth full of a feathers: I have no idea.
Arthur: I think… I miss my wife… also how the fuck didn’t we realise Dracula’s house was right next door?
Quincey: I keep saying I’m not that smart but I’m the only one to immediately point out that something was actively taking Lucy’s blood. Brb need to go shoot a giant bat with a gun.
Mina: I am the only person keeping this shit show together. We literally would not have made it without me and no one who adapts my character seems to get that. Women are the heart of this story. I am the glue that binds this group together. I just want ONE MOVIE that understands that and values my intelligence, which is at the forefront of my character.
Renfield: I have an entire character arc but don’t expect any adaptations to show it.
Quincey: ok but what if… we shot Dracula with a gun??? Also stop fucking cutting me from all the adaptations.
Jonathan: has seen indescribable horrors, is a shell of his former self, will literally never be what he was before going to Transylvania
Dracula: oh Jonathan! 🥰🥰🧛🏻🧛🏻🥰🩸🩸🥰🥰
BONUS: everyone is constantly holding hands, especially all of the men, and talking about how they’re going to be best friends forever. The male friendships in this book are shockingly pure and the women are incredible. The Crew of Light are actually the only found family ever, I think.
Seeing as my internal rewards system has moved on to 'trans fiction' from 'queer horror audio drama podcast' I thought I should do a little roundup of everything I listened to the past few months.
A rough ranking:
Malevolent. Just squeaking into the top spot here based on 1) technical prowess (iykyk) 2) compelling characters and story and 3) they are my blorbos your honor!!! Mind boggling that Harlan Guthrie has so much chemistry with himself.
The Silt Verses. Only topped by Malevolent bc season 1 is not as polished, but it really doesn't matter. Top tier characters, amazing worldbuilding, intricate plotting and it had something to SAY about the casual violence of systems, the nature of hope, the complexity of being human in a world that tries to make us inhuman. Also, it doesn't rely on some thin recording contrivance (a framing device that has its place) and instead truly takes the mantle of audio drama without apology.
The White Vault. On the topic of framing devices, TWV has a very cool take on found footage recordings. A group of [researchers/archeologists] are sent to investigate a remote site in [Svalbard/Patagonia] and the podcast is structured as a documentarian presenting the notes, recordings and diary entries in a reconstructed timeline. My favorite element is that many of the characters don't make their notes in English, so the segments will often open with the VA speaking German, Spanish, Mandarin, Icelandic, Russian, etc etc before fading into the translation. There are miniseries between the seasons available on their patreon and they were so worth the $10 I paid to access them for a month. Reveals are slow, but worthwhile, and the mythology built for the show is highly original and intriguing.
Deviser. A one season contained story from Harlan Guthrie of Malevolent. Scifi, psychological, lots of wet awful body horror. If you're a fan of Harlan wimpering into a mic, you'll love this one.
WOE.BEGONE. Long, ongoing, and so so so far from the original premise it's hilarious, I'm ranking this higher than it maybe deserves for two factors 1) the creator and the VAs are clearly having a blast and 2) it's riding the line of taking itself serious despite a premise that invites irony poisoning without becoming too wrapped up in itself. It's fun, I think, that keeps w.bg strong.
The Magnus Archives. Should this be one up? Probably. But everyone bloody well knows tma by this point, it's good, great even! Beyoncé of horror podcasts.
I Am In Eskew. Only knocked down due to the actually godawful sound quality. Truly unsettling stories though (the one with the building architect haunts me) and a surprisingly realistic conclusion. You can see the bones of The Silt Verses here, from the same creative team.
The Magnus Protocol. Everything above this is there due to originality. As a sequel series, TMAGP will always suffer in that measure. However, I like our new cast and I do love an alternate reality. Curious to see where season 2 takes us. I'd like to kill Mr Bonzo in a fire.
The Inexplicables. Another one season story, this time from Rusty Quill, with really fun, flawed characters and no recording framing device!
Wolf 359. Storywise, great! Characters, excellent! Kicking it way to the bottom bc they just would NOT STOP referencing H***y P****r. Yes, Doug's characterization hangs on excessive reference humor, but that was one well I wish they'd left alone.
Red Valley. Knocked for HP references too (come ON british podcasters, do better) but more importantly for veering WAY WAY WAY WAY WAY too close to real life in season 3 onward. I was here for a horror sci fi story about cryogenics, not to listen to my worst climate disaster fears brought to life via hearing rich old sods try to buy their way out of consequences while the world burns and eco terrorism escalates. Too real. Not bad storytelling, just very much not fulfilling my escapism needs.
It's kinda crazy to me that anytime I mention this genre to normies in my life they say, "oh, like true crime podcasts?" And then I die inside. No dude, like radio drama. Like War of the Worlds.
Anyway, I'm off to get even less relatable by reading a zillion niche trans novels (hello Welcome to Dorley Hall, aka, what if there really was a 'trans cult' force femming dudes to undermine their masculinity? It's amazing how much yarn we can make by subverting the cis gaze.)