Okay, the ending of Fiona and Cake was cute and all, but how the hell are the citizens of the real world Ooo gonna react when they see a show other than Cheers playing on their TV's ?!
Like, imagine waking up, constantly just watching Cheers, and then you hear the damn Law and Order intro for the first time. Like yeah, beating Scarab, and not dying horribly and painfully was cool and all, but I'm more psyched about the new cable channels.
I think this is a really valid criticism, OP! Though, maybe I'm just optimistic, but I actually took the ending in a different way. I do agree with you that a lot of these mutliverse shows and movies lately have had that pattern of, "lmao get good loser", in response to valid issues, which is absolutely infurating to see. It feels demeaning, handwavy, and just overall frustrating!
But to me, I think the story of FC was about stagnation vs. growth; and about how wish fufillment isn't quite the way to achieve life of your dreams. Both Simon's and Fiona's stories are about acceptance about the shitty aspects of their lives, but more specifically, they're about how that acceptance begins to pave the way towards joy. At first it seems like it's the same message, but when you look a little deeper, it takes on a different form. Especially once you take in GolBetty and the Lich into account.
Fiona wants nothing more than to live in a magical world, one where she doesn't have to deal with the infurating nature of modern life. But once she goes on her big ol' magical, life changing adventure, she realizes that the world she holds dear is special in its own right. Her joy doesn't come immediately. She definitely seems happier after seeing Gary and Marshall together and not trying to kill eachother- but I think her true development comes from her being able to finally fulfill her dreams; and then being given a purpose: to rebuild their world and town. Sure, it's a lot of responsibility, but she's Fiona!!! I don't think this girl will ever go back to a traditional 9-5 ever again. She's their world's hero now.
Simon, on the other hand, is a bit slower to change. Yet again, though, his story is less about acceptance and more about ingenuity. As much as I hate to say it, because Finn is in no way a "mental health king", I think he was on the right path when tried to take Simon on an adventure to make him feel better. What Simon needed more than anything was to know that he was still needed. That he still mattered. Even though he felt alienated, like an artifact in a museum, he still had a point to be on that shelf. What Finn screwed up, though, was how he went about it. Simon could've gotten through this period by just talking to Marcy and being honest, but he's far too scared of letting her see him that unstable again. But once he's able to talk to Fiona about it, and see for a fact, that his actions mattered: that the simple act of caring for Marcline kept the Vampires from taking over Ooo- he begins to develop.
Again, although his final development wasn't shown until the montage, I think that's simply because we haven't seen the last of Simon. Or Fiona, for that matter. They aren't being told to accept the fact that they have nothing to live for, but to find it.
It's a story about how wish fulfillment doesn't always work out for the best and that sometimes, the true slice of heaven that you've been craving was just a world where you felt like you had a place. It's one where even a god who can make all your wishes come true can end up depriving you of a purpose once it's achieved. It's one about how dreams come true in stranger ways, like Scarab becoming Prismo's apprentice and being given the chance to make his own worlds, too. It's one where even when given the chance to imagine a new reality with your lover, you know it's time to accept the one you have for what it is.
Still, absolutely valid analysis, this was just my take! :D
A lot of things were fine. Good even. this isn’t about something as simple as “Simon didn’t end up with Betty 😡” because frankly I didn’t ever see that happening. No, it’s about this wishy-washy message I keep seeing in all this multiverse media. Tell me if this one sounds familiar: our heroes are unhappy with some aspect of their lives, like maybe they’re struggling to get by due to bad finances. then they go on some zany, multiverse-spanning adventure where they eventually learn that their universe is just fine!!! and that they’ve got to make the most of it!! (Also usually the big problem is cheaply resolved, like it never even mattered.)
and frankly, this style of story, which we keep fucking seeing, is starting to sound a hell of a lot like “suck it up, buttercup! if you wanted a good life you should have tried harder. have you ever considered getting out of your own way?”
you see this in EEAAO of course. “oh is the world too financially cruel? is your mom homophobic? well have you ever considered just asking nicely about both of those things, you dummy?” And honestly in a lot of ways the ending of Fionna and Cake is even worse. Why should Simon be happy with his shitty job at the fucking human zoo? Why should Fionna be happy with working a shitty job her entire life?
and then you think about who’s actually writing and directing our oh-so-uplifting multiverse stories and it’s like. oh yeah. millionaires. successful people. who actually got what they wanted out of life. they’re not saying *they* should be happy with nothing, no no no. they’re part of the *special people* who get to dream. *you’re* the one who should be satisfied with nothing. and let’s take it even further why not. how many of these successful types even deserve it? how many of them even make beautiful things? not a lot!!
personally, being told by someone who’s living their dream that I should just be happy being a little scrap of nothing makes me want to burn down the whole world. and I would have at least preferred at least a drop of that catharsis in the ending of Fionna and Cake
y'all know what time it is!!!! twitter doodle crosspost to tumblr. for context of the last image: someone over on twitter posted a headcanon that bobby fulbright and sebastian debeste were brothers, and i couldn't help but draw it
cruelty is so easy. youre not special for choosing it
I desperately wanna be serious about this and write up a whole analysis on the nature of toxic relationships and love since, yknow, this is such a beautiful work of art. Everything from the angle of the shots to the color of the text and the poems chosen - it's brilliant. Not to mention the whole amazing digital exhibit online of poetic code. I'd say give it a shot, snoop around the site if you have the time. biennale.py is another interesting piece!
But... Okay, I'm ngl, my first thought was: "oh god, they gave the robots std's". Like can you imagine trying to explain this to an AI? Just. Oh yeah, we used to make art of you guys destroying each other. All I can think about now is that! I feel like if there's ever a robot/AI takeover, whoever gave an old brick computer STDS (Sneha Solanki) is going to be the first to go. Beautiful art, but oh my god. 💀
Sneha Solanki ‘The Lovers’
Two networked machines, one infected with a virus, slowly infects the other through the interface of classic romantic poetry.
A breakdown in the relationship was inevitable once the virus had seeped into the memory of one machine and then into the other through a singular network cable affecting the poetic text files. Communication between the two deteriorated, leading to irrational & at times odd behaviour. Each machine reacted with equal confusion and conflict. The interface text became an illegible poetic mutation of itself.
i always thought of you as made of moonlight because of that first night…
✿ so i am a complete vanderwood trashpit, and this is my attempt to write a detailed fan-route about our favorite confused spy. if you enjoy my work and want a vanderwood route as desperately as I do, please feel free to sell your soul to cheritz in the interests of giving our leopard-print love a little more limelight.
In celebration of 1,000 followers and 100 posts… on with the show!
W A R N I N G
This is not spoiler free, and it assumes that you have played - or are at least aware of - many elements of 707′s route.
There are some mentions of suicide, abusive childhoods, and other potentially triggering topics in this route. They are not described in depth though. If you can handle the game, you can probable handle this.
General Notes
After completing 707′s route, new options will be unlocked in the deep route prologue that allow dark purple hearts to be gained. Accumulation of enough of these hearts will, much like all the other routes, cause the player to get Vanderwood’s Route on Day 5.
Calling and texting Vanderwood will not be available from the beginning of the route, but after a certain point it will be unlocked.
In the interests of making this accessible, I use ‘they’ for Vanderwood. Please, feel free to insert whatever headcanoned pronoun and gender identity you wish for them.
I have also done a little work to create a more detailed backstory for them. It felt necessary, since we know so little about them in comparison to the others. I hope this only enhances your enjoyment!
D1 - D4
The new options in the deep route initially seem to focus on 707. Much like accessing his route, you joke around with him, but the topics focus more on embellished stories from his secret agent life and his relationship to his “maid”, Mary Vanderwood the III.
This gives the player a lot of background into 707′s life as a secret agent, providing more stories like the potato chip incident. All of them are told humorously, of course. Through them, the chat begins to get a sense that Mary Vanderwood the III is actually a dear friend to Seven, who has saved his life on multiple occasions and whose life has been saved by him in return. However, Seven does not admit this, instead saying that they simply work in the same spaces, and ‘their relationship does not go beyond maid and master.’
The good options include asking about Vanderwood’s habits, hobbies, and personality, and also telling Seven that Vanderwood sounds like a very loyal friend who will go out of their way to take care of him. The other members will agree with this - (particularly Jaehee and Yoosung) - saying that Vanderwood goes above-and-beyond what would be expected for a ‘maid’, given they help him with his work, bring him tea and coffee when he’s having a hard time, and they’ve put themselves in significant danger to ensure his safety.
MC: Wow… It sounds like she really cares for you! (+1 Dark Purple Heart)
Zen: Yeah! She’s totally in love with you! I’m so jealous!!!
707: i guess we know that Zen’s into maids lololol
On Day 3, if you select an option that gets 707 to talk more about Vanderwood, he’ll send one of the first Vanderwood CGs - a picture of 707 cross-dressing accompanied by Vanderwood in a suit. It’s a surprise selfie taken by 707, and Vanderwood clearly doesn’t look happy about it.
(Seven says that the person in a dress is Vanderwood, and Zen predictably believes him.)
Seven is veeeery slowly starting to accept that Vanderwood is actually his friend by the evening of the fourth day, and he’s becoming extremely comforting pal-ing around with MC. In Vanderwood’s route, Seven is basically your bestie.
The route proper is underneath the read more due to length!
Keep reading
the doctor says three sips a day will make the visions go away
really weird that I think this is my first time drawing gravity falls fan art
"I’m thinking of moving."