been watching my friend play hades
List of “angry confession” prompts
“Since when did you ever care about me?!” “Since fucking forever, you idiotic dunce!”
“I can’t leave you alone for one second without you hurting yourself, can I?” “I mean, I’m fine so it’s okay—” “No, it’s not okay. Not when I feel like I’m going to go batshit fucking crazy, thinking you’ve hurt yourself.“
“Well, I’m sorry I fell in love with you, okay? But it happened and I can’t do shit about it.” “You… What?”
“You think I wanted this to happen? You think I, of all people, wanted to fall in love with you?”
“Trust me, I’m also trying to understand how in the shit this happened.”
“…This is why I knew I shouldn’t have gotten close to you.”
“I’m going to need you to stop for one second because I just find it so incredibly rude that you think I’m not head over heels in love with your stupid, oblivious ass. Are you a brick? Because you’re dense as fuck.”
“Tell me how I’m supposed to un-love you, then. Tell me. Spare me.”
“Yeah, well, if I could, I’d lose feelings for you. But it’s not that easy. It’s not that easy to just let go of someone you’ve held onto for so fucking long.”
“What part of ‘I want you, and only you’ do you not understand?”
You are my sweetest downfall
…
My art for the Timeless: 2024 ranwan calender zine on Twitter
i made a huge mahoyaku guide/infodump for anyone who wants to get into it but doesn't know where to start!! :3 i explained most of the character's backstories and stuff as well.. feel free to share if you want.. (this was written around the beginning of ms2 ch10 coming out) (also check out healingbonds for story translations!)
more under the cut ⬇ :)
northern country 💜
central country 💛
eastern country 💙
western country 💗
southern country 💚
and some extra stuff !!
i should draw kaoru more
the girls are fighting!!!!!
Pacing Through Sentence Length in Writing
You ever notice how a scene can feel like it’s dragging or speeding up based solely on the length of the sentences? Sentence length isn't just a technical detail—it’s a pacing tool. When used right, it can control the speed and tension of your story. Here’s how:
Short Sentences = Speed, Tension, Impact
Short, snappy sentences are like quick breaths, instantly pulling the reader’s attention. They mimic fast action, nervous energy, or urgent thoughts. They create momentum. Think of action scenes or emotional moments—often, less is more.
Example: The door slammed shut. His heart raced. She was gone.
In just three sentences, you feel the urgency, the chaos, and the emotional weight of the moment. It’s all about breaking up the narrative with these quick hits to keep the reader on edge.
Long Sentences = Build-up, Reflection, Depth
On the flip side, long sentences slow things down, adding complexity, reflection, or tension. They’re great for moments of introspection, world-building, or setting a scene in rich detail. These sentences create a flow, pulling the reader into the character’s headspace or the atmosphere of the moment.
Example: The wind howled through the narrow alley, carrying the distant sounds of a city that never seemed to sleep, never seemed to rest, and in that eternal hum, he wondered, not for the first time, if he would ever find peace here or if, like everyone else who tried to escape the shadows, he would simply become another part of the city’s endless noise.
Here, the length of the sentence mimics the complexity of the thoughts—heavy, reflective, almost hypnotic. It builds tension not with action but with an overwhelming feeling of being stuck or trapped in thought.
Combining Both = Dynamic Flow
The real magic happens when you mix short and long sentences. This creates a rhythm—suddenly, a break in the flow, a quick shock, and then back to a longer, more drawn-out moment. It reflects real life: quick bursts of action or emotion followed by moments of pause or thought.
Example: He reached for the door. It was locked. His heart pounded, each beat a reminder of how badly he needed this. There were no other options. There was no way out. The key could be anywhere. And he could not afford to wait any longer.
Long sentences = build tension, create depth, set mood. Short sentences = ramp up urgency, show action, make an impact. Mastering this flow is a game-changer for pacing!
"Have you forgotten already who I am?"
Granny is a crazy:B fan!
The prince and his Physician. A role-reversal au based on a dream I had that I wanted to draw something for. More ramblings under the cut
In this au, there is a kingdom of men where the briar valley once stood. Silver, the heir to this kingdom, has been the only member of the royal family for centuries, the result of a curse that causes him to die before he's old enough to ascend to the throne and reincarnate days after his passing. Silver's immortality was once a symbols for the kingdom's permanence, but the repeated death of their monarch every two decades or so has left the citizens with perpetual, generational sorrow with seemingly no solution as no one besides Silver was alive when the curse was placed.
A few centuries after Silver was born and it was believed the last full-blooded fae in briar valley had either abandoned the land or died, a draconian fae child is found in the brambles. This fae, given the name Malleus, was brought to the kingdom at the request if the prince and raised as part of the royal court with the express purpose of becoming the royal physician/chemist. It is believed that Silver's curse, as everlasting as it seems, was placed on him by a fae with extreme magical prowess and if anyone has a chance of breaking it, it's another fae. The kingdom believes that Malleus will be able to break the death curse and allow Silver to become their immortal king.
However, Silver has other plans for his chemist. From an early age, Silver requested that Malleus use his talents to find a different kind of solution to his curse that he can never tell anyone. He wants Malleus to find a way to stop his reincarnations entirely and let him unburden his people with the monarchy. Whether to fulfill the request of the kingdom he calls home, or the prince that took him in is in Malleus' hands.
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