only murders in the building is honestly like The fun little show. it’s so weird and so unlike anything else. the odd trio casting of two incredibly famous comedians in their 70s with Selena Gomez. the main plot revolving around true crime podcasts. the level of complete contrivance and silliness necessary for the entire plot’s existence. certain disability representation i haven’t seen anywhere else on TV. surprise bisexuality. the mystery-comedy-??? genre mix. Jane Lynch as a lesbian lookalike of Steve Martin. the most insane celebrity cameos so sudden and jarring that you get jumpscared at least four times every season. Nice, Hot Vegetables.
I haven’t seen any mutuals talking about The Resort but I want to make it clear that this is a Baltasar Frías stan blog. I love that funky little man and his colorful fashion
sometimes I will just be minding my business and very suddenly and vividly remember that emily dickinson wrote the line “my life had stood - a loaded gun” and I have to live with that truly what the hell
So, why do it then? Why choose to be good, every day, if there is no guaranteed reward we can count on, now or in the afterlife?
Anaïs Nin, in a diary entry dated 27 February 1929, featured in The Early Diary of Anaïs Nin: Vol. IV, 1927-1931
Hello! I've been struggling with how to depict and voice an eldritch horror entity. They are far removed from this universe, so I'm at a loss at how they would speak and act when interacting with a host/human. Can you help me and/or give me examples of what that might look like?
How to Give an Eldritch Horror Entity a Voice
-> feel free to edit and adjust pronouns as you see fit.
The entity may observe humans like a scientist would observe test subjects. It is not inherently evil, just so far removed that it doesn't comprehend pain or morality.
Example: "You break so easily. Such a soft mind, blistering with thoughts. Why do you weep?"
Example: "Fear. I recognize the shape of it now. Like heat in the bones."
The entity is aware of its power but it enjoys the chase. It is patient, and speaks low and slow to stretch out the dread.
Example: "I can hear your pulse like music. Louder now. Louder still."
The entity is innocent and sounds sweet and playful, but does not understand the reality of what it is doing.
Example: "You're leaking! Why do you leak like that? Should I put it back in?"
The entity speaks as if it has witnessed countless lives, deaths, and civilization. Everything the human feels is insignificant.
Example: "You are not the first to beg. The first was a king with gold in his mouth."
The entity is just beginning to understand language, humans, and itself.
Example: "Pain. You... do not like it."
Example: "Lonely. That is the word. I have never been lonely before you."
The entity can't (or won't) use grammar like a human. It might communicate in fractured bursts, in symbols, in numbers, etc.
Example: "Lightlightdarkfolding--fold--fold--fleshwrongYES."
Example: "WE--I--MANY come through the not-between. Hello. Hello. Nothello."
The entity doesn't speak in the traditional sense. It communicates via dreams, hallucinations, physical sensations, etc. Words might appear as taste, as pain, or involuntary thoughts in the character's mind.
Example: She smelled salt and rotting roses. Then the message came: "Let me in."
Example: He tasted metal and heard weeping in the back of his mind.