Im about to end this man’s whole career
Based on Odysseus’s boar hunting scar on his thigh.
Yup, one of the saucy Odydio arts I made months ago
passing the torch.
i think a lot about how odysseus’s experiences might’ve affected his parenting
Old Odypen fantasy AU
Alright, let’s get something straight before anyone comes at me with a “bUt tHiS iS gEnDeR eSsEnTiAlIsM” take. I’m not saying Odysseus is literally a woman or that masculinity and femininity are these rigid, unchanging constructs. I’m talking about how the ancient Greeks perceived these traits. This is about Homeric gender coding, not modern gender politics.
Ancient Greek society had clear ideas about what was “masculine” and “feminine.” Men fought, conquered, and sought kleos (glory). Women used cunning, patience, and endurance to survive. Odysseus? He embodies the latter far more than the former. That’s the point. That’s what makes him interesting. I’m not slapping modern labels on him; I’m analyzing how he would’ve been understood in his own time.
Got it? Got it. Then let me explain.
Greek heroism is all about kleos (glory), right? You charge into battle, fight, die gloriously, and get immortalized in song. Odysseus? Not his style. His whole thing is survival. Achilles, the epitome of warrior masculinity, chooses an early death in exchange for undying fame. Odysseus chooses life, no matter what it takes. He hides, deceives, and grovels when necessary...all acts that a traditionally “heroic” warrior wouldn’t be caught dead doing.
Take the Cyclops episode: a classic strongman hero would just fight Polyphemus. Odysseus? He outsmarts him with wordplay, drugs his enemy (like a sneaky witch would), and escapes by disguising himself under sheep. You’re telling me this is masculine? If anything, it aligns him with figures like Circe and Penelope. Women who survive through wit and deception rather than brute strength.
This man’s mouth is his deadliest weapon. He doesn’t win with a spear; he wins with stories, persuasion, and trickery. The word polytropos (πολύτροπος), used to describe him in the very first line of The Odyssey, literally means “many-turned” or “twisting,” evoking the way a woman might spin or weave. The metaphor of weaving is all over his character, and weaving is, of course, the domain of women in Greek thought.
Even his lies are textile-like. He spins tales, unravels them, and reweaves them as necessary. And let’s not ignore that his narrative mirrors Penelope’s: she weaves and unweaves her shroud, delaying the suitors; he spins and unspins his identity to survive. He and Penelope are two sides of the same coin, both manipulating reality to stay in control.
If we take ancient Greek gender norms seriously, dominance in sex = masculinity, and submission = femininity. And Odysseus? The man spends years being kept by women. Calypso and Circe both hold him as a sex slave, reducing him to an object of desire rather than an active agent. That’s not exactly Achilles ravaging Briseïs, is it? He’s literally lying in bed (λέχος) while these women rule over him.
Even in Ithaca, his return isn’t some macho takeover. He sneaks in, disguises himself, and watches before making his move. Unlike Agamemnon, who storms into Mycenae post-Troy and gets murked by his wife, Odysseus waits, gathering intel like a patient, calculating woman.
He also cries...like...a lot.
Masculine heroes go out into the world to conquer (Iliadic energy). Feminine figures are more often concerned with the home. Odysseus’s entire goal? To get back to Ithaca, to his oikos, to his wife. He’s not seeking new conquests or greater glory. He wants stability, family, domesticity. He longs for the space traditionally occupied by women.
Odysseus is basically the Greek epic’s answer to the trickster woman trope. He’s wily, verbal, emotionally expressive, and constantly using the strategies of metis, not brute strength, to survive. While Homeric masculinity typically means fighting, dying, and achieving kleos, Odysseus thrives through deception, patience, and endurance. Traits that the ancient Greeks more often ascribed to women.
Odysseus: What's the easiest way to steal a man's wallet? Athena: Knife to the throat? Penelope: Axe to the head? Polites:Poison in his cup? Apollo: Discus to the chest? Hermes: Discus to the throat? Eurylochus:You're all horrible
POV your five foot tall scrawny student can lift you off your feet (you are eight feet tall)
Laptop isnt fixed yet but i do have a general idea for a Would You Fall In Love With Me Again animatic
But for now,, this is all I can give yall
Even after all these years, she still finds a way to make him blush awwwww
"You are in the Underworld now..."
Yesterday i made this, a fan art for @imcasperfox 's musical "Stories from Styx".
The three judges of the Underworld! From the left: Aeacus, Minos and Rhadamanthus!
And then, the silly version, very Epic the musical vibe:
... Isn't It fitting?
Again i used for reference @anniflamma 's chara sheets!
BRACE FOR THE STORM!
I'm in love with Luffy rn Currently hyperfixating: One Piece Main fandoms I'm in: Rottmnt, Transformers Prime, One Piece, The Mandalorian and AOT ⚠️DNI⚠️: Tcest, incest, proshippers, pedophiles, racists, disrespectful people, toxic bitches‼️
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