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5 Ways to Improve Worldbuilding in Speculative Fiction

Written by: Angela Brown

When you build a new world, you’re responsible for building the very essence of any good story. In the genre of speculative fiction, which can include science fiction, fantasy, and magical realism, it may be tempting to go overboard with your writing. Doesn’t creating a new reality mean that you get to pack in as much intricate detail and description as you want? Nope – not unless you want to risk putting your readers to sleep. What about creating a fantastical land with no logic and rules? It sounds great in theory, but any contradictions can actually confuse people—or even worse, make them give up trying to make sense of your world and stop reading. Here are five suggestions that might help you improve your worldbuilding ability:

1. Be Unpredictable No one wants to read just another variation of the same old story they’ve read before. There are tons of speculative fiction tales out there, and the majority of dedicated readers have seen and read it all. What you need to give them is something fresh and something new. Hook them in, keep them engaged, and keep them guessing. Even readers who are new to the genre want to see what makes it so different from other genres, so it’s up to you to defy their expectations. ‘Defying Expectations’ states that the key element of a successful story is the need for the reader to have a sense of epiphany—where they learn something new. “At that moment, the brain will release several hormones, such as dopamine, serotonin, adrenaline, and others associated with learning,” which gives you that magical addictive rush that gets you addicted to discovering the story’s outcome. So, go ahead and create that plot twist that takes your story in a completely different direction—maybe you’ll even surprise yourself.

2. Stay Grounded Even though the word “speculative” is part of the genre, it’s always best to make sure that some elements of the story remain grounded in aspects of reality. You can always include strange and wonderful details alongside these aspects, but if they don’t flow with the plot, this may break the reader’s fragile immersion in your story. In order to build a believable yet fascinating world, you only need to look at current trends for inspiration. Maryville University claims that many online universities now offer flexible start dates, personalized support, and completely online coursework – is it such a stretch to create a dystopian world in which schools in the future had students sitting in their homes and attending lectures through virtual reality, never actually meeting anyone or experiencing anything for themselves? Also, researchers from the United Nations have estimated that by 2050, medical technologies will see over 3 million people live over the age of 100 at any given time – is immortality really that far off? To sum this up, you should build upon what’s familiar and combine it with other fantastical elements to give that special magic.

3. Be Flawed One of the biggest problems that speculative fiction writers often face is the inability to accept that their worlds and characters may be flawed. Perfection is boring. You need to ask yourself, “Is there a problem in my world that needs to be solved? How can I make my characters suffer, and more importantly, why do my readers care?” Everyone should have their personal downfalls, even your all-powerful heroes and gods. In ‘Creating a Sense of Wonder in Your Writing’ it suggested creating characters so that they are both realistic and fascinating. A common tendency is for authors to create flat stock archetypes like your typical elves and dwarves. Instead, he suggests modeling characters on interesting historical figures like Hitler or Gandhi to add a dose of multi-dimensional realism. In the end, it pays off to recognize the little quirks and faults in your worlds. Instead of working hard to iron them out, just embrace them because they help your world echo our reality.

4. Show, don’t tell When you start writing your first draft, D.N. Bryn, a speculative fiction writer, suggests diving straight in. As your main character interacts with your world, it also helps your reader learn about it. There’s always more time in later drafts to adjust and develop stronger explanations behind your ideas. Also, she suggests that you should limit the amount of exposition in your first chapter. Once your readers are already immersed in the first chapter, they’re more likely to sit through exposition in the second because they’ve already formed a bond with the story and the characters. Lastly, she emphasizes the “build” in worldbuilding. It’s important that each new piece of information is based off what you’ve already established, starting with the most basic of concepts. This prevents you from drowning the reader in a flood of information.

5. Step in, step back As Margaret Atwood mentions in a feature on Fast Company, you want to devote time to looking at how your characters may see their world, and then step back and look at the big picture. For Atwood, she likes to “wonder what people would have for breakfast…and whether or not they would say a prayer over them, and how they would pay for them, and what they would wear during that meal … Breakfast can take you quite far.” Basic acts like these allow you to indirectly allude to your world’s values, systems, and customs. Similarly, V.E. Schwab identifies “world-building and setting… as the first character”, which she develops before anything else. After these core elements and norms are planned out, she adds greater detail. It’s always important to make your reading accessible to your reader- otherwise, all your great ideas may go unread.

Worldbuilding may sound like a complicated journey, but it’s a highly rewarding process. Ultimately, your main focus should be on helping your readers understand your characters and plotlines. This means sharing your unique version of a world that they want to explore. If you’re having trouble finding some inspiration, you might want to have a look at The Internet Speculative Fiction Database (ISFDB), which catalogs various works and upcoming releases. For more helpful writing tips and suggestions, feel free to subscribe to #WritingTips.

Angela Brown has always wanted to be a writer. She first started writing sappy poems about taking care of her cats when she was 9 years old, and then she wrote some articles for the school paper. Pretty soon, she was writing short stories and fan fiction, and by college, she’d realized it was what she wanted to do for the rest of her life. She currently works for a contact center in the day and works on her writing at night, blogging until she’s confident enough in her short stories to get them published.

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Creating the Perfect Cast Workshop

In this class, you’ll learn specifically how to

Build characters that intrigue your reader

Devise characters that we either love, or love to hate

Recognize the various roles that certain types of characters play in your novel, and then figure out how to adapt these characters to suit your novel.

Create tension by creating storylines that better exploit your character’s personality

Make sure that your cast isn’t too lean or bloated

And much more.

This workshop will be held from Thursday, Feb 27 through Saturday Feb 29, 2020 in Provo, Utah

Price per student: $449

We will start daily at 9:00 A.M. and go until 5:00 P.M.

Please bring a laptop and an idea for a novel to work on. We will be doing daily writing exercises, have daily lectures, and we will be critiquing your work and the work of other students.

There will be a maximum of 16 students in the class.

Find out more or register at https://mystorydoctor.com/live-workshops-2/

Yes, thats true, i had to make it. 

I made a ‘’SANS BEFRIENDED YOUR MOM’’ song.

Voice, Arrangement, Composition: Me

Undertale / Deltarune: toby fox, of course.

Here’s some art of Retsuko and Haida because I love them 💕💕

(still learning how to draw hands lmao)

Sketchfab 3D Models

I love this site because it’s great for references, even if you don’t 3D sculpt! I’d love to get into that eventually though, because it sounds amazing. 

https://sketchfab.com 

What’s lit is you can easily drag and rotate the model (some are animated!) and adjust the lighting/rendering, all from a web browser. 

They also have a mobile app with AR. 

I love using the models!

boot

If you make an account, you can subscribe to collections to track for updates. I have ones for anatomy and animals. 

Note, these models have a royalty free license. It’s often good to credit your references, but royalty free licenses mean you are fine if you don’t. 

Hope you love this as much as I do!

What sort of questions should I be asking my beta readers?

QUESTIONS TO ASK YOUR BETA READERS:

When I send out my chapter to be read over by my beta readers, I always include a set of questions typed out at the bottom, grouped into different categories such as: plot, pacing, character, setting, etc. 

You might want to tailor the questions depending on the genre or which chapter it is. For example, if it’s the first chapter you’ll want to ask them about how well your story managed to hook them, or if they managed to easily get an idea of the world you’ve introduced them to. If it’s the climax you might want to ask if the action scenes are fluid, and if the plot twist/s were predictable or surprising. 

Here’s some example questions that you could use:

Opening Chapter:

What is your first impression of the main character? Do you find them likable? Annoying? Boring?

After reading it for the first time, what is your first impression? Was it cohesive and compelling? Boring and confusing?

Did the first sentence/paragraph/page efficiently grab your attention and hook you in?

If you were to read this chapter in a bookstore/library would you be convinced to buy it? Or would you need to read further before deciding? Why or why not?

Did you get oriented fairly quickly at the beginning as to whose story it is, what’s going on, and where and when it’s taking place? If not, what were you confused about at the beginning?

Does the first chapter establish the main character efficiently? Do they feel believable?

Characters:

Could you clearly imagine what the characters looked like? If not, who?

Who was your favourite character and why? Has your favourite character changed? (if this hasn’t changed feel free to skip this question) 

Are there any characters that you do not like? Why do you not like them? (Boring, annoying, problematic, etc.) 

Was there ever a moment when you found yourself annoyed or frustrated by a character? 

Could you relate to the main character? Did you empathise with their motivation or find yourself indifferent? 

Were the characters goals/motivations clear and understandable? 

Did you get confused about who’s who? Are there too many characters to keep track of? Are any of the names or characters too similar?

Do the characters feel three-dimensional or like cardboard cutouts? 

How familiar have you become with the main characters? Without cheating could you name the four main characters? Can you remember their appearance? Can you remember their goal or motivation? 

Dialogue:

Did the dialogue seem natural to you?

Was there ever a moment where you didn’t know who was talking?

Setting/world-building:

Were you able to visualize where and when the story is taking place?

Is the setting realistic and believable? 

How well do you remember the setting? Without cheating, can you name four important settings?

Genre:

Did anything about the story seem cliche or tired to you? How so? 

Did anything you read (character, setting, etc.) remind you of any others works? (Books, movies, etc.) 

Plot/pacing/scenes:

Do you feel there were any unnecessary scenes/moments that deserved to be deleted or cut back?

Do the scenes flow naturally and comprehensively at an appropriate pace? Did you ever feel like they were jumping around the place? 

Was there ever a moment where you attention started to lag, or the chapter begun to drag? Particular paragraph numbers would be very helpful. 

Did you ever come across a sentence that took you out of the moment, or you had to reread to understand fully? 

Was the writing style fluid and easy to read? Stilted? Purple prose-y? Awkward?

Did you notice any discrepancies or inconsistencies in facts, places, character details, plot, etc.?

Additional questions:

What three things did you like? What three things did you not like? 

Can you try predicting any upcoming plot twists or outcomes? 

Was there ever a moment when your suspension of disbelief was tested? 

Is there anything you’d personally change about the story? 

Was the twist expected or surprising? Do you feel that the foreshadowing was almost nonexistent, or heavy handed? 

Feel free to tailor these to your needs or ignore some of them if you don’t think they’re useful. Basically, your questions are about finding out the information about how others perceive your own writing and how you can improve your story.

-Lana

tadano says

By ArchetypeWriting.com

that “concerned about rayla” face callum makes all the time reblog if you agree