Never Confuse The Fifth International With The Third Lateran.

Begging the void I'm shouting into, to post pictures of lizards and reptiles edited to have external ears.

Worst kind of ears only, please

YOU are the Snowflake of whom the Prophecies foretold!

Cracktheories About the Vanessaverse

Last year, @strange-aeons released a YouTube video about what she calls the Vanessaverse: the seemingly half-intentional alternate reality in which Netflix's Vanessa Hudgens Christmas movies are set. It is a deeply hilarious and fascinating video and you should watch it, if for no other reason that this long post will not make much sense otherwise.

Because, you see, I've been crack-theorizing about the Vanessaverse, and what I've come up with feels sound enough to share, at least on Tumblr.

I have two separate cracktheories, so let's establish some terminology and some common elements, first.

The Vanessaverse differs from our own in that much of Eastern Europe is controlled by an incredibly powerful, reality-warping entity that I call the Eldritch Master of Secular Christmas, or EMOSC for short. Who or what this entity is, and what its purpose is, differs between cracktheories. I call EMOSC's domain the Christmas Realm.

The Christmas Realm extends across southeastern Europe and possibly parts of western Asia. Outside this area, EMOSC's power to warp reality is severely limited. This is why Scotland and the US are (relatively) similar to the way they are in the real world. Montenero is a special case, it seems: an independent country on the fringe of EMOSC's influence, highly analogous to real-life Montenegro, and the location of choice for diplomats from the Vatican, or the rest of the world, to interact with EMOSC.

Native subjects of the Christmas Realm, however, and those around them, may be influenced by EMOSC wherever they are. This is one explanation for why seemingly unaffiliated protagonists and other characters wind up experiencing effects and narratives that should only occur within the Christmas Realm (but that commonly occur in highly sentimental straight-to-video movies). It's possible that EMOSC is able to psychically influence people whose ancestors came from the Christmas Realm, and those close to them.

So much for commonality. Let's get into the individual cracktheories about what's actually going on in these narratives.

Cracktheory 1: The characters of the Gaffer and the Crone are both aspects of the Eldritch Master of Secular Christmas, which manipulates its subjects according to strange and inscrutable whims, mostly revolving around matchmaking and the concept of secularized Christmas. Within the Christmas Realm, it is considered taboo to speak of Them or Their powers. Instead, one should pretend that events are entirely ordinary. It's possible that the Gaffer and the Crone are able to alter people's perceptions, so that they don't notice any contradictions. The latter would explain how the Gaffer and the Crone are able to create bizarre secular-Christmas situations ouside the Christmas Realm.

This version of EMOSC is fairly benign, actually, at least as far as we know. It seems to be managing Its own affairs, for the most part, occasionally calling a child of former subjects home, but little more. It seems to just like to mash the action figures together and make everything Christmassy.

In this theory, the self-referential Netflix Christmas movies are "based on a true story" or actually dramatized documentaries of some kind, made for an audience interested in EMOSC, but they respectfully obey the Christmas Realm's taboo and pretend EMOSC doesn't exist.

Cracktheory 2: EMOSC is, in fact, Vanessa Hudgens: a vast polydimensional, chrono-dynamic entity that can manifest a possibly infinite number of avatars of itself into multiple timelines broadly similar to our own. This is a more malevolent EMOSC, obsessed with stage-managing complex, WandaVision-like scenarios for its avatars and whoever catches its attention. It is even able to manifest avatars outside the Christmas Realm, although sometimes they end up looking a little less like EMOSC's chosen appearance as a human. The power and selfishness this implies makes this version of EMOSC seem like an incredibly dangerous entity to cross.

In this theory, the Gaffer and the Crone are avatars of a far older and more benevolent polydimensional entity, that is trying to contain Vanessa Hudgens and limit the damage It can cause to the Multiverse. This entity can't face EMOSC direcly, and has to resort to subterfuge and redirection in order to keep itself safe while still mitigating EMOSC's machinations. It seems to only be able to manifest one avatar at a time, although understanding how these entities interact with linear time is difficult for baseline humans.

Also in this theory, the self-referential Netflix Christmas movies are produced directly by EMOSC Itself, in furtherance of Its goals. They may actually have some sort of esoteric effect on baseline humans, but are also useful in reinforcing core Vanessa Hudgens characteristics on avatars that may be diverging from EMOSC's consciousness. It's also highly likely that they are EMOSC's way of creating an audience for the scenarios It likes to act out.

What are YOUR theories about the Vanessaverse?

The OP demonstrates something I've been noticing: our society treats homeless people as casteless unpersons.

Without even realizing it, we automatically categorize anyone who seems to be living on the street as an undesirable thing, best neither seen nor heard, and taboo to interact with.

Increasingly, this is how government and law enforcement are treating them.

Until we change our society's attitude towards homelessness, until a person's living arrangements are no longer seen as a reflection of their character or nature, the only change we can accomplish will be palliative.

"AnechoicMedia" deserves a good blog-lashing from @cavegirlpoems.

Sveaborg (1844) by Ivan Aivazovsky

@is-it-a-man

I swear to god one of these days were going to see a video of Amaury Guichon and he's going to be making some wings and they are going to look dope as hell, the detail of each feather will be breathtaking, he'll spray paint them to perfection, but as the video goes on, he's not building any sort of winged creature, just the wings. And then there's a human-sized harness (also made of chocolate, somehow, he can do it). And he's attaching the wings to the harness. And he's putting the harness on and he demonstrates how he can flap the wings. And then he'll be off. Out the window and up and up and up. And we'll be looking at the livestream (it's a livestream now) and we'll scream "No, Amaury, the sun! It's going to melt the wings!". But he knows this already. And he is free.

best trope is when the Really Important Character falls to pieces when they try to do a regular task. she’s the Slayer of Nine Worlds, Mistress of Darkness, Daughter of the Blade of Heaven but she can’t tie her shoelaces. he is the only one who can wield the Sword of Time but he’s useless at starting a fire. they’re the most powerful mage in six generations but they’ve been reading the map upside down the whole time. god’s specialest little guys

There's at least as much Hermetic and/or Merkabah imagery in Evangelion as Christian imagery, if not more.

Note that this does NOT say, "If a person cares about you, they will drop whatever they're doing, RIGHT NOW, and rush to your side for any reason you deem sufficiently important, and if they don't, then they don't care about you at all."

“No matter how busy a person is, if they care, they’ll find time for you.”

— Unknown

"...but, hey, I'm pretty happy with this one."

As you should be!

Modern Monsters 9: Lesser Dragon (Dragonet)

The modern world has very little space for giant monsters to roam the land.

If any of the large sapient lizards - the greater elemental dragons, fire and ice drakes, wyverns, wyrms, or any others you can think of - still live today, they certainly don’t venture far from their inhospitable hiding places. Human settlements have encroached too far into the wild edges of the lands. Even the skies and seas are not entirely untouched.

However, just as the more widely-known living fossils like coelacanths and tuataras continue to survive, if one knows where to look, there still remain small populations of dragonets scattered across the globe. They have adapted through necessity to living on the quieter edges where human influence, though undeniably present, begins to fade into wilderness.

Like their larger relatives, these small creatures are sapient and have some influence over the elements. However, these lesser dragons branched off quite some time ago from their more powerful and more intelligent giant cousins. Even the most unusually large dragonets are no bigger than a small domestic cat.

Consequently, their abilities don’t quite match up to dragons of medieval lore.

Dragonets have a level of intelligence roughly equivalent to a young human child.

They understand human languages well but may struggle to articulate themselves fully, given that inter-dragonet communication uses an intricate combination of scents, pheromones, scale colour changes, and elemental flares such as barely detectable atmospheric pressure changes alongside any vocalisations. As a result, they only have so much patience left for polishing up their grammar.

It’s really anyone’s guess whether it’s the brain equivalence to a small child or the genetic link to greater dragons that makes them so temperamental and so keen to hoard shiny things for themselves.

The different populations of dragonets have started diverging into subspecies at this point, with different types showing different elemental affinities.

The pictured specimen’s tendency to leave trails of frost lacing from its path may seem to imply that this type throw ice magic out into their environment, maybe because they love the cold. The fact of the matter is, the opposite is true - they just like to keep warm, and their bodies absorb heat from around them to such an extreme degree that they drop the temperature of everything around them. They are far less snappy and more energetic in the summer when their bodies don’t have to work so hard to maintain their preferred high core temperature.

More than one shrewd hedgewitch has picked up on this, over the years.

The promise of a warm fireside for the winter, along with all the cat food pouches they can eat, has been quite effective in convincing frost dragonets to form a partnership of sorts.

They still need to be treated with respect, and they must have free access to the outdoors, of course; draconians of any size cannot tolerate captivity. However, they can bond with the right sort of humans, and those that do so quickly learn that they rather enjoy a ride in a shirt pocket or on a shoulder when offered.

It is also well-known among such favoured witches that dragonets are surprisingly good with their children, particularly their little girls.

A lesser dragon is still a dragon, after all.

And dragons do so love a princess.

~~~

This time around the picture came first. I just really love dragons, and wanted to dream up a way a pocket-sized one could exist. Once I saw its face, I knew I wasn’t going terribly verbose on the poem this time.

It doesn’t often talk to humans, but it’s trying its best.

I’ve also seen “dragonet” sometimes used to refer to baby dragons, so let me be absolutely clear that yes, I’m using that here as a separate species name, and this is a full-grown adult one ready to fight you for that shiny bottle cap.

I love bearded dragons, so I went straight to that as my baseline for the picture. Which I dedicated far too much time to, as usual, but hey, I’m pretty happy with this one.

~~~

Modern Monsters series

Modern Monsters 1: Dullahan

Modern Monsters 2: Kelpie

Modern Monsters 3: Kuchisake-onna

Modern Monsters 4: Cuca

Modern Monsters 5: Vampire

Modern Monsters 6: Dr Frankenstein

Modern Monsters 7: Frankenstein’s Monster

Modern Monsters bonus: Frankenstein, Monster (it’ll come some day I swear)

Modern Monsters 8: The Scissorman

Modern Monsters 9: Lesser Dragon (Dragonet)