Not telling your kid they have a learning disability, chronic illness, mental illness etc. so they can “feel normal” actually does the opposite. They will not feel normal if they do not have the context to understand that their normal will be different from that of their peers.
Everyone say "Thank you!" to Georgina Leahy, the voice actor who brought to life Stella, this horrible lady-demon-bird-thing whom it feels so good to hate!
Anyone can chew scenery, but to really make a character feel odious in a way that makes it feel cathartic to hate them… that takes talent and hard work.
And the way Leahy voices Stella just a little lower and hoarser than her natural voice… that isn't something you can do all day without risking permanent consequences.
~@~
Let's also remember to thank Jason LaShea, the voice actor who brought to life Andreaplhus, the most punchable conniving bastard in web animation!
Sneering isn't a talent, but building a lawful evil antagonist with just the right balance of arrogance and sliminess, while matching the physical appearance and mannerisms of an animated character, is very much a talent, and also requires a lot of hard work!
So, as we wait for Season 3 and dream of wringing these characters' scrawny little bird necks, let's remember to show some love for the humans behind our villains, yeah?
(This is a story concept for an episode of an ensemble-cast TV show, or maybe a webcomic or something. @homunculus-argument posted a story concept back in October that reminded me of it, but I decided not to put this on a reblog of that, because really, the only similarity is vibes.)
The story arc revolves around two characters: one is relatively new to the story's Found Family, and absolutely loves Christmas, or at least believes in spending "the Holidays" with people one loves. It helps if they're also either cheerful, a bit pushy, or both. I'll call this character "Willy."
The other character, for self-care reasons, always spends Christmas alone. By their own deliberate choice. For them, being alone at Christmastime is their way of celebrating their escape from their abusive family, or from some other tragic backstory that makes Christmas traditions especially distasteful or triggering. It helps if this is also a fairly introverted or pessimistic character. I'll call this second character "Wonty."
This is Willy's first or second Christmas with the Found Family, and Willy's excited about it, but they also learn that Wonty always chooses to spend Christmas alone. Willy sees this as tragic and concerning, and decides that Wonty needs their sympathy, company, and guidance. Either the rest of the group doesn't realize what Willy is planning to do, or Willy doesn't listen to or believe the others.
Willy prepares a quiet, low-key Christmas experience just for Wonty, designed to "fix" Wonty's attitude toward Christmas, then invites themself over to Wonty's home. You see, Willy doesn't understand that Wonty is enjoying spending Christmas alone. That possibility hasn't even occurred to Willy. In Willy's mind, they are making a noble sacrifice by skipping the Found Family's Christmas party, and instead trying to bring Wonty around to the joy of Christmas.
Wonty, answering their door, declines to invite Willy in. Wonty explains that they prefer to spend Christmas alone, celebrating their safety and independence. Willy brushes this off, and insists on being invited in, insists that Wonty needs this, until finally Wonty relents and decides to try and get this over with.
As Willy practices Christmas upon Wonty (if the narrative is set in modern North America, I like the idea that watching "Die Hard" together is Willy's plan), Wonty just gets more and more miserable every moment. Willy can see this, and gets more and more anxious and desperate to cheer Wonty up and change Wonty's mind.
Eventually, out of frustration and confusion, Willy does something that's inappropriate, something that crosses a boundary of some sort, just to try and reach Wonty in Wonty's deepening funk. This leads to a moment in which both characters are shocked by what just happened, then Wonty firmly asks Willy to leave. This bit probably depends a lot on how the actual characters would navigate this situation, but Willy does leave, whether immediately or after trying to salvage their plan.
Afterward, Willy ends up at the Found Family's annual Christmas party. Willy has themself a pity party over what happened, and expresses deep concern over Wonty's lack of Christmas spirit. The rest of the Found Family, or perhaps just a Heart or surrogate parent character, explains the details of Wonty's tragic backstory and reasons for isolating themself from Christmas celebrations, and lays down some home truths for Willy about boundaries and respecting differences. Some people just aren't going to see the world the way we do, and that's okay, and worth respecting.
There's no real reason Willy can't figure out some of the above paragraph on their own, except the concept has to come through to the audience somehow. Also, Willy now realizes that Wonty did try to explain all of this, but they steamrolled Wonty and didn't listen. Willy spends the rest of the evening processing all of this.
The next time Willy meets Wonty at their shared experience, or some other place Willy can approach Wonty in public, Willy presents Wonty with a thoughtfully-chosen peace offering, something they've found out, after some effort, that Wonty will genuinely enjoy. Willy apologizes honestly to Wonty and acknowledges what they did, promising never to visit them on Christmas or try to "fix" them, ever again. Wonty points out that the honest apology and clear contrition make a great deal of difference, and forgives Willy.
Hooray, everyone is okay again, and we grew in the process! The end.
Brave Exkaiser 勇者エクスカイザー (1990 – 1991) "There’s a Lot of Santas" dir. Shinji Takamatsu
nosferatu? non. VOSferatu. c'est pas mon problème
if i had a time machine and i wanted to absolutely destroy an ancient emperor or king, i would take them to the shark tunnel of an aquarium. giving them an ozymandias view of their legacy would do nothing, they can see that all empires rot just by looking around them. but the shark tunnel of an aquarium is something they haven’t seen before, something no one has seen before, something magnificent that they could build with technology only slightly out of their reach. they would bankrupt their nation trying to recreate that shark tunnel for themself. their dynasty would collapse within three generations, and, if heaven is on my side, they themself will be eaten by a shark to the delight of generations of historians to come
Offbeat TTRPG adventure arc:
An adventurer NPC, who is known far and wide as an incorrigible chaos gremlin, has obtained a Ring of Wishing, and nobody in the known world trusts them with it. The players' heroes are just some of many people who are trying to stop this person and get the Ring of Wishing away from them before they blows up the entire world with it.
Spoken like a true self-proclaimed "visionary intuitive CEO" and former Stanford dropout
“Don’t let people with little dreams tell you that yours are too big.”
— Unknown
Which type of "what the fuck" monster do you prefer, the lovecraft "I cannot comprehend this as that's terrifying", or the "I can comprehend this and I wish I didn't"?
I'm quite fond of "I thought I could comprehend this but I've just been struck by some Implications and now I'm afraid to comprehend any further"
I have thousands of shitposts, rants, and essays sitting in notebooks, left over from decades of not using social media or having many friends. Hold on tight.
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