Out On A Cold Sunday Morning And Older Bf!simon Gives You His Jacket.

So you want to make an OC?: A Masterpost of Ways to Create, Develop, and Make Good OCs!

i made this masterpost in hopes that it helps you in making your own OCs ah;; it can also apply to developing RP characters i suppose! if you’d like to add more resources then go for it sugar pea (´ヮ`)!

EDIT (10/16/18): edited my disclaimer (below) before diving into the huge chunk of information here! also included new resources and links to writing disabled and nonbinary characters. happy researching! <3

1. i made this post when i was like 14? 15? so as such: the information researched here is very, very old. a lot of it, imo, is no longer relevant! especially with language use (ESPECIALLY if you’re reblogging the old version of the post that had links to an article about gender/sexuality. i’ve removed that. i’ve removed also the mary sue/gary stue chunk because my values have changed since) the point is, the resources here will not always fit in with what we need as time goes on.

2. these resources are not law!! i made this post because i was and still am very passionate about ocs. this resource was intended to be a sounding board for when u have ideas you want to further delve into and you’re not entirely sure where to begin. it’s not the only resource out there, and sometimes, the best sounding board will be you!!! follow ur heart. ocs are fun. this post was never, ever meant to tell you how to write your own characters but help broaden ur knowledge if u found urself limited in an area (this was first made with a white, abled, cishet audience in mind!)

3. i’ve gotten some great notes and commentary on this post and things i want to explore more since making this post roughly 5 years ago. things are very, very different. i have better resources for a LOT of these, and have more i want to tack on! but i simply can’t find the time for it, so until I do: i’ve removed a lot of links here that i found harmful and irrelevant to today, but i haven’t combed through all of them and can’t lead you to what i think is best. research yourselves! you’ll learn lots.

4. and in closing, thanks for reading! this a/n got off on a tangent so that’s that, LMAO. go forth and develop your ocs!!! and tell me about them!!! or tell me if you have fresh sources or a better perspective or just wanna call me out. this post is 100% open to criticism because it’s imperative to keep growing and learn as much as possible and be as whole and mindful as possible. this world is full of diverse, incredible creators who have contributed so much to telling their stories. let their knowledge guide you, not a silly post made 5-6 years ago. <3

How to Write Better OCs:

basic tips on how to make your oc even better

tragic backstory? learn how to write one/make yours great

writing specific characters

a wordier, great guide on how to develop your character

kick out those vague descriptions and make them AWESOME

Character Development:

how to actually make an OC

Q&A (to develop characters)

more Q&As

giving your character a backstory

how to write an attractive character

Diversity

adding more racial diversity

masterpost on writing more diversity into your story

cultures of the worldguides to drawing different ethnicities (not just a great art reference, but also really helpful in appearance descriptions!)

disability resources: fuckyeahcharacterdevelopment: writing disabled characters, disability-writing-advice, actuallyblind, cripplecharacters

nonbinarycharacter blog! (huge thanks to @writersshock for this and the following resources to writing nb characters!)

6 tips for writing genderqueer & nb characters

writing nonbinary characters: a primer

Villains

villain generator

need an evil sounding name for your evil character? bam

villain archetypes

what’s your villain’s motive for being a villain?

Relationships

character perceptions (What your character thinks of themselves and what others think of them)

how to write strong relationships between two characters

8 ways to write better characters and develop their relationships with others

OCxLove Interest Handbook 

develop your couple with good ol’ Q&A!

how to write realistic relationships

how to write relatives for your characters (this is more OC related to a canon character, but will help in writing family members in general)

ARCHETYPES

12 common archetypes

8 archetypes for male/female characters

female archetypes (goes pretty indepth from two main categories)

a list of archetypes

NAMES

how to name your character

random name generator

most common surnames

surnames by ethnicity

APPEARANCE

tips for better design

basic appearance generator

pinterest board for character design (includes NSFW and images of skeletons/exposed muscle (?) so tread carefully!)

clothing ref masterpost

DETAILS

give your character better powers

a list of professions

proactive vs reactive characters

positive and negative traits

interest generator

skills generator

motivation generator

123 ideas for character flaws

list of phobias

again, this is to help inspire you or help establish your OCs! i hope you get a lot of info and help from this ahh ( ´ ▽ ` )ﾉ

f/o seeing you across the room and looking away embarrassedly as you look back or blow a kiss at them

You deserve a calm relationship that's good for your mental health, heart, and nervous system. A lover who's your bestie, your safe space, and soothes your soul during stressful situations. Life is tough enough – you deserve someone who brings you peace, not problems.

Oh my fucking god. The scream that left both my lips. Best fucking character, Elliot ate that shit up, I'm not okay. I need to be spayed. HIS VOICE?! THE SHRUG?! THE SMIRK?!

Nah, I can't even share my thoughts rn cause it will get me locked up.

Activision finally realised who their FINEST character is? MY MAN.

naaah i watched one (1) episode of the night agent and im immediately obsessed. look at this guy. why is he so hot.

Moral Dilemmas Prompts

Who Do You Let Go?

A character faces an impossible decision, Two people they care deeply about are in a life-threatening situation, but they can only save one.

How do they decide who gets to live and who must die? What factors influence their choice? How do they carry the burden of this decision going forward?

Betray Your Best Friend

Betraying their closest friend could save countless lives, but this betrayal would forever destroy their friendship.

How do they weigh the lives of many against their loyalty to one? What happens if their friend learns the truth?

The Painful Truth

A character uncovers a deep and painful truth that could shatter the lives of those they love.

Do they choose to reveal this truth, despite the potential devastation it could cause? Or do they protect their loved ones by keeping it hidden?*

The Sacrifice

The protagonist is faced with a choice to sacrifice something of immense value – be it their greatest dream, their freedom, or even a part of themselves – to save the life of someone they love.

What are they willing to give up? How does this decision change their life and relationships?

Thief or Desperate?

To survive, they have no choice but to steal.

How do they justify this action to themselves and others? Can they maintain their humanity while betraying their principles?

Forgiveness or Eternal Pain?

A character is confronted with the possibility of forgiving someone who has caused them deep, unforgivable pain. This person pleads for forgiveness, but the wounds run deep.

Does the character choose the path of forgiveness, which might bring healing, or do they hold on to their pain and the desire for revenge?

Loyalty Tested by Fire

A character is placed in a difficult situation that challenges their loyalty to their friends, family, or beliefs. A tempting offer could lead them to betray everything they once stood for.

Do they remain steadfast, even if it means losing everything? Or do they succumb to temptation and betray their principles for personal gain?

WHY HAVE I NEVER HEARD OF OUTLANDER BEFORE ?????

I SUBSCRIBED TO NETFLIX FOR THE FIRST TIME LAST MONDAY TO WATCH THE WITCHER AND SAW OUTLANDER IN MY SUGGESTIONS SO I WAS LIKE....THAT SOUNDS VERY INDULGENT....AND THEN I STARTED WATCHING IT. IMMEDIATELY MY HEART GREW BY THE APPROXIMATE SIZE OF A TALL SCOTTISH REDHEAD.

yayy another traumatized blorbo to add to the list ! :(

shoutout to that reddit list of triggers + their respective time marks. you a real one.

Body Language Cheat Sheet For Writers 

╰ Facial expressions

These are your micro-signals, like the blinking neon signs of the soul. But they’re small, quick, and often lie harder than words.

Raised eyebrows — This can mean surprise or disbelief, sure. But it can also be a full-on, silent “Are you serious right now?” when someone’s being ridiculous. Or even curiosity when someone’s too emotionally repressed to askthe damn question.

Furrowed brow — That face people make when they’re doing long division in their head or trying to emotionally process a compliment. It’s thinking, yes—but also confusion, deep frustration, or quiet simmering rage.

Smiling — Can be happiness… or total fake-it-till-you-make-it energy. Some smiles are stiff. Some don’t reach the eyes. Show that.

Frowning — Sure, sadness. But also: disappointment, judgment, or the universal “I’m about to say something blunt, brace yourself.”

Lip biting — It’s not just nervousness, it’s pressure. Self-control. Anticipation. It’s the thing people do when they want to say something and decide, at the last second, not to.

╰ Eye movement

The window to the soul? Yeah. But also the window to when someone’s lying, flirting, or deeply trying not to cry in public.

Eye contact — Confidence or challenge. Eye contact can be gentle, curious, sharp like a blade. Sometimes it’s desperate: “Please understand me.”

Avoiding eye contact — Not always guilt. Sometimes it’s protectiveness. Sometimes it’s “I’m afraid if I look at you, you’ll see everything I’m trying to hide.”

Narrowed eyes — Calculating. Suspicious. The look someone gives when their brain’s saying “hmmm...” and it’s not a good hmm.

Wide eyes — Surprise, yes. But also sudden fear. The oh-God-it’s-happening look. Or when someone just found out they’re not as in control as they thought.

Eye roll — Classic. But try using it with tension, like when someone’s annoyed and trying very hard not to lose it in public.

╰ Gestures

This is where characters’ emotions go when their mouths are lying.

Crossing arms — Not just defensive. Sometimes it’s comfort. A self-hug. A barrier when the conversation is getting too personal.

Fidgeting — This is nervous energy with nowhere to go. Watch fingers tapping, rings spinning, sleeves tugged. It says: I’m not okay, but I’m trying not to show it.

Pointing — It’s a stab in the air. Aggressive, usually. But sometimes a desperate plea: Look. Understand this.

Open palms — Vulnerability. Honesty. Or a gesture that says, “I have nothing left to hide.”

Hand on chin — Not just thinking. It’s stalling. It’s delaying. It’s “I’m about to say something that might get me in trouble.”

╰ Posture and movement

These are your vibes. How someone occupies space says everything.

Slumped shoulders — Exhaustion. Defeat. Or someone trying to take up less space because they feel small.

Upright posture — Not always confidence. Sometimes it’s forced. Sometimes it’s a character trying really, really hard to look like they’re fine.

Pacing — Inner chaos externalized. Thinking so loudly it needs movement. Waiting for something. Running from your own thoughts.

Tapping foot — Tension. Irritation. Sometimes a buildup to an explosion.

Leaning in — Intimacy. Interest. Or subtle manipulation. (You matter to me. I’m listening. Let’s get closer.)

╰ Touch

This is intimacy in all its forms, comforting, protective, romantic, or invasive.

Hugging — Doesn’t always mean closeness. Could be a goodbye. Could be an apology they can’t say out loud. Could be awkward as hell.

Handshake — Stiff or crushing or slippery. How someone shakes hands says more than their words do.

Back patting — Casual warmth. Bro culture. Awkward emotional support when someone doesn’t know how to comfort but wants to try.

Clenched fists — Holding something in. Rage, tears, restraint. Fists mean tension that needs somewhere to go.

Hair tuck — Sure, flirtation or nerves. But also a subtle shield. A way to hide. A habit from childhood when someone didn’t want to be seen.

╰ Mirroring:

If two characters start syncing their body language, something is happening. Empathy. Chemistry. Shared grief. If someone shifts their body when the other does? Take notice. Other human bits that say everything without words...

Nodding — Not just yes. Could be an “I hear you,” even if they don’t agree. Could be the “keep going” nod. Could be patronizing if done too slow.

Crossed legs — Chill. Casual. Or closed-off, depending on context. Especially if their arms are crossed too.

Finger tapping — Time is ticking. Brain is pacing. Something’s coming.

Hand to chest — Sincerity, yes. But also shock. Or grounding—a subconscious attempt to stay present when everything feels like too much.

Tilting the head — Curiosity. Playfulness. Or someone listening so hard they forget to hide it.

Temple rub — “I can’t deal.” Could be physical pain. Could be stress. Could be emotional overload in disguise.

Chin stroking — Your classic “I’m judging you politely.” Often used in arguments between characters pretending to be calm.

Hands behind the back — Authority. Control. Or rigid fear masked as control.

Leaning body — This is the body betraying the brain. A tilt toward someone means they care—even if their words are cold.

Nail biting — Classic anxiety. But also habit. Something learned. Sometimes people bite because that’s how they self-soothe.

Squinting — Focusing. Doubting. Suspicion without confrontation.

Shifting weight — Uncomfortable. Unsure. Someone who wants to leave but doesn’t.

Covering the mouth — Guilt. Hesitation. The “should I say this?” moment before something big drops.

Body language is more honest than dialogue. If you really want to show your character’s internal world, don’t just give them lines. Give them a hand that won’t stop shaking. Give them a foot that won’t stop bouncing. Give them a mouth that smiles when their eyes don’t. And if you’re not sure what your character would do in a moment of fear, or love, or heartbreak, try acting it out yourself. Seriously. Get weird. Feel what your body does. Then write that down.