Hey Does Anyone Know The Context For These Countdown Sketches Ive Been Seeing? Some Of Them I See Have

hey! let’s talk about teru’s relationship with food!

all three of us get the feeling that food is a love language for teru, or at least, we feel like it’s important to consider how food plays a role in his story arc when doing a character study of him.

okay so first off, right from his introduction he is a foil to mob.

[ID: four manga panels featuring teru getting ready for school. from right to left: the first panel shows his hand and a pan frying an egg. the second is his hand holding a remote. the third shows a tv of a meteorologist saying: “today’s weather.” The forth panel is teru pulling on his school blazer, watching the tv. the meteorologist continues: “a lot of sunshine through the country, though the air is a bit unstable. /END ID]

when teru first appears, we as an audience don’t know it yet, but he lives alone and has been living alone without his parents for several years. here he is cooking his own breakfast and getting himself ready in his apartment by himself.

[ID: five manga panels of mob being woken up for school. from right to left: the first panels is a shot of the roof of the kageyama house. the second is mob, asleep on his futon. his mom is talking from off screen. she says: “shige, get up! you’re gonna be late!” the third is mob yawning and stretching his arms about his head. the forth panel is ritsu opening the door to mob’s room. he says “bro. mom said breakfast is ready.” the fifth panel shows ritsu looking at mob. mob is putting on a pair of pants saying: “yeah ritsu. let’s go.” /END ID]

meanwhile mob, is woken up by his mom and is checked on by his brother to make sure he was up in order to get a breakfast that was more than likely made by their parents.

when mob plans on confessing to tsubomi, teru brings up how homemade things tend to make him feel happy when someone confesses to him.

[ID: manga panel of teru being offered a gift from a girl. it reads: “I tend to be on the receiving end of confessions, but…when someone gives me a handkerchief, or a letter, or homemade cookies or something, it makes me kinda happy, so…I was just thinking, there’s that kind of thing too.” /END ID]

also we see teru tend to overindulge when someone (reigen) is offering to buy food for him

[ID: panel from yakiniku omake. teru is ordering food. he says: I’ll have have 4 orders of top ribs, 2 orders of sakura yukhoe, 2 orders of choice salty beef tongue, the extra special zabuton-cut beef, the offal sampler, 3 orders of rice, a tomato salad, and the naengmyeon…and a green tea.” /END ID]

[ID: cropped screencap of official art. teru has finished two ice cream parfaits. the empty glasses sit in front of a third one, which he is using telekinesis to float the toppings near his face. /END ID]

this often played for laughs, but stick with us here…

in the fanbook teru is asked if he cooks for himself and he says yes, and mentions that he’s confident in his pasta making skills.

[ID: cropped screencap from the fanbook that reads: “Q1: do you make your own food? What are you good at cooking?” Teru answers: “I cook lots of different kinds of things! but what I’m confident in is my pasta.” /END ID]

at first this may seem like a very 14 year old answer…I mean, pasta is fairly easy to make. But knowing teru and how he tends to become and expert at the skills he learns, odds are pasta started off as something simple to throw together on a school night. Pasta is easy and convenient and kid friendly, but it is very easy to experiment with and eventually become a speciality.

and one thing we know about teru is that he has too many specialities to list.

this kid has been needing to make his own food 100% on his own since the start of middle school. we can infer he’s getting money from his parents, and we aren’t exactly sure how much or how he spends it regarding food, but the only time we seem him eating alone, he is making a meal for himself outside of something premade or takeout. he said it himself, he makes lots of different kinds of things! he knows how to cook!

but with all things teru something simple and silly comes with tragedy. while it’s nice fore a kid his age to know how to cook, he NEEDS to know because he doesn’t live with his parents. if he didn’t know how to cook he would be relying on others, and that’s just not what teru does. He is fully capable and learns for himself out of necessity. teru is responsible for all of his own meals.

so what happens when he is no longer responsible? it could be an issue with humbleness. it could also be just normal 14 year old boy hunger, but when reigen takes him out to eat there’s no limits. but here’s the thing…when’s the last time teru has had a home-cooked meal that was made for him by someone else? not from a restaurant, but someone making something for him?

this is why we have the omurice scene in backdraft. there’s a comfort in the domesticity of having food prepared for him in a familial setting that he has not realized he has been missing from his life.

we’ve focused on the fear of him getting cut off from his parents and how money scarcity turns into food scarcity. he’s always been in survival mood, it’s just that money was the breaking point for him.

going back to mob. he and his family are normally seen sitting at the dinner table together. a normal domestic setting.

[ID: screencap of the kageyama family eating omurice together]

something teru doesn’t have. he eats alone at a table in his apartment…one with multiple chairs around it.

[ID: screencap of teru in his apartment. In the background, he is getting ready, looking in a full length mirror. next to him is a tv showing the weather. in the foreground is a table with an empty plate, mug and saucer, and a basket with a single roll. two chairs are seen at the table. /END ID]

teru has not invited anyone into his apartment until mob got attacked by koyama.

who are those chairs for teru?

of course, in backdraft we have the restaurant scene that mirrors this. empty chairs for absent parents.

BUT ITS NOT ALL SAD

back to food being a love language and specialty to teru…imagine once he’s no longer in survival mode due to trauma. food as a comfort, not only receiving, but making it for others as well. tying into him wanting to be a teacher, sharing his skills with others…the fact it feels good creating and sharing something. no longer taking care of himself out of necessity, but learning what his skills and hobbies are and genuinely sharing them because they make him feel accomplished and happy! it just ties everything together with this dude.

in short, cooking is more than likely another speciality teru has developed due to needing to live on his own. since mp100 has themes that involve human connection and relationships with others, we feel food is something that brings people together and our boy teru here should experience that firsthand.

that is why it plays a big role in what we have so far in backdraft!

One thing I find frustrating about people’s takes on Sinners is that they want to use one particular symbol as the center of their criticism when after two viewings it’s pretty clear that nothing is the film is ever representative of just one thing—meaning shifts from scene to scene, moment to moment, meaning can’t be unlocked by applying one metaphor to the entire movie

ISFJ - The Defender 💠

Illustration of the 16 MBTI personalities

Hello I'm continuing the MBTI series with the sentinels ✨ I only know two isfj so I hope I could represent you well 🙏 Are you an isfj? Show yourself or tag a friend who is ! Who do you wanna see next ?

I have a theory when it comes to the emasculation & sexualisation of Izuku and rampant sexualisation of the underaged characters in MHA, and why fans and outsiders see it as such.

Before you continue reading I just want to let you know this is not a safe space for proshitters & self identified fujoshis (you know who you are. If the shoe doesn’t fit then you can interact). If you are a proshipper or a self identified fujoshis then its best for both our sakes you block me. If I find you in my likes or mentions I will hide your comment and block you.

I’m also not a fan of toga x oochako, and Im saying this because I mentioned it briefly but its not the worst ship for me to block you (bkdk will always take that spot).

Anyways here’s a rundown list based on what I’ve observed [Mentions of Homophobia, Misogyny & Sexualisation of underaged characters down below. Read at your own risk]:

1.1 Horikoshi’s bias: Any watcher with critical thinking skills are able to see Horikoshi has a clear bias towards characters like bakugo, aizawa, shinso and mineta and he confirmed it himself. From the beginning to the very end of the manga Horikoshi has failed to respect Midoriya’s autonomy as a character, and any time we ever got close to introspection its immediately shut out in favour of the same popular characters over and over again.

1.2:Horikoshi has repeatedly sexualised his underaged characters and seems to show no guilt or remorse over such actions, even in his confessions. This was no accident, and any attempt to address this in a critical light in the manga was a failure, just like all the controversial topics he tried to address in the series (mutant arc -I personally don’t like how others see it as a racism allegory as a Black person, but thats another topic for another day-, eugenic marriage, trafficking etc.)

It also doesn’t help Japan has a rampant pedophilia & SA problem, and the reason you don’t see it on the news is because of shame culture + language barrier + their good PR Team. Anybody who tries to tell you it doesn’t exist are all liars, and anybody who tries to justify it with it being part of their culture is a racist.

2.From a dudebros perspective: We all know dudebros are obsessed with masculinity and powerscaling, but in some cases they are fine with fictional male characters crying, even male characters who don’t fit the traditional masculine role. But Midoriya isn’t the traditional masculine role character and he cries alot. Along the way they mustve subconsciously picked up the writers mistreatment of Midoriya, and so to them it’s like why should they respect a character who acts like a crybabying bitch?

And then they see how “close” bakugo & midoriya are. Dudebros as a collective are homophobic, so at first they would deny it, but then slowly but surely theyd pick up on how weird it is for midoriya and bakugo to be this obsessed with each other. Pair that up with the delusional fujoshis who seem to be fucking *everywhere* they’re going to call Midoriya a gay bitch for being steamrolled by “the goat” Bakugo.

Then there’s the sexualisation part. No words are needed to be said. Dudebros as a collective have little to no morals, especially the misogynistic. They don’t care if the character is 14yr old they’re going to wank their dick off to it regardless and thats the unfortunate truth.

But I feel the other reason why they feel so comfortable wanking off freely is because Horikoshi basically gave them the greenlight to do so. He shamelessly sexualised his characters without attempting to address it in a critical light.

3.From a fandom gay (especially fujoshis) perspective: It’s inevitable that the fandom gays will always find a way to ship 2 male characters, even if the creator clearly states their relationship is platonic, that’s just how it is for the better or worse.

To some credit, I can see why the fujoshis are obsessed with bkdk to the point of it being the #1 ship in MHA (never to the point of peak delusional though). Horikoshi doesn’t know when to put Bakugo to the side for once, or make Bakugo have his own arc without Midoriya being tied into it. It also doesn’t help Horikoshi mishandled Midoriya’s bullied past so the fujoshis are going to either dismiss that entirely or stupidly justify it in the worst way possible. Everyday its parallel this rival that.

I also personally believe Horikoshi baited BKDK content for some extra cash because he realised thats what the fans are into and also realised how stupid it is to trick them, like dangling a carrot infront of a donkey but that’s just my conspiracy theory.

If its one thing fujoshis love is pushing heteronormative roles onto their “gay” favourites and having internalised misogyny, morals be damned. Midoriya is seen as emotional, Bakugo is seen as aggressive. What does that equal to them? Top & Bottom, Alpha & Omega, Dominant & Submissive.

Fujoshis & Proshitters arent going away anytime soon, but because Horikoshi did nothing to shoo away the allegations until the very end of the chapter the fujoshis felt very entitled to act out. If you call them out you’re homophobic, but they would have zero problem dragging Oochako by the mud for daring to get in the way of the ship, and when that arc of her & Toga came out these same ppl who also tried to say Oochako is a love interest repackeged her into being Toga’s love interest under the guise of “girl power & lets go lesbians”.

(Personally as a Lesbian Feminist I am offended by this take but once again I digress)

Once again Horikoshi sexualised his underaged female cast, and while the fandom gays try to play the moral highground holding Horikoshi accountable I personally believe are just as hypocritical. The proshippers mustve subconsciously seen the sexualisation as a greenlight to go full haywire.

~~

TLDR; Horikoshi’s ass writing gave the watchers the greenlight to disrespect Midoriya as this bitch. A crybaby ass bitch from the dudebros and a crybaby bottom bitch from the fujoshis point of view. An ultimate bitch.

These fans will always exist but this reputation is the most prominent I’ve ever seen. In my humble opinion no fandom can ever be compared to MHA and its sheer audacity. Horikoshi & his overall fans don’t actually like Midorya and it’s disheartening to watch.

Y'all still like him now?

entp & enfp: the relationship

a really strong mental connection

literally besties who happen to be dating

no opinion is controversial for any of them: enfp becomes a person with no filter when they're around entp

categorically attracted to each other's intellect, which boosts their already huge egos

enfp definitely pretended to be unamused/unaffected by entp's obvious attempts to flirt at first

every conversation/activity can tacitly turn into a competition between them

they are similar enough to be compatible and different enough to keep it interesting and challenging → great chemistry

both of them are extremely creative when it comes to pickup lines and witty/sexy comebacks

never run out of things to talk about or do together

rivals to lovers vibes

never beating the good girl x bad boy allegations

they both finally found someone to be unapologetically genuine, weird and nerdy with

SINNERS (2025) dir. by Ryan Coogler

Katsuki Bakugo: A Semi-Comprehensive Character Analysis (and Why I Will Never Consider Him a Hero)

I’ve written on Bakugo before, hurriedly (within about 24 hours) and messily, but he’s a character that I feel so strongly about that I need to give this another go. Before we begin I have a few disclaimers that I’d like everyone to keep in mind:

1. You’re always allowed to like fictional characters, for any reason. Deconstructing why a character’s behavior is problematic is in no way a personal attack on those who like them in spite of (or even because of) those actions. Is Bakugo your fave? Awesome! I’m glad you’re enjoying him in the series. Feel free to read this if you’re interested in differing opinions, but to be honest this is probably more geared towards those who already don’t like him. “Don’t like, don’t read” remains a staple of fandom for a reason, so please stick to it. 

2. I’ll be writing this up through Chapter 190, hence “semi” comprehensive. Maybe I’ll do a part two once the series is finished. I’m not sure yet. Also, keep in mind that every translation is slightly different. The one I used can be found here. 

3. I’ve already decided that I won’t be responding to any comments on this post. Not because I don’t enjoy a good debate (boy do I ever), but I’ve got a lot of important Real Life writing to do and really can’t afford to get distracted. That is, any more distracted than I’ve already been with this meta and to be frank, charged conversations about this character is not what I’m looking for right now. I wanted to say my piece and now I have. But feel free to chat among yourselves—respectfully!

4. This meta is long. I mean it’s really long. You think you know how long it is? You’re wrong. It’s longer. This is my magnum opus of metas and honestly I have no regrets. Just keep length in mind if you think, “Oh, I’ll give this a quick read through!” You won’t. That’s not possible. And I’m so very sorry.  

Okay, that’s the boring stuff out of the way. Let’s dive in.

There’s something to be said for the argument that the most important part of a story is its beginning. The start of a tale either grabs us or leaves us cold. It sets up all our expectations and, whether the author is consciously aware of it or not, has a strong impact on the ending. Stories don’t exist without their beginnings (for obvious reasons) and it’s worth giving them some extra attention. Boku No Hero Academia starts with this:

We don’t know these people yet, but it’s easy enough to figure out their role in this tale; who’s the hero and who’s the villain. We learn a lot in just five panels. Bakugo has been beating up on another, weaker kid and he’s “already made him cry.” This is significant because it sets up Bakugo’s empathy—or lack thereof. His first victim is not Izuku, the “friend” who we later learn infuriates and at times even intimidates Bakugo. As horrible as it is, we can explain some of his violence towards Izuku, though we certainly can’t justify it. But this is different. Bakugo appears to be beating on a random kid simply because he can. Because he enjoys it. Though we’re only in the first panel, the crux of Bakugo’s characterization is laid out for us to see. It emphasizes my primary argument and the reason why I don’t think he can ever be a hero, no matter how much Horikoshi wants us to root for him.

Bakugo lacks empathy for other people. 

Keep reading

Gosh I hate grind culture. My little sister just started medical school and all of her orientation leaders are like “you absolutely cannot have a life WHATsoever you WILL have to give up EVERYTHING besides this program say GOODBYE to your hobbies and relationships” and now she’s calling me feeling guilty for running and going to the grocery store and that’s just WRONG! And that is exactly what I was told starting law school as well, and rejecting that mentality was the best thing I ever did but it was so hard not to buy into. Anyway if any of you are in an intense academic program PLEASE take time to sleep and eat and exercise and maintain your relationships and keep up your hobbies! you are not a robot who exists solely to study and I promise that living a life and staying physically and mentally healthy is not going to make you fail