Statue based on Leonardo daVinci’s famous concept for artificial wings.
This is so fucking beautiful!
they should make a skin picking that’s good for you
hey everyone its april fools. but dont worry i dont have anything planned. just going to sit here and...
Steelblue Ladybird Beetles (Halmus chalybeus), family Coccinellidae, Australia
photographs by ElectricChimaera
Canyon Wren (Catherpes mexicanus), family Troglodytidae, order Passeriformes, Guadalupe River State Park, TX, USA
photograph by James Fallon
Did you ever write more to the "vader finds out that leia I'd his daughter" story?
No but it’s been percolating in my head for a while so let’s go
(continuing from this)
The first thing Vader does is cover his tracks. Wipes the security cameras for the whole cell block, wipes the prisoner logs, makes sure that no trace of Leia’s capture or escape will be in the files synced daily with Imperial Center. Puts in transfer orders for that nervous junior officer to somewhere very far away and very quiet. Saves only one short vid clip, to the secret hard drive hidden in his own respirator.
I’m Luke Skywalker. I’m here to rescue you.
While he’s doing this, his children (children! plural!) are getting themselves into trouble, and out again. Apparently the trash compactor was involved. He will have more footage to scrub. Somehow they’ve acquired a Wookie.
Kenobi is with them.
Vader should have foreseen this. Of course, Kenobi.
His presence saturates the Force, nearly drowning out Luke— and Leia, too, now that Vader knows to look. It’s enough to break Vader free from the chill of shock, his rightful fury seen as through a window right up until it shatters, and engulfs him again.
But he forces it back. He wants answers, before he kills Kenobi.
(I’m Luke Skywalker. I’m here to rescue you.)
He hasn’t played the clip again, but it echoes in his ears nonetheless.
When he faces Kenobi, Vader is still off-balance. Kenobi seems as calm, as unruffled as he ever did, though he’s far too obvious in buying time for Leia and Luke to attempt an escape.
Vader asks him: “Do they know?”
“You’ll have to be more specific,” Kenobi says, light and unconvincing.
“You kept them from me,” Vader says, and that is a thought that feeds the Dark, that lets him hammer at Kenobi’s saber until he’s nearly past his guard—
“I kept them from your master,” Kenobi says, his voice still even and pleasant and false, hardly betraying his exertion.
“I’ll kill you for this,” Vader vows.
“I expect so,” says Kenobi. “I swore I’d die before I let Palpatine harm another child in my care. If dying will keep them from him, it’s well worth the cost.”
(I’m Luke Skywalker. I’m here to rescue you.)
By the end of this speech Kenobi recovers a little of his old skill, turning Vader’s blows aside instead of merely bearing up under their weight. Too soon, Vader falters, losing the momentum of rage. They both fall back to defensive positions. Any living troopers have long since cleared the area; the whole deck is a ruin of saber gouges and shattered armor.
Vader rarely speaks without thinking. The nature of his breathing apparatus makes this a necessity, more often than not. But the words escape him anyway.
“Who named them?”
And now Kenobi is the one who falters. It is satisfying, if short-lived. “Their mother,” he says. “With her last breaths.”
A long time ago — a lifetime away — there was a list of names. Two lists, really, to start with, and then another of the names held in common to both. No record of it survives, not even on the hard drive hidden next to Vader’s heart.
On Naboo, children are often named for virtues. A child might be called Aluuk, for kindness, or Alié, for wisdom.
On Tatooine, a child’s name is the parent’s hope for its future. Perhaps Lukka would grow to be free; perhaps Leyah would grow to be fierce.
And perhaps they have. Vader does not know. Kenobi took that from him.
Vader won’t kill him yet, though. He still has questions.
@my-soul-stays-silent
Margaret Atwood, The Blind Assassin
The Wild Robot is obviously fucking incredible but what i dont see a lot of people talking about is the parallel of Roz and Brightbill finding out about their families. Brightbill's siblings were killed in their eggs before they could hatch, Roz's identical models were destroyed before they could turn on. both families torn apart by pure coincidence, leaving one sole survivor, with no knowledge of what their species is meant to do or how they're supposed to act. completely isolated
ok wait, reblog if you’ve cried at least once because of math, doesn’t matter which grade i’m trying to prove something