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Written With The Maximum Possible Respect And Affection - Blog Posts

10 months ago
Brad Dourif in Istanbul (1985): scrungling with tortured eyes, gritted teeth, claw fingers, and a bloody nose.

brad dourif scrungly feature analysis: eyes

from the “Boys” dourif-hottie supercut music video:

tags added by DragonsBloodSnowCone: #BRAD #why does he look so weird, needs to be studied #what are the elements

I’d love to see an artist break this down!

For now, let me write you a novel about Brad's spectacular eyes...

The Strangeness

(Skip if you want to preserve the mystery.) BD's right eye is placed a little higher, and turned up as if tugged from the outer corner. I think it's part of that subtle something that immediately sets him apart. This unique, catlike, romantic asymmetry snatches your attention.

Promo shot from Ragtime, B&W, with a little bowtie and straw boater
Brad looking up in Group Portrait With A Lady, with glasses on
Brad looking at the camera somewhat straight-on, from Max Italian Magazine, May 1989

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The glow

His striking, chameleonic blues capture light — even in B&W — which directors loooooove to exploit by lighting him obliquely:

Brad leans into a light source, highlighting his eye. From Toto – Stranger in Town
Istanbul (1985): an almost demonic Dourif invites you to play some games, holding up a wine glass and nibbling his thumb while a crescent of light gleams in one iris
London Kills Me gif: Brad in a dapper red suit
Spontaneous Combustion gif, in the school doctor's office

It's a great way to crank up the eerie vibe of any scene, and I respect Star Trek for trashing that option outright with all-black contacts. (Of course, he still served an incredibly compelling outsider.)

(Edit: I put up a post just about this effect because they seriously do it all the damn time) (...because it's awesome)

Set in shadows

He has hooded eyes, deep-set and accentuated by heavy eye bags. The shadows and textures draw you in toward those luminescent irises, like picture frames that amplify each motion of his eyes.

Istanbul (1985): peering about, with a languid cigarette
Ragtime, crowd shot, leaning forward to the camera

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Contrast

Sometimes he pops them wide open, creating these huge, expressive magnets...

Ragtime, in the planning meeting
Vengeance (Tony Cimo): popping his eyebrows at someone offscreen as he explains something

...Or squints lopsidedly...

Istanbul: squinting in perplexity at a fruit vendor
London Kills Me: telling a Youth not to mess with him

...Or interrogates, challenges, threatens — alert but defensive, like a prey animal on the edge of lashing out.

He’s said he chooses roles that "turn him on" (pretty clearly in an artistic sense); many of these blend menace and vulnerability, and our boy dumps emotion into every. single. line. This can manifest as an intense, wary, combative look, with eyes wide under neutral or furrowed brows:

Cypress Edge: pressing the Senator for information, leaning in with bright animalistic eyes
Impure Thoughts: in a cozy red sweater, questioning someone
Istanbul: anticipating The End with a suspicious sidelong glance
Cuckoo's Nest: under pressure from Nurse Ratched, glancing around for support

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Cry, baby

...And that's all before we mention the tears. He cries, of course, at will and liberally, and his eyes go red-rimmed and wet, highlighting them even more as he pins someone's soul to the wall with his gaze.

X-Files: twisting a piece of cloth, vibrating and staring as a tear trickles down his cheek
Cypress Edge: "She's got you haunted now"
Graveyard Shift: Clammy exterminator Tucker Cleveland recounts hideous war stories
Exorcist III: bright eyes, teardrops, bloody nose, a sad wet boy yet oddly insistent

When he hovers right on the edge, they seem to shine in the dark.

Alien: Resurrection, Dr. Gediman looks apprehensively over his shoulder
Graveyard Shift: Tucker just wants to finish the job and go home. Calling Moxie the dog to come back

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Bared

At times, his fair eyelashes almost vanish, compounding his unusual look with a birdlike or reptilian tinge.

Miami Vice: the series protagonist is getting the Dourif staredown
The Equalizer: an uncertain head-wiggle — I don't know, detective.

Obviously, the shaved brows in LOTR add to this effect.

Gríma Wormtongue's stare bores into Éowyn, offscreen

A couple more things you'll notice here: he'll hold his eyes wide open for much longer than normal, drawing out these moments and making him seem even more alien.

And when he gets up-close in someone's face (which is often), he's constantly switching his gaze between their eyes — totally fixated, as if scanning for emotional feedback. In my opinion, it adds to that vulnerability: to the object of his attention, he must seem like a predator freezing them in place... but it's also desperate, like a prey animal trying to decipher the other person's intent, all senses tuned to pick up their slightest signal. (Gríma Wormtongue and Jack Dante especially have this pathetic air about them: grasping at sources of warmth while lashing out at the harsh, unintelligible world around them, allying themselves with uncontrollable destructive forces in an attempt to establish a place for themselves........)

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TL;DR

The eyes — and how he uses them — are the standout scrungly feature, the main reason we can’t look away from this unforgettable weirdo.

The cat-eye asymmetry pulls focus;

His ice-blue irises are light traps, framed in textured shadow;

His full-bore emotional commitment ramps up the anguish and torment to an aching crescendo that's impossible to ignore.

Eventually I'll follow up on other contributing factors, but for now, I'll leave you with a couple of article snippets about The Eyes:

To date, the unfortunate priest in ABC-TV’s I, THE DESIRE (1982) is his only bloodsucker. How is it possible that this beautiful actor, with his patrician profile and cat-slanted eyes, has never been cast as a gothic vampire? “No one ever asked me," he sighs. “You have no idea how much I'd love to do one." Overall, howev-
Czech accent: "There is an inner tension about him. He is the only actor I know who can think with his eyes. No other actor I know possesses these unique qualities." That Milos. He cast Brad first for Cuckoo's Nest and feels like 90 percent of his job is proper casting. ... Brad Dourif is all over Ragtime, thinking with his eyes. If he isn't thinking about get-

Imagi-Movies: Vol 1 No 2 — Winter 1993/94. Pages 11-13: "Traumatic - Brad Dourif". Link

SoHo News: November-December 1981. "Tension and mercy - Brad Dourif glowers for our sins" (an article all about his eyes! But they don't mention the asymmetry.)

[Gifs were mostly stolen from the GOAT, @exdeputysonso — with some of my own, mostly the square ones. Shout-out to @dragonsbloodsnowcone for inspiring this word vomit.]

Thanks for reading!


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