“Why Do Asexuals Write And Draw The Best Porn?” They Wonder.

An offering to Circe 🏛️🐖🌿

PRINCE GANYMEDE. cupbearer of the gods

This is what the Sun looks like

Love and War 💞❤️‍🔥🕊️

Happy valentines everyone!🥰 Februarys illustration is of Ares and Aphrodite looking very flirty and in love, or at least some form of it.

Thinking about Victoria Neuman. Thinking about how she grew up in a world that refused to accept her as a WOC, so Stan took advantage of that to morph her into a hitgirl. Thinking about how the only way she imagined abolishing prejudice and carving out a better world for her daughter being hostile takeover.

God I love Lucy Gray.

The Umbrella Academy S4 (thoughts & opinions)

- HOT TAKE: The issue I had with Five and Lila getting together wasn’t the bizarre age gap or insensitivity of Five sleeping with his brother’s wife, but how they don’t resolve the tension properly before they all cease to exist. Specifically Diego and Five don’t get to hold hands the way Lila and Five did, even though it wasn’t really up to Lila to “forgive” Five, but whatever. I thought that had this affair been treated with an ounce of consideration it would reveal a lot more about both characters shared desperation for affection and emotional stimulation. Five spent decades in complete social isolation to the point where he legitimately fell in love with a mannequin and you want me to believe that, given the similar scenario that most certainly triggered the same “well I guess I’m stuck in this shit now for an indefinite amount of time” area of his brain, he wouldn’t have resorted to falling in love with the fist available person regardless of what it meant outside of the subway? Lila too seemed to get with Diego because while they did click in S2, she had never lived a life that allowed her to experience romance or starting a family like she could with Diego. She pumped out three kids to seemingly force herself to enjoy what she knows could be taken away from her at the throwing of a time traveling briefcase, but her behavior this season is baffling because what do you mean after seven years of searching for a way home she never once brings up missing those three children until the opportunity to return home presents itself? She tries to wipe her hands of the situation, but then the show just kind of ends without meaningful conclusion, so…

- The ending was sloppy. I know you know that, but my issue wasn’t the actual end. The Hargreeves having to sacrifice themselves in a way indicative of the S1 finale makes perfect sense, especially with the painfully shallow Five Diner down in that unexplained subway station where they all indirectly allude to the fact that there’s never a condition where at least one of the family doesn’t end the world. Had the Fives took time to explain that each Hargreeve possesses earth shattering abilities that eventually snowball out of control regardless of the condition, and all resistance is futile, I would accept that the ending makes more sense than just blaming the marigold despite the fact that Victor can/has been able to syphon marigold out of people, and could’ve just taken it all himself but you know, whatever.

- I also deeply resent that a show about familial trauma and bonding despite the shared adversity ultimately concluded on everyone giving up. No. You don’t get to say that they “didn’t just give up” because yes, them saying “oh no, well, there’s ten minutes left of the episode, guess we should cease to exist now” is the definition of not even trying to venture down into the subway as a family and fix the other timelines one at a time, using their newfound familial unity to solve every timeline until they converge into one. I’m not saying that needed to happen at all, or that they should have succeeded even if they tried, but AT LEAST THEN THEY WOULD HAVE TRIED. The writers gave up, the characters gave up, and the metaphor of grief and family issues the show spent so long to cultivate were just abandoned.

- Klaus regressed with no substantial reason or impact other than to provide slapstick humor and comedic relief antics that didn’t amount to any of what he had spent the last few seasons building and working towards. Ben shouldn’t have been brought back after his noble and meaningful sacrifice of S2 only to be made into the most obnoxious version of himself. Allison didn’t even get to say “I heard a rumor” this season nor did she address attempting to sexually assault Luther, and Diego’s relationship with Lila was the absolute worst case scenario for both characters. Viktor was the only one with an arc worth watching this season, which is why I thought him having a solo sacrifice would have been even more gut wrenching but whatever.

- There is an insurmountable amount of plot holes that prove this show just got lazy. There should be a kugelblitz in the finale’s timeline. If Lila/Allison were never born then there could never be Grace/Lila’s children. You don’t get to say “well what about the subway” because that doesn’t protect them from the grandfather paradox, unless outright stated which the writers didn’t even bother to do.

- Why didn’t they just kill Jennifer? Who put her in the squid? If it was Reggie’s wife then why didn’t she just kill her? Why didn’t Reggie kill her when he built the town to “protect” her? Why did she react with pure terror when shown the squid? How did Jean and Gene get their hands on it? Was it a normal giant squid or an alien? Was it her mother? No, because then how did she speak English when she emerged from its stomach? Why did she say “the cleanse” like she knew what it meant when she didn’t? Ben should’ve been able to remember in the OG timeline how he died because absolutely every other spirit does and the show can’t just rewrite its own lore to cater to a last minute subplot that went nowhere. I don’t want to be mean but Jennifer never should have existed as a S4 add in because she did absolutely nothing for the plot other than confusing the audience with the persistent question of why didn’t they just kill her to prevent the cleanse from happening. Reginald said one of them had to die, but in the OG timeline he killed both just to be…cruel? What’s the point of writing that it just had to be one of them if you’re just going to act like it’s a package deal? This entire plot line made me truly believe this season was written by AI, I’m sorry.

Analyzing The Abilities of Characters From The Boys

-Le Finale-

🇺🇸Homelander🇺🇸

Thank you to everyone who sat by and waited for this grand finale, it truly means a lot to me! You’re the heroes, truly! I added Superman by Ivory Layne because I associate it with America’s #1 Supe, plus I wanted to plug one of my all time favorite 2010s throwbacks.

I think Homelander’s “Evil Superman” pitch is definitely the main draw of the franchise, but I wish he wasn’t always shackled to that identity. He acts as an introspective analysis of the true evil of corruption on a radical/political level. I mean, the man was birthed in a lab and raised on straight looping American nationalist propaganda. He was essentially being hypnotized by Vought to be an All-American boy, and yet he turned out exactly like America itself; overpowered, inescapable, and caked in far too much makeup.

Homelander/John’s wide range of abilities stems directly from the versatile torture methods Vought used on him in infancy in order to rig the results of the V and produce the most amount of abilities. For example, my assumption is they would drop him, along with other flying Supes, from high places, and if they managed to float for survival they would grow up to be able to fly at dazzling speeds. This is based on the number of trials he endured, such as the oven he would be placed in for hours on end. He’s now invulnerable, but he had to quite literally be forged through flame to be so.

In addition to his range of abilities, the episode of Diabolical that depicts Black Noir feeding him his lesson on optics makes his inability to swiftly dispose of those who show no fear all the more reasonable. When he’s viewed as the monster he’s always been seen as (the whole “you ripped out of your mother and beamed through the bodies of the doctors in the room while flying like a scene from the exorcist” thing) he’s incentivized to be what they expect of him, almost like how he was taught to be what the masses wanted from him. The careful crafting and hardwiring of a monster stays, even though he’s subverting Vought’s benevolent persona.

When a character shows indifference or truly just a lack of terror, he spares them, deeply yearning for genuine human connection with an individual who doesn’t recoil from his advance. Whether it was Madeline, Stormfront, or Maeve, they all proved themselves to be fierce women who he had difficulty letting go of. Madeline in particular managed to survive up until the exact moment she admitted her fear of him, to which he incinerated through her skull with his laser vision.

Even when analyzing how he spares Hughie, Butcher, Annie, or the rest of The Boys, Homelander has ample opportunities to fly over and murder them all. He could kill them all in broad daylight and get away with it, but whether he’s consciously aware of it or not, he fully needs humans on this planet who know the truth about him and refuse to be afraid. The alternative would be too boring, and as I could imagine, horrifying. He doesn’t want to be a king, we see into his psyche too frequently to know he hates himself. He truly hates what he sees in the mirror, and masks it with a veneer of egotism until he eventually breaks down again. He wants people unafraid to challenge him, otherwise he would have used one of his several powers to slaughter The Boys ages ago. You may call it plot armor, but I think John needs someone to go blow for blow with. Butcherlander

John never had the chance to be human. He was directed how to be a god, and given the power to match. While every part of me sees him as the monster he is, rape and murder included, I almost feel like killing him wouldn’t be the karmic serve fans think it would be. I agree with the sentiment that he should be stripped of his power and condemned to live an average human life without access to Compound V (I like to imagine they’ll just blow up Vought tower in the finale, but we’ll see). His scenes with Ryan almost make me believe that he wants to be human, but he can never do that as the supervillain he is today. Maybe if he could try out being a human, he wouldn’t have to try and escape his humanity.

Aglaïa: Goddess of Beauty, Splendor, Glory, and Adornment

Aglaïa kids 💎Carefree 💎Masters of constructive feedback 💎Brazen 💎Liked it before it was cool

No Cabin Assigned Yet Link in bio for more Aglaïa info 💎

Analyzing The Abilities of Characters From The Boys Pt. I

⭐️Starlight⭐️

Annie’s definitely one of my favorites and I think her ability’s one of the more straight forward of the cast. She’s photokinetic, but for the brunt of the show she’s entirely dependent on synthetic/inorganic light. Without this electrical, manmade light she was “powerless”, and at the beginning of Season 4, she fully lost her ability to channel this light whatsoever. This is all symbolic of her perceived reliance on the limelight to stay relevant and important. She was raised on paparazzi shots and baptized in spotlights, so up until more recently that was the only “power source” she had. I like to imagine that now, specifically because the S4 finale didn’t show her draining the car while Hughie was driving, she’s drawing on either natural light to hint at her newfound desire for authenticity and hard truths, or internal light to draw on her own resilience and self actualization she gained through strangling a doppelgänger that taunted her lack of identity.