Oh Man... I Did A Few Busts And Then Skipped Straight To The Execution Chamber 🫣

oh man... I did a few busts and then skipped straight to the execution chamber 🫣

not my fault The Blorbo almost always dies, kills, or both!

The Pipeline Of Fixating Over Some Thingy

the pipeline of fixating over some thingy

More Posts from First-class-feral and Others

10 months ago

brad dourif Best Men curls poll

Brad Dourif Best Men Curls Poll
Brad Dourif Best Men Curls Poll

(follow-up to the previous Best Men curls gifpost)

bonus gifs!

Brad Dourif Best Men Curls Poll
Brad Dourif Best Men Curls Poll
Brad Dourif Best Men Curls Poll
Brad Dourif Best Men Curls Poll

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6 months ago
Doodling Always Gets Out Of Hand With This Guy

doodling always gets out of hand with this guy


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10 months ago
Brad Dourif in Istanbul (1985): scrungling with tortured eyes, gritted teeth, claw fingers, and a bloody nose.

brad dourif scrungly feature analysis: eyes

from the “Boys” dourif-hottie supercut music video:

tags added by DragonsBloodSnowCone: #BRAD #why does he look so weird, needs to be studied #what are the elements

I’d love to see an artist break this down!

For now, let me write you a novel about Brad's spectacular eyes...

The Strangeness

(Skip if you want to preserve the mystery.) BD's right eye is placed a little higher, and turned up as if tugged from the outer corner. I think it's part of that subtle something that immediately sets him apart. This unique, catlike, romantic asymmetry snatches your attention.

Promo shot from Ragtime, B&W, with a little bowtie and straw boater
Brad looking up in Group Portrait With A Lady, with glasses on
Brad looking at the camera somewhat straight-on, from Max Italian Magazine, May 1989

.

The glow

His striking, chameleonic blues capture light — even in B&W — which directors loooooove to exploit by lighting him obliquely:

Brad leans into a light source, highlighting his eye. From Toto – Stranger in Town
Istanbul (1985): an almost demonic Dourif invites you to play some games, holding up a wine glass and nibbling his thumb while a crescent of light gleams in one iris
London Kills Me gif: Brad in a dapper red suit
Spontaneous Combustion gif, in the school doctor's office

It's a great way to crank up the eerie vibe of any scene, and I respect Star Trek for trashing that option outright with all-black contacts. (Of course, he still served an incredibly compelling outsider.)

(Edit: I put up a post just about this effect because they seriously do it all the damn time) (...because it's awesome)

Set in shadows

He has hooded eyes, deep-set and accentuated by heavy eye bags. The shadows and textures draw you in toward those luminescent irises, like picture frames that amplify each motion of his eyes.

Istanbul (1985): peering about, with a languid cigarette
Ragtime, crowd shot, leaning forward to the camera

.

Contrast

Sometimes he pops them wide open, creating these huge, expressive magnets...

Ragtime, in the planning meeting
Vengeance (Tony Cimo): popping his eyebrows at someone offscreen as he explains something

...Or squints lopsidedly...

Istanbul: squinting in perplexity at a fruit vendor
London Kills Me: telling a Youth not to mess with him

...Or interrogates, challenges, threatens — alert but defensive, like a prey animal on the edge of lashing out.

He’s said he chooses roles that "turn him on" (pretty clearly in an artistic sense); many of these blend menace and vulnerability, and our boy dumps emotion into every. single. line. This can manifest as an intense, wary, combative look, with eyes wide under neutral or furrowed brows:

Cypress Edge: pressing the Senator for information, leaning in with bright animalistic eyes
Impure Thoughts: in a cozy red sweater, questioning someone
Istanbul: anticipating The End with a suspicious sidelong glance
Cuckoo's Nest: under pressure from Nurse Ratched, glancing around for support

.

Cry, baby

...And that's all before we mention the tears. He cries, of course, at will and liberally, and his eyes go red-rimmed and wet, highlighting them even more as he pins someone's soul to the wall with his gaze.

X-Files: twisting a piece of cloth, vibrating and staring as a tear trickles down his cheek
Cypress Edge: "She's got you haunted now"
Graveyard Shift: Clammy exterminator Tucker Cleveland recounts hideous war stories
Exorcist III: bright eyes, teardrops, bloody nose, a sad wet boy yet oddly insistent

When he hovers right on the edge, they seem to shine in the dark.

Alien: Resurrection, Dr. Gediman looks apprehensively over his shoulder
Graveyard Shift: Tucker just wants to finish the job and go home. Calling Moxie the dog to come back

.

Bared

At times, his fair eyelashes almost vanish, compounding his unusual look with a birdlike or reptilian tinge.

Miami Vice: the series protagonist is getting the Dourif staredown
The Equalizer: an uncertain head-wiggle — I don't know, detective.

Obviously, the shaved brows in LOTR add to this effect.

Gríma Wormtongue's stare bores into Éowyn, offscreen

A couple more things you'll notice here: he'll hold his eyes wide open for much longer than normal, drawing out these moments and making him seem even more alien.

And when he gets up-close in someone's face (which is often), he's constantly switching his gaze between their eyes — totally fixated, as if scanning for emotional feedback. In my opinion, it adds to that vulnerability: to the object of his attention, he must seem like a predator freezing them in place... but it's also desperate, like a prey animal trying to decipher the other person's intent, all senses tuned to pick up their slightest signal. (Gríma Wormtongue and Jack Dante especially have this pathetic air about them: grasping at sources of warmth while lashing out at the harsh, unintelligible world around them, allying themselves with uncontrollable destructive forces in an attempt to establish a place for themselves........)

.

TL;DR

The eyes — and how he uses them — are the standout scrungly feature, the main reason we can’t look away from this unforgettable weirdo.

The cat-eye asymmetry pulls focus;

His ice-blue irises are light traps, framed in textured shadow;

His full-bore emotional commitment ramps up the anguish and torment to an aching crescendo that's impossible to ignore.

Eventually I'll follow up on other contributing factors, but for now, I'll leave you with a couple of article snippets about The Eyes:

To date, the unfortunate priest in ABC-TV’s I, THE DESIRE (1982) is his only bloodsucker. How is it possible that this beautiful actor, with his patrician profile and cat-slanted eyes, has never been cast as a gothic vampire? “No one ever asked me," he sighs. “You have no idea how much I'd love to do one." Overall, howev-
Czech accent: "There is an inner tension about him. He is the only actor I know who can think with his eyes. No other actor I know possesses these unique qualities." That Milos. He cast Brad first for Cuckoo's Nest and feels like 90 percent of his job is proper casting. ... Brad Dourif is all over Ragtime, thinking with his eyes. If he isn't thinking about get-

Imagi-Movies: Vol 1 No 2 — Winter 1993/94. Pages 11-13: "Traumatic - Brad Dourif". Link

SoHo News: November-December 1981. "Tension and mercy - Brad Dourif glowers for our sins" (an article all about his eyes! But they don't mention the asymmetry.)

[Gifs were mostly stolen from the GOAT, @exdeputysonso — with some of my own, mostly the square ones. Shout-out to @dragonsbloodsnowcone for inspiring this word vomit.]

Thanks for reading!


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9 months ago

...Hold up a god damn minute here.

THIS is the Brad Dourif Alien movie I haven't seen yet? The one everyone says is terrible?

Ya'll...

Genuinely can't stand criticisms of the second best Alien movie when it gave us glorious scenes like this

Genuinely Can't Stand Criticisms Of The Second Best Alien Movie When It Gave Us Glorious Scenes Like
Genuinely Can't Stand Criticisms Of The Second Best Alien Movie When It Gave Us Glorious Scenes Like
Genuinely Can't Stand Criticisms Of The Second Best Alien Movie When It Gave Us Glorious Scenes Like
Genuinely Can't Stand Criticisms Of The Second Best Alien Movie When It Gave Us Glorious Scenes Like
Genuinely Can't Stand Criticisms Of The Second Best Alien Movie When It Gave Us Glorious Scenes Like

You have no right to criticize the first sapphic film I saw as a child.


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8 months ago

brad dourif fanarts by humanpincushion

When I was first scrounging around for Bradthirst material, I came across these pieces by @anonmarleighdourif (humanpincushion on DeviantArt). They have an incredible talent for capturing his likeness, especially the eyes.

As Luther Lee Boggs, with oily black chains binding him in his red prison jumpsuit, his hands skeletal and black with oil or slime.
A skeletal Martin Klamski, in a tattered greatcoat, holding a cigarette with smoke wafting around. The look (as with most of these) is red and black on a tan base, with Victorian vampire vibes.
Brad's face with a beatific expression, atop a skeletonized, disintegrating torso
Brad in Spontaneous Combustion, with a half-melted face and expression of resigned pain and confusion.
As Raymond in Blue Velvet, holding a knife to Jeffrey's (Kyle's) throat. Both have fairly neutral expressions, Raymond with a faint tinge of menace, while Jeffrey accepts his fate.
Charles Lee Ray, mostly intact in his suit and coat, but with entrails spilling out, which he grasps along with a giant red jeweled pendant.
Skeletonized again, as Billy Bibbit looking dolefully off to the side while hugging himself, pulling a piece of flesh from his own neck.
As Robert McEvoy from The Gardener's Son, wide-eyed and wild-haired, clutching the noose around his neck, whose rope winds around his torso, binding his arms.
As Tucker Cleveland from Graveyard Shift, clutching at his own face and neck, leaving bloody finger marks. A live rat is on his shoulder, and a skeletal one climbs his hand. Style is more modern, sketchy, and abstract, on white instead of tan.

So lush, these are a huge inspiration for me. I just want to stare at them all day long.


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10 months ago

Another excuse to stitch together all his pretty shots with zero regard for plot :v

(Mad props to @exdeputysonso for putting together the supercut I trimmed down for this)


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first-class-feral - trash lover
trash lover

big tragic eyes club + 30s + mostly a brad dourif rut

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