If Your Plot Feels Flat, STUDY It! Your Story Might Be Lacking...

If your plot feels flat, STUDY it! Your story might be lacking...

Stakes - What would happen if the protagonist failed? Would it really be such a bad thing if it happened?

Thematic relevance - Do the events of the story speak to a greater emotional or moral message? Is the conflict resolved in a way that befits the theme?

Urgency - How much time does the protagonist have to complete their goal? Are there multiple factors complicating the situation?

Drive - What motivates the protagonist? Are they an active player in the story, or are they repeatedly getting pushed around by external forces? Could you swap them out for a different character with no impact on the plot? On the flip side, do the other characters have sensible motivations of their own?

Yield - Is there foreshadowing? Do the protagonist's choices have unforeseen consequences down the road? Do they use knowledge or clues from the beginning, to help them in the end? Do they learn things about the other characters that weren't immediately obvious?

More Posts from Ican-writethings and Others

8 years ago

It was raining quite hard when I saw them walking, a pair of lovers who had been going for a stroll in the dark, and had been caught in the rain. They were quite young, I suppose, though I have never been a good judge of those things, and I floated around behind them. I suppose I hover behind all at some point, but these two seemed special to me. I paid attention to them, and saw their stories, hovering behind them like film-reels lost to time.

He was a boy from Detroit; his life had been far from easy. He had had to fight for every scrap in his life, and love was new to him. He had met her on a train bound to New York, and they had hit it off. They had spent a couple weeks in correspondence with each other before they had decided to date, and when they did, it had been a smashing success. Within six months they had moved in, and within eighteen he had proposed; rushed though it seemed, they were in love.

He had cut ties with his father, who did not approve the marriage. She was ‘not right for him’ he had said. And who knew, maybe his father would have eventually been proven correct.

She was born in Tennessee, the child of farmers whose lineage traced back to the dust bowl. She loved him dearly, but not with the all-consuming passion he did; she was a slow burn, and had more ties in the city than he did. She worked in a grocery store; her favorite food was roast chicken, and her best friend was her coworker, who was the first friend she made in the city.

Her parents were dead, her mother from a heart attack, her father from lung cancer. She had no ties back home, and was happy here.

I take no joy in my work this night.

I follow behind as they walk along the street, talking and laughing, with such joyous plans for the future. Their lives seemed secure, so perfect, so lovely.

They walk along the sidewalk, wet and dark, with an umbrella to protect from the rain. Twenty feet lay between them and the end of the block, twenty feet between them and the street. They paid little attention; youth rarely does.

They wandered along, talking of everything and nothing at all, giggling, him holding her close, kissing her forehead with such care that I wondered if there was a way I could stop what would happen. Of course, I couldn’t.

Ten feet to the street. He knelt to tie his shoe and she waited. Perhaps if he had left it alone, he wouldn’t have –

Five feet to the street. Both she and he are talking and laughing again. They didn’t even notice, as they stepped into the street.

The driver was a truck-driver from Shermer, Illinois. No wife, no kids. Nearing forty, it seemed he had little prospects of that happening, and he was happy enough about it. After the ‘incident’ as his coworkers euphemistically referred it, he would lose his ability to drive. He would take to drink. In all too soon a time, I would be drawn to him as well.

Perhaps if he had reacted a little faster, he would think, knowing he couldn’t have. I think the helplessness is almost worse, in a way.

Perhaps if it was not raining, he would have seen them before. Perhaps he could have reacted earlier. But, like me, the rain is inevitable. And even if the rain did not come, perhaps I would have come to them in a different manner.

I take no joy in my work, and as they stepped forward, the headlights shined on them just a moment too late for them to react.

Soon there was nothing to be done but watch, I, the eternal witness, in the rain.

And right there it rained a little harder.

write a story with the first line being “it was raining quite hard” and the last line being “ and right there it rained a little harder”


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1 year ago

If your plot feels flat, STUDY it! Your story might be lacking...

Stakes - What would happen if the protagonist failed? Would it really be such a bad thing if it happened?

Thematic relevance - Do the events of the story speak to a greater emotional or moral message? Is the conflict resolved in a way that befits the theme?

Urgency - How much time does the protagonist have to complete their goal? Are there multiple factors complicating the situation?

Drive - What motivates the protagonist? Are they an active player in the story, or are they repeatedly getting pushed around by external forces? Could you swap them out for a different character with no impact on the plot? On the flip side, do the other characters have sensible motivations of their own?

Yield - Is there foreshadowing? Do the protagonist's choices have unforeseen consequences down the road? Do they use knowledge or clues from the beginning, to help them in the end? Do they learn things about the other characters that weren't immediately obvious?

2 years ago
By Anastasia Fedorova

by Anastasia Fedorova

2 months ago

For all those who complain about explicit “smutty” books or smut in fic in general:

Just be aware that a bill has been introduced in Oklahoma’s state senate (SB 593) that would make writing/publishing/owning an explicit romance book a felony.

So, when you come on here to espouse your “anti pro-ship” nonsense, or moan about how hard it is to find fics/art/books that aren’t “smutty” — know that this is the effect. You are being used as mouthpieces to help feed and perpetuate censorship. There is no room for censorship in fiction because it will never stop at what you deem morally “right”. It is about control and the restriction of speech. Your discomfort with sex in media does not make it wrong, and it certainly doesn’t mean you get to advocate for its restriction.

Do not be pawns in the far-right’s game. Do not call yourselves allys of any kind if you are willingly feeding into a pillar of far right extremism. It will not stop where you think it “should.”

1 year ago
Writing Tool For Your Fight Scenes.

Writing tool for your fight scenes.

8 years ago

He stood on the lip of the platform, ready to jump down onto the tracks. His backpack lay beside him, and tears flowed down his face.

It was true. A fortnight ago he would not have believed – much less suspected – the truth, and now, looking back, he wondered what had gone so wrong that he deserved this. He looked down in his hand at the opened locket, and read again what was on the sheet of paper his mother had left in it, as if the rereading would make the words change their meaning or disappear.

Daelyn

You are too young now to know the truth, for the sooner you know the sooner the men who I have entrusted you to will turn on you.

The truth of your father is that he is not of this world; he is the Blue Flame, the spirit of the east, known to the church as Lucifer.

I have sealed this locket, in the hopes when you are old enough, you can read this and escape.

I know not what Father Lye has told you over the years about me or your father, but know he is your enemy, and will kill you if you know the truth. He could barely be restrained from killing you as a newborn, and now that I am dying – for that is what is happening – this could be the only chance for you to know the truth and be able to escape.

Trust no one, question everything.

Yours in eternity,

Mom

Where was he supposed to go? If this was true, and he was the son of Lucifer (the de- the dev-, he could not think the words), what could he do? He was the antichrist, a being meant to bring destruction and end the world. What could he do but try to subvert that fate?

And what better way to subvert that fate than to die?

He stared down at the tracks, as he heard the train approaching. Closing his eyes, taking a deep breath, and he put his right foot out and –

Was dragged backwards, rather than falling forward. The train passed by, loudly and quickly, until he was left with his erstwhile and relatively unwanted savior.

“What? Who?”

He turned around and saw an old lady, dressed in a brown overcoat and large, ludicrously decorated floral hat. With gray hair and green eyes, she was the perfect caricature of what an old lady should look like. “You looked like you needed some help. Those tracks are dangerous, you know.” She spoke with a curious accent. Greek, maybe?

“Thank you,” he stated, and began to walk away.

“Oh come back, dear boy. I want a word with you.”

He paused, turned on his heel, and walked back to her. She walked up to him, and embraced him in a hug.

“There, there boy. It will be alright.”

She patted his back and then whispered the final words.

“Your father is watching over you.”

She leaned back, and he looked into her eyes. Except now, they were not eyes, but rather black circles dancing with flames. She smiled again, this time an unnerving sight.

“My name is Alecto, child of the blue flame.”

She handed him a letter, written on thick parchment and sealed with wax in the image of a goat’s head.

“His advice for you, and a couple tips on who to go to, to help control your powers. Good luck, little cousin.”

You’ve spent your whole life despising your very existence, until finally you decide to end it. You stand at the edge of a train platform and prepare to step of when and old woman pulls you back and says…


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8 years ago

Fire, Death, Light, Dark. There are many such abilities beholden to the Awakened. Those powerful souls who can command a fundamental force of nature with their will alone. There are thousands of us, an underground society operating even to this day, under the guise of governmental organizations and secret agents. Some of us are hired guns, sought out to bring down oppressive regimes – at least on paper. Many hone their abilities through such work. Others try their hardest to help those who need it. Some of us, though, hunt down our fellows who break the laws of the Covenant, an ancient document made by the First Council of the Awakened, to bind us all and keep us secret. Those hunters are called the Vyadha

I’m one of the latter; day to day, I’m a private investigator in sunny Miami, but once in a while, a next-to-unused fax machine (which is unlisted and even unplugged) will spring to life and print out my next target. A picture, a name, and some basic information will be printed out and I’m to hunt them down, wherever they be, all costs assured. Who finds out what they did, who sends the commands, no one knows. It’s the job of the Vyadha to hunt them down, and to recruit other Awakened to serve as Vyadha; once they take the oath, they are bound to hunt down all who break the laws until they lay dying. Those who fail become the hunted.

It was one boring Tuesday in the middle of November when the fax machine did just what it does, printed out the face of an attractive twenty-something boy. Long, unkempt but clean blonde hair, blue eyes, a well-defined jawline, and dressed in some combination of black and leather. The name and aliases read as follows.

ALEKSANDER KUZNETSOV

“The Bright One, Sunspot, The Light of God”

Twenty-two, Russian origin, currently hiding out in Crimea. You know what to do.

I looked at his face again. I didn’t know him, but then again, I didn’t need to, to know what he was. I looked closely at his face, and I saw it in his eyes. He wasn’t just one of the hired soldiers, he was one of the “Razbudili Rebenka”, the child soldiers that saw use in the latter days of the Soviet Union, whose use continued into the late twentieth century by the disenfranchised pieces of the disbanded country. When their use became a risk to secrecy, they were killed by their handlers, soldiers who were unawakened. Even against the powers of nature, a single bullet can take our lives just as easily.

I’d guess he probably killed his handler. I wonder if he had even met one of his own kind. I wondered if it would have made a difference. Probably not; it was too late for him, regardless.

Getting up from my seat, I picked up my overcoat and put it on, looking in a mirror. An aged face looked back. I’d been at this for a long time. I was born in 1973, a child of a poor German-Jewish immigrant, whose parents had moved here to avoid the Nazis, and a black woman, and for the first fifteen years of my life I was happy enough. Then, they came.

The Erwechter Henker, a sect of Awakened Neonazis who sought to kill all awakened bloodlines from ‘lesser races’. They tracked down my father and struck. An awakened whose powers were to control fire burned our house down, killing my father, asleep in bed, my mother taking me and running outside. The awakened who had burned down the house was waiting outside with a group of unawakened. They took pleasure in beating me and my mother until I lay dying and my mother dead. That was when it happened, my powers awakened, the bloodline coming alive like fire devouring my blood.

My power is a rare one; the ability to affect matter with my mind. I can agitate it, move it, pressurize it, among other things. Within seconds I’d boiled the unawakened’s brains within their skulls, and shattered the bones in the awakened’s arms and legs. Unable to move, and therein unable to use his abilities, I took my pleasure slowly forcing all his blood into his head until it popped like an overripe cherry. I was sixteen years old.

I’m not ashamed of what I did that night; swearing to never let this kind of man do what he did ever again, I buried my family and left that night, to hunt down the rest of the Erwechter. Thanks to my efforts, their sect will never take root in America ever again. That took a decade and a half to do. By the end of it, I had burned every bridge in my life. I had no family; fascists had taken all that from me. It was then that he came to me, a Vyadha calling himself Jack the Reaper. His power, to control darkness, was used to hunt down Nazis across South America, to inspire terror in them before they died. He was near ninety when he came to me.

It was night, and I was drunk, aimlessly wandering around the streets in the dark, when he approached. He was dressed in a suit and overcoat, looking every bit the sophisticate. I looked like a vagrant, mostly because I was. I had no money, no goals – I had done everything I’d sought out to do.

“You are lost,” he spoke, his voice overlaid with a subtle German accent. “You are better than this, herr Abner.”

I looked at him closely, wondering if he was a spy of some sort. “Are you one of them?”

He shook his head at this. “Do not ever mistake me for one of those shizcoff.”

“Then who-“

“I am like you. I am Erwecht, Awakened,” he interrupted me. “I have spent my life hunting down the scum that have robbed us of our families, and I knew your grandfather and father before they came to America. I had heard he had a son.”

I nodded to this, it making sense even in my relatively inebriated state.

“He was a good man. I am sorry to hear what happened to him. I’m sorry that this is the fate that has befallen you; your vengeance was justified, but it should not have cost you the life you could have lived.”

I nodded again, accepting his statement. I’d have been lying if I had not thought the same thing, many times.

“I am here to offer you a chance at a new life; I am Vyadha, of the ancient order of hunters who destroy those who would break our laws. One such as the Erwechter Henker, and many such groups across the world. I have come to offer you the oath to join. It is a lifelong commitment, and should not be taken lightly.”

Here he paused, thinking for a moment. “I do not have much time left, myself. I have spent my years hunting much the same chaff as you, sending them to whatever awaits them. You can continue my work.”

From there, he handed me a piece of paper with a phone number on it, as well as a cell-phone, something somewhat rarer at the time.

I did not call right away. I continued to wander, the thought never leaving my mind.

But, one night, that changed. Two weeks later, I was taking the subway downtown, and came across a scene. Two muggers assaulting a black woman, calling her several slurs along the way. What charming fellows, with Celtic crosses and swastikas tattooed on their necks and the backs of their heads. I shouted at them, and one of them turned to me, drawing a gun. “What do you want, shitskin?” he asked, pointing the gun at my head.

“Leave her alone.” I stated, calmly. It wasn’t the first time a neonazi had pointed a gun at me. Wasn’t even the dozenth, or even the dozenth dozen.

He laughed, drawing back the hammer on the pistol. “Nah, I think I’ll kill you. Then-“ he gestured at the woman, “Me and my friend will do what we want to her.”

“No, I don’t think you will,” I said, this time cracking a smile.

“And why’s that, you n-“ he stopped as I broke his hand with my mind, dragging it down, and causing the gun to discharge into his foot. Screaming in pain, I picked him up by the throat with one hand, and threw him bodily into his friend. I nod with my head, indicating the woman to leave the station, as I did what I always do to Nazis. Leaving behind quite the gory mess, I pulled the phone out, and dialed the number. The voice on the other end was familiar. “Have you made your decision?”

Looking down at the corpses of my attempted murderers, I answered, “Yeah, I think I have.”

Two days later, I met him in central park. “I used my connections to get the investigations against you to stop,” said Jack, holding a lit cigarette. “Two men dead to gang-related activities, I am afraid.”

We both stop to laugh a little. “What do I need to do?”

He tossed me a silver knife and a piece of parchment with writing on it. “Cut your hand and say the words aloud. That is all that need be done.”

Drawing the blade across my hand, I read the paper.

“I swear on the Powers that Be to honor the first covenant, to hunt down the enemies of life itself, and to keep the secrets of the First Council. I swear this on my life, on the lives of my ancestors, and the power passed through blood. On this day, until my last day, I swear.”

I felt something change – like my awakening, but stronger. Pain, yes, but almost in a good way. Like a cleansing. “It is good to meet another Vyadha,” said Jack, “Welcome, brother Abner.”

That all seemed so long ago. Jack took me under his wing for a few years, introducing me to his contacts and other awakened, like us. But in 2006, at the age of 95, he died peacefully in his sleep, and I made sure he was buried with his dead family in Germany.

He left me a tidy sum, secret bank accounts holding liquid assets nearing a half a million dollars. Funds stolen from Nazis he had hunted.

Now, in the present, I boarded the first plane I could get to Ukraine, calling in favors from some of my contacts for information on the target. He was indeed of the Rebenka, and had indeed killed his handler. He was famous for his abilities, to channel light into his body and out through his hands. The effect could be anything from creating fire to blowing apart a building, depending on the strength of the light and his own desires.

I rued the fact that Jack had died so long ago, his ability to extinguish light would have come in handy in this venture. But, there are other ways to handle this.

Arriving in Ukraine, I was met by one of my contacts, an elderly woman who had lived through worse regimes than the modern Russians and had been a friend to Jack. She brought me to her son, a mechanic who had helped me and Jack in the past. War-torn countries are often havens for Awakened seeking to escape world governments. He gave me a vehicle, I took out a fake passport – one that claimed I was a reporter from the states – and set out for Crimea.

Within a day’s drive, I was in Crimea, and trying to figure out where Aleksander was. I hoped he’d been making a scene, but, as I knew was likely, he’d gone underground. It took a week of searching before I even heard of someone matching his description.

He’d fallen in with a gang in Sevastopol, who had protected him in exchange for his services as a ‘peacekeeper’, an enforcer who hunted down rival gangs. I tracked him to a club, called P’yana Svolota, and kept a close eye on the door, before following him into the club, wearing a thick hood and gloves. A black man in Crimea would stand out like a sore thumb. And there he was – dressed in the leather he seemed to like so much, attempting to woo a dancer – and by woo, I mean he was snorting coke out of her bra. He was laughing and chatting up a couple of suspicious-looking gents in suits in Russian. I couldn’t make a scene, killing him here. I’d probably kill him before he could do anything, but I’d most likely get shot for my trouble. I listened to their conversation.

“I want my salary doubled,” he said, sniffling a little.

“You’re already the highest-paid employer in our service,” said one of the men in suits. “We can’t justify paying you more – despite your valued service.”

Laughing, Aleksander brushed his blonde hair away from his face, and began again, “I don’t think you understand, I’m not asking – I’m telling you what I want, and you give it to me, or I drop more bodies than just your enemies.”

“The boss will hear about this,” said the other man, “You can’t just go making threats like this –“

“I can and I will, you mat’ shlyukhoy,”

The two men in suits stood up and walked out, and I watched as he pushed the dancer away roughly and got up, going to the bathroom. I followed.

Inside the dingy, graffiti-laden bathroom, I stood a couple urinals away from him and when he went to wash his hands at the pair of sinks, and I joined him at the other.

“Hey, man,” I said in English.

“What do you want?” he responded in an accent-laden English.

I turned to him and used my powers to throw him into the wall.

“Sukin syn!” he exclaimed, followed by a stream of likewise vulgar slurs.

Aiming a hand towards me, I dodged out of the way as a burst of flame went from his hand to the far wall, nearly taking me out. Using my abilities, I pinned his arms against the wall, and he responded by shooting light out of every bare bit of skin he had – brighter than a flashbang. Losing my concentration, he dropped to the floor, diving towards me while I was blinded. Recovering quickly, I used my abilities to turn off the lights in the room.

Remembering what Jack had taught me about fighting in the dark. Guard on all sides. Use your other senses, he had told me, be prepared for a strike from any side, but if both you and your opponent are on equal footing, make sure to face wherever they are coming from.

I drew from my pocket a switchblade that I had bought on the trip here, knowing telekinesis would be less than useless without my sight to guide it. I heard his footsteps as he ran towards me, and threw myself forward in a tackle.

Unfortunately, I dropped my knife. We grappled on the floor, and I heard sounds from outside, shouting. As I pinned Aleksander, the door slammed open, spilling light into the room. I rolled off of Aleksander as he blasted a beam of light from his bare hands, at what would have been me, but striking the ceiling. Finding the knife, I crouched as he rolled backwards, throwing himself forward into a standing position. Firing blast after blast at me as I dodged as fast as I could, I got closer and closer to him. A blast grazed my arm, melting cloth and burning flesh, painful but survivable.

Finally, I stabbed the knife through his right hand, causing him to scream in pain. Though he was trained in hand-to-hand, he was mostly a ranged opponent and was unused to physical pain in combat. Pulling the knife out quickly as he tried to blast me again, I drove the knife home, slicing through leather and into his right lung. A scream becoming a gurgling gasp as the lung collapsed, I knocked him off his feet, and finished the job, slicing across his throat. I turned and saw the man standing in the doorway, trying to draw his gun, but it was already too late. I threw him out of the doorway with my mind, ran outside and got back into my loaned truck, and drove.

It took me a week, three cars and a couple thousand dollars, but I made it back to the States, and to my house. Taking a beer from the fridge, I relaxed into my chair, and turned on the television. A rerun of Friends was playing. Taking a sip, I closed my eyes and let out a groan. My bandaged arm still hurt like hell. Then, the fax machine in the corner began to beep and print again.

There are many types of Mages in the world. Fire, Ice, Wind, Water, Death, Darkness, to name a few. But in this world, every type of mage is treated as equal. Everyone can be a good guy, no matter how dark your power. And anyone could be a bad guy, no matter how beautiful their ability…


Tags
2 years ago

If your plot feels flat, STUDY it! Your story might be lacking...

Stakes - What would happen if the protagonist failed? Would it really be such a bad thing if it happened?

Thematic relevance - Do the events of the story speak to a greater emotional or moral message? Is the conflict resolved in a way that befits the theme?

Urgency - How much time does the protagonist have to complete their goal? Are there multiple factors complicating the situation?

Drive - What motivates the protagonist? Are they an active player in the story, or are they repeatedly getting pushed around by external forces? Could you swap them out for a different character with no impact on the plot? On the flip side, do the other characters have sensible motivations of their own?

Yield - Is there foreshadowing? Do the protagonist's choices have unforeseen consequences down the road? Do they use knowledge or clues from the beginning, to help them in the end? Do they learn things about the other characters that weren't immediately obvious?

4 months ago

oooh have you ever done a post about the ridiculous mandatory twist endings in old sci-fi and horror comics? Like when the guy at the end would be like "I saved the Earth from Martians because I am in fact a Vensuvian who has sworn to protect our sister planet!" with no build up whatsoever.

Oooh Have You Ever Done A Post About The Ridiculous Mandatory Twist Endings In Old Sci-fi And Horror

Yeah, that is a good question - why do some scifi twist endings fail?

As a teenager obsessed with Rod Serling and the Twilight Zone, I bought every single one of Rod Serling’s guides to writing. I wanted to know what he knew.

The reason that Rod Serling’s twist endings work is because they “answer the question” that the story raised in the first place. They are connected to the very clear reason to even tell the story at all. Rod’s story structures were all about starting off with a question, the way he did in his script for Planet of the Apes (yes, Rod Serling wrote the script for Planet of the Apes, which makes sense, since it feels like a Twilight Zone episode): “is mankind inherently violent and self-destructive?” The plot of Planet of the Apes argues the point back and forth, and finally, we get an answer to the question: the Planet of the Apes was earth, after we destroyed ourselves. The reason the ending has “oomph” is because it answers the question that the story asked. 

Oooh Have You Ever Done A Post About The Ridiculous Mandatory Twist Endings In Old Sci-fi And Horror

My friend and fellow Rod Serling fan Brian McDonald wrote an article about this where he explains everything beautifully. Check it out. His articles are all worth reading and he’s one of the most intelligent guys I’ve run into if you want to know how to be a better writer.

According to Rod Serling, every story has three parts: proposal, argument, and conclusion. Proposal is where you express the idea the story will go over, like, “are humans violent and self destructive?” Argument is where the characters go back and forth on this, and conclusion is where you answer the question the story raised in a definitive and clear fashion. 

Oooh Have You Ever Done A Post About The Ridiculous Mandatory Twist Endings In Old Sci-fi And Horror

The reason that a lot of twist endings like those of M. Night Shyamalan’s and a lot of the 1950s horror comics fail is that they’re just a thing that happens instead of being connected to the theme of the story. 

One of the most effective and memorable “final panels” in old scifi comics is EC Comics’ “Judgment Day,” where an astronaut from an enlightened earth visits a backward planet divided between orange and blue robots, where one group has more rights than the other. The point of the story is “is prejudice permanent, and will things ever get better?” And in the final panel, the astronaut from earth takes his helmet off and reveals he is a black man, answering the question the story raised. 

Oooh Have You Ever Done A Post About The Ridiculous Mandatory Twist Endings In Old Sci-fi And Horror
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ican-writethings - I Can Write Things
I Can Write Things

This blog is for short stories I write based on prompts, sometimes as little as one or two words. Feel free to send prompts, I'm always looking for inspiration. No guarantee I'll update regularly. My most-used blog is @sarcasticcollegestudent. I'll reblog a couple prompts from there.

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