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me in the middle of the stormy night running down the grand staircase in this with a candelabra in hand before i run away with my vampire lover forever.
When we killed what we were to become what we are, what did we do with the bodies? We did what most people do; buried them under the floorboards and got used to the smell. I’ve lived my life like a serial killer; finish with one part, strangle it and move on to the next. Life in neat little boxes is life in neat little coffins, the dead bodies of the past laid out side by side. I am discovering, now, in the late afternoon of the day, that the dead still speak.
Jeanette Winterson, from “Gut Symmetries,” published c. 1998 (via violentwavesofemotion)
“When you start to know someone, all their physical characteristics start to disappear. You begin to dwell in their energy, recognize the scent of their skin. You see only the essence of the person, not the shell. That’s why you can’t fall in love with beauty. You can lust after it, be infatuated by it, want to own it. You can love it with your eyes and your body but not your heart. And that’s why, when you really connect with a person’s inner self, any physical imperfections disappear, become irrelevant.”
— Lisa Unger (via quotemadness)
“Before everything, before even humans, there were stories. A creature at a fire conjuring a world with nothing but its voice and a listener’s imagination. And now, me, and thousands like me, in little booths and rooms and mics and screens all over the world, doing the same for a family of listeners, connected as all families are, primarily by the stories we tell each other. And after, after fire, and death, or whatever happens next, after the wiping clean or the gradual decay, after the after…when there are only a few creatures left, there will be one at a fire, telling a story to what family it has left. It was the first thing, and it will be the last.”
— Welcome to Night Vale Episode 71, “The Registry of Middle School Crushes” (via realhousewivesofnightvale)
Sometimes I feel like a caretaker of a museum — a huge, empty museum where no one ever comes, and I’m watching over it for no one but myself.
Haruki Murakami, Pinball, 1973 (via larmoyante)