If I Need To Wear A Cane The Least I Deserve Is A Sword Inside

If i need to wear a cane the least i deserve is a sword inside

More Posts from Floriem and Others

1 year ago
Car Doodles! From A Museum

car doodles! from a museum


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1 year ago
(2020) What Intimacy Feels Like To Me

(2020) What intimacy feels like to me


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1 year ago
(2022) Campus Views 1&2
(2022) Campus Views 1&2

(2022) Campus views 1&2


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1 year ago

melissa barrera (the actress who got fired from the scream franchise for being pro palestine) has started a fundraiser with unrwa!

screenshot of a fundraiser with the title "in honor of all the martyrs in gaza and the west bank" in black text on a white background. it had $3,301 raised of a $100,000 goal. to the left of the title is a photo of a child wearing a jersey and a keffiyeh tied on his head holding a flag yelling and riding on the shoulders of a man with short hair wearing a mask and a red long sleeved shirt. in the background people are standing or walking on the sand and there is smoke in the air with a fire on the right side of the picture. the header is a photo of two kids playing in front of a couple cars parked in front of a light blue building. under the awning of the building are three adults and a kid sitting. there are paintings on the wall depicting a doctor or a scientist and a schoolgirl pulling a small cart that has a globe in it among other things obstructed from view. in the left foreground of the photo is the front of a blue vehicle. /end id
1 year ago

“I know that if women wish to escape the stigma of husband-seeking, they must act and look like marble or clay - cold, expressionless, bloodless; for every appearance of feeling, of joy, sorrow, friendliness, antipathy, admiration, disgust, are alike construed by the world into the attempt to hook a husband. Never mind! well-meaning women have their own consciences to comfort them after all. Do not, therefore, be too much afraid of showing yourself as you are, affectionate and good-heartened; do not too harshly repress sentiments and feelings excellent in themselves, because you fear that some puppy may fancy that you are letting them come out to fascinate him; do not condemn yourself to live only by halves, because if you showed too much animation some pragmatical thing in breeches might take it into his pate to imagine that you designed to dedicate your life to his inanity.”

— Charlotte Brontë writing to a friend who had been kind to a man she thought was married, only to have him fall in love with her because he thought she was flirting (letter dated April 2, 1845). (via groot)


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2 months ago

"Mama, Are We Next?" – The Reality of War on a Family 🥺🍉

✅ Vetted by @savefami

✅ Vetted by @happaliff

I'm trying to be vetted in @gazavetters @90-ghost

I never thought I’d hear my child ask me, “Mama, are we next?” But here we are.

In Gaza, survival is not guaranteed. Hospitals are gone. Medicine is rare. Clean water is a privilege. But through all the pain, we still believe in kindness.

"Mama, Are We Next?" – The Reality Of War On A Family 🥺🍉

https://64.media.tumblr.com/2ce8a18f3ebe3f9dd6735bad1d4dfd82/dfdacab5c321a7af-d0/s1280x1920/5352adb328587d2779e7205cd3a979b349e8cd30.webp

What We Need to Start Again:

💔 $5,000 for the father.

💔 $5,000 for the mother.

💔 $2,500 for Khaled.

💔 $2,500 for Intesar.

📌 The rest is for the basics of life—shelter, food, and safety.

If you can donate or share, you’re giving us more than money. You’re giving us hope.

💙 Donate here:

Donate to Please Save Khaled and Nana’s Family In Gaza, organized by Jess Rapoza
gofundme.com
Hello all, my name is Jess Rapoza from the USA. I am raising money on behalf … Jess Rapoza needs your support for Please Save Khaled and Nan
1 year ago
John Astin and Carolyn Jones - The Addams Family (1964)
John Astin and Carolyn Jones - The Addams Family (1964)
John Astin and Carolyn Jones - The Addams Family (1964)
John Astin and Carolyn Jones - The Addams Family (1964)

John Astin and Carolyn Jones - The Addams Family (1964)


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3 months ago
A digital painting of Doug Eiffel and Hera, done as a study of a black-and-white photograph. Eiffel’s eyes are closed, his expression peaceful, as Hera holds him, her body solid, her intense gaze turned upwards to one side. Her expression is relatively neutral, but tears well in her eyes and roll down her face. The backdrop around them is fuzzy and incoherent, melting away and twisting around itself like it’s dissolving a little, like it’s being forgotten.

in your automatic arms, your electronic arms. your petrochemical arms, your military arms.

1 year ago

hope is a skill


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A place to keep my personal art. Expect landscapes, portraits, and feelings-turned-illustrations, with rambles on trying to figure out how to be alive.

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