You could also tie in two other common tropes with the whole “Superman-esq is trying to contain all these guys” which is the whole no kill rule everyone follows and how villains constantly break out
Basically the Superman knock off purposely enforced the no kill and purposely tries to make containment not a priority so that way there’s always villains to keep the hero’s distracted so they can’t start enacting facist coups or whatever but it’s a ticking clock of hero’s getting fed up and just putting people down and villainy getting less popular until there aren’t enough villains to keep this system going and it all comes crashing down
sorry for random addition just an idea that popped into my head based around this
A few years ago, there was a thread on r/asksciencefiction where someone was fishing for a superhero story with an inverted Omni-Man dynamic, or a setting where Homelander's initial presentation is played straight- a setting where the Superman figure actually is the paragon of morality he's initially presented as, but no other superhero is- a situation where you've got one really competent true-blue hero standing head-and-shoulders in power above what's otherwise a complete nest of vipers.
Someone in the thread floated My Hero Academia; while I haven't read it, my understanding is that that's not really an accurate read of what's going on with Stain's neurosis about All-Might being the only "real hero," that the point of that arc is that Stain's got an insane and unreasonable standard and that taking an endorsement deal, while bad, isn't actually grounds for execution. My own contribution to the thread was Gail Simone's Welcome to Tranquility, where a major part of the backstory involved the faux Justice-League's Superman analogue having a little accident because he's the only one who thought they were morally obligated to go public with the secret life-extending macguffin that the rest of the team is using to enforce comic-book time on themselves and their loved ones; while only a couple members of the team are directly in on it, the rest are conveniently incurious. And Jupiter's Legacy gets tantalizingly close to this- The Utopian, a well-meaning stick-in-the-mud, ultimately gets blindsided and couped by his scheming brother who creates a superhero junta staffed by a Kingdom-Come-style glut of third-gen superheroes, who are framed as fundamentally self-interested because only came onto the scene after most of the situations you legitimately need a superhero to handle have been neutralized. (The rub, of course, is that the comic is also highly critical of the Utopian's intellectually incurious self-righteously 'apolitical' approach to superheroism- if for no other reason than that it left him in a position to get blindsided by a coup!) While Jupiter's Legacy gets the closest, all three of these are only loosely orbiting around the spirit of the original idea, and there's something really interesting there- particularly if the Superman figure isn't hopelessly naive in the same way as Utopian. Because first of all, if you're Metaman or Amazingman or whatever brand-name alias the writer goes with, and you really earnestly mean it, and you put together a team of all the other most powerful heroes on earth in order to pool your resources, and then with dawning horror you gradually begin to realize that everyone in the room besides yourself is a fascist or a con artist or abuser or any other variant of a kid with a magnifying glass eyeing that anthill called Earth- What the hell is your next move?
Do you just call the whole thing off? Can you trust that they'll actually go home if you call the whole thing off? I mean you've put the idea in their heads, are you sure that they aren't going to, like, start the Crime Syndicate in your absence? Do you stick around to try and enact containment, see if getting all of these people on a team makes them easier to keep on a leash? But that's functionally going to make you their enabler pretty quickly, right? Overlooking "should you kill them-" can you kill them? You're stronger than any individual one of them- are you stronger than all of them? The first time one of them really crosses a line in a way you can't ignore- will that be a one-on-one fight? Are they the kind of people capable of putting two-and-two together and pre-emptively ganging up on you if you push back too hard? Do you just start trying to get them killed, or keep them at each other's throats so they can't coordinate anything really nasty? Can you squeeze any positive moral utility out of them, or is that just a way to justify not doing the hard work of taking them down? There've been works where the conceit is to question the default assumption that Superman in specific would be a good person, and there've been works where the conceit is to question the default assumption that superheroes in general would be good people. Something to be done, I think, with questioning the default assumption that everyone Superman becomes professionally close to would be good, and to explore how he'd handle it if they weren't.
Headcanon that Luke and Obi Wan got the money to pay Han Solo by selling the moisture farm at bargain-basement prices in Anchorhead without telling anyone that it was totally torched, and by the time anyone find out they were well off planet. Luke now has a reputation as one of Tattooine’s most famous con men despite the fact that it was Obi Wan who ran the con.
Yeah I know about Neuman but I still feel like in the show Vought’ll have their own comic Black Noir who can kill Homelander
I enjoy The Boys but one major problem I have with it is that it’s so hard to compare strengths to other settings, like we never see Homelander challenged so we have no clue how’d he fair against others which I get is maybe sorta the point with it being like him as a medium fish on a small pond but it’s still annoying
its a shame how ryoko kui managed to make a series with such a realistic portrayal of sistemic and internalized racism only for people to have it fly over their heads and go 'x character is racist!! how dare you like them!!!' when like. literally every single character has said something racist. your blorbo is racist. my blorbo is racist.
marcille hates orcs. kabru has dehumanized kobolds. mithrun said a slur. laios and falin treat mountain people like savages. analyse these traits meaningfully or perish
woke up today and realized that tumblr entirely killed fuck ya life bing bong so here ya go again
Rose is piteous she’s just confident enough and an asshole enough so you don’t realize
one thing wildbow wont tell you about blake and rose is theyre the same height shes not even shorter than him. she is also six feet and rectangular and could punch someone hard enough to severely disorientate them. and both of their hair is like 16 inches long. the only difference is rose doesn't put it in a french braid and also she has tits and also she's not as piteous.
Hey, this may be useful to anyone who is reading a Rick Riordan book or has read all of the books and is wondering where the connections are PLEASE THERE MAY BE SPOILERS you have been warned!
Hmm... I thought blitztone would be on here....
im currently completely losing it about the great stalacpipe organ. are you fucking kidding me they made an organ out of a CAVE???? IT TAKES UP THREE ACRES??? i legit am about to lose it
No one reads Pale which makes me so sad cause there’s so much cool shit in there and this latest chapter has so much smart people could examine to the point that even i can but no one would listen or understand any of it