Touch-starvation Needs To Be Written With Emphasis On The Starving Part. You Are Hungry To Be Touched.

What does the dead dove tag mean?

Wonderful question!

“Dead Dove” comes from this scene in Arrested Development wherein the character Michel Bluth opens a brown paper bag that reads: DEAD DOVE: DO NOT EAT. He looks inside and sees what is in fact, a dead dove. The then says: “Well, I don’t know what I expected.”

In fandom, the tag has come to mean: “pay extra attention to the tags!” And/or “this fic is what it says on the tin!”.

So if, for example, a fic includes the tags: Body Horror, Gore, and Violence along with the Dead Dove: Do Not Eat tag, the author is saying “Hey I’m not joking about these tags! Read at your own discretion!”

The tag acts as an honest intensifier to whatever tags are already in the work, as the author using it wants to give a double warning for their content, that it may be triggering and that the reader should proceed with caution.

One fic tagged with Dead Dove: Do Not Eat, also includes the tags: Seriously, this fic deals with some serious and disturbing content matter, mind the tags

Thanks for asking and happy reading!

Are you healed or just not trying to think about it?

2.07: Zuko Alone

“My name is Zuko. Son of Ursa and Fire Lord Ozai. Prince of the Fire Nation, and heir to the throne.“ “Liar! I heard of you! You’re not a prince, you’re an outcast! His own father burned and disowned him!”

[Zuko offers the knife to Lee.] “It’s yours. You should have it.” “No! I hate you!”

3.08: The Puppetmaster

“Then you should understand what I’m talking about! We’re the last two waterbenders of the Southern Tribe. We have to fight these people whenever we can, wherever they are, with any means necessary!”

“I won’t! I won’t use bloodbending and I won’t allow you to keep terrorizing this town!” “Congratulations, Katara. You’re a bloodbender.”

I’m not sure if it’s just me, but I’ve always felt that Zuko Alone and The Puppetmaster are similar in the role they play in Zuko and Katara’s respective character journeys. 

In Zuko Alone, Zuko learns the consequences of war and begins to question what he was taught about the war from the Fire Nation. He realizes that even actions of kindness aren’t enough to undo decades of oppression from the Fire Nation. 

Likewise, The Puppetmaster shows Katara the complexities of war and how it forced Hama to invent bloodbending, and turn to hurting innocent people for revenge. Katara - who has always believed in the absolute goodness of her people in the war - realizes it’s not always that simple. 

Both episodes also examine themes of identity and what it means to each character - Zuko’s identity as Prince of the Fire Nation and Katara’s identity as a waterbender of the Southern Water Tribe. 

Even though Zuko has spent most of the episode hiding his identity, when he’s put in a position where he has to reveal it, he proudly declares himself as Prince of the Fire Nation - and quickly gets a reality check from the townspeople, who reject him because of his status. In contrast, Katara has spent most of her time embracing her identity and connecting with Hama over it. But Hama turns her identity against her - she tries to use Katara’s heritage as leverage to convince Katara to turn against her ideals. In the end though, Katara stays true to her principles and refuses to harm innocent people. 

Despite this, by the end of the episode, the identity of bloodbender is forced onto Katara - a title she has never wanted. Similarly, Zuko is forced to confront the reality that he is no longer seen as a prince, but as an outcast from his family (and from the town).

Neither of these episodes have a happy ending, but Katara and Zuko have each gained a new perspective on the war and the events that transpire in these episodes have ramifications for their future actions. 

(Of course, there’s also the obvious sun and moon parallelism and similarities in scene framing used in these episodes, which just further ties them together).

me at 13: My family and friends can never know the extreme fixations I have. I enjoy this thing the casual amount. No more, no less.

Me at 20: … And thats why Zuko and Katara should have ended up with each other. They perfectly reflected the shows themes of Yin and Yang. Foils yet parallels: Fire and Water. Sun and Moon. Opposite sibling dynamics. Respective royalty of their homelands. Complex relationships regarding their absent mothers. Taking on parental roles in the gaang. They were literally paired together for the final battle of the show because they were complimentary equals. It could have been the perfect execution of the enemies to friends to lovers trope. I mean how do you even ignore the blatant symbolism in the color coding of - Mom? Mom, are you listening to me? They were supposed-

Also I REALLY hate that the writers decided to use the most lazy trope possible, the trope I hate with my whole heart

When we have a big war between two sides that was becoming worse and worse for so many years

And instead of actually resolving it, the writers just add another, BIG ONE enemy to unite those two sides

And now they don't need to think about how to resolve SUCH COMPLICATED conflict that was lasting for decades. No, now they suddenly have a peace bc "the enemy of my enemy is my friend". THAT'S SO FUCKING LAZY

I wanted to see how Zaun and Piltover resolve their conflict so bad and all I've seen was a fight against Ambessa and Viktor?? Seriously?? That's a such disappointment

Also the same thing happened in spop and I really hoped Arcane isn't gonna do it...and they did...

Like imagine if in ATLA instead of Aang stopping the fire nation, all 4 nations just united against spirits

That's actually insane

Girlpool—Before the World Was Big // memorial bench quoting Toni Morrison's Sula // @inanotherunivrse // Iain S. Thomas, I Wrote This For You // Zadie Smith, Swing Time // Fall Out Boy—The Kids Aren't Alright // Audrey Emmett // Mikko Harvey, "For M" // Mahmoud Darwish, Memory for Forgetfulness: August, Beirut, 1982 (tr. Ibrahim Muhawi) // Langston Hughes, "Poem"

i just need to hold on until the trees start blooming again