The visual language of I Saw the TV Glow being liminal spaces with disconcerting lighting and a lot of impersonal wide shots is such a brilliant choice. The pre-transition self as a liminal space. Depersonalization and derealization conveyed through cinematography and set design. The way the color grading changes between the first and second halves. This film is fucking amazing
give them a week and they would fix literally every problem in Piltover and Zaun
Can’t not post this moment (you couldn’t find two people less straight)
What I say: Damn, that guy's hot.
What I mean: I love that facial structure. I need to study it, learn to draw it, and use it for my art. Also, I want that haircut.
Lesbian Cameron real
"love is what makes us human" actually it's 'select all images with boat' but go off I guess
the yellowjackets are in a deadbeat parent-off
Queer as in an "identity is fluid and descriptors can be imprecise so I prefer a more general term" sort of way but also queer in a "What are you, a cop?" sort of way.
Cute partner nicknames
The One
gay sex
Manhattan project
disease