Not A Brave Man, But At Times A Very Stubborn One

Not A Brave Man, But At Times A Very Stubborn One

Not a brave man, but at times a very stubborn one

(Limited color palette assignment for my oil painting class. I love college <3)

More Posts from Indigo-lamppost and Others

1 year ago
NEW ETHO UPLOAD LET'S GO

NEW ETHO UPLOAD LET'S GO

I love his new base so very much and I thought this painting would capture the vibes of the new addition well

designer and original painting+ artist under cut

NEW ETHO UPLOAD LET'S GO

Painting is Bacchante by William-Adolphe Bouguerau and the designer of the clothing is (yet again) Sanan Gasanov

2 years ago
“Is That A- Is That A Magnus Archives Reference?” Uhhhh, Yeah. Yeah It Is.

“Is that a- is that a Magnus Archives reference?” Uhhhh, yeah. Yeah it is.

Anyway this is a piece from art class (oil pastel on canvas board) that I thought was going to take me a week of class, tops, but it actually took me almost a month!


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3 months ago

Walking around campus to the Night in the Woods soundtrack is actually top tier I’m literally an NPC rn


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1 year ago
So, I Feel Like I’m Losing My Mind. I Keep Seeing Metas About How Aziraphale Wants Crowley To Return

So, I feel like I’m losing my mind. I keep seeing metas about how Aziraphale wants Crowley to return to Heaven and be an angel again because he wants them to be on the same side/be good/change/etc., etc., etc. but I don’t see that at all. I actually see it as the very opposite.

Aziraphale loves Crowley just as he is. But there’s something more. Something huge.

Aziraphale loves Crowley and because he is an angel who is stuck in seeing things as black and white, he constantly praises Crowley for being nice. For being good. For being kind.

Aziraphale has watched Crowley on and off for 6,000 years. He watched him thwart the plans of Heaven and Hell because it was unjust. He spared the lives of innocents. He did small things that made Aziraphale happy just because (like making Hamlet successful and saving valuable books). And because Aziraphale sees things in black and white, he sees all the things Crowley has done as nice, as good, as kind.

Crowley vehemently attests he’s not nice or good or kind.

He’s not exactly wrong nor is he lying when he says this. When Crowley spares goats during a cruel bet over a righteous man and swallowing laudanum to prevent a suicide, when he prevents Armageddon by working with Aziraphale and stopping the Anti-Christ from being the Anti-Christ, he’s not doing the nice/good/kind thing.

He’s doing the right thing.

Crowley chooses to do the right thing without hesitation. He is better than all of Heaven and Hell who have callous and dispassionate view of all existence because he questions, because he makes choices. Crowley sees the world for all its messiness and he sees himself. He sees a place where he fits in. He sees the blurred edges.

And Aziraphale sees that, even if seeing the blurred edges is hard for him.

But here’s the thing that Aziraphale can’t voice.

It’s the reason why he told Crowley about being allowed to return to Heaven and become an angel again. He doesn’t want Crowley to change. He doesn’t think Crowley is flawed. Or not enough.

It’s something that is so monumental that it cannot be put into words. Because to put it into words would be more than blasphemy. It’s down right unthinkable for anyone in Heaven, Hell, or Earth to say what Aziraphale knows deep in his soul.

God was wrong to cast out Crowley.

Aziraphale believes Crowley can/should return to Heaven because he knows that Crowley should never have fallen in the first place. He wants him to be forgiven because when Crowley fell it was unjust. Aziraphale is trying to correct a mistake. He’s trying to do the right thing.

Yes, Crowley would never accept returning to Heaven. And Aziraphale was wrong to even suggest it (although that conversation is another can of worms to unpack).

Aziraphale loves Crowley. He loves him exactly as he is. He doesn’t want him to change. Aziraphale knows that Crowley the best of all of them. He wants to change Heaven because of it. Because God was wrong and Aziraphale knows it.

Aziraphale may have difficulty seeing beyond black and white, but when it comes to Crowley he sees everything crystal clear and in vivid color.

So, I Feel Like I’m Losing My Mind. I Keep Seeing Metas About How Aziraphale Wants Crowley To Return

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2 months ago
ID: Art of a dark red title screen with pale yellow accents for a fictional game called Sweet Heart Archives! The tail of the S in Archives is stylized like looping tape coming from the H in Archives, which is stylized like a cassette tape. The background is a pattern of red hearts overlaid by two dark reels, making the screen resemble a cassette tape. Amid the title text is a Japanese “translation:” クモが食べている, or “kumo ga tabete iru.” Below the title text is a set of options overlaid on a pattern like book spines: “load game,” “settings,” and “help.” “Load game” is selected.
ID: Art of a gameplay scene featuring Jon in the head archivist’s office, talking to the player character. The room is warm and reddish-brown, with a desk and a bookshelf. Jon looks unimpressed as he gesticulates, but he’s blushing. His dialogue box reads: “I-I'm sure you appreciate the effort our department is putting into bringing you up to speed. Tedious, yes, but hardly as damaging as letting you run amok untrained, especially with files like ours... no thanks to my predecessor.”
ID: Art of a gameplay scene featuring Martin in the break room, talking to the player character. The room is a cool green, with appliances, a bulletin board, and a cobweb in the corner. Martin holds a mug in one hand, and has a stressed, strained smile on his face. His dialogue box reads: “Oh, it's just you. Sorry, I had a feeling like I was being watched, but I guess I know why now, huh? Heh... Uh, I'm just making some tea. It's sort of my thing, but I'd love to have you help!”
ID: Art of a tea-making minigame sequence. A paper menu rolls down on the left, demonstrating each archival employee’s tea preferences, including bag type, milk content/colour, and sugar content. A heart-shaped cursor holds a sugar cube over a steeping cup of tea in a white mug. Above the mug on the green counter is a bowl of white sugar and a carton of milk.
ID: Art of a gameplay scene featuring Tim in the archives bullpen, talking to the player character. The room is dim and reddish-brown, with assistants’ desk, a door, and a large portrait on the wall in the background. Tim is smirking casually, but has dark circles under his eyes. His dialogue box reads: “Right, I suppose it's just you and I. Guess I'll have to take on the noble burden of teaching you the ropes, because I'm sure the big boss is busy in there sorting through whatever sinister schlock's crossed his desk this week...” On the left alternate Tim is a box with three responses to choose from. The first is, “Where do we start?” The second is selected by the cursor, and says, “Oh, how brave of you. I’m told I’m a menace.” The third option glitches out and begins using the font for character dialogue, but bolded and corrupted, reading, “Like… statement of Joe Spooky, regarding sinister happenings?”
ID: Art of a gameplay scene featuring Sasha among the archival stacks, talking to the player character. The room is warmly lit, with a shelf full of labelled boxes as well as a ladder. She smiles kindly and steeples her fingers. Her dialogue box reads: “Well, anyway, you've done this before, I'm sure. The filing here is... rather all over the place, heh, but the system itself is pretty intuitive, and we're just compiling and cross-checking statement metadata anyway. Come on, we'll do it together!”
ID: Art of a corrupted statement-matching minigame sequence. The left side of the screen is taken up by a pale page with statement transcriptions and metadata like the date and statement giver. The right side is taken up by a brown folder opened up to several yellow sticky notes, each with a case identification number. The statement metadata and case numbers are both corrupted, as is half of the statement, which is filled with garbage characters that escape the normal bounds of the text box and glitch out even the cursor.

The legible part of the statement reads: “Please, if you can read this, you have to do something […] say while it's watching. Don't let it know I know. I only ha[…] theories as to what's happening, and I can only hope that […] for help won't be my suicide note. Just pretend this is a no[…] statement, and complete the matching if you can. This is garbage data anyway — that's the foundation of this who[…] attempt. God, if this fails, I can only hope some trace of w[…] happened here will be left behind, and that you'll be an a[…] in our liberation, not our annihilation. Here goes nothing[..]”
ID: Art of a glitched gameplay sequence featuring Jon talking to the player (character). The background is heavily tilted, discoloured, and full of static and compression artifacts. Jon’s sprite and his dialogue box are similarly affected, and Jon’s dialogue is both glitched and tilting outside the bounds of the box. Jon’s eyes have been replaced with photorealistic green human eyes. He glares angrily at the player (character). His text box reads: I know your game, now. You aren’t the only one who can pull strings. You can’t have them. I won’t let you. I see you, now. Turn. It. Off[…]

Welcome to Sweet♥︎Heart Archives, a visual novel/dating sim developed for the web where you, a new arrival to the Magnus Institute’s archival division, get to go on an office rom-com romp with your favourite employees as you learn the ropes, make connections with four members full of lo-fi charm, sort files, serve tea, and above all, smile! Make the most of your eight weeks in the Sweet♥︎Heart Archives to not only earn a permanent position, but attract the assistant or archivist of your dreams!

Have some (belated) TMA fake visual novel screenshots for Valentine’s Day! It’s a game where not everything is as it seems, and not everyone is enjoying their assigned office romantic comedy… but does that matter, so long as you’re having fun? ::::)c

big thanks to @gayformlessblob and @lucianinsanity for brainstorming with me and hyping me up as I worked on this! It couldn’t have happened without them :)


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2 years ago
Some Doodles For My Magnus Archives AU Of My Friends, Ft. My Younger Sister As Part Of The Hunt In The
Some Doodles For My Magnus Archives AU Of My Friends, Ft. My Younger Sister As Part Of The Hunt In The

Some doodles for my Magnus Archives AU of my friends, ft. my younger sister as part of the Hunt in the corner. (Names blurred for privacy)


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2 years ago
No One Is Safe On Hermitcraft

No one is safe on hermitcraft

hermitcraft recap team is like a bunch of nosey reporters to me always there to hold the camera on when something goes horrible wrong

No One Is Safe On Hermitcraft

additional sketch (news reporters on the run)


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Hmmm… art? || she/her

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