Imagine Getting So Worked Up Over Someone Talking About Aro/ace Erasure. “I’m Sick Of Your Stupid

HOORAYY >_< ♡

Phone Guy / Ralph from FNAF needs a kiss! 💋

Requested by @hejustwontdie

that one psycho girl drawing I did is getting attention again and it’s like . Hi why are you still looking at that 😭💔

He is a cutie patootie

horror boys I think about a lot: day 26

Brody - Jaws (1975)

Holyyy shittt :33 /vpoz

Ship wars are dumb. Like what you want as long as it’s not weird or problematic

Also I’m here to spread my Pink/Peach Suspenders Jesse x Aiden propaganda. :3

They are partners in my head!1!1! Plssksj please hear me out on them chat (*´-`)

~~~

Got… got any ruby x lily headcanons.. pretty please :3

OHH YOU BETCHA >:3

- Ruby and Lilly do one another’s makeup and hair (Ruby specifically likes doing Lilly’s makeup because she thinks that Lilly looks really nice in eyeshadow and should wear it alot more often, and because she gets to talk about random things and Lilly will listen.)

- Their dates are a very wide range of things, so it could be something as simple and sweet as a picnic, or something as complex and dangerous as sky diving, (totally not illegal…) car racing, etc. Surprisingly, Lilly will find any of these fun.

- They have nicknames for each other, Ruby will call Lilly “kitty/cat” (fun fact, this one is actually canon!! Ruby called her that to calm her down once :3) l and Lilly will call Ruby “rose/rosie”.

- They’d always been friends since childhood, so it felt kind of natural to the both of them that they ended up together. They didn’t know about their feelings for one another for such a long time, thinking that it was just the regular old platonic love they had for each other for such a long time, and finally figuring it out was more like an, “oh… damn.” Kind of thing.

- Lilly is MTF trans, but Ruby was the first she confided in that she was a girl, rather than a boy. Ruby was a little confused at first but was fully supportive either way, and she helped Lilly come out to everyone as well and medically transition <3

- They didn’t even start dating until after they’d met Psycho Girl.

- Lilly used to be very nervous about wearing glasses, so she hadn’t worn them for years, but Ruby would always reassure her that (even though she looks like an ENORMOUS nerd) she’d always think of Lilly the same, and a change as minuscule as that wouldn’t make her any less of the girl that she loves.

- They buy each other gifts every time they hang out, which is either usually flowers or a stuffie :3

- They often hyperfixate on different things together.

- Ruby confessed first, and in a very dramatic way as well. She’d been planning it out with Psycho Girl weeks beforehand, and everything was seemingly perfect… Minus the fact Ruby had forgotten to take safety precautions. So yeah, basically she caused a mild panic in Lilly’s backyard, but Lilly happily accepted!

- Lilly likes to take polaroids of girlfriend alot, she often tells Ruby that she is very photogenic

- Ruby is easy to fluster, and Lilly likes to tease her alot about it

- They have a height difference (Lilly’s taller)

- They also had an “emo” phase together, which Ruby grew out of (Lilly moved into being scene/softcore)

- They have matching purple phone charms, because their colors (red + blue) would make a purple <33

I think thatz about all I have,, I hope you like em!! :3

real you get me

im aroace but in a much weirder way than anyone else. yes im aroace no im not aroace. yes i hate sex no i love sex and romance. i wanna get married and fall in love but id never do that. i love sex and kink and taboo. actually nvm i hate it thats gross. does anyone get me

"Just wait 'til you hear of my NEXT plan!"

Literally me fr

She's a nerd

AA I LOVED THE SUPER SHOW INTRO AZ A LITTLE KID I LOVE THIZ SM 😭😭💕

Your daily Mario gif.

WALKING DEAD WIKI

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WALKING DEAD WIKI

A New Day (Telltale)/Transcript

EDIT

The following is a transcript of Episode 1: A New Day of The Walking Dead: The Telltale Series - Season One.

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Police Car

A police officer is driving a police car down the road in the daytime. He adjusts the rearview mirror in his car to look at the passenger, Lee, who is handcuffed in the backseat.

Policeman: Well, I reckon you didn't do it, then.

Lee: Why do you say that?

Lee: You know what they say about reckoning.

Policeman: Ha, I don't, but I reckon it's a lot like assumin'.

Lee: Yeah, something like that.

Lee: Does it really matter?

Policeman: Nah, not much.

Policeman: Hmm. Nope, definitely not.

Policeman: Y'know, I've driven a buncha fellas down to this prison. Lord knows how many. Usually is 'bout now I get the "I didn't do it."

Lee: And what do you say?

Policeman: I say, "Yep, I know ya didn't."

Lee: Not from me.

Policeman: 'Cause guys in your position already said it enough?

Lee: Every time?

Policeman: EVERY time.

Policeman: Hmmm, but you don't talk too much, do ya?

Police Radio: We've got what looks like a 10-91E near Peachtree Exit of 285. All cars asked to keep on the lookout for a 91V in the area.

Lee looks at the rearview mirror.

Policeman: I followed your case a little bit, you being a Macon boy and all.

Lee: You're from Macon then.

Policeman: Yep. Came up to Atlanta to be a city cop in the seventies. Always wanted to work a murder case, like that senatorial mess you got yourself mixed up in, with all due respect. A real shame, that is.

Lee looks out the window as another police car speeds past in the opposite direction with its sirens on.

Policeman: Hell, the whole family used to be regulars at your folks' drugstore right in downtown. Still there?

Lee: Sure is.

Policeman: Good.

Lee: You've got an opinion then?

Policeman: Wouldn't say that. I go in for that innocent 'til proven guilty thing.

Lee looks out the window as another police car speeds past in the opposite direction with its sirens on.

Policeman: Even considering who they say you killed.

Lee: What do you think?

Policeman: (shrugs) I'm just glad I chose law and not order. A big, messy trial like that.

Lee looks out the window as another police car speeds past in the opposite direction with its sirens on.

Policeman: Even if you was innocent, a lot of what happened can't ever be undone.

Policeman: (shrugs) It's not every day a fella from Bibb County goes off and kills a state senator, that's for sure.

Lee looks out the window as another police car speeds past in the opposite direction with its sirens on.

Police Radio: Be advised of medical personnel on route to Hartsfield, various 10's and 20's coming in.

Looking at the mirror makes the policeman begin talking again, but he will also do so if Lee does nothing for a few moments.

Lee: Any of that seem important to you?

Policeman: All of it, but that box never shuts up. Sit in this seat and pay too much attention and you'll drive yourself crazy.

Policeman: I got a nephew up at UGA, you teach there long?

Lee: Going on my sixth year.

Policeman: You meet your wife in Athens?

Lee looks distressed and turns his face away, looking out the window.

Policeman: You wanna know how I see it?

Several more police cars pass by with their sirens on, along with a SWAT truck, all of them driving in the opposite direction.

Lee: Sure.

Lee: Not really.

He picked up on that.

Policeman: Well, too bad, it's my car. You might have the right to remain silent, but it don't mean I gotta be.

Lee: I got much choice?

He picked up on that.

Policeman: Sure don't.

Lee says nothing.

The policeman opens his mouth, about to speak, but notices Lee glaring at him and stays silent for a few moments.

Policeman: Regardless, could be you just married the wrong woman.

Lee opens his mouth to speak, but decides not to, grunting dismissively.

Lee opens his mouth to speak, but decides not to, grunting dismissively.

Lee opens his mouth to speak, but decides not to, grunting dismissively.

Lee opens his mouth to speak, but decides not to, grunting dismissively.

Radio turns on.

Policeman: You'll have to learn to stop worrying about things you can’t control. Helicopter flies past car.

Policeman: You’ll have to learn to stop worrying about things you can’t control. Lee and the officer stay silent for a few seconds.

Police Radio: Riot in progress. All officers available for incoming 217's. Rolling calls and dispatches to all locations.

A helicopter, two SWAT trucks, and several police cars pass by.

Policeman: I'm driving this man once, he was the worst one. He wouldn't stop going on about how he didn't do it. He was an older fella. Big, soft eyes behind a pair of smart folk glasses, and he's just wailing back there, says it wasn't him. Crying and snotting all over, right where you're sitting.

Police Radio: All officers are available for incoming 21--

The policeman turns off the radio.

Policeman: Then before long he starts kicking the back of the seat, li--like a fussy baby on an airplane. And I tell him he's gotta stop, that's government property, and I'll be forced to zap him otherwise. So he stops, and having exhausted all his options, he starts crying out for his Mama. "Mama, it's all a big mistake! It wasn't me!"

Lee: Man.

Policeman: Man?! Not even close!

Lee: Maybe he was innocent.

Policeman: Innocent?

Lee: So did he do it?

Policeman: Well, blabbermouth, let me tell you something.

Policeman: They caught the fucker red-handed! Stabbin' his wife, cutting her up as the boys came through the door! He sits in my car screaming bloody murder that it wasn't him! I think he actually believed it himself. It goes to show, people will up and go mad when they believe their life is over. Oh, I got another good one for ya. This one's a little bit less depressing and a bit more hilarious if I do say so.

The policeman turns as he is talking, looking away from the road as a zombie wanders right in front of the car.

Lee: Watch out!

Lee: Oh, shit!

Lee: In the road!

Lee: Fucking drive!

Lee says nothing.

Policeman: This other time--

The car crashes into the person on the road, veering out of control, through the guard rail, and off the edge of the cliff. Half-conscious, the man sees zombies moving outside the car and hears screams and growls before passing out.

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Forest

Lee wakes up some time later.

Lee: Ugh... Ow, shit.

Lee tries to take off his handcuffs but is unable to.

Lee: Thirsty... Ahh! Fuck, my leg.

Lee looks at the large, bloody cut on his upper leg. He looks out the back window and sees the officer lying facedown on the ground with blood smeared behind him. Lee turns to the side window and grunts as he continually kicks it until it falls out of the car.

Lee: Hey! Hey, officer! Are you alright?! I'm still cuffed back here!

Lee: Officer! That doesn't look good. He wasn't ejected from the car...

Lee: He's not moving.

Lee: He must have the handcuff keys on him.

Lee: Why the hell did he have his gun out?

Lee: Maybe it was tossed from the car during the wreck?

Lee: I need to... drag myself out that window...

Lee climbs out of the window, landing painfully on the ground. He stands up and walks around the edge of the car, reaching the area where the officer is.

Lee: The officer's shotgun is over there.

Lee kneels down to pick up the shotgun. Lee: Looks empty.

He puts the shotgun down.

Lee: It'll be easier to carry with these cuffs off.

Lee leans down and picks up the shotgun shell, placing it in his inventory.

Lee: Officer?

Lee: Goddamn...

Lee approaches the officer and takes the keys. He tries to unlock his handcuffs but drops the keys.

Lee: Shit.

Lee leans down to pick up the keys that have fallen next to the officer's face. He unlocks his handcuffs and rubs his wrists. The officer starts groaning faintly.

Lee: Uh, officer...?

Lee falls backward as the officer growls and tries to grab him.

Lee: Holy shit!

Lee: What in the hell?

Lee: What the fuck are you?!?

Lee: What happened? What happened?!

Lee looks at the gun.

Lee stares at the bullet.

Lee: Get away from me!

Lee: What the hell are you?

Lee: Just stop! Back up!

Lee picks up the shotgun next to him and tries to load it with the shotgun shell, but drops it.

Lee picks up the shotgun next to him, he then picks up the shell, tries to insert it but drops it.

Lee picks up the shell next to him, then the gun, he tries to put the shell in it but drops it.

Lee: Shit!

Lee picks up the shell and loads the gun, pointing it at the officer.

Lee: Don't make me do this...

Lee shoots the officer in the head and throws the shotgun to the ground.

Lee: Man.

Lee: His skin's all rotten... and he smells like shit. What the hell is this?

Lee: Are you dead? Hey! Are you dead?!

Clementine stands in the distance and Lee calls out to her.

Lee: Help! Go get someone! There's been a shooting!

Clementine runs away. Groaning, slow-moving zombies emerge from the forest. Lee tries to run, but trips over the officer's body and falls. He gets up and limps away as he is chased. He climbs over a fence to escape, crawling backwards as the zombies pound on the fence. Shots are fired in the distance, and the zombies leave to chase the sound.

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Neighborhood

Lee gets up and looks around, noticing he is in the backyard of a house in a small neighborhood.

Lee: Hello? Anybody?

Lee's idle comments

Lee: Help!

Lee: Somebody? Yell if you can hear me!

Lee: Is there anybody here?

Lee: Strange man here! Bleeding in your backyard!

Lee: This would normally get a man arrested... Again.

Lee: Please... please. Someone, someone, anybody...

Lee: There's something going on...

Lee: I can't go back out there.

Lee: (sarcastically) Maybe I'll just go for a dip.

Lee: I'd fill one of those tea cups with some bourbon if I could.

Lee: No ladder... I'm not getting up there anyway, this leg the way it is.

Lee: Anybody up there?

Lee: Hello? Anybody in there?

Lee: I thought I saw a little girl in the forest... Are you up there? I'm not one of those things.

Lee: (shrugs) I guess it's empty.

Lee: Maybe I should just check inside the house, through the glass door, before wandering out into the neighborhood.

Lee: I wonder if anybody's home.

Lee knocks on the sliding glass door.

Lee: Hello? Anybody home? I need a little help.

Lee opens the door without hesitation.

Lee looks at the door again. Lee: Screw it. I’m just going in. Lee knocks again. Lee: Hello? There’s something going on. Lee peeks through the window. Lee: Doesn’t seem like anybody’s home. Lee bangs on the door. Lee: Maybe it’s unlocked. Lee reluctantly opens the door.

Lee slides the door open.

Lee: Coming in. Don't shoot, okay?

Lee enters the house and closes the door behind him, then grabs his leg in pain.

Lee: Ahh, shit. Hello? I'm not an intruder... or one of them.

Lee notices that the furniture in the living room is knocked over and there are bloodstains on the floor and wall of the kitchen.

Lee: These people might need more help than I do.

Lee: It's fake. Damn.

The book shows a mostly colored-in drawing of a unicorn.

Lee: Jesus...

Lee: Maybe there's something on there.

Lee: Furniture overturned...blood everywhere... Jesus...

Lee: God, a kid lived here...

Lee: This whole neighborhood is deserted... What the hell?

Lee: Hmm...cable's out.

Lee enters the kitchen, slipping on the pool of blood.

Lee walks over to the kitchen unharmed.

Lee drinks the water. Lee: Ah...

(Unavailable if Lee didn’t slip) Lee: Hmm... The Marsh House. That's a Savannah area code. But that's the type of note you'd leave a babysitter...

Lee opens various drawers and cabinets.

Lee: This place has been ransacked. Just about anything worthwhile is gone.

Lee opens the drawer near the fridge, takes the radio and puts it in his pocket. Lee then opens the drawer by the sink and finds it empty.

Lee opens the drawer near the sink, takes the radio and puts it in his pocket. Lee then opens the drawer by the fridge and finds it empty.

The answering machine beeps until Lee turns it on.

Automated Voice: Three new messages. Message one. Left at 5:43 PM.

Diana: Hey, Sandra, this is Diana. We're still in Savannah. Ed had a little "incident" with some crazy guy near the hotel, so we had to get him back to the ER and have it checked out. Anyway, he's not feeling well enough to drive back tonight, so we're staying an extra day. Thanks so much for looking after Clementine, and I promise we'll be back in time before your spring break! (chuckles)

Automated Voice: Message two. Left at 11:19 PM.

Diana: (panicked) Oh, my God, finally! I don't know if you tried to reach us; all the calls are getting dropped. They're not letting us leave and aren't telling us anything about Atlanta. Please, please, just leave the city and take Clementine with you back to Marietta. I've got to get back to the hospital. Please let me know that you're safe.

Automated Voice: Message three. Left at 6:51 AM.

Diana: (tearfully) Clementine? Baby, if you can hear this, call the police. That's 9-1-1. We love you...we love you...we love y--

The machine beeps after the last message. Lee picks up and looks at a picture near the phone, which shows Clementine and her parents. Then his walkie-talkie activates.

Clementine: Daddy? Lee hears voice from his pocket. Lee: Huh? Lee takes out his walkie-talkie from his pocket and walks over to the glass door.

Clementine: Daddy? Lee hears voice from the kitchen. Lee: Huh? Lee walks over to the kitchen.

Lee takes the radio from the drawer by the fridge, answers it and walks over to the glass door.

Lee takes the radio from the drawer by the sink, answers it and walks over to the glass door.

Lee: Hello?

Clementine: You need to be quiet.

Lee: I'm not a monster.

Clementine: Good.

Lee: Who is this?

Clementine: I'm Clementine. This is my house.

Lee: Hi, Clementine. I'm Lee.

Clementine: You're not my daddy.

Lee: No, I'm not.

Lee: Are you okay?

Clementine: I'm okay. They tried to get me. But I'm hiding until my parents come home.

Clementine: Hello? Did they get you?

Lee: I'm sorry. I'm here.

She wonders why you're not talking.

Lee has the opportunity to choose one of the other responses. He can also choose silence again.

Clementine: Please don't go.

She wonders why you're not talking.

Lee has the opportunity to choose one of the other responses. He can also choose silence again.

Clementine: Are you dead too?

She wonders why you're not talking.

Lee has the opportunity to choose one of the other responses. He can also choose silence again.

Clementine: Hello...?

She wonders why you're not talking.

(If Lee continues to be silent, she will continue to repeat "hello". Lee must eventually answer.)

Lee walks into the living room.

(This option is not available if he asked "Who is this?")

Lee: What's your name?

Clementine: I'm Clementine. This is my house.

Lee: Hi, Clementine. I'm Lee.

Lee: Where are your parents?

Clementine: They took a trip and left me with Sandra. They're in Savannah, I think. Where the boats are.

Lee: How old are you?

Clementine: Eight.

Lee: And you're all alone?

Clementine: Yes. I don't know where anybody is. How old are you?

Lee: I'm, uhh...37.

Clementine: Okay.

Clementine: Hello? Did they get you?

Lee: I'm sorry. I'm here.

She wonders why you're not talking.

Lee has the opportunity to choose one of the other responses. He can also choose silence again.

Clementine: Please don't go.

She wonders why you're not talking.

Lee has the opportunity to choose one of the other responses. He can also choose silence again.

Clementine: Are you dead too?

She wonders why you're not talking.

Lee has the opportunity to choose one of the other responses. He can also choose silence again.

Clementine: Hello...?

She wonders why you're not talking.

(If Lee continues to be silent, she will continue to repeat "hello". Lee must eventually answer.)

Lee enters the kitchen, avoiding the puddle of blood, and stands over by the window.

Lee: Are you safe?

Clementine: I'm outside in my treehouse. They can't get in.

Lee: That's smart.

Clementine: See?

Clementine opens the door to her treehouse.

Clementine: Can you see me? I can see you through the window.

Lee: Where are you?

Clementine: I'm outside in my treehouse. They can't get in.

Lee: That's smart.

Clementine: See?

Clementine opens the door to her treehouse.

Clementine: Can you see me? I can see you through the window.

Clementine opens the door to her treehouse.

Clementine waves at Lee and he waves back.

Clementine: AHHHH!

Clementine jumps back into the treehouse and closes the door. Lee turns around and sees a zombified Sandra behind him. She growls and tries to attack him, but he pushes her to the ground. As he tries to run away, he slips on the puddle of blood and hits his head on the counter. His vision is blurry, but he can vaguely see Sandra crawling toward him and he kicks her away.

Lee: AHH!

Lee gets up and tries to run, but Sandra grabs his leg and trips him. He punches her away as she attacks again. Clementine runs up to the glass door and opens it, holding a hammer. Sandra attacks again and Lee pushes her away, continually kicking her in the head and crawling backwards.

Clementine: Here...

Once Lee reaches Clementine, he takes the hammer from her shaking hands.

Clem says nothing.

Clementine: Here!

Lee takes the hammer, gets up and whacks Sandra with it. He continues to smash her in the face until she stops moving.

Lee: Aaaarggh!!! Lee violently bashes Sandra’s head in and deforms her face.

Sandra bleeds out.

Lee: Man... Hi there.

Clementine takes a step backward as Sandra's blood oozes across the floor.

Clementine: Did you kill it?

Lee: Yes.

Clementine: It's okay. I think she was a monster.

Lee: I think so too.

Lee: I don't know. I think so.

Clementine will remember that.

Clementine: Sometimes they come back.

Lee: Have you killed one?

Clementine: No. But they get shot a lot.

Lee: I think something else did. Before me, I think.

Clementine will remember that.

Clementine: I heard her scream two nights ago. Maybe one of the monsters got her.

Lee: Two nights ago? Yeah, that's probably what happened.

Clementine looks quizzically at Lee.

Clementine seems afraid.

Lee kneels to be at Clementine's eye-level.

Lee: You've been all by yourself through this?

Clementine: Yeah. I want my parents to come home now.

Lee: I think that might be a little while, you know?

Clementine: Oh.

Clementine looks down sadly and Lee moves closer.

Lee: Look, I don't know what happened. But I'll look after you until then.

Clementine nods.

Clementine: What should we do now?

Lee: We need to find help before it gets dark.

You chose the safety of daylight.

Clementine: Yeah, it's not safe at night.

Lee gets up and holds Clementine's hand.

Lee: Let's go. Stay close to me.

They leave the house and Clementine closes the door behind them.

Lee: I'd fill one of those tea cups with some bourbon if I could.

Lee looks up at the treehouse.

Lee: (sarcastically) Maybe I'll just go for a dip.

Lee: I can't go back out there.

Clem goes ahead of Lee and he follows her. Lee approaches the gate and notices two men in the street trying to push a car.

Chet: Aw, man... I ain't never getting home to Mama at this rate.

Shawn: This sucks.

Chet: It's hot dish night.

Lee is about to open the gate, but turns and kneels in front of Clementine, who looks conflicted.

Lee: What's the matter?

Clementine: Should I stay?

Lee: What?

Clementine: I don't want to sleep in the treehouse tonight, but I don't know if I should leave. What if my parents come home?

Lee: I won't leave you alone.

Clementine smiles.

Clementine: Let's go somewhere safe that's close, okay?

Lee: That's a good idea.

Lee: They won't. We should go.

Clementine: Then they'll find me, right?

Lee: I won't leave you alone, okay?

Lee: I don't know...

Clementine: Neither do I. Let's go somewhere safe that's c

ALRIGHT BUDDY WHAT IN THE 😭😭😭

thiz makez me wanna play the walking dead I haven’t seen it in YEARS.. Lee and Clementine were my favoritez!! :3