Ever Since I Was A Little Girl I Knew I Wanted To Run Low On Storage Space

responses to someone who punched you

Responses to Being Punched

-> feel free to edit as you see fit.

"What the shit, dude?"

"You're going to have to hit a little harder if you want to do some real damage."

"This isn't a fair fight."

"I'm giving you one last chance to walk away."

"This is about to get ugly."

"If [Name] wasn't here right now, you'd be dead."

"Just wait."

"Punch me again, see what happens."

"Wow."

"Jesus Christ, are you wearing brass knuckles?"

"When the cops show up, you're going to tell them that you started this."

"You're dead."

"Woah, woah, woah, let's not jump to any extremes."

"What did I do?"

"Um, ow."

"I probably deserved that."

"I think you broke my nose."

"Was that a 'hey, buddy, how are you?' kind of punch or a 'I'm about to mess you up' kind of punch?"

"Whatever you think I did, I didn't do it."

"Well, I don't think I deserved that."

"You hit surprisingly hard."

"That felt like being kissed by a butterfly, are you serious right now?"

"I guess you're waiting for me to apologize?"

"If that's your way of saying sorry, I don't think it's going to work."

They should invent a room where I have to write a certain amount of words every day (on my fanfics, book I’m working on, poems, etc) and I’m not allowed out of the room until I’ve done that certain amount each day.

Also I get paid a livable wage for it.

Also I have a person there to give me feedback anytime I ask.

Also I have a person there to correct all my typos.

don’t be scared to ask that person out. the worst they could do is say ‘no’ and then begin attacking you with their bare hands, ripping the skin off your face and tearing out chunks off flesh from your arms and disemboweling you

the problem with reading and writing leading to a strong vocabulary is that you tend to know the vibe of words instead of their meanings.

if I used this word in a sentence, would it make sense? absolutely. if you asked me what it meant, could I tell you? absolutely not.

‘From a swamp, evil, viscous,’ Osip Mandelstam (translated by A. S. Kline)

“You have to get to a point where your mood doesn’t shift based on the insignificant actions of someone else.”

— Unknown

Just boys being each others one and only

So I recently got fully caught up with the JJK anime and am now on chapter 176 of the manga because I was bored. I basically went through a “wow I get it” moment when it comes to why people like this series so much.

While reading though, one thing I found interesting is that Gege-san seems to really like Nietschze. Nihilistic philosophy, especially passive vs active nihilism, comes up a lot in this series. You mainly see it in characters like Geto, Gojo, and very much with Mahito. The meaning of life or “the meaning of the soul” is a common question that comes up, with each character having their own views on the meaning of themselves and their place in life.

I’ve been liveblogging my experiences in a discord server and me and another person have real interesting conversations about how Geto seems to symbolize the passive nihilist, while Gojo is the active nihilist or the absurdist. Mahito is basically a twisted form of active nihilism.

The passive nihilist is a person of resignation, it is described as a person of weak will that views nihilism as the end to life and nothing beyond that. They often fall into violence or herd mentality in a scramble to give themselves some meaning or accept destruction. Nietzsche described it as “pessimistic Buddhism”.

The active nihilist is basically the exact opposite. Through the destruction of the meaning of life, they go in to construct new ones by their own will and ideal. They are free and of strong will and are often opposed to authority figures and find rebellion in their creative meanings of life.

I think this is a pretty good reflection of Geto, Gojo, and Mahito. Geto, who spiraled due to the shattering of his ideals and resorted to despair and destruction to find a new one. He became resigned from world, resigned from others. Gojo’s past ideals were also shattered, but through that he built a new one. He is completely absurd and humorous even in serious times, but he ultimately cares a lot about aiding the future generation and does so by rebelling against the higher ups of Jujutsu Society.

Mahito is an interesting case. His whole character is basically just a philosophical analysis of nihilism and the meaning of life and the soul. He is creature of free will to the most dangerous degree. That, since there is no meaning to life that means one has the free will to control other’s lives, or even take them away. He revels in the despair that he spreads, he fully believes that he has the free will to do so.

Now, the reason why there is probably so much “meaning of life” talk in this manga is because it has a lot of Buddhist imagery, so it’s possibly an analysis in Buddhist philosophy- but I still think that this manga can be viewed through the lens of nihilistic analysis!

I find manga that get philosophical like this so intriguing! I’m excited to continue reading.

Villain things I want to see more of

Actually funny. Not making jokes at other people's expense, not the butt of the joke, just villains that have absurd senses of humour and top-notch intentional comedic timing,

CHARISMA!!! Please, can we have more charming villains, villains that can sway a crowd, villains that get away with things because their too polite, too well-spoken, too funny to possibly to evil.

Respected. Villains whose villainous deeds have led them to success and made them widely respected members of society. To be clear, this isn't respected person who is secretly evil. No. I mean, the bad things they've done are the reason they're respected.

Let them win. Let them win because their plan succeeded. Not because the protagonists fucked up, not by pure luck. Let them earn their victories.

Supporters! Lots of them. The more powerful your villain is, the more supporters they are going to need. If the evil king is unpopular with everyone he's not going to stay king for long. He needs allies, lots of them, especially if he's a tyrant.

Knows how to play the game. Manipulative villains who say whatever they have to to get their way, chose their allies and enemies carefully, bribe and blackmail, play the victim, the hero, or even the innocent when it suits them. Make it hard for your protagonists to convince anyone they are a villain at all.

Cold Steel. Give me villains that don't get angry easy, that laugh things off, that kill because it's efficient and for no other reason.

Clever and creative. Strategists who always have a trick up their sleeve and problem solvers with personal flare.

Show other characters reacting with fear. Nothing rams home how terrifying a villain is quite like watching other powerful characters fall to their knees--fast--when they walk in the room.

Irredeemable despite their tragic backstories. For the love of god people, tragic backstories do not justify a villain's actions. You can have empathy for what they've endured while still expecting them to take responsibility for what they've become.

Unconventionally attractive. Take this however you want. I, for one, would like to see more tortured bad boys who aren't white and shredded. But also, villains whose attractiveness lies in how they talk, their body language and facial expressions, and their outfits. Why do y'all think smirking is such a popular word??

Love. Let them love their spouses, their children, their friends. Not in an abusive way either. Let them have healthy relationships with their still living wives, daughters, sons, comrades in arms etc.

Kind. Give me villains who tip well, who put their own garbage away even though the servants could do it, who remember their henchmen's names, who are good with kids, who donate to charity and not just for the tax incentives