Mwah :3

I've been working all morning and listening to epic anddd uhhh

so

people have brought up the fact that telemachus had like never seen his dad or anything and still y'know knew who he was

anddd

i have come to the conclusion

that

telemachus spent so much time studying the assorted portraits and tapestries of his father

and then studying himself in the mirror, trying to find every little similarity between him and the depictions of ody

that when he actually saw ody, he saw so much of his own features in the guy who sort of appeared and got rid of his biggest issue, he was able to figure out super quickly that it was odysseus.

anyway how's yalls day going

You're lucky I'm not going to send the entirety of the Story of Undertale lyrics in your ask box like I did with Wren

I was really considering it though :)

damn you should've done it 😔

my choir teacher told me classmate to choose a number and showed us Gigi's horse and the infant animatic.

annnfddd now it's been three months and it's my favorite thing ever.

Hey EPIC fans! Now that the year is almost over, and the final saga is almost here, I want to hear how you came to know about EPIC. What was the first song you heard/what was the song that got you to listen to the whole thing? Who is your favorite character, and what's your favorite song/saga?

For me, Just A Man was the first song I ever heard and it actually inspired the concept of a book I'm working on, while the released snippet of Dangerous is what convinced me to listen to the entire album. My favorite character ofc is Polites, and as far as a favorite song, that one's a lot tougher. Open Arms came in at number one on my Spotify Wrapped this year, but there are just so many bangers, it's hard to say. What about you all?

What epic ships fo you do? For me @irunaki made me love calypso x antoinus and i definetly ship odysseus x penelope but what about you?

yeah >:D

calypso and antionous (how tf do you spell that) are one of my favorites along with odypen but also I feel like odypoli is a thing

like the scrapped song "your light" is so adorable and romantic-

and it's mentioned in the odyssey a couple times

but, eurymene is also a thing and I am here for it :3

so uhhh?

I was insanely bored in class and decided to draw this but with my drunk cats because I was bored

might put on digital but for now take the traditional one

anyway if you couldn't tell my style is very much inspired by @nothing-impt so uh

yeah-

What could have been.

(Another OneNote drawing :D My app crashed like 5 times but here it is! The details could have been better but I was worried my laptop was going to explode with how many times it shut down lol. Tap on it for less trash quality)

EXCUSE ME ZEUS AND HERA IN THE BACK OF THE FIRST ONE

all I needed gang

Art assignments i did with Athena

figure out why i reblogged this. i dare you

wtf

i feel like I need to share this conversation my friends seem to be having

I give you @fry-the-earthling, @thetwistedartist0426, and @cara-the-yiga-footsoldier, everyone.

(applaud now)

how interesting!2!2

does jellysideon have a brain

just curious

Probably Zeus shouldn't answer tho

yes yes yes but I feel like that should be something we all bond about and not argue about

some people like eurylochus, others don't that's the summary

Dissecting every reason people call Eurylochus a hypocrite because I am sick and tired of defending this poor hungry man.

Eurylochus is not the easy villain or the perfect saint. He is the walking contradiction of the Odyssey and EPIC, and anyone who just calls him a hypocrite without understanding the nuances of his motivations really isn’t paying attention to the full picture. Let’s start with the infamous wind bag fiasco, which happens early enough for Eurylochus to show us his conflict. Yes, he doubts Odysseus’ judgment when it comes to the Wind God’s island, warning him about the risks. And let’s be real, Eurylochus is absolutely right. If you look at the situation, Odysseus is acting impulsively, relying on his wits and bravado, thinking he can control the outcome with the power of his charm. But this? It’s a god’s realm. The gods don’t work on your timetable. At this point, what does Odysseus’ confidence even mean? Eurylochus sees it as reckless, and I agree. Yes, Eurylochus is a bit wary of everything at this point (which might be annoying if you’re Odysseus), but it’s a valid concern. And Odysseus’ reply? It's a bit patronizing. He doesn’t respect Eurylochus’ caution. Instead of listening to his crew member, his second-in-command, Odysseus tells him to stand down and demands blind loyalty. Of course, this sets the stage for Eurylochus’ next crucial transformation. He’s now seen Odysseus as someone who doesn’t care about the real risks or the crew. People LOVE to bring up that line where Eurylochus says he opened the wind bag. Okay, okay, he messed up. But here’s the thing: he knows he messed up, and he admits it. In front of everyone. He’s not hiding it. He’s not making excuses. He’s owning up to it. And people still want to call him a hypocrite? He wasn’t the one who set the trap for the entire crew by opening that wind bag. Odysseus gave some instructions, but he knew the crew was starving and desperate. And then, on top of that, you have the winions stirring the pot, telling everyone there’s treasure in the bag? What did he think would happen? The crew wasn’t exactly in the best headspace to be taking orders from a guy who was clearly not as present as he should have been. You can’t put all the blame on Eurylochus when Odysseus didn’t exactly set them up for success. Everyone was already in a fragile place after the war, and Odysseus should have known better than to leave room for temptation. He was the leader; he should’ve anticipated how bad the temptation would be. Eurylochus gets a little too much flak for something that wasn’t entirely his fault. There’s enough blame to go around for everyone, not just one guy. All of the crew wanted to open the bag, Eurylochus was just the one who did. He represents the voice of the crew. His biggest focus becomes apparent in the Circe Saga, specifically during Puppeteer, when Eurylochus is forced into a brutal choice on Circe’s island. After the men are turned into pigs, Eurylochus has to come to terms with his decision. He’s a pragmatist. He doesn’t trust the island, doesn’t want to gamble their lives on a witch’s promises. So, when Odysseus sends him and the crew to investigate, Eurylochus doesn’t just go along for the ride, he stays behind and urges Odysseus to get out of there. But let’s remember, this moment is a turning point for Eurylochus. He’s scared, yes, but also rational. He was the one who saw the situation from a distance and thought, “This is too risky.” He’s the realist who wants to cut his losses, but it’s important to notice that his fear is the fear of losing more men, not necessarily cowardice. Unlike Odysseus, who acts out of hope, Eurylochus is practical. His attitude here reflects the trauma they’ve been through and how tired he is of losing people. That’s why his frustration boils over later when Odysseus sacrifices men — because Eurylochus has seen enough death.

Now, let’s talk about Scylla. Because this is the moment where everything Eurylochus has learned comes crashing down on him. Remember that vow Odysseus made to him earlier: “There’s no length I wouldn’t go if it was you I had to save”? Well, that sentiment sticks with Eurylochus. He takes that to heart. So when Odysseus makes the decision to sacrifice six men to Scylla, you can see why he snaps. It’s not just that Odysseus is willing to sacrifice them — it’s that he does it without warning, without giving them the choice. Eurylochus feels like Odysseus has abandoned everything he taught him about loyalty. That vow he made? Yeah, it means nothing now. Eurylochus is furious because Odysseus fails him here. He’s been teaching Eurylochus the value of every single life, yet when the time comes to uphold that belief, Odysseus throws it out the window to save himself and his pride. So, of course Eurylochus is mad. And it’s not about the six men dying (because, let’s be real, he’s no saint), it’s about the betrayal. He’s been made to believe in the cause, but now he sees Odysseus as a hypocrite. It stings, and it’s totally justified. This leads us to Mutiny. Eurylochus is right to be mad at Odysseus for sacrificing six men just to save his own skin. Don’t even try to justify that. Odysseus put his own desire to get home ahead of the lives of his crew. Eurylochus did not agree to be cannon fodder for Odysseus’ personal agenda. He wasn’t going to sit back and watch his brothers die without questioning what the heck was going on. So, when Odysseus goes full “sacrifice six for the greater good,” you bet Eurylochus was angry. He wasn’t just upset because they were going to die; he was upset because Odysseus made the decision to send them to their deaths without even consulting them. Eurylochus’ reaction is human, it’s justifiable, and it’s completely rational. He’s not a traitor, he’s someone who realizes that Odysseus’ quest for glory comes at the expense of the people he supposedly cares about. Then we get to the cattle of Helios because apparently everyone’s learnt nothing. Eurylochus has already checked out emotionally. He’s looked at the situation, and for him, the reality of their fate is clear: they’re not going to make it home. They’re already dead in a way, and the gods are just playing with them. So when faced with the opportunity to eat the cows, he sees it as a way to take some control over a situation where they’ve lost all control. His logic isn’t about doing what’s morally right in the eyes of the gods. At least if they’re going to die, they can do it on their own terms — full stomachs, no slow starvation or suffering. It’s a very bleak and cynical perspective, but it’s also realistic. And in a way, it shows a form of wisdom that Odysseus doesn’t have in this moment. Odysseus, of course, refuses to let go of hope. His entire journey is a testament to his stubbornness and unwillingness to give up. That’s his defining trait, and it’s what keeps him going, but it also blinds him to the obvious signs of doom around him. He refuses to accept that the gods are no longer in his favor, that they’ve been punished for their mistakes, and that he’s already sealed their fate. For Odysseus, admitting that they’ve lost would be admitting defeat, and that’s something he can’t stomach. So, instead of facing the reality of the situation, he doubles down on his hope and pride. Eurylochus isn’t the naive one here. He’s not playing the hero’s game. He’s real. He’s already accepted that their journey is doomed, but he refuses to be passive in that fate. He wants to take charge of how they go out. He’s not waiting for divine intervention anymore because, honestly, it hasn’t worked out so well for them so far. He’s out of options and out of faith.

But here’s the darker, more tragic implication: Eurylochus’ perspective is the voice of the crew. His attitude — “We’re never gonna make it home; we’re already doomed” — isn’t just his own individual despair; it’s shared by everyone else around him. The crew is no longer fighting for survival; they’ve been through too much. They’ve seen too many of their comrades die for a cause that seems meaningless at this point (how do you think Perimedes would feel when Elpenor died). They’ve been stranded for so long, constantly at the mercy of the gods, with no real agency over their fates. They’ve lost hope. The entire crew is in a suicidal state of mind, and Eurylochus’ willingness to eat the cows is just the worst tangible sign of that collective despair. He’s the one who finally gives voice to it, like always, but it’s a sentiment that’s been building throughout their journey. He’s come to terms with it in a way that Odysseus has not. In that sense, his desire to eat the cows is almost a form of passive suicide — an attempt to bring some meaning, some control to an already doomed situation. His actions signal a profound loss of the will to live. This attitude is contagious. When Eurylochus speaks, he’s speaking for a crew that’s also checked out, a crew that’s surrendered to the inevitable. They don’t believe in their survival anymore. They’re not thinking about glory or heroism. They’re thinking about getting something out of their final moments, about finding some form of solace in the face of certain death. They no longer care about the gods or their promises. They just want to eat, even if it means defying the divine laws. This is a crew that’s collectively suicidal, mentally exhausted, and emotionally broken. And Eurylochus, in choosing to act, becomes both the catalyst for their final downfall and the embodiment of their emotional exhaustion and surrender.

He doesn’t trust Odysseus anymore. Odysseus promised to bring them home, but where are they? They’re stranded, they’ve lost men, brothers, friends, and the gods keep throwing obstacles in their path. When Odysseus becomes a king in his eyes and no longer a brother, it’s clear: Eurylochus starts thinking about himself, and that definitely doesn’t make him a hypocrite. It makes him human. It makes him someone who’s had enough. So, when the storm hits, and Eurylochus says, “We’re going to die anyway,” it’s not just a defeatist attitude — it’s the voice of someone who’s been burned by his faith in Odysseus too many times. He finally does what Odysseus would have done if he weren’t so obsessed with getting home — he does what’s necessary for survival. It’s harsh, but it’s consistent with his struggle all along. Eurylochus isn’t a hypocrite because he speaks out against Odysseus — he’s just a man who wants to believe in loyalty, but realizes that Odysseus has never really been loyal to anyone but his wife, never his men. It’s a brutal realization, and it’s only when he lashes out in Mutiny that we see the full extent of his disillusionment.

So, before anyone calls Eurylochus a hypocrite, let’s remember that he was the one who had to deal with the consequences of Odysseus’ stubbornness and false promises. He wanted to be the loyal friend, the one who stuck by his leader. But Odysseus made it impossible. Now, he’s just a man broken by the very loyalty he once held dear.