For the people who are out there “fighting the good fight” and “trying to make fandom a better place,” I have two important questions for you:
1. Is the author dead? x
2. Is your baby in the bathwater? x
What do I mean by those things? Let’s start with #1. The Death of the Author is a type of literary criticism, the extreme cliff notes version of which is that art exists outside of the creator’s life, personal background, and even intentions. I’m using it slightly differently than Barthes intended, but that’s okay, because the author is dead and I’m interpreting his work through my own lens.
In fandom, the author is dead. In fact, the author was never alive in the first place, not really. The author has only ever been the idea of a person, because unlike published fiction, the only thing we know about a fanfic author is that which they choose to tell us about themselves.
Why is that important?
Because it might not be true. Hell, that happens in real life with published authors, who have SSN’s on file with their publishers, who pay taxes on the works they create and have researchable pasts. If the author of A Million Little Pieces could fake everything, why can’t I? Why can’t you? Why can’t the writer of your favorite fic in the whole wide world?
Stop me if you’ve heard this before: “you can only write about [sensitive subject] if [sensitive subject] has happened to you personally, otherwise you’re a disgusting monster that deserves to die!!” Or maybe “you can only write [x racial or ethnic group] characters if you’re [x racial or ethnic group] otherwise you’re racist/fetishizing/colonizing!”
You can play this game with any sensitive subject you can come up with. I’ve seen them all before, on a sliding scale of slightly chastising to literal death threats.
Now, I could tell you that I’m a white-passing Latina whose grandmother was an anchor baby. I could tell you that I speak only English because my family never taught me to speak Spanish, something which I’ve been told is common in the Cuban community, though I only know my own lived experience. I could tell you that I’m mostly neurotypical. I could tell you that I’m covered in surgical scars. I could tell you lots of things.
Are any of these true? Maybe! I could tell you that my brother has severe mental development problems, so uncommon that they’ve never been properly diagnosed, and that he will live the rest of his life in a group home with 24-hour care. Is that true? Am I allowed to write about families struggling with America’s piss-poor services for the handicapped now?
Am I allowed to write about being Cuban? After all, I did just say that I’m Cuban. But is it true? Can I instead write a character that’s Panamanian? Maybe I really am Panamanian, not Cuban. Maybe I’m both. Maybe I’m neither. Maybe I’m really French Canadian. Should we require people to post regular selfies? I can’t count the number of times I’ve had someone come up to me speaking Arabic, and I’ve been told that I look Syrian. What’s stopping me from making a blog that claims that I am Syrian? Can you even really tell someone’s race and ethnicity from a photo?
Am I allowed to write about being a teenager? Am I allowed to write about being a college student? Am I allowed to write about being an “adulty” adult? Can I write a character who’s 40? 50? 60? How old am I?
All of this is to say: you can’t base what someone is or is not “allowed” to write about on a background that may or may not be real. No matter how good your intentions. And I get it - this usually comes from a place of well-meaning. You’re trying to protect marginalized groups by stopping privileged people from trampling all over experiences that they haven’t suffered. I get that. It’s a very noble thought. But you can’t require a background check for every fic that you don’t like.
If you say “you can only write about rape if you’re a rape victim,” then one of three things will happen:
Real survivors will have to supply intimate details of their own violations to prevent harassment
Real survivors will refuse to engage and will then have to deal with death threats and people telling them to kill themselves for daring to write about their own experiences
People who aren’t survivors will say “yeah sure this happened to me” just to get people to shut up
Has that helped anyone? I mean really - anyone??
So now let’s get to point #2: is your baby in the bathwater?
If your intention is to protect marginalized people from being trampled upon, stop and assess if your boot is the one that’s now stamping on their face. Find your baby! Is your baby in the bathwater? Which is to say: find the goal that you’re advocating for. Now assess. Are you making the problem worse for the people you’re trying to protect? Does that rape victim really feel better, now that you’ve harassed and stalked them in the name of making rape victims feel safe?
Let’s say you read a fic that contains explicit sex between a 16 year old and a 17 year old. Is this okay? Would it be okay if the writer was 15? 16? 17? Should teenagers be barred from writing about their own lives, and should teenagers be banned from exploring sexuality in a fictional bubble, instead of hookup culture? Is it okay for a 20 year old to write about their experiences as a teenager? Is it okay for a 20 year old to write about being raped at a party as a teenager? Is it okay for a 30 year old? How about a 40 year old? Is it okay so long as it isn’t titillating? Is it okay if taking control of the narrative allows the writer to re-conceptualize their trauma as something they have control over? Is it okay if their therapist told them that writing is a safe creative outlet?
Is your author dead?
Is your baby in the bathwater?
Now let’s take a hardline approach: no fanfiction with characters who are under 18 years old. None. Is the 16 year old who really loves Harry Potter and wants to read/write about characters their own age better off? Should they be banned from writing? Should they be forced to exclusively read and write (adult) experiences that they haven’t lived? Will they write about teens anyway? Should they have to share it in secret? Should 16 year olds be ashamed of themselves? Should we just throw in with the evangelicals and say that the only answer is abstinence, both real and fictional?
Let’s say that no rape is allowed in fiction, at all. None. What happens to all the hurt/comfort fics where a character is raped and then receives the support and love that they deserve, slowly heal, and by the end have found themselves again? Are you helping rape victims by banning these stories? Are you helping rape victims by stripping their agency away, by telling them that their wants and their consent doesn’t matter?
Is your baby in the bathwater?
Fandom is currently being split in two: on one side, the people who want to make fandom a “safer” place by any means necessary, even if that means throwing out all of the marginalized groups they say they want to protect - and on the other, people who are saying “if you throw out that bathwater, you’re throwing the baby out too.”
The whole point of fandom is to be able to explore all kinds of ideas from the safety and comfort of a computer screen. You can read/write things that fascinate you, disgust you, titillate you, or make your heart feel warm. This is true of all fiction. People who want to read about rape and incest and extreme violence and torture can go pick up a copy of Game of Thrones from the bookstore whenever they want. Sanitizing fandom just means holding a community of people who are primarily not male, not straight, not cis, or some combination of those three, to higher and stricter standards than straight white cis male authors and creators all over the world.
There is nothing you can find on AO3 that you can’t find in a bookstore. Any teenager can go check out Lolita, or ASOIAF, or Flowers in the Attic, or Stephen King’s It, or Speak, or hundreds of other books that have adult themes or gratuitous violence or graphic sex. The difference is that AO3 has warnings and tags and allows people to interact only with the types of work that they want to, and allows people to curate their experiences.
Are these themes eligible to be explored, but only in the setting of something produced/published? Books, movies, television, studio art, music - all of these fields have huge barriers to entry, and they’re largely controlled by wealthy cishet white men. Is it better to say that only those who have the right connections to “make it” in these industries should be allowed to explore violence or sexuality or any other so-called “adult” theme?
Does banning women from writing MLM erotica make fan culture a better place?
Does banning queer people from writing about queer experiences make fan culture a better place?
Is M/M fic okay, but only if the author is male? What if he’s a transman? What if they’re NB? Who should get to draw those lines? Should TERFs get a vote? What if the author is a woman who feels more comfortable writing from a male character’s perspective because she’s grown up with male stories her whole life, or because she identifies more with male characters? What about all the transmen who discovered themselves, in part, by writing fanfiction, and realized that their desires to write male characters stemmed from something they hadn’t yet realized about themselves?
How can we ever be sure that the author is who they say they are?
Who is allowed to write these stories? How do we enforce it?
Is it better for none of these stories to ever exist at all?
Have you killed your author?
Have you thrown out your baby with the bathwater?
So I had a funny dream the other night.
It involved a very gay witch.
Me while writing: oh hell yes this is such a good sentence I'm the master of poetic imagery
The writing when I go back to edit:
If you’re being questioned about a murder by one of those hobbyist detectives. it is an absolute rule that you have to be washing the dishes or pruning some plants while talking, so that when they finally get around to asking a pointed question about where you were at the time of the murder you can freeze for a second with a knife in your hand. It’s enrichment for them you gotta understand. They thrive off of red herrings, it’s their favorite treat, so even if you have a rock solid alibi and weren’t involved with the murder at all you have to give them some reason to be suspicious of you. It’s what friends are for.
"A society that separates its lore masters from its horny posters will have its headcanons written by prudes and its erotic fanfic by fools."
well look who it is. my old friend. the conses of my quences.
Had a dream last night that i was a knight and this bigger scarier knight had me on the ground and right before he swung his sword at my neck he said smth like "i mourn the loss of life for the tree who will become your coffin" which shouldnt have turned me on like it did but alas
I am honestly tired of seeing people lump Greek mythology into the same category as DC Comics, anime, or any other modern fictional universe. There’s this frustrating trend where people discuss figures like Odysseus or Achilles in the same breath as Batman or Goku, as if they’re just characters in a long-running franchise rather than deeply rooted cultural and literary icons from one of the most influential civilizations in history.
Yes, myths contain fantastical elements—gods turning into animals, heroes slaying monsters, mortals being punished or rewarded in ways that defy logic. But that does not mean Greek mythology is the same as a modern fantasy novel. These myths were part of an entire civilization’s identity. The ancient Greeks didn’t just tell these stories for entertainment; they used them to explain the world, explore human nature, justify traditions, and even shape their religious practices. The Odyssey isn’t just an adventurous tale about a guy struggling to get home—it’s a reflection of Greek values, an exploration of heroism, fate, and the gods' role in human life. When people treat it as nothing more than “fiction,” they erase the cultural weight it carried for the people who created it.
Greek mythology functioned in antiquity—these were their sacred stories, their way of making sense of the universe. And yet, people will still argue that the Odyssey is no different from a DC Elseworlds story, as if it was just an early attempt at serialized storytelling rather than a cornerstone of Western literature.
Part of the problem comes from how myths have been adapted in modern media. Hollywood and pop culture have turned Greek mythology into a shallow aesthetic, cherry-picking elements for the sake of spectacle while stripping away any historical or cultural depth. Movies like Clash of the Titans or games like God of War reimagine the myths in ways that make them feel like superhero stories—cool battles, flashy gods, exaggerated personalities. And while those adaptations can be fun, they’ve also contributed to this weird idea that Greek myths are just another IP (intellectual property) that anyone can rewrite however they want, without considering their original context.
This becomes especially frustrating when people defend radical reinterpretations of Greek mythology under the “it’s just fiction” excuse. No, Greek mythology is not just fiction! It’s cultural heritage. It’s part of history. It’s literature. It’s philosophy. If someone drastically rewrote a Shakespearean play and justified it by saying, “Well, it’s just an old story,” people would push back. If someone did the same to the Mahabharata or The Tale of Genji , there would be outrage. But when it happens to Greek myths? Suddenly, it’s “just fiction,” and any criticism is dismissed as overreacting.
I am not saying mythology should be untouchable. Reinterpretation and adaptation have always been a part of how these stories survive—Euripides retold myths differently from Homer, and Ovid gave his own spin on Greek legends in his Metamorphoses. The difference is that those ancient reinterpretations still respected the source material as cultural history, rather than treating it as some creative sandbox where anything goes. When people defend blatant inaccuracies in modern adaptations by saying, “It’s just a story, why does it matter?” they are ignoring the fact that these myths are a major link to an ancient civilization that shaped so much of what we call Western culture today.
Ultimately, Greek mythology deserves the same level of respect as any major historical and literary tradition. It’s not a superhero franchise. It’s not a random fantasy series. It’s the legacy of a civilization that continues to influence philosophy, literature, art, and even modern storytelling itself. So let’s stop treating it like disposable entertainment and start appreciating it for the depth, complexity, and significance it truly holds.
writing fanfiction is the most fun awesome thing on earth. also terrible horrible awful one thousand agonies