𝙰 π™Όπš’πš£πš’πš‚πšžπšŠ πšŠπš—πš’πš–πšŠπšπš’πš˜πš— πš‹πš’ πš–πšŽ

𝙰 π™Όπš’πš£πš’πš‚πšžπšŠ πšŠπš—πš’πš–πšŠπšπš’πš˜πš— πš‹πš’ πš–πšŽ

π™ΉπšŠπšŒπš’πšœΜ πš™πš˜πš•πšœπšŒπš’ πšπšŠπš—πš’ π™°πš•πš’πšŽπš— πš‚πšπšŠπšπšŽ?

π™Έπš'𝚜 πšŠπš•πšœπš˜ πš˜πš— πš–πš’ πšˆπš˜πšžπšƒπšžπš‹πšŽ πšŒπš‘πšŠπš—πš—πšŽπš• πš’πš πšœπš˜πš–πšŽπš˜πš—πšŽ πš πšŠπš—πšπšŽπš 𝚝𝚘 πšŒπš‘πšŽπšŒπš” πš’πš 𝚘𝚞𝚝 πšπš‘πšŽπš›πšŽ

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π™Όπš’πš£πš’ πšŠπš—πš πš‚πšžπšŠ πš–πš’ πš‹πšŽπš•πš˜πšŸπšŽπšπšœ ✩

𝙰 π™Όπš’πš£πš’πš‚πšžπšŠ πšŠπš—πš’πš–πšŠπšπš’πš˜πš— πš‹πš’ πš–πšŽ
𝙰 π™Όπš’πš£πš’πš‚πšžπšŠ πšŠπš—πš’πš–πšŠπšπš’πš˜πš— πš‹πš’ πš–πšŽ
𝙰 π™Όπš’πš£πš’πš‚πšžπšŠ πšŠπš—πš’πš–πšŠπšπš’πš˜πš— πš‹πš’ πš–πšŽ

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π™΅πš’πš›πšœπš, 𝙸 πš•πš˜πšœπšŽ πš–πš’ πš πš’πšπšŽ, πšπšŠπšŸπš˜πšžπš›πš’πšπšŽ πšŒπš‘πšŠπš›πšŠπšŒπšπšŽπš›, πšŠπš—πš πšπš‘πšŽ πš›πšŽπšŠπšœπš˜πš— 𝙸 πš πšŠπšπšŒπš‘πšŽπš π™°πš•πš’πšŽπš— πš‚πšπšŠπšπšŽ.

π™±πšžπš πšπš‘πšŠπš'𝚜 πš˜πš”πšŠπš’. 𝙸'πš– πšŠπš•πš›πš’πšπš‘πš πš πš’πšπš‘ πš‚πšžπšŠ πš‹πšŽπš’πš—πš πšπš‘πšŽ πš–πšŠπš›πšπš’πš› πšπš‘πšŠπš πš‘πšŠπšžπš—πšπšœ πšπš‘πšŽ πš—πšŠπš›πš›πšŠπšπš’πšŸπšŽ, π™Όπš’πš£πš’'𝚜 πš–πš˜πšπš’πšŸπšŠπšπš’πš˜πš—, πšŠπš—πš πšπš‘πšŽπš›πšŽπšπš˜πš›πšŽ πšπš‘πšŽ πšπš›πš’πšŸπš’πš—πš πšπš˜πš›πšŒπšŽ πšπš˜πš› πšπš‘πšŽ πšŽπš—πšπš’πš›πšŽ πšœπšŽπš›πš’πšŽπšœ.

πšƒπš‘πšŽπš—, 𝙸 πš•πš˜πšœπšŽ 𝚊 πšŒπš‘πšŠπš›πšŠπšŒπšπšŽπš› πš πš’πšπš‘ 𝚜𝚘 πš–πšžπšŒπš‘ πš™πš˜πšπšŽπš—πšπš’πšŠπš•. π™Ύπš—πšŽ πšπš‘πšŠπš πšŽπš—πšŒπšŠπš™πšœπšžπš•πšŠπšπšŽπš πšπš‘πšŽ πšπš‘πšŽπš–πšŽπšœ 𝚘𝚏 πš‘πš’πšπšπšŽπš— πšŽπš–πš˜πšπš’πš˜πš—πšœ πš‹πšžπš πšžπš•πšπš’πš–πšŠπšπšŽπš•πš’ πšœπšžπš‹πšŸπšŽπš›πšπšŽπš πš‘πš’πšœ πš˜πš πš— πšπš›πš˜πš™πšŽ πš’πš— πš‘πš’πšœ πšπš’πš—πšŠπš• πš–πš˜πš–πšŽπš—πšœ, πš πš‘πš’πšŒπš‘ 𝙸 πšπš’πš—πš πšŒπš˜πš–πš™πšŽπš•πš•πš’πš—πš.

π™±πšžπš πšπš‘πšŠπš'𝚜 πšπš’πš—πšŽ. π™ΈπšŸπšŠπš—'𝚜 πšπšŽπšŠπšπš‘ - πš‘πš˜πš πšŽπšŸπšŽπš› 𝚜𝚊𝚍 πš’πš πš πš˜πšžπš•πšπš—'𝚝 πš‹πšŽ - 𝚠𝚊𝚜 πšŒπš˜πš–πš™πšŽπš•πš•πš’πš—πš πšŠπš—πš πš–πšŽπšŠπš—πš’πš—πšπšπšžπš•. π™Έπš 𝚠𝚊𝚜 𝚊 πšπš›πš’πšŸπš’πš—πš πšπš˜πš›πšŒπšŽ πšπš˜πš› πšƒπš’πš•πš•, πš–πšŠπšπšŽ πš‘πš’πš– πš™πš˜πš—πšπšŽπš› πš˜πšŸπšŽπš› πš‘πš’πšœ πš˜πš πš— πšŒπš˜πš–πš™πš•πš’πšŒπšŠπšπšŽπš πšπš‘πš˜πšžπšπš‘πšπšœ πšŠπš—πš πšπšŽπšŽπš•πš’πš—πšπšœ. π™³πšŽπšœπš™πš’πšπšŽ πšπš‘πšŽ πš™πšžπš‹πš•πš’πšŒ'𝚜 πš˜πš™πš’πš—πš’πš˜πš—, 𝙸'πš– πšŠπšŒπšπšžπšŠπš•πš•πš’ πš‘πšŠπš™πš™πš’ πš πš’πšπš‘ πš‘πš’πšœ πšπšŽπšŠπšπš‘.

π™½πšŽπš‘πš, 𝙸 πš•πš˜πšœπšŽ 𝚊 πšŒπš‘πšŠπš›πšŠπšŒπšπšŽπš› πšπš‘πšŠπš πš–πšŠπš’πš‹πšŽ πš πšŠπšœπš—'𝚝 πš–πš’ πšπšŠπšŸπš˜πšžπš›πš’πšπšŽ, πš‹πšžπš πš˜πš—πšŽ πšπš‘πšŠπš 𝙸 πšπš›πšŽπšŠπšπš•πš’ πšœπš’πš–πš™πšŠπšπš‘πš’πšœπšŽπš πš πš’πšπš‘. πšƒπš‘πšŽπš›πšŽ'𝚜 πšŠπš•πš πšŠπš’πšœ 𝚊 πšœπš™πšŽπšŒπš’πšŠπš• πš™πš•πšŠπšŒπšŽ πšπš˜πš› πšŒπš‘πšŠπš›πšŠπšŒπšπšŽπš›πšœ πšπš‘πšŠπš πšŠπš›πšŽ πšŠπš›πšπš’πšœπšπšœ πš’πš— πš–πš’ πš‘πšŽπšŠπš›πš. π™±πšŽπšœπš’πšπšŽπšœ, 𝙸'πš– πšŸπšŽπš›πš’ πš’πš—πšπš›πš’πšπšžπšŽπš πš‹πš’ πš–πšŽπšπš’πšŒπšŠπš• πš‘πš˜πš›πš›πš˜πš›/πšπš˜πš›πšπšžπš›πšŽ πšŠπš—πš 𝙸 πšŠπš•πš πšŠπš’πšœ πšπšŽπšŽπš• πšπšŽπšŽπš™πš•πš’ πšπš˜πš› πšŒπš‘πšŠπš›πšŠπšŒπšπšŽπš›πšœ πšπš‘πšŠπš πš‘πšŠπšŸπšŽ πšŽπš‘πš™πšŽπš›πš’πšŽπš—πšŒπšŽπš πšŠπš‹πšžπšœπšŽ, πšŠπš—πš πšƒπš’πš•πš• 𝚠𝚊𝚜 πšœπš‘πš˜πš πš— πš‹πšŽπš’πš—πš πšœπšžπš‹πš“πšŽπšŒπšπšŽπš 𝚝𝚘 πš’πš πšπš‘πšŽ πš–πš˜πšœπš 𝚘𝚞𝚝 𝚘𝚏 πšπš‘πšŽ πšŽπš—πšπš’πš›πšŽ 𝚌𝚊𝚜𝚝.

πšƒπš‘πšŠπš'𝚜 πš πš‘πšŽπš— 𝙸 πšœπšπš˜πš™ πš‹πšŽπš’πš—πš πšŠπš•πš›πš’πšπš‘πš πš πš’πšπš‘ πš’πš, πš“πšžπšœπš πšœπš•πš’πšπš‘πšπš•πš’. 𝙸 πš πšŠπšœπš—'𝚝 πš™πšŠπš›πšπš’πšŒπšžπš•πšŠπš›πš•πš’ πšŠπšπšπšŠπšŒπš‘πšŽπš 𝚝𝚘 πšƒπš’πš•πš•, πš‹πšžπš πš πš’πšπš‘ πšŠπš•πš• πšπš‘πšŽ πš•πš’πšπšπš•πšŽ 𝚌𝚞𝚎𝚜 πš˜πš— πšπš‘πšŽ πš˜πšπšπš’πšŒπš’πšŠπš• πšŠπš›πšπšœ, 𝙸 πšπšŽπš—πšžπš’πš—πšŽπš•πš’ πš‹πšŽπš•πš’πšŽπšŸπšŽπš πšπš‘πšŠπš πš‘πšŽ πšŒπš˜πšžπš•πš πšœπšžπš›πšŸπš’πšŸπšŽ. π™°πš—πš 𝙸 πš πšŠπšœπš—'𝚝 𝚝𝚘𝚘 𝚜𝚊𝚍 πšŠπš‹πš˜πšžπš π™»πšžπš”πšŠ πš‹πšŽπšŒπš˜πš–πš’πš—πš 𝚊 πš–πšŠπš›πšπš’πš›, 𝚝𝚘𝚘. π™±πšžπš πšžπš•πšπš’πš–πšŠπšπšŽπš•πš’, πš•πš˜πš˜πš”πš’πš—πš πš‹πšŠπšŒπš” πš˜πš— πš’πš, 𝙸'πš– πšπš•πšŠπš πš’πš πšπšžπš›πš—πšŽπš 𝚘𝚞𝚝 πšπš‘πš’πšœ 𝚠𝚊𝚒 πšŠπš—πš 𝚠𝚎 𝚐𝚘𝚝 𝚝𝚘 𝚜𝚎𝚎 π™»πšžπš”πšŠ'𝚜 πš’πš—πšπšŽπš›πšŠπšŒπšπš’πš˜πš— πš πš’πšπš‘ π™·πš’πšžπš—πšŠ.

π™±πšžπš πš—πš˜πš , 𝙸 πš•πš˜πšœπšŽ π™·πš’πšžπš—πšŠ. π™Όπš’ πš˜πš™πš’πš—πš’πš˜πš— πš˜πš— π™·πš’πšžπš—πšŠ πš’πšœ πššπšžπš’πšπšŽ πšŒπš˜πš–πš™πš•πš’πšŒπšŠπšπšŽπš. πš‚πš‘πšŽ 𝚠𝚊𝚜 πšπš‘πšŽ πš•πšŠπšœπš πš–πšŠπš’πš— πšŒπš‘πšŠπš›πšŠπšŒπšπšŽπš› 𝚠𝚎 πš–πšŽπš, πšŠπš—πš 𝙸 πšπšŽπšŽπš• πšπš‘πšŠπš 𝚠𝚎 πšπš’πšπš—'𝚝 𝚐𝚎𝚝 𝚝𝚘 πš”πš—πš˜πš  πš‘πšŽπš› 𝚊𝚜 πš–πšžπšŒπš‘ 𝚊𝚜 πšπš‘πšŽ πš˜πšπš‘πšŽπš› πšŒπš‘πšŠπš›πšŠπšŒπšπšŽπš›πšœ. π™±πšžπš πšπšŽπšœπš™πš’πšπšŽ πšπš‘πšŠπš, πš’πš 𝚠𝚊𝚜 𝚜𝚘 πšŠπš πšπšžπš•πš•πš’ πš˜πš‹πšŸπš’πš˜πšžπšœ πšπš‘πšŠπš πšπš‘πšŽπš›πšŽ 𝚠𝚊𝚜 𝚜𝚘 πš–πšžπšŒπš‘ πš–πš˜πš›πšŽ 𝚝𝚘 πš‘πšŽπš› πšπš‘πšŠπš— πš πš‘πšŠπš πšœπš‘πšŽ πšœπš‘πš˜πš πšœ. 𝙸 πš–πšŽπšŠπš—, πšŒπš˜πš–πšŽ πš˜πš—, πšœπš‘πšŽ πš•πš˜πšœπš 𝚊 πš‹πš›πš˜πšπš‘πšŽπš› πš—πš˜πš πš˜πš—πšŒπšŽ πš‹πšžπš πšπš πš’πšŒπšŽ, πš•πš˜πšœπš πš‘πšŽπš› πšŽπš—πšπš’πš›πšŽ πš•πšŽπš, πšπš‘πš›πšŽπš  𝚊𝚠𝚊𝚒 πšŽπšŸπšŽπš›πš’πšπš‘πš’πš—πš πšœπš‘πšŽ πš”πš—πšŽπš  πš’πš— πš˜πš›πšπšŽπš› 𝚝𝚘 πš“πš˜πš’πš— πšπš‘πšŽ πš›πšŽπš‹πšŽπš•πšœ πšŠπš—πš 𝚜𝚊𝚟𝚎 πš˜πšπš‘πšŽπš›πšœ, πšπšŽπšœπš™πš’πšπšŽ πšœπšπš’πš•πš• πš‘πšžπš›πšπš’πš—πš πš‘πšŽπš›πšœπšŽπš•πš. πšƒπš‘πšŽπš›πšŽ πš’πšœ 𝚜𝚘 πš–πšžπšŒπš‘ πšœπšπš’πš•πš• πš•πšŽπšπš 𝚝𝚘 πšŽπš‘πš™πš•πš˜πš›πšŽ.

π™°πš—πš πš—πš˜πš  πšπš‘πš’πšœ πš’πšœ πš—πš˜πš πšŠπš•πš›πš’πšπš‘πš πš πš’πšπš‘ πš–πšŽ. π™Ύπš‘ πš–πš’ π™Άπš˜πš. πš‚πš˜ πš—πš˜πš  π™»πšžπš”πšŠ πš•πš˜πšœπš πš‘πš’πšœ πš›πšŽπšŠπšœπš˜πš— 𝚝𝚘 πš•πš’πšŸπšŽ πšœπšŽπšŒπš˜πš—πšπšœ πšŠπšπšπšŽπš› πš•πšŽπšŠπš›πš—πš’πš—πš πšπš‘πšŠπš, 𝚊𝚝 πš•πšŠπšœπš, πšœπš‘πšŽ'𝚜 πšπš˜πš›πšπš’πšŸπšŽπš— πš‘πš’πš–. πšƒπš‘πšŽ πš•πšŠπšœπš πš–πšŽπš–πš˜πš›πš’ 𝚘𝚏 πš‘πšŽπš› πš‹πšŽπš’πš—πš πš‘πšŽπš› πš›πšŽπšŠπšœπšœπšžπš›πš’πš—πš πš πš˜πš›πšπšœ πšŽπš—πšŒπš˜πšžπš›πšŠπšπš’πš—πš πš‘πš’πš– 𝚝𝚘 πš•πš’πšŸπšŽ πš˜πš—. πš‚πš˜ πš—πš˜πš  π™Όπš’πš£πš’ πš‘πšŠπšœ πš•πš˜πšœπš πšŽπšŸπšŽπš›πš’πš˜πš—πšŽ πšπš‘πšŠπš πšœπš‘πšŽ πšŒπšŠπš›πšŽπšœ πšπš˜πš›. πš‚πš‘πšŽ πš•πš˜πšœπš πšπš‘πšŽ πš™πšŽπš›πšœπš˜πš— πšπš‘πšŠπš πš‘πšŽπš•πš™πšŽπš πš‘πšŽπš› 𝚐𝚎𝚝 πš‘πšŽπš›πšœπšŽπš•πš πš‹πšŠπšŒπš” πšπš˜πšπšŽπšπš‘πšŽπš›, πšπš‘πšŽ πš˜πš—πšŽ πšπš‘πšŠπš 𝚜𝚊𝚟𝚎𝚍 πš‘πšŽπš› πšπš›πš˜πš– πšπš‘πšŽ πš‹πš›πš’πš—πš” 𝚘𝚏 πšπšŽπšŠπšπš‘.

πš‚πš˜ πš—πš˜πš  π™·πš’πšžπš—πšŠ πš πš˜πš—'𝚝 𝚐𝚎𝚝 𝚝𝚘 𝚜𝚎𝚎 πšπš‘πšŽ πšπš’πš—πšŠπš• πš˜πšžπšπšŒπš˜πš–πšŽ 𝚘𝚏 πš’πšŽπšŠπš›πšœ πšžπš™πš˜πš— πš’πšŽπšŠπš›πšœ 𝚘𝚏 πš‘πšŽπš› πšœπšŠπšŒπš›πš’πšπš’πšŒπšŽπšœ. π™Έπš π™°πš•πš’πšŽπš— πš‚πšπšŠπšπšŽ πš πš’πš•πš• 𝚐𝚎𝚝 𝚊 πš‘πšŠπš™πš™πš’ πšŽπš—πšπš’πš—πš πšŠπšπšπšŽπš› πšŠπš•πš•, π™·πš’πšžπš—πšŠ πš πš˜πš—'𝚝 πš‹πšŽ 𝚊 πš™πšŠπš›πš 𝚘𝚏 πš’πš.

π™Ύπš‘ π™Άπš˜πš.

...π™±πšžπš 𝚠𝚎 πšœπšπš’πš•πš• 𝚐𝚘𝚝 𝚝𝚘 𝚜𝚎𝚎 πšπš‘πšŽ πš πš‘πš˜πš•πšŽ 𝚌𝚊𝚜𝚝 πš“πšžπšœπš πš‹πšŽπš’πš—πš πš‘πšŠπš™πš™πš’, πš›πš’πšπš‘πš? π™·πš’πšžπ™»πšžπš”πšŠ πš‹πšŽπš’πš—πš πš–πšŠπš›πš›πš’πšŽπš, π™Όπš’πš£πš’πš‚πšžπšŠ πš‹πšŽπš’πš—πš πšŽπšŠπšŒπš‘πš˜πšπš‘πšŽπš›πšœ π™Άπš˜πš'𝚜 πšŠπš—πš πšžπš—πš’πšŸπšŽπš›πšœπšŽπšœ. π™Ήπšžπšœπš πš—πš˜πš πš’πš— πšπš‘πš’πšœ πšžπš—πš’πšŸπšŽπš›πšœπšŽ.

π™Ύπš‘ πš–πš’ π™Άπš˜πš, πš—πš˜πš  𝙸'πš•πš• πš‹πšŽ πšœπšπšžπšŒπš” πšπš‘πš’πš—πš”πš’πš—πš πšŠπš‹πš˜πšžπš πšŠπš•πš• πšπš‘πšŽ π™Όπš’πš£πš’πš‚πšžπšŠ πšŒπš•πš’πš™πšœ πšπš˜πš› πšŠπš—πš˜πšπš‘πšŽπš› 𝚝𝚠𝚘 πš πšŽπšŽπš”πšœ πšžπš—πšπš’πš• 𝙸 πšπš’πš—πšŠπš•πš•πš’ πš‹πš›πšŽπšŠπš” πšŠπš—πš πš–πšŠπš”πšŽ πšŠπš—πš˜πšπš‘πšŽπš› πšŠπš—πš’πš–πšŠπšπš’πš˜πš—, πš πš˜πš—'𝚝 𝙸?


Tags
2 months ago
Haiii

haiii

based on this


Tags
2 months ago

Take I haven't seen in the fandom yet:

Luka doesn't want to be freed.

"Now, MirrorCatCreditcard," you may say, "that's nonsense. Any human would want freedom from that system."

If you're thinking I'm gonna convince you that Luka doesn't know he wants freedom yet, you're wrong. I'm here to talk about indoctrination/conditioning, grooming/emotional manipulation, my own experience with those topics, and how all of the above connects with Luka as a character. If a deep dive like this is too much for you, please tap out for your own sake.

Take I Haven't Seen In The Fandom Yet:
Take I Haven't Seen In The Fandom Yet:
Take I Haven't Seen In The Fandom Yet:

Luka's life was planned before he even existed. There has never ever been an alternative option. There is no life for Luka as anything but what Herperu chose. Everything in his life has been planned to have him be the perfect pet human idol. That is what he must be.

Fandom, I don't think most of you actually understand this and have dissected what this means (shout-out to the Luka stans who are getting there/have guessed similar things). These words we know have alternatives and are not set in stone are Luka's "gravity makes rain fall to the earth" and "water makes things wet." They are facts so deeply ingrained within him that even if shown the contrary he remarks that the person showing them is just disillusioned.

Take his commentary on Mizi and Hyun-A in the art book. He looks down on Mizi for not being able to control any of her emotions. How does he talk about Hyun-A? He has her at 70% affection yet shows a patronizing attitudeβ€”she's the one in denial at reality.

Now, how did we get here? How is a human so "delusional" and set in the control?

He's been conditioned.

Some of you don't know what I mean by this from experience and/or research, and count yourself fortunate that you don't. I pray you never experience such things firsthand. Don't worry about ignorance. Familiar or not, I will explain.

When you are surrounded by only one truth and reality, that is the way you interpret life. If a parent tells a child "the moon goes to sleep during the day," until the child learns otherwise, that's what they believe. Now take that child-like belief and add some toxic environments to the mix. With time, any other kid would learn that the earth rotates from their peers or adults around them. But if the creatures around them all say and believe the same thing "the moon goes to sleep during the day," then that is what the child continues to believe. Years of that same thing being the only truth make that false knowledge into a fact in the person's head, and everything that supports that fact is taken as truth or on the right path to truth.

"This is kinda silly though," you guys are no doubt murmuring, "All of this is a hypothetical. Give us something that makes sense or that someone could actually see happen in our society."

I'll give you my own experience then. My parents taught me that God is real. My parents taught me that I will be damned I do not follow the commandments of the scriptures. I didn't need to worry though. As long as I was obedient to the God who loved me and wanted what was best, I would be saved despite being born an awful sinful human. I was homeschooled, only interacted with people of similar beliefs, and taught that people too different from me in ideology or with radical beliefs against my own were trying to harm me and my family. I believed the people who raised me because why would people who love me lie to me? My task was simple. I needed to obey God and love everyone, especially them. Love meant giving up my entire being and living only as servant and sacrifice. After all, being selfless to the utmost was the greatest form of love.

Let's go back to Luka. His guardian, Herperu, when questioned about any surprises while training Luka, stated not only that he was the one who endured the "tough moments" but also that "(Luka) owes his success to me, and naturally, he should be grateful." This sentiment is echoed by Luka in his interview (shown on Patreon). My god, it's giving parents with disabled kids who brag on social media about how much trouble their kid is and how much they do for them. Sickening. This shows exactly what environment Luka has lived in though.

When you are manipulated into having something as your reality, everything else is fiction and delusion.

Let's review what exactly is Luka's reality.

Heperu is the one suffering if Luka has any difficulties being obedient.

Gratitude is what Herperu is owed because he goes through so much trouble to make Luka a star.

Love/care is shown by owning another's autonomy.

Emotions and bodily reactions exist, sure, but someone should be able to control them; and if they can't, someone should control those reactions for them.

Segyein are superior and the good ones for dealing with humans. Humans must be disciplined and shaped to how an segyein wants it to act to be considered deserving of this goodness.

(Luka)'s perfection is defined by his guardian.

Take I Haven't Seen In The Fandom Yet:
Take I Haven't Seen In The Fandom Yet:

Luka's life is directly connected to being the perfect performer. His guardian praises his abilities with the statement that no other pet human will ever be as perfect as him yet leaves an underlying threat saying that it will be no good if a pet is not trained properly. This has probably been mentally (if not physically) beaten into Luka's mind: his greatness doesn't stop him from being able to be disposed of. The human instinct to want to live has been explained to him as Heperu's wish for him to live and that has been further distorted as a duty to live for the stage he has been placed on.

Luka believes fully that there is a debt in play here. In his interview, he mentions repaying love. He thinks the relationship between fan and idol is completely normal, encouraged, and healthy. Performance is the most important thing. Being where he is is a privilege.

There's a chain here:

Heperu indoctrinated Luka into believing what he says is all true.

The guardian manipulated him easily to do what he wanted with his body and mind.

The years have been spent constantly conditioning Luka to be the god who encapsulated fantasies for the audience.

He is continually being groomed to exist for the entertainment and enjoyment of segyein.

Circle back to my first point of this post. Luka does not want to be freed. He doesn't know what freedom actually is. He sees freedom as either foolish denials of reality (and doesn't consider that actual freedom) or as controlling the song and stage when he performs (something he learned from Hyuna). He cannot want something he cannot understand. He cannot want freedom in the sense the fandom keeps speaking about.

Take I Haven't Seen In The Fandom Yet:

It's funny. From the moment Luka was revealed to be hated by the fandom, I wanted to know why. Instead of digging and finding horrific deeds, I instead found a character who portrayed my own traumas and experiences. I instantly attached and delved deeply into learning about this thirty year old singer. Why does he express himself in a certain way? Where do we first see mention of him? Who does he have emotions towards? How was he trained? What makes Luka himself? I have past essays/replies to other's theories if you're interested, but in this one I got personal and didn't sugarcoat the facts. If the fandom can't handle deep thought, we shouldn't be discussing this incredibly profound and depth-filled web series.

As always, thank you for your time, and I hope my thoughts allowed you to open your mind to new things. Mostly, I hope you enjoyed them 🫢


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2 weeks ago

π™°πš—πš˜πšπš‘πšŽπš› π™Όπš’πš£πš’πš‚πšžπšŠ πšŠπš—πš’πš–πšŠπšπš’πšŒ πš‹πš’ πš–πšŽ

π™Ώπš˜πš•πšœπšŒπš’ πšπšŠπš—πš’ πšŠπš•πš—πšœπš, Ε‚πšŠΜ¨πšŒπš£πš–πš’ πšœπš’πšŽΜ¨

π™±πšπš  𝙸 πš™πš˜πšœπšπšŽπš πš’πš πš˜πš— πš–πš’ 𝚒𝚝 πšŒπš‘πšŠπš—πš—πšŽπš•, πšŒπš‘πšŽπšŒπš” πš’πš 𝚘𝚞𝚝 πš’πš 𝚒𝚘𝚞 πš πšŠπš—πš 🩷🀍

────── ⋆⋅ ✢ ⋅⋆ ──────

π™°πš—πš˜πšπš‘πšŽπš› π™Όπš’πš£πš’πš‚πšžπšŠ πšŠπš—πš’πš–πšŠπšπš’πšŒ πš‹πš’ πš–πšŽ
π™°πš—πš˜πšπš‘πšŽπš› π™Όπš’πš£πš’πš‚πšžπšŠ πšŠπš—πš’πš–πšŠπšπš’πšŒ πš‹πš’ πš–πšŽ

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2 months ago
Mizisua... The Watering Down Of Your Relationship Into Just The "healthy Wlw Couple" Plagues Me... I

Mizisua... the watering down of your relationship into just the "healthy wlw couple" plagues me... I can see the mutual love and devotion, but I also see the unhealthy levels of codependency, the one-sided layers of deceit made with good intentions, how one person is innocent in part due to those lies of omission while the other craves the naivety they will upon the other. Perhaps ignorance is bliss, but reality will always come knocking at the door; wouldn't it have been better to have had time to prepare yourself? Can you really be mad at her for wanting you both to stay in Eden for as long as possible? Your relationship is so very interesting, and by God, is it not healthy.


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2 months ago

That was me, actually

Don’t feel bad if you’re sensitive to negative feedback because apparently after one particular bad review Hans Christian Andersen was found just sobbing while lying face down in the dirt

2 months ago

any german born after 1870 can’t administrate… all they know is bruderkrieg , charge they tanks, kesselschlacht, be bisexual , eat hot dΓΆner & lie


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2 months ago

π™°πš— π™°πš•πš’πšŽπš— πš‚πšπšŠπšπšŽ πšŠπš—πš’πš–πšŠπšπš’πš˜πš— πš‹πš’ πš–πšŽ

πšƒπš’πš•πš• πš”πš’πš—πš 𝚘𝚏 πšπš’πšŽπš πš πš‘πšŽπš— 𝙸 𝚠𝚊𝚜 πš’πš— πšπš‘πšŽ πš–πš’πšπšπš•πšŽ 𝚘𝚏 πšπš›πšŠπš πš’πš—πš, 𝚜𝚘 𝙸 πš‘πšŠπš 𝚝𝚘 πšŒπš‘πšŠπš—πšπšŽ πšπš‘πšŽ πšŒπš˜πš—πšŒπšŽπš™πš 𝚊 πš•πš’πšπšπš•πšŽ (⁠╯⁠︡⁠╰⁠,⁠)

𝙸 πšŠπš•πšœπš˜ πš™πš˜πšœπšπšŽπš πš’πš πš˜πš— πš–πš’ πšˆπš˜πšžπšƒπšžπš‹πšŽ πšŒπš‘πšŠπš—πš—πšŽπš• πš’πš πšŠπš—πš’πš˜πš—πšŽ πš πšŠπš—πšπšŽπš 𝚝𝚘 πšŒπš‘πšŽπšŒπš” πš’πš 𝚘𝚞𝚝

────── ⋆⋅ ✢ ⋅⋆ ──────

π™Όπš’πš£πš’πš‚πšžπšŠ πš’πšœ πšπš›πšžπš•πš’ πš–πš’ π™Άπš˜πš, πš–πš’ πšžπš—πš’πšŸπšŽπš›πšœπšŽ β™‘

π™°πš— π™°πš•πš’πšŽπš— πš‚πšπšŠπšπšŽ πšŠπš—πš’πš–πšŠπšπš’πš˜πš— πš‹πš’ πš–πšŽ
π™°πš— π™°πš•πš’πšŽπš— πš‚πšπšŠπšπšŽ πšŠπš—πš’πš–πšŠπšπš’πš˜πš— πš‹πš’ πš–πšŽ

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2 months ago

π™³πš›πšŠπš πš’πš—πšπšœ πšπš˜πš› 𝚊 πš‹πšœπš πšŠπš–πšŸ 𝙸 𝚐𝚊𝚟𝚎 πšžπš™ πš˜πš—

π™³πš›πšŠπš πš’πš—πšπšœ πšπš˜πš› 𝚊 πš‹πšœπš πšŠπš–πšŸ 𝙸 𝚐𝚊𝚟𝚎 πšžπš™
π™³πš›πšŠπš πš’πš—πšπšœ πšπš˜πš› 𝚊 πš‹πšœπš πšŠπš–πšŸ 𝙸 𝚐𝚊𝚟𝚎 πšžπš™
π™³πš›πšŠπš πš’πš—πšπšœ πšπš˜πš› 𝚊 πš‹πšœπš πšŠπš–πšŸ 𝙸 𝚐𝚊𝚟𝚎 πšžπš™
π™³πš›πšŠπš πš’πš—πšπšœ πšπš˜πš› 𝚊 πš‹πšœπš πšŠπš–πšŸ 𝙸 𝚐𝚊𝚟𝚎 πšžπš™
π™³πš›πšŠπš πš’πš—πšπšœ πšπš˜πš› 𝚊 πš‹πšœπš πšŠπš–πšŸ 𝙸 𝚐𝚊𝚟𝚎 πšžπš™
π™³πš›πšŠπš πš’πš—πšπšœ πšπš˜πš› 𝚊 πš‹πšœπš πšŠπš–πšŸ 𝙸 𝚐𝚊𝚟𝚎 πšžπš™

π™°πš—πš’πš πšŠπš’, πšπšŽπš—πšπšŽπš›πš‹πšŽπš—πš π™΅πš’πš˜πšπš˜πš› πšŠπš—πš π™½πš’πš”πš˜πš•πšŠπš’ (π™΅πšŽπš˜πšπš˜πš›πš’πš’πšŠ πšŠπš—πš π™½πš’πš”πšŠ) πŸ”›πŸ”


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