BBS EP12: The Small Moments (or Attack Of The Parallels)

aoki x the complete inability to can

bonus: baby gets BRAVE

i really like the moment when pran holds out his hand to pat and says "i'm done adjusting". initially he's so caught in his own anxious worries that he immediately rejects the handholding but after a second of taking a step back and thinking abt it he's like 'you know what actually i'm okay with this rn' and that's such an important message about intimacy. because yes sometimes stepping closer (esp in public) can be scary but after the initial surprise you might find that you're actually okay with it (and pran holds pat's hand behind pa's back later too). and pran knows that pat would respect it if he's not ready and that makes it easier for pran to 'adjust' i.e. be open about the fact that he does want to hold pat's hand in the corridor outside his apartment. intimacy and getting closer to someone are not linear progresses and often move forward step by step. and i love how we see this in pran especially: he acts subconsciously and then makes an effort to show how he feels consciously about pat and their relationship.

Sarawat’s ‘wtf is happening’ face

COLOR RUSH EP 1 AND 2- OBSERVATIONS AND COMMENTS

Wow Wow Wow. The thrill and pleasure, I have just received from watching Color Rush episode 1 and 2, whilst learning about this new trope with the color verse world that I’ve never heard of before. It is intriguing to see a soulmate au done this way, it’s cute, you’re meant to be excited and soft when they meet, it’s meant to be happiness and love and longing. But what we get with the Korean Bl Color Rush is far from that, there’s angst, drama, fear and exhilaration from the idea that our couple might be a danger to each other instead of actually saving each other.

With hints to themes of losing control like madness and obsession and the psychological toll being a mono ( having neurological colour blindness and has dampened emotions). First of all, there are clues of books laid around like the one a side character was reading Macbeth. That’s a worrying hint to what this show is exploring. It’s going to show the frightening aspect of a mono’s dependence on their probe to see colour, the addicting, obsessive, hunger once they have a colour rush.

It’s dangerous especially with how Yeon Woo explains it, people have killed for this feeling, people have chosen to break the law, and people have died to prevent themselves from doing something awful to their probes. It’s beautiful to see Yeon Woo meet his person, but it’s scary to think that it’s going to cause him to spiral and lose himself even more. Something he’s trying so hard to avoid.  This connection whilst fated is not a glamorous one, it’s shockingly filled with angst and disturbances, but it’s brilliant, and it’s keeping me on my toes.

In episode 2, we see another hint to this dangerous connection forming the praying mantis;  how a female survives by eating the head of her male lover after they get together. It’s obviously another resemblance to our soulmate connection’s theme and reality. What do we do when we’re falling for a couple that may very well need to be separated for both to stay mentally sane and rational? We see the effects on Yeon Woo again, like hit after hit of a drug he’s started to demand and lose his temper because of his fear of losing the feeling when he sees colours because of Han.

It’s just brilliant, Korea has done it again they’ve chosen an ambitious plot, and they’ve taken BLs to a new level. The issue? This should be like every other Kdrama and have one-hour episodes and it breaks my heart that it’s 15 minutes and only 8 episodes. But for now, the 15 minutes don’t feel like a disadvantage. Still, I can’t help but moan about the fact that this could be one of the best deep, angsty, emotional bl dramas if given more time to shine and work on its plot. Then again, sometimes having long runtimes can make a show laggier and include extra scenes that aren’t needed. We’ll see how that turns out with this drama. With Korean Bls though, it’s been the latter; we want more minutes, we want more episodes, we want more of this because it’s terrific to see honestly.

It’s not just the unique soulmate AU, Color Rush seems to have. It has a plot hinting to the mystery about missing people, including our main character’s mum who’s been missing for quite a while. Also, she’s not the only one; many Monos are going missing. This is intriguing, who’s targeting these monos a probe bent on revenge? Another mono who’s gone crazy and wants everyone to be unhappy because they didn’t find their probe? What could it possibly be? Or did they all just run away because they knew they were being taken down into a darker hole because of their need to depend on their probe no matter how hard they try to prevent it? Are they being experimented on by some weird company?

I’m so interested and ready to see where this show takes us. I rarely write so much for the first episode of a drama, but this BL is already screaming meta, depth, love and angst that can be broken down and looked into. I’m so excited, and I cannot wait to go on this journey and watch this story get stronger and stronger. Thank you Korea for always choosing ambitious exciting and unique plots, this is why we need more Bls in Korea, we need this, we need to see this more, we need to know these storylines more, and we don’t want it to stop. Just get better and better each year. Color Rush is a fantastic beginning to 2021. And I can’t wait to see where it takes us.

The fact that they’re openly discussing the spectrum of sexuality like this instead of completely ignoring the subject really shows that, once again, P’Aof is so intensional with his portrayal of LGBTQIA+ characters. This is why Bad Buddy really is more than just a BL, it’s a story of people falling in love and discovering who they are. Together.

Smug Shi Lei is the best

Still not over how that scene was improvised ..

No estaba en el guión

SEMANTIC ERROR | EPISODE 8

I’ll make another request. Sangwoo, let’s date. Not a trial run. I mean the real thing.

Love Triangles & Tropes

I have to talk about love triangles for a moment and it is all Light on Me’s fault. 

Most BLs don’t employ true love triangles. Instead they throw in a faen fatal as a plot device who is obviously not a real threat to the main couple for various reasons: 

They’re an underdeveloped character with little back story. 

They’re the wrong gender. 

They enter late in the narrative and/or have very little screen time. 

They engage in no significant romance tropes with the lead. 

With a faen fatal we all know that our two boys will end up together. 

A love triangle is different. 

In a love triangle the audience actually believes the second lead has a good chance of winning over the main character. The second lead is given back story, is the correct gender to be competition, and has significant screen time. And, of course, tropes are used to make the burgeoning romance believable. 

Guess who is great on love triangles and even better at giving audiences bad cases of Second Lead Syndrome?

Why yes, that would be Korea.

When I posted about Korea’s history with BL, I talked about how strategic and clever they are with tropes. I think this is one of the reasons they are so good at believable love triangles. 

But so far they haven’t given us a love triangle in BL… until NOW. 

Light on Me is the Perfect Love Triangle

For the purposes of argument (and because of various elements like the lingering gaze, romance narrative conceits, focus of the camera lens etc) I am going to go with the following:

TaeKyung = our POV or main character (uke*)

ShinWoo = Lead (seme) 

DaOn = Second Lead (seme)

* In addition to specializing in soft low heat BL, Korea likes a slow burn romance and a weak seme/uke dynamic. So we are going back to the original definition of uke: basically the character the others are pursuing and want to take care of. 

Light on Me is using heavy hitting BL tropes to weight TaeKyung’s options fairly. Almost every time the director doles out one significant trope to SinWoo they will then give the same trope to DaOn or vise versa. It’s so smart and fun to watch I started keeping score. 

Crash Into Me AKA Proximity Alert 

(Camera then shows ShinWoo watching this, when it’s a trope he already got to have with TaeKyung.) 

Messy Eater

(Camera then shows DaOn watching this, when it’s a trope he already got to have with TaeKyung.) 

Meet Me In The Library 

Head Touch

(Honestly I am Team ShinWoo solely based on this neck grab.) 

Wound Tending

Light on Me is a master class in how to use tropes to manipulate audience sympathy so they can’t decide which pairing they prefer. Basically, this is how you infect fans with Second Lead Syndrome. It’s SO GOOD. 

Also, did you notice how they spaced this flip-flopping out at first, but then it got closer together? Crash into me with seme 1 then not with seme 2 until a few episodes later. But as the series progresses and the tension increases, the same trope for one seme comes closer in time to the same trope for the other seme, until finally at the end of episode 8, both semes want to wound tend TaeKyung in the same scene! Which mean’s this show is also pacing its tropes to amp up love triangle tension. 

This is clever enough to be mind boggling. I can’t even. 

On the other hand, they will dole out specific tropes to each seme (that the other one doesn’t get to have). So ShinWoo got to tie the shoelaces. But DaOn loaned the umbrella. SinWoo gets to grab and physically demonstrate interest. DaOn gets to flirt and verbally indicate interest. 

Partly this is because TaeKyung is on an enemies-to-lovers arc with SinWoo, but on a friends-to-lovers arc with DaOn (see True Beauty). But also it’s because the two semes are very different personalities. 

Similarly the narrative parcels out TaeKyung’s responses accordingly. 

So TaeKyung collar grab’s SinWoo. This is a trope that is always uke to seme in an agro relationship, because when an uke acts aggressively you know something is going down. It’s commonly used to give uke agency for the first kiss (see We Best Love). TaeKyung also rescues ShinWoo from bullies and gets hurt in the process, another aggressive move with relation to this particular seme and more common in enemies to lovers (see PeteKao in the Kiss series). 

Since DaOn is on a friends to lovers track, TaeKyung is a lot softer with him. 

In fact TaeKyung keeps trying to take care of DaOn, and even performs some seme acts of service (even though he’s the uke character), which is Korea being unbelievably clever with their love triangle. I mean how can we not root for them as a couple? 

Look, I’ve seen the seatbelt trope a million times but only PeteKao have ever flipped it so far as I can recall, and that’s just because Pete keeps getting beaten tf up. This is the kind of proprietary behavior (see also buckling on a safety helmet) only performed by seme on uke. 

Also TaeKyung took care of DaOn when he was sick, remotely, but still he used the umbrella to tell DaOn who was doing it. This is playing with the idea of mutual responsibility and partnership which is very unusual in BL, and makes me like them as a couple all the more because they act on an equal footing. Mutual care is adorable. (See Oxygen for more of this kind of exchange.) 

The interesting thing about DaOn as a second lead is that we know more about his back story than we do our mains. We know he is a neglected child, a people pleaser, and the ultimate caregiver. We watch him fall in love with TaeKyung because TaeKyung is the first person to give DaOn care back. Of course he wants to hold onto that. Also it makes DaOn very very VERY sympathetic to watchers. 

It got bad enough in episode 8 that I begin to wonder, despite all the many narrative clues, if DaOn actually might win TaeKyung in the end. 

See what I mean? 

Second Lead Syndrome! 

I know this has been a praise post, but flipping heck do I hate a love triangle. Because ARGH I want them both! 

Bravo, Korea.