I, I Really Have Nothing Going On Tbh. We Had A Snow Day In April, It Was Wonderful.

In honor of TBOB I finally caved and watched the show. Still on season one, and here are some sketches trying to figure out my style.

Here's my take on yours! His hair is oiled five ways til Sunday

Drew @dragonoligy1 's Bill Cipher design! I love it so much

Ayup, I'm Dragonoligy1 and I'd be on team Oven2024 for this Trickster!sans event-

The lil guy is charming I tell you what

Here's my first contribution to baking the loser (:

If you have any sans au requests pls lmk

Trickster!sans by @yourloveaton

Please fanfiction authors, use this guide, I know I will. No you will not find out what I've wrote.

Hey gang, it’s your old pal Neo here. If you know me, it’s probably from one of the several very stupid TF2 comics I’ve posted to Tumblr.

However! I am also an English major (unfortunately). One who has read millions of words worth of fanfiction in their life. I have been part of the Sherlock, BNHA, Disco Elysium, and, of course, TF2 fandoms; I’ve been around the block.

The further I’ve progressed into my English education, the more I’ve noticed which mistakes are the most common in fanfiction. Many of them are easily fixable; writers just need to be pointed in the right direction. 

“Neo! Does this mean you think people shouldn’t be allowed to post their works online without a background in formal English education?”

Of course not! I can explain why if you’d care to venture below the cut with me!

Yes, I will explain how to use commas.

It’s important to note that this is NOT a post about formal writing. You aren’t writing an essay. Please, for the love of god, do not write fiction like you’re writing an essay.

There are no stakes to writing fanfic. No one is going to get hurt if an author doesn’t know what a dangling participle is. One of my favourite things about fanfiction is that it’s one of the only art forms left that’s done exclusively for fun! You should write what you enjoy, and share what you make with like-minded people. 

What I want to do is provide assistance as best I can to writers who want to improve their fundamentals without having to take the same university courses I did. Nobody is going to be getting a formal education to write fanfiction unless they’re ridiculously dedicated, and I’m not expecting that of anyone. 

The point I need to stress is that knowing these grammar fundamentals can instantly improve the flow of your writing. Punctuation is a ridiculously important tool for writers, ESPECIALLY in fiction. Commas, semicolons, and full stops (including periods, exclamation points, and question marks) steer the pacing in the reader’s mind; did you notice how your brain stopped for a second after that semicolon? I can show you how to do that.

You may be wondering why I’m going through so much effort to teach all of this to strangers on the internet. The answer is that I enjoy sharing this knowledge with others and helping them grow. By seeing this, my goal is to help you become more proficient at self-editing. Showing this to people who actually want to learn will, hopefully, benefit the community as a whole, and I think that’s very worth it. 

Also, while this post is obviously themed around TF2, the points I’m making can be applied to any fiction. Grammar is for everyone, and the church of the semicolon always has room for more initiates. 

Also also, as an edit, I should clarify that this is meant to cover the more objective facets of self-editing, which is why I'm mostly covering punctuation. Maybe I'll do another post about using adjectives someday.

With that out of the way, let’s get going!

I’ve teamed up with several English teachers (real ones! One of which may or may not be my mom!) and an editor to gather a list of the most common problems we see in amateur fiction. This post is going to be split into three broad sections: apostrophes, commas/semicolons, and other common problems. 

The apostrophe

This section is short, but it holds weight. Other than commas, apostrophes are the most typoed grammatical tool in any fanfiction I’ve edited. This is because, much like the rest of English, the rules surrounding them can be annoying and inconsistent. 

Apostrophes have two main uses: possessives and conjunctions.

A possessive is a word that denotes the ownership of one thing over another. The vast majority of the time, this is done using an apostrophe and an S.

There is, however, one glaring exception to this rule, and it’s the bane of my existence. 

When denoting possession of an object over something else while using the pronoun ‘it,’ you do NOT add an apostrophe before the S.

A conjunction, on the other hand, is when a writer uses an apostrophe to combine two words. The following are examples of common conjunctions:

What’s (what is)

They’re (they are)

It’s (it is)

Conjunctions are not often used in formal writing. Thankfully, we aren’t dealing in formal writing. Go crazy.

Time for a lightning round of the most commonly mistaken for each other possessives and conjunctions!

Your is possessive. You’re is a conjunction of ‘you’ and ‘are.’ When you can’t decide which one to use, imagine replacing it with ‘you are’ and seeing if it makes sense. If it doesn’t, use your.

Their is possessive. There indicates a location. They’re is a conjunction of ‘they’ and ‘are.’ 

The comma and the semicolon

You knew it was coming. I knew it was coming. It’s time to talk about commas.

Commas and semicolons are far and away the biggest grammatical hole in the toolset of fanfiction writers everywhere. They’re often treated like the rules surrounding them are complicated and difficult to understand, but the exact opposite is true! 

The big issue I’ve heard time and time again is that the rules of commas are often explained through metaphor instead of example; this means that writers everywhere have slightly different ideas of how you’re supposed to use them. The fact of the matter is that, yes, there are correct and incorrect ways to use commas. Knowing when they’re appropriate and when they aren’t is easily the fastest way to bring your writing from looking amateurish to sounding professional and experienced. 

In order to know how to use a comma, you must first understand the difference between a dependent and an independent clause. 

An independent clause is a section of writing that functions perfectly well as its own sentence. It MUST have both a subject and an action/verb.

A sentence without an independent clause is known as a fragment, and they’re the bane of English teachers with highlighters everywhere. 

A dependent clause is a section of writing that does not have both a subject and an action; it does not function as its own sentence.

Now, let’s say you want to combine the two. When joining a dependent clause to an independent clause, the order in which they are placed is crucial to whether you use a comma or not. 

When joining a dependent to and independent with the independent clause first, you do not need to use a comma.

When joining a dependent to an independent with the dependent clause first, you MUST use a comma. 

Keep in mind that, if one strives for total grammatical perfection, all narrative sentences MUST have an independent clause. This, however, does not apply to dialogue. Human beings do not think about whether what they’re saying is a dependent clause, and neither would the vast majority of fictional characters. Don’t be afraid to break the rules of grammar as long as it’s contained within quotation marks. 

Alright, that’s the easy part. Time to learn about joining two independent clauses. It’s semicolon time, baby!

If you join two independent clauses without properly using a comma or a semicolon, it is a run-on sentence. You do not want these in your writing. They’re awkward to read and mess up the flow.

When joining two independent clauses, you can use EITHER a comma or a semicolon. You just need to follow these rules:

If you’re joining two independent clauses with a comma, you MUST use a joining word (and, but, so, etc.) AFTER the comma. 

If you’re joining two independent clauses with a semicolon, you do NOT need to use a joining word.

Did you know that a sentence with a comma counts as its own independent clause? This means that you can make a sentence that includes a mix of both without it being a run-on! Just make sure that, no matter what, the semicolon is between two independent clauses. 

Still, try not to write more than two clauses in a sentence too often. Sentences with a lot of punctuation are very attention-grabbing, but shouldn’t be overused. Full stops aren’t your enemy and variety is the spice of life. 

It’s also important to remember that you should avoid using more than one comma in a clause (with the exception of the rule below). That part loops back to the 'avoiding run-ons' bit.

It’s really that easy! 

Commas are also used in informal writing to inject a separate thought or descriptor mid-sentence without breaking the flow by adding a period. This is often used when describing the perspective of a character experiencing something in a story, but not (usually) when using omniscient perspectives. 

The final issue I frequently see with commas in fanfiction is in regards to dialogue. Sometimes you end it with them, and sometimes you don’t. What gives? 

Well, my friend, the answer is, thankfully, much simpler than the previous section.

When following dialogue with a dialogue tag, use a comma instead of a full stop. If you’re continuing the previous sentence after the tag, use a comma after it as well. 

Note that a dialogue tag is a short phrase that identifies the speaker. It isn’t a complete sentence on its own.

When following dialogue with an action that does not serve as a dialogue tag, use a full stop instead of a comma. 

Other common problems

This section is dedicated to putting specific grammatical errors into words, along with how to solve them. 

Not sticking to the chosen point of view

Always choose your point of view before you start. Is it in the first, second, or third person? Is it omniscient or limited? Does the point of view switch during the story?

First person perspective is told as if the POV character is directly describing their experience to the reader. The character uses I and we to describe their own actions.

Second person perspective is told as if the reader is a character in the story and their actions are being described to them. This is the rarest, and the most difficult to write.

Third person perspective is the most common and the simplest to write. The events of the story are a separate entity from the reader altogether and the narrator uses they/he/she/it pronouns for characters. 

Omniscient perspective means the narrator of the story knows all, including the thoughts and feelings of each character. 

Limited perspective means the narrator of the story only knows what the POV character knows. 

Past and present tense

When you decide between writing a story in past or present tense, it is crucial that you do not switch between them unless it is narratively intentional. Reading a past tense story that mistakenly switches to the present tense is like being pulled out of the room someone is telling a story in and suddenly taking part in it yourself. It’s disorienting and gives the reader unwanted pause.

Overly-long paragraphs

A common adage spread by English teachers is that most paragraphs should be at least eight sentences long. This is great advice for beginner essays. You’re writing fiction. 

If you have a new thought, start a new paragraph! A concise and well-read single-sentence paragraph is infinitely better than one that drags a thought for too long. Aim to have a blend of paragraph lengths when you write, alternating between the descriptive and the punctual. 

Dangling participles

A dangling participle is when a word is used to describe a noun that isn’t actually present in the sentence. Much like how a sentence without an action isn’t grammatically correct, neither is a sentence without a subject. 

Malapropisms

A malapropism is when an author mistakenly uses one word or phrase instead of another similar-sounding one. I’m not about to list every single malapropism ever made, but these are the ones I notice most often:

To comprehend is to understand something, to apprehend is to arrest someone, and to be apprehensive is to be anxious or fearful of something bad happening.

Could care less means you do care. Couldn’t care less means you don’t.

A lot means a large amount of something. Alot isn’t a word and you shouldn’t use it.

The only real solution to using malapropisms is to make sure you fully understand any words you use in your writing. Never guess, and make sure you always google it. Having beta readers also helps.

If you made it this far, congratulations! You now know the most common errors in amateur fiction and how to solve them! Thank you for listening to me complain for two thousand words. 

The most important thing to remember is that it’s okay to make mistakes. First drafts are always gonna be a little bad. The real key to success is knowing what your end goal is, and how you plan on achieving it. Here’s hoping this was a helpful tool for that!

Shoutout to @salmonandsoup for helping me think of the list of issues to address! You're a real one. Also shoutout to my mom, who doesn't have Tumblr. Also the third person. You know who you are.

I'm back on my bullshit

"Hand, rise."

Martyn stays as he is, knelt at Ren's feet, forehead so low as to almost be touching the ground and leaning on the sword that he balances precariously on its edge in front of him. 

"Hand."

Ren's voice is so close, so tantalisingly near, and every inch of him craves to stand, to bask in Ren's stare and take his rightful place by his side. 

Martyn does not dare to lift his head. 

"Martyn," his king's voice cuts through the overwhelmingly tense stillness. "Look up."

Ah, a command. That he can obey, and Martyn does, slowly raising his head as his eyes stay firmly planted to the ground. 

"Oh, Hand," and a finger lovingly strokes his cheek, "what has happened to you?"

While I've been gone, goes unsaid. Finally, Martyn raises his eyes as well, meets his king's gaze, his king, his king—

And he breaks. 

Feels his face contort and shoulders start to shake as big, ugly sobs rip through his chest, soundless at first and then unbecomingly loud as he tries and fails to catch his breath. His king's image swims before him; he tries to blink past it, fails and remains gasping, shuddering, curling in on himself with the force of his love, his joy, his boundless, agonising sorrow. 

It's a shameful, pathetic display. By all rights, he should be instantly cast away; if Ren kicked at him like an unwanted puppy and bid he get out of his sight, Martyn would fall over himself and break his legs in his haste to rid the king of his despicable presence.

But Ren reaches out, instead, takes his face in his hands, wiping at the tears that stain his thumbs. He graces his skin with all the gentleness of someone who is clueless as to the things Martyn's done in his absence, what he's become—

It's presumptuous and improper, and he does not deserve to kiss the ground at his king's feet, he knows—but he stumbles and grips Ren's wrist with both his hands, holding on, begging with the drowning he does in Ren's eyes to never let go, please don't let me go. 

Ren kneels, as well, then. The hand that makes contact with his neck guides his head to rest on his shoulder; the other rubs his back. It's tender and more than anything he's ever known, more than his entire world, and Martyn is undone.

Oh, my liege, if you'd seen the things I've seen. 

Ren holds him, and in the weight of his king's hand tangled in his hair Martyn can hear only Ren's whispered words of comfort and his own choked-off sobbing. There are no voices and there is no never-ending laughter; there is only them, as they should be, as they are.

For the first time since a tear ran down his cheek when he saw the arrow go through his king's chest, everything is quiet.

Lake of Unn Watercolor

And a second angle because the first one drained the saturation

Couldn't take a 'proper photo' without blocking the sun tho lol

everyone make sure to set out cheese & crackers for neil tonight <3

I've never done one of these before, so I hope I did it correctly. Anyways, I got ahead of my self and created a whole ass au. @liekadae

Bdubs liked to believe he was a good protector of the forest. He granted boons to those that respected nature and chased away those who would use it for themselves. He helped all animals, from wild ponies to the smallest of tree frogs, and in return, they would continue living; the greatest gift of all. Which is why, when he spotted an albino fox with red ears, who's leg was caught in a hunter's trap, he immediately bent down to let it free.

It pulled back at the sight of him, pupils slit to almost invisibility, so Bdubs took it slow. He sat down in front of the creature and began to hum. He reached out to a small fern next to the fox and allowed his energy to boost the plants’ growth. He remembered that foxes preferred hiding or blending into their surroundings, so, in order to make the small canine more comfortable, foliage sprouted all around it. Not encasing, but simply embracing.

The fox, clearly still running high on nerves flattened its ears, but not too long afterwards, let them stand tall. It tried to sit up, but failed to, and resigned to laying down in the greenery. Bdubs moved his hand closer, allowing the beast to sniff it, and after a few seconds, it pushed its muzzle into his palm. He scratched its chin for a few seconds before moving onto the trap.

It was simple yet effective, and the wire that tangled itself around the hind foot was ever so slightly cutting into the fox’s fur. Bdubs grabbed the wire and gently undid it, simply breaking the combination lock when he got there. After the wire fell to the forest floor and the pressure had been lifted the fox immediately stood up and sprinted off, away from the thicket. Before it was out of view, however, it turned to Bdubs and watched. If Bdubs knew any better, he would've said it was studying him. But he didn't, so he simply waved, and the fox stalked off.

-

It had been a bit since Bdubs freed the fox, but soon after, he began receiving gifts. Small trinkets, whether that be a silver nugget, or a red and gold ribbon, yet all were in pristine condition. He doesn't know how whatever found his home, but as whenever he slept in a different location, the gifys followed him, so they must be his. Tonight though, he decided he would return the favor.

Bdubs placed a small, handmade lantern out in front of his den for the night. It was made of pure light, which he had harvested himself, but gentle enough that it wouldn't hurt the user (whoever it may be). The small orb was encased in gold, courtesy of the mystery nuggets, and gave off a magnificent hue when the last rays of the sun hit it.

So, that night, as Bdubs shut his eyes, he could not see the visitor. He was asleep, and could not hear the paws padding over to him. Could not smell the breeze in the air as a transformation occurred. Could not taste the sudden whiff of pine and sweet berries. Could not feel the gentle hand of someone placing a note card on his mossy cloak. No, Bdubs couldn't do anything when he was asleep.

However, when he awoke and saw the lantern gone and the note in his lap, he knew he had been visited by his mystery gifter. He moved to pick up the card, but before he could read a word, he noticed something.

A small, red, fox print.

Stamping the handwritten message.

Is it okay? If you have a proper au thing I can delete it okay thank you

DRAW THIS IN YOUR STYLE!

I would love to see all of your wonderful takes on Kitsune Etho!!

Tag me or reblog your dtiys here if you want me to see it!

eepy

French Fry Maker.

You get no context thankyouverymuch

@catsil-3

if we lived in a world where u had to do the career u were first interested in as a child what would u be doing, id be a firefighter