When A Character Is Facing A Difficult Decision They…

the problem with reading and writing leading to a strong vocabulary is that you tend to know the vibe of words instead of their meanings.

if I used this word in a sentence, would it make sense? absolutely. if you asked me what it meant, could I tell you? absolutely not.

Saw a post about the reading order of a beloved author and how their early books are a bit rocky and mediocre. Imagine if we created a writing environment that believed in and supported people, so that they could start with a slightly dumb story, and be given the connection/resources/validation/support to grow over the course of a lifetime. They wouldn’t have to hit the ground running with a splendidly workshopped series, an mfa, and an audience of TikTok followers who have promised to buy it, so that all a gatekeeper needs to do is collect the money. They could just be a chicken shed cleaner, or a mediocre small-town journalist writing one column a week (which is a job that people used to have and support an entire family - imagine writing 500 words a week and having that be your whole day job lmao) with a bad book, and forty years later they’d be a Great.

I’d like to live in a world with more Greats. There are a lot of chicken shed cleaners who are Greats and we’ll never know them.

I do not want it to be like “back in the old days” where it was only men (with housekeeper wives) writing mediocre books. I want secure material circumstances for people, and I want time for them to do something that may never “pay off.”

hihi, i saw prev anon sharing fics, may i as well? （*＾-＾*）i mostly bookmarks fics with pretty prose so most of these are just beautiful words that make you Feel

itafushi first love, late spring (please drop everything and read this now it is my heart. my soul) here and where you are (amnesia au. it's dripping tears) the bull and the china shop (very cute!! pining omg) if i could swallow the sun (very beautiful prose) in the eaves of a home we will never own (this made me cry with no dialogue and less than 2k words) there will be time (fuck t. s. eliot, the essay) (Lots Of Pining)

satosugu aperture (very underrated) His One and Only (what if geto gets his body back?) maneater (10k of heart tugging prose) DERIVATIVES (breathtaking second person prose) i bet you kiss your knuckles right before they touch my cheek (pure PAIN)

gen/multiple moth light (gen sss trio) something tangible (itfs, stsg, nbmk and others, jjk uni coffee shop au!! ongoing and very fun to read) were love a blessing for us (gen, itadori and nanami's relationship he's his dad aghhh) subliminal (getou pov where he's aware that his body isn't his)

Thank you! Another recs for anyone who need this!

I have to say it. 'enemies to lovers' started going down the shitter when people began treating it like 'people who kind of annoy each other to lovers' ENEMIES to LOVERS is about if two girls FOR REAL want to KILL each other

Yusef Komunyakaa, from "Jasmine", Pleasure Dome: New and Collected Poems [ID in ALT]

The Wind-Up Doll

More than this, yes more than this one can stay silent.

With a fixed gaze like that of the dead one can stare for long hours at the smoke rising from a cigarette at the shape of a cup at a faded flower on the rug at a fading slogan on the wall.

One can draw back the drapes with wrinkled fingers and watch rain falling heavy in the alley a child standing in a doorway holding colorful kites a rickety cart leaving the deserted square in a noisy rush

One can stand motionless by the drapes—blind, deaf.

One can cry out with a voice quite false, quite remote "I love..." in a man's domineering arms one can be a healthy, beautiful female

With a body like a leather tablecloth with two large and hard breasts, in bed with a drunk, a madman, a tramp one can stain the innocence of love.

One can degrade with guile all the deep mysteries one can keep on figuring out crossword puzzles happily discover the inane answers inane answers, yes—of five or six letters.

With bent head, one can kneel a lifetime before the cold gilded grill of a tomb one can find God in a nameless grave one can trade one's faith for a worthless coin one can mold in the corner of a mosque like an ancient reciter of pilgrim's prayers. one can be constant, like zero whether adding, subtracting, or multiplying. one can think of your --even your—eyes in their cocoon of anger as lusterless holes in a time-worn shoe. one can dry up in one's basin, like water.

With shame one can hide the beauty of a moment's togetherness at the bottom of a chest like an old, funny looking snapshot, in a day's empty frame one can display the picture of an execution, a crucifixion, or a martyrdom, One can cover the crake in the wall with a mask one can cope with images more hollow than these.

One can be like a wind-up doll and look at the world with eyes of glass, one can lie for years in lace and tinsel a body stuffed with straw inside a felt-lined box, at every lustful touch for no reason at all one can give out a cry "Ah, so happy am I!"'

- Forough Farrokhzad

if you write a strong character, let them fail.

if you write a selfless hero, let them get mad at people.

if you write a cold-hearted villain, make them cry.

if you write a brokenhearted victim, let them smile again.

if you write a bold leader, make them seek guidance.

if you write a confident genius, make them be wrong, or get stumped once in a while.

if you write a fighter or a warrior, let them lose a battle, but let them win the war.

if you write a character who loses everything, let them find something.

if you write a reluctant hero, give them a reason to fight.

credit:@aj-eddy

Body language cheat sheet for writers

As a writer, understanding and incorporating body language into your storytelling can greatly enhance your characters and their interactions. Here's a cheat sheet to help you describe body language effectively:

Facial Expressions:

* Raised eyebrows: Surprise, disbelief, or curiosity.

* Furrowed brow: Concentration, confusion, or frustration.

* Smiling: Happiness, amusement, or friendliness.

* Frowning: Disapproval, sadness, or concern.

* Lip biting: Nervousness, anticipation, or tension.

Eye Movements:

* Eye contact: Confidence, interest, or honesty.

* Avoiding eye contact: Shyness, guilt, or deception.

* Narrowed eyes: Suspicion, skepticism, or concentration.

* Wide eyes: Shock, fear, or surprise.

* Rolling eyes: Exasperation, annoyance, or disbelief.

Gestures:

* Crossing arms: Defensiveness, disagreement, or discomfort.

* Nervous fidgeting: Anxiety, restlessness, or impatience.

* Pointing: Assertiveness, emphasis, or accusation.

* Open palms: Honesty, openness, or sincerity.

* Hand on chin: Deep thought, contemplation, or evaluation.

Posture and Movement:

* Slumped shoulders: Defeat, sadness, or fatigue.

* Upright posture: Confidence, attentiveness, or authority.

* Pacing: Restlessness, agitation, or contemplation.

* Tapping foot: Impatience, annoyance, or frustration.

* Leaning in: Interest, engagement, or curiosity.

Touch:

* Hugging: Affection, comfort, or warmth.

* Handshake: Greeting, introduction, or agreement.

* Patting on the back: Encouragement, praise, or camaraderie.

* Clenched fists: Anger, determination, or frustration.

* Brushing hair behind the ear: Nervousness, coyness, or flirtation.

Mirroring:

* When two characters unconsciously mimic each other's body language, it indicates rapport, connection, or empathy.

Nodding:

* A subtle nod can convey agreement, understanding, or encouragement.

Crossed legs:

* Crossed legs can indicate relaxation or a casual, nonchalant attitude.

Tapping fingers:

* Impatience, anticipation, or nervousness can be expressed through rhythmic finger tapping.

Hand on the chest:

* Placing a hand on the chest can convey sincerity, empathy, or a heartfelt emotion.

- Tilting the head:

* Tilting the head to the side can suggest curiosity, attentiveness, or interest.

Rubbing the temples:

* Rubbing the temples can indicate stress, fatigue, or a headache.

Chin stroking:

* Stroking the chin while in thought can portray contemplation, decision-making, or intellectual curiosity.

Arms crossed behind the back:

* This posture can indicate authority, confidence, or a composed demeanor.

Tilted body posture:

* Leaning slightly towards someone can suggest interest, attraction, or engagement in a conversation.

Biting nails:

* Nail-biting can reveal anxiety, nervousness, or tension.

Foot tapping:

* Rapid or impatient foot tapping can show agitation, restlessness, or eagerness.

Squinting:

* Squinting the eyes can signal suspicion, doubt, or an attempt to focus on something.

Shifting weight from foot to foot:

* Shifting weight can imply discomfort, unease, or anticipation.

Covering the mouth while speaking:

* This gesture can indicate hesitation, embarrassment, or the desire to hide something.

Remember that body language can vary across different cultures and individuals, so consider your character's background and personality while describing their movements. Additionally, body language is best used in combination with dialogue and internal thoughts to create a more nuanced portrayal of your characters.

Happy writing!

I wanna give geto some jaw locking sloppy toppy till I lose sight in my right nose🤤