I've talked a bit before about the themes of absurdism within BSD, and I think this plays heavily into Dazai and the personal journey he's gone on throughout the series (light novels included). From my perspective, his character development has followed a shift in ideology, from nihilism to absurdism.
First, I'd like to define how these two philosophies are similar yet different. Nihilism is the belief that life is intrinsically meaningless, and that there's no value to seeking meaning. Absurdism also believes that life has no intrinsic meaning, but states that revolting against the absurdity of existence is the way to create meaning.
While I don't think Dazai 100% fits either category fully at any given point in his life as we've seen it thus far, I think in his PM days he leans more towards a nihilist perspective, and following Oda's death he leans more towards an absurdist perspective.
Dazai's reasoning for joining the PM was because he thought that perhaps being around violence and raw emotions would help him understand humanity, giving him a reason to live. This doesn't sound quite like nihilism, but honestly, I think he gains a more nihilist point of view as time progresses and he realizes that he can't find meaning in the PM. I'm not even sure he believed that there was meaning to find in the first place, he was just desperate to prove himself wrong, and then failed, which really cemented this nihilistic mindset for him.
Friedrich Nietzsche, often regarded as the founding father of nihilism, claimed that nihilism "not only the belief that everything deserves to perish; but one actually puts one shoulder to the plough; one destroys.”
If life doesn't have meaning, then it doesn't matter to Dazai if he destroys. So, he fills a corpse with bullets, he horrifically abuses his subordinate, he actively tries to take his own life.
Nihilism is right in line with his suicidal nature. This isn't to say that all nihilists are inherently suicidal, but when one believes that life has no meaning, it's quite easy to come to the conclusion to kill oneself. I think this mindset really lends to his general depression and suicidal ideation, on top of the fact that he feels generally disconnected from humanity. It's so easy for him to consider himself inhuman because he has this nihilistic point of view that nothing matters and everyone else in society seems so dead set on opposing that worldview.
And then you have Oda. He is the closest thing Dazai gets to finding meaning within the PM. Like Chuuya, this is a person that fascinates Dazai, although his reason for fascination is much different. To Dazai, Oda represents what is good in the world, he thinks that he is a good man, and struggles to reconcile how a good person can come out of an existence so seemingly pointless and horrific.
Then, Oda dies.
It's an absurd occurrence, and to Dazai it only proves that life has no meaning. This is exemplified when Dazai speaks to Fyodor about God in Meursault: "[God] is known for is famous for his coincidences and absurdism, I've seen it countless times," and a flashback to Oda's death is shown. A good man died for seemingly no good reason, and to Dazai, this only proves life's meaningless, because to the universe it didn't matter who Oda was, he died, regardless.
(I quoted the dialogue from the BSD anime English dub because I feel it better suited my argument, but you can see that he's essentially saying the same thing).
This event should have only further cemented Dazai as a hardcore nihilist, but fortunately for him, Oda was able to get a word in before he passed. He told Dazai that as long as he believes the sides of good and bad are the same to him, he should be on the side that helps people. Oda suggests fighting against life's inherent absurdity -- and that's absurdism in a nutshell, revolting against a meaningless universe.
Dazai takes his advice, and within a few years, he's working for the ADA, he's on the side that helps people.
In that same conversation with Fyodor, Dazai speaks further about life's meaning:
"Those who scream within the storm of uncertainty and run with flowing blood." That's absurdism, the rebellion against uncertainty, meaninglessness, absurdity.
While I don't think Dazai is a bona-fide absurdist due to his suicidality (absurdism basically sees suicide as giving into meaninglessness), I think he's on his way there because of moments like this.
I don't think he's totally convinced that life is completely and utterly meaningless anymore. He, at the very least, has a respect for those who forge their own meaning through the act of revolt.
"Man stands face to face with the irrational. He feels within him his longing for happiness and for reason. The absurd is born of this confrontation between the human need and the unreasonable silence of the world." - Albert Camus
Snufmin in a nutshell.
OKEY LISTEN au where Satoru didn't kill Suguru, but moved him to his basement /?/ to keep him from escaping. I'd be interested to see that so I did some sketches
I’m making this because the BSD fandom has 2 modes for interpreting Mori and it’s either evil evil child abuser or spineless bastard and I HATE both of them.
Mori is an abuser, yes, but the way he abuses characters is very atypical, and not at all what most people expect. His abuse is almost all psychological, the only character we can say for sure has been physically abused by him is Yosano, and we’re only shown one instance of that.
For simplicity, I’ll be referring to his abuse of Dazai, Chuuya, Koyo and Yosano, but I believe it could be said that Kyuusaku and potentially the Akutagawa’s have suffered because of him.
To understand why Mori has abused certain characters, we must understand a bit about him as a person. This is potentially why Mori’s actions are so wildly skewed by the fandom, because no one wants to observe him too closely (but that’s a whole other post). Simply put, Mori is a military man. He does anything and everything to achieve the “optimal solution”, he has a plan and if he has to get his hands dirty to reach his goal, he will. Emotions and attachments go out the window for him, most of the time at least, because he would sacrifice anything, and anyone, to achieve his goal. Most of the time at least. That’s why he used Yosano, because what’s the life of one girl to the safety of his nation? That’s why he manufactured Oda’s and his orphans deaths, because the prize outweighed the cost.
Mori is logical and reserved, so we must observe all his actions with the lens that he has a reason for what he does, because he (almost) always has a reason.
I’ll start by referring to Mori’s abuse of Dazai, because he’s a bit of a special case and also the one that the fandom overall gets the most wrong. Mori’s abuse of Dazai is usually twisted to be sexual or physical, when there is absolutely no evidence of that. People like to bring up Dazai’s abuse of Akutagawa, or that one throwaway line from The Day I Picked Up Dazai as evidence, but neither of those hold up in my opinion.
Firstly, just because Dazai’s abuse of Akutagawa was partly physical, doesn’t mean he himself underwent physical abuse. Just like Mori, Dazai always has reasons for what he does, and his reason for what he did to Akutagawa was tailored to Akutagawa and his ability, therefore not something that Mori would have done to Dazai. Not to excuse Dazai’s abuse of Akutagawa, of course, but the fact of the matter is that Dazai’s abuse was a test of Akutagawa, and a punishment because Akutagawa didn’t adhere to Dazai’s standards. This abuse is the result of Mori’s own abuse, yes, but it’s not as straightforward as “Mori hit Dazai, ergo Dazai hit Akutagawa”.
The line from TDIPUD is also poor evidence, as all it is is Oda telling Dazai that what he’s doing won’t hurt and Dazai responding that Mori says the same about the needles he gives him. The fact that this is taken as abuse is really weird to me, why is that the assumption here? Mori is a doctor, there are multiple reasons for him to be giving Dazai needles. And the fact that Mori says it’s not going to hurt just sounds like the typical “doctor giving a kid a shot” exchange.
Dazai hates pain, so obviously Mori would lie and say that it isn’t going to hurt. Mori cares for Dazai’s well-being, which is what makes Dazai a bit of an outlier, as Mori shows care for him before he’s found a reason to justify that care. This is evidenced by their exchange in the beginning of Dazai, Chuuya: Fifteen, which is very important as it gives us an insight into Mori’s perspective during that time, where he panics because he hasn’t achieved the “optimal solution” by keeping Dazai alive, but then justifies that action by deciding Dazai is too good an asset to throw away.
And here-in lies the actual abuse that Dazai went through, not being hit or shamed or any of that, but emotional coercion, a slow cultivation of the parts of Dazai that Mori saw as useful, and a creation of the mindset we see Dazai use. This is most prominent with how Mori plants ideas into Dazai’s head. This is referenced in Chapter one of Fifteen as well, establishing that Mori has taken somewhat of an instructor role to Dazai, but that’s something Dazai rebels against.
This exchange is a perfect example of that conditioning, instead of giving Dazai information directly, Mori gets Dazai to deduce his answers using information he already has, something we see Dazai does very often in the current plot. But the main example of this conditioning comes in the form of Dazai’s plan to use the Sheep against Chuuya, a plan that comes DIRECTLY from Mori.
Mori makes sure that Dazai is in the room as he baits Chuuya, uses the weakness of the Sheep against him, and then breaks down EXACTLY what has happened for Dazai. “Just some food for thought” my ass.
Then when discussing his plan with Rimbaud, Dazai brings up a theory taught to him by Mori. 15!Dazai is such a little parrot, it’s all “Mori says, Mori says, Mori says”, just word-vomiting all the thoughts Mori puts in his head, there is a CLEAR influence here.
Just like Mori, Dazai uses the Sheep against Chuuya. Mori shows Dazai how to control people, how to make them listen and how to make them obey. The reason Dazai treats people like pawns, the reason he KNOWS how to manipulate people is because Mori taught him.
Just like so many of the characters, the fandom forgets that when Mori met Dazai, he was a child. He was a broken child who needed a guiding hand and the hand he got was Mori’s. Morí crafted the Dazai that we see, shaped the way that he thinks, THAT was his abuse.
Chuuya as well is a special case. Like Mori, he is a leader, and that is a quality Mori admires in him. In turn, Chuuya looks up to Mori, sees him as an inspiration for what it means to be a leader. This is another example of Mori’s manipulative abuse. To Chuuya, Mori makes himself out to be a saviour, someone who will teach him how to be better, how to protect the people he thinks he has failed. Mori takes Chuuya at his weakest point and gives him a new chance.
And with that, Chuuya is loyal to the mafia and Mori has Soukoku. Never mind that Mori was the brains behind Dazai’s plan that got Chuuya into the mafia in the first place, by getting Dazai to do his dirty work, Mori gets to appear to Chuuya with a halo and wings (I could also talk about Mori’s involvement with Stormbringer and how that locked Chuuya into the mafia, but that’s another tangent).
Mori has done the same with Koyo. She’s loyal to him, but clearly does not LIKE him, so where does that loyalty come from? It is because he has freed her. Koyo suffered under the rule of the Old Boss, she had no freedom, the man who cared for her was executed, she was restrained within the mafia. And then Mori takes over and she ends up an executive. Suddenly she’s got POWER, she can change things, under Mori she’s given the ability to change things and take charge. He sees a girl in chains and loosens them, not enough for her to escape, but enough that she can move. And having been chained up for so long, that feels like freedom. Koyo is loyal to Mori because he’s better than the alternative, because if she can’t be free, at least she can move.
I left Yosano for last, because again, she’s a wild card. Unlike all the other people Mori has coerced, Yosano’s abuse took place during a time where every second was precious. There was no time to do it delicately, the way Mori handled everything else, it was war, win or lose. Mori’s tactics were a lot more brutal, Yosano wants the soldiers to live, so Mori shoots the one she cares about so either she WATCHES her friend die, or she can save him. Unlike with Dazai, with Chuuya, with Koyo, Mori isn’t Yosano’s saviour, he’s her captor, he gives her a choice, but its one where neither option is made to look kind. He makes it clear, she heals them, or they die, whether it’s at his hands, or the hands of the enemy, and he knows she would never let them die.
Mori works through coercion and manipulation, he shapes the way people think of him carefully, moulding his appearance in the eyes of others. To Dazai he’s just an old man that Dazai has under his thumb, who tries and fails to manipulate him. But that’s not the truth. To Chuuya he’s a benevolent leader, someone so gracious as to grant him a place in the mafia. But that’s not the truth. To Koyo he’s the safest option, not someone she wants to follow, but someone she will follow, because at least she’s free. But that’s not the truth. To Yosano he’s evil, cruel and harsh and he takes lives as easily as he breathes with no remorse, he’s the God to her Angel of Death. But thats not the truth. To the audience, he’s a monster, a filthy pervert who is nothing more than a pedophile. Is that the truth?
Mori is like a spider, ensnaring people in his web with carefully constructed lies and appearances, his abuse is not physical or sexual, it’s a psychological coercion, careful at times and brutal at others, his abuse is a targeted attack of an individual’s weaknesses, and a cultivation of the parts he sees as useful.
Every person is his tool, and he likes his blades sharp.
@1seaweedbrain1 for you <3
baby blue
“Sorry there weren’t any! Goodbye 🎵”
bonney normally speaks very coarsely- she usually uses omae as her ‘you’ pronoun, which is uncommonly rude and aggressive for women and is normally only used by men. however, when she addresses luffy-as-nika for the first time directly, to say “i’ve been searching for you,” she switches over to anta for ‘you’, which is still informal but far less confrontational.
and then when luffy is just completely not getting it in the next line (“huh? we’ve been together this whole time!”) bonney instantly snaps back to using omae again for her subsequent lines. respect gained -> lost speedrun INSTANT
The return of the Moomles (Moomin doodles)
Some are based on season 3 of Moominvalley, some are redraws of panels from the Moomin comics, some are the typical cursed shitposts you've surely come to expect from me
Elton John - Rocket Man
(The animatic the drawing of dazai I posted the other day is from :))
Not gonna lie, I love seeing Dazai be this animated. Truly affected. But also because it’s Chuuya with him he doesn’t feel the need to hide behind a mask as much. He can actually show how bad he thinks things are because that’s his partner.
Honestly even Chuuya is showing more surprise than usual. I love to see it.