Iida And Tokoyami Are So Funny Because You Know Neither One Of Them Can Stand Bakugou's Ass But Iida

My somewhat final thoughts of My Hero Academia

Note: Now that MHA is now doing an epilogue and is ending soon, I might as well give my final thoughts about this series. I’ll probably continue to talk more about it after the series is officially over but I’m not going to do a full fledged hour long review because I have better things to do.

This is a generic shonen empowerment fantasy that managed to screw its own theme and message. Any good will I would’ve given to series at the beginning is completely irrelevant as it when on. The morals and themes are constantly changing to throw random s**t on a sheet of paper that either doesn’t make sense, contradicts what being shown on screen, or if it doesn’t fits the tone of the story. My hero is not a deconstruction of the shonen genre that does anything new that would make it stand out. Most of the ideas and plot points created either have horrible execution, given no amount of attention where they’re just ignored or just have horrible payoffs. It follows all the exact same tropes seen in every other series and makes them worse. It also gets to the point where it rips off Naruto and makes the same mistakes it did. The amount of plot twists that are excused as some kind of subversion are obnoxious and predictable where’s it gets incredibly annoying. The world building is horrendous and just makes the story feel small for a world that has a life changing impact. The power scale doesn’t always make sense and it does nothing but act as a way to reward characters that didn’t earn it.

It has a dangerous and horrible message for victims of abuse and bullying. My hero has no problem telling the audience that if you’re a victim of any kind of abuse, it’s your problem and you should just act like it’s not a big issue. Apparently it’s ok lie to your friends, family and colleagues that you can trust but it’s not ok to lie or even hold accountable to your abuser. And no matter if he/she has a reason for the way they are, you are always in the wrong and you should spend your sad life praising and benefiting them.

There exists way too many characters for the audience to be invested in and after watching them for several arcs, they are just stereotypes with nothing new or original about them. Many of them come across as either being stupid, annoying, useless, unlikeable, petty, ignorant or just both. Some characters will either exist to benefit others or just highjack the story, ruining every other character’s chance to get any sort spotlight. The series is way too reliant on putting focus on unpleasant and uninteresting characters to please its large audience. The humor is way too reliant on a character’s personality trait. No matter what they do, the story expects us to automatically like them regardless of how horrible and selfish their actions are. Izuku may not be the worst character, but he’s no where near as great as everyone hypes him up to be. Bakugo is an unbearable mess of a character that serves no real purpose in the story and exists to take away every characters chance of development. His development is one of the laziest and obnoxious parts I have ever seen in any story and yet he’s the most popular sadist in the show with no sort of reason or sympathy for me to like him. Any criticism given to this d**khead is automatically shot down and people like me get harassed and called a brain dead immature f*g for stating our opinion.

Aside from Twice and Gentle/ La Brava, these villains are not that interesting and what ever traits about them gave them something to do is absence. Shigaraki is the stories biggest wasted potential that went from being an idiot to being an incompetent idiot to benefit my left nutsack. Toga is a Mary Stu who went from being a sad and annoying character to an annoying and self centered bitch who complains after being told her actions are wrong. Dabi is just a Gary Stu who’s only interested in wanting to kill his dad. Spinner is a joke that is constantly scammed by his creator.

The only saving grace I can give to this series is the art style of the manga and some parts of the Todoroki family drama. I can even say that Horikoshi’s art style and how he designs characters and panel designs inspired me as an artist. The anime as a whole is fine but it’s not perfect, but that’s mostly because it doesn’t do a whole lot of creatively/artistic things to make it on par with the most popular anime series. As an artist, I would recommend my hero as a reference to use to improve your work. If you just want to read or watch a series that has fights that just make you feel some kind of emotion, then you might get something out of this series. It’s not even the absolute worst thing I’ve seen; I’ve seen much worse in other genres other than shonen manga. It’s just rare to find a badly written series without being surrounded by d**kriders. It’s just a disaster of a series, and I wished I spent my time during the pandemic watching another series like Demon Slayer, or Black Clover.

Mid hero fraudemia

Puppets on Strings

my favorite fic trope 

Part 7 - Revenge

Disclaimer- blood and gore

Please read this first.

Part 0; Part 1; Part 2; Part 3; Part 4; Part 5;  Part 6;

Part 8; Part 9; Part 10; Part 11; Part 12; Part 13; Part 14; Part 15; Part 16; Part 17; 

Aaaaa I wish I could make some art to accompany this post, but I can't do so in the moment and I really want to express my "post-epilogue Mob and Tsubomi friendship" thoughts. LONG text below.

They start talking some time after Confession Arc, but their bond actually begins after Tsubomi moves from Seasoning City. She enjoys having someone to tell her how things are going on her hometown, as she didn't keep in touch with all of her school friends and misses how life was in Seasoning. This helped her to get more used to this drastic change on routine.

It was... awkward on the start. Mob had to process that Tsubomi was nothing like the perfect concept that lived on his head, besides the fact that she was upset by people idealizing her (its not nice to know you're part of the problem). Tsubomi on the other hand needed to shut down her slight suspicion built with the experience of bad rejection aftermaths and trust in Mob's intentions. After all, he was her good childhood friend

It doesn't take much for them to get over this, though. Mob comes to care a lot for the real Tsubomi and makes an active effort to know her better. This flawed, human Tsubomi was different, but she was a dear person to him and so it wasn't an issue. Tsubomi is relieved to see Mob's desire to become her friend was genuine (and feels a little bad for doubting). She was glad to get back in touch with him after so such a long time and got impressed with how much he had matured without her noticing. In a way, she also used to see him as that little boy from years ago...

They talk to each other by phone almost daily, speaking of how was their day and sending random stuff. If anything happens, they sure would inform the other.

Mob discovers she likes the yellow cat plush and keeps showing her cats he saw. Tsubomi tries to read some of his favorite manga to understand what he is talking about.

Tsubomi got overwhelmed with how much her school life changed in her new city. She was very happy to not being treated as a deity, but also wasn't used to being a common student. Mob helps her to become adjusted to a normal life and stop wearing the mask she was forced to use in Salt Mid. He understands how weird it is like to be your own vulnerable, true self next to others.

In exchange, Tsubomi's experience proves to be very valuable when Mob gets more attention from his peers and has to face social situations he never participated of before. Parties are stressing. She too recognizes he is still learning to express himself and is happy to see how he opens up with her.

Althought Tsubomi learns to be more authentic over time, she still struggles with demanding too much of herself. She panicked after thinking she didn't do good in her exams, and Mob spends an hour explaining that she isn't special and how its bad to expect she'll be flawless all the time. Besides that, her skills shouldn't define her worth as a person, as she is much more than her results. Tsubomi remembers this.

Mob often asks for Tsubomi's opinion. Sure, Reigen is still his go-to for advice, but some topics are more comfortable to talk with someone his age. Mob really values Tsubomi's confident honesty and her practical, direct solutions. He also feels safe talking with her because he knows that despite being blunt, she wouldn't say anything to hurt him.

They visit each other occasionally when they're on high school! The train rides are quite long, though, so most times it's more practical to invite more people and have a sleepover. Mob and Tsubomi's respective friends know the other pretty well.

satoruspookie and that dekacchan weirdo or whatever the fuck her name is on twitter, are probably the two most embarrassing and cringiest bkdk shippers I've ever seen in my life

their extremely high levels of copium and the amount of mental gymnastics they have been doing over the past few weeks have been nothing else but incredibly amusing to see (filming themselves crying over bkdk not getting canon, blocking Horikoshi on Twitter, claiming chapter 431 is not canon and is actually AI-generated, as well as spreading around all sorts of misinformation etc.)—and for what exactly? for holding onto that tiniest sliver of hope that their toxic, garbage ship would get canon instead of Izuocha?

in famous words of Michael Jordan:

we live in a pedophilic culture where young children are sexually abused, the most popular genre of porn is ‘teen’ where the girls are infantalized with schoolgirl uniforms and pigtails, dd/lg kink is normalized, men at any age want an 18 year old girlfriend, women have to have all their pubic hair shaved, women have to look as ‘natural and innocent’ as possible, women can’t talk back to men without abuse or humiliation (aka discipline), controlling male partners are way too popular (like fathers), and much more and i just don’t know how to deal with it any more

One last autistic rant from me and I'll be quiet, but the way Horikoshi treated Mic? My god! Brace yourself, because this will be long.

He's one of the few competent adults in the series but his opinions are always dismissed. Over and over again. And he used to be a prominent character in the series before being shoved into the background. I feel that was intentional because Mic was one of the characters that debunked some of Horikoshi's plot points.

"Bakugou is being a bit aggressive towards a girl I know is sweet and doing her best." Don't care. Get smacked in the face by Horikoshi's self insert, even though you were thoughtful enough to watch over him while he was in A FULL BODY CAST!!!

"Hey, this guy might be abusing his son. Shouldn't we do something?" No one asked. Just keep on commentating, commentator. So nosy.

"There might be a traitor in UA." That’s stupid. We will start losing trust in each other if we start pointing fingers, says the guy who is supposed to be a sharpshooter.

"You're obviously favoring this kid because of Oboro." Shut up, Mic. No one asked you. Now if you'll excuse me, I need to neglect my actual students in favor of this self-victimizing kid.

"Our friend is a nomu and we found out who the culprit is." I'll only go if you do, but don't really want anything to do with it.

"Our other close friend died." Shut up, Mic, and tell me about the students that I've neglected up until this arc.

"I was right! There was a traitor!" Yeah, but he still can be a hero. See, even your friend who was negatively by the traitor is siding with him. You're just a jerk, Mic.

"I went to the hospital to save Oboro, who I've known longer than Aizawa, and he isn't there anymore." Shut up, Mic! You're just being negative.

"I'm sorry for crying. I'm supposed to be a man." I wasn't asking you, Mic. I was talking to our friend who is more so your friend because I only ever use him as an excuse for how I treat my students.

It's so frustrating that everyone, even his own 'friends', doesn't listen to Mic. And don’t get me started with how he's written in fanon most of the time. This is another thing that I rewrote for my AU. Sunny Day (Mic's counterpart) is based on Fanon!Mic, but I expanded more on her character and have her be more than just a blonde ditz. I gave her the support that Mic never really gets in canon, but she still supports others in turn. Sunny's arc even plays into Shoto's arc in my AU, where she helps him escape Endeavor's grasp.

Alrighty. That's all from me. I'll leave you be now. I just wanted share my one final tidbit.

It's funny because Fanon Dadzawa is actually Canon Mic. He's intelligent, attentive, and actually shows concern for the students. It's sad that he's just support for Aizawa's character, he really has potential as a standalone character.

Your asks have been great, please feel free to send more whenever!

MEGAN THEE STALLION !!!!!!!