Ealdwineoldfriend - Ealdwine Grisly

one of my favorite things to do in limited perspective is write sentences about the things someone doesn't do. he doesn't open his eyes. he doesn't reach out. i LOVE sentences like that. if it's describing the narrator, it's a reflection of their desires, something they're holding themselves back from. there's a tension between urge and action. it makes you ask why they wanted or felt compelled to do that, and also why they ultimately didn't. and if it's describing someone else, it tells you about the narrator's expectations. how they perceive that other person or their relationship. what they thought the other person was going to do, or thought the other person should have done, but failed to. negative action sentences are everything.

HA I just got a super positive rejection! I’ll put it under the cut (because it might get long), but this is genuinely helpful writing advice

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Make the first move. Pronounce your OWN name wrong. Assert your dominance. You Have The Power Now

I was talking to a kid in my daughter’s class today, and she said that she thought it would be fun to write a story about the Titanic, but with supernatural creatures.

So I said, “Yeah, that would great! What would the creatures do? Would they save the Titanic from sinking?”

And she gave me the most disgusted look. I have never seen a 9 year old face look so appalled.

“No,” she said, speaking very clearly so as to never be so grossly misunderstood again, “they’re going to eat the passengers.”

God I hope she lets me read it.

i hate when ppl act like the only reason to not like a "sad" ending is because you can't take it or whatever. personally as a tragedy enjoyer, i hate a poorly written ending. i hate an ending that is just kind of a bummer. i hate an ending that feels mean-spirited to the audience. i hate an ending that's redundant. i love a sad ending that is thematically consistent, poignant, and bespoke to the rest of its narrative.

My little beastie

thinking non-stop about the Terry Pratchett Method of Deconstruction (TM) and how it works

[...] the wages of sin is death, but so is the salary of virtue, and at least the evil get to go home early on Fridays. (Witches Abroad)

Take a common concept, metaphor, idiom, trope etc. "The wages of sin is death."

Invert, reverse or subvert it to highlight the inconsistency or issue. "But so is the salary of virtue." (Well, actually, everybody dies, right?)

While everybody's contemplating the philosophy revealed, overextend the metaphor and whack them in the back of the head with the joke like a comedic quintain while they aren't expecting it. "At least the evil get to go home early on Fridays."

He does it quite often and I love it every time.

i know i've said this before but i'm going to say it again because the more i work with geriatric women the stronger i feel about the fact that the only anti-aging that women in their 20s/30s should be obsessed with is building strong bones and muscle mass. that's like the most important thing you can you can do right now to lay a good foundation for healthy aging. you can botox the shit out of your face but that's not going to do anything to save you from dying prematurely from a fatal hip fracture that you can't bounce back from because you didn't do anything to prevent yourself from becoming frail and breakable. like i know that sounds harsh but that is reality for a lot of older women and i don't want that to be you.

do people have no shame anymore?

To The Person At The Bus Stop Holding A Bouquet of Red Roses by Jordan Bolton

Part of Scenes From Imagined Films Issue 3 - Order now on Etsy