NOVEMBER 2024 LGBT+ ROMANCE RECS

It's always important to support diverse books, y'all. This isn't new.

But on a financial and outspoken level, it's going to be important in the coming days for Americans (and honestly, unfortunately, non-Americans too) to support queer (and BIPOC) books.

So, with no preamble.... And I do want to make clear, I'm a cis white woman (sexuality: God, I don't even know anymore)... Queer books I think you should try—

F/F:

Make the Season Bright by Ashley Herring-Blake. Contemporary. CHRISTMAS. Charlotte heads to her best friend's house for the holidays, only to find that her best friend's sister brought HER best friend... Brighton, Charlotte's childhood sweetheart who left her at the altar years ago. Angst, lots of holiday dating, and hot hot sex ensue.

Seas and Greetings by Sierra Simone and Julie Murphy. Contemporary. Christmas-adjacent. A high-end influencer embarks on a brand cruise with a stern, super hot bodyguard. But someone is threatening to expose her secret... (not her bisexuality).

This Will Be Fun by E.B. Asher. Fantasy. Years after their fearless leader is killed saving the world, a fgroup of heroes must come back together to... save the world again? Sort of? Two core romances, one of which is m/f and one of which is f/f—a nerdy witchy agoraphobic type comes back into play with the assassin she used to hook up with on previous quests.

Set the Record Straight by Hannah Bonam-Young. Contemporary. Christmas! A pair of friends do the classic fake dating thing when one of them needs a girlfriend for a work function and the other needs a girlfriend to show up her ex at a holiday get together. Bi awakening, very sweet, novella.

An Island Princess Starts a Scandal by Adriana Herrera. Historical. Latina and Afro-Latina leads. An heiress strikes a deal with an older businesswoman; she'll give the businesswoman the property she wants in exchange for an introduction and adventure in sapphic Paris before our girl has to marry a man. Truly excellent content.

The Stars Too Fondly by Emily Hamilton. Sci-fi. A scientist ends up accidentally launching herself and her friends into space, and their only help is the hologram of the ship's former captain, who mysteriously went missing with her entire crew years ago. Also, she's a hot ice queen.

A Sweet Sting of Salt by Rose Sutherland. Historical fantasy. A midwife helps a mysterious fisherman's wife give birth, only to find that the woman's origins may be more mystical than they seem. Spoiler alert: lesbian selkies. Also spoiler alert: Comeuppance for a shitty, shitty husband.

A Long Time Dead by Samara Breger. Historical paranormal. A sex worker is transformed into a vampire and enters into a looooong term sapphic love triangle with the villain of the novel and the uptight, persnickety mentor who's taken her in. Kinda like Interview with the Vampire, but hotter and gayer (yes) and way less of a sausage fest.

Mortal Follies by Alexis Hall. Historical fantasy. A young debutante in a "Midsummer Night's Dream x Pride and Prejudice" type world ends up hexed and in a back and forth with a mysterious lady duke rumored to have committed at least two murders.

The Conquering of Tate the Pious by Sierra Simone. Historical. A medieval abbess has to defend her nunnery against the villainous lady conqueror who's come to town. "Defend" can mean many things, FYI.

The Fiancee Farce by Alexandra Bellefleur. Contemporary. A fun little fake dating inheritance game book, in which a cover model/heiress convinces a woman who's already been pretending that she's his girlfriend to quiet questions, to... You know. Fake being her fiancee. In a farce.

M/M

The Will Darling Adventures by KJ Charles. Trilogy, historical. A WWI vet gets entangled with capers and espionage, while falling for a former Bolshevik upper class danger man. SO FUN.

The Gentle Art of Fortune Hunting by KJ Charles. Historical. A romcom in which a prickly upper class man strikes a deal... of a carnal nature... after catching a fortune hunter trying to seduce his niece.

The Witch Walker Series by Charissa Weaks. Fantasy. Multiple romances, and the primary is M/F, but there are multiple POVs and a prominent, excellent, villain second chance romance between two men, both of whom have POVs. Additionally, the hero of the M/F romance has recently been revealed to be bi through the offshoot Tales from Tiressia. Yay!

We Could Be So Good by Cat Sebastian. Historical. 1950s reporters begin as friends, then become roommates, then become... more than roommates.

You Should Be So Lucky by Cat Sebastian. Historical. A baseball player on a rough streak and a grieving and snippy reporter following him around on the sports beat get entangled.

The Queer Principles of Kit Webb by Cat Sebastian. Historical. A former highwayman-turned-cafe-owner agrees to mentor a dandy in the art of highwaymanery so that he can steal from his horrible father. Has deminisexual rep, as well as disability rep.

Glitterland by Alexis Hall. Contemporary. A bipolar down on his luck author hooks up with a working class club kid, then accidentally ends up in a relationship.

Saint by Sierra Simone. Contemporary. A monk ends up touring monasteries with his reporter ex-boyfriend. Lots of exploration of mental health here (and it's super hot).

The Secret Lives of Country Gentlemen by KJ Charles. Historical. A new baronet moves to the marsh to care for his messy family, only to find out that one of the leading members the local organized crime family is that guy he used to anonymously hook up with.

The Nobleman's Guide to Seducing a Scoundrel by KJ Charles. A veteran turned nobleman employs a secretary in order to help him hold on to his title (his family hates him) only to realize... that secretary... is hot.

Snow Place Like L.A. by Sierra Simone and Julie Murphy. Contemporary. Christmas-adjacent. A costume designer runs into the one who got away and is SUPER BITTER. But, you know. It's a time for forgiveness.

Mafia Target by Mila Finelli. Dark/mafia. An assassin after a prominent don's son gets obsessed in a different way, and their game of cat and mouse becomes something more.

Band Sinister by KJ Charles. Historical. A flustered young innocent ends up having to head over to the Dangerous House after his sister has to rest there following an injury. Finds out that the group of scoundrels there are both better and worse than he thought. Sendup to gothics!

Heated Rivalry and The Long Game by Rachel Reid. Hockey contemporary. A pair of connected books about the long-term relationship between two hockey rivals, which begins as a hookup situationship and turns into something more... One of my ultimates!

Something Fabulous by Alexis Hall. Historical. After the woman he proposes to runs away, a stuffy duke enlists her fabulous twin brother to help him catch her... Demi rep.

Trans and NB

The Prospects by KT Hoffman. Baseball contemporary. The first trans man in the league ends up on the same team as the guy who abandoned their friendship years ago—leading to a rivalry... which leads to another thing.

Rules for Ghosting by Shelly Jay Shore. Light paranormal. A ghost-seeing trans guy ends up having to return to helping with his family's funeral home... And falls for a volunteer... only that volunteer's husband is currently haunting him. Jewish rep.

Most Ardently by Gabriel Cole Navoa. Historical. YA. A Pride and Prejudice retelling in which we have Oliver Bennet, a trans boy trying his best, and Darcy, the dude he hates.

A Shore Thing by Joanna Lowell. Historical. A widow ends up on a long distance bicycle race with a rakish former artist turned bicycle fiend, who happens to be trans. As a note, the author is married to a trans man who happens to be a queer historian!

Chef's Choice by TJ Alexander. Contemporary. A down on her luck woman agrees to pretend to date a Frenchman from a billionaire family as he embarks on an ancestral cooking challenge. Both leads are trans.

A Lady for a Duke by Alexis Hall. Historical. After faking her death at Waterloo in order to transition, a woman ends up tending to her former best friend as he recovers from PTSD and a laudanum addiction. He doesn't recognize her at first. At first... Disability and addiction rep.

For the Love of April French by Penny Aimes. Contemporary. A trans woman hooks up with a stranger, only to discover he's just been hired as a higher-up with her company.

The Pairing by Casey McQuiston. Contemporary. Exes (one of whom has come out as NB since they broke up) end up on the same European food and wine tour years later, and agree to reestablish their friendship (dating back to childhood) in a competition to see who can hook up with the most people.

His Valet by S.M. LaViolette. Historical. An NB valet (uses she/her pronouns in respect to the era) pretends to be a man while infatuated with her boss. In order to have a few nights with him, they take up the identity of a mysterious widow... And it spirals BIG TIME from there.

Unmasked by the Marquess by Cat Sebastian. Historical. A marquess believes his new best friend is a man—they're actually in disguise (uses she/her pronouns in respect to the era). After he discovers their true identity, the friendship yields to more...

Something Spectacular by Alexis Hall. Historical. A genderfluid dandy sets out to grudgingly help her ex seduce a castrato soprano... Only to capture their attention herself.

Queer Non-Monogamy (Everyone Is Together To Be Clear)

Triple Sec by TJ Alexander. Contemporary. Open poly triad romance. A bartender meets a sparkly lawyer, only to find out that the sparkly lawyer has an NB spouse. While our bartender dates the lawyer at first, she soon begins recognizing a tension between herself and her new girlfriend's prickly, aloof wife...

The New Camelot Trilogy by Sierra Simone. Dark contemporary, closed triad. A retelling of King Arthur set within the presidency. Super sexy, super angsty, suuuuper poly.

The Lyonesse Series by Sierra Simone (ongoing). Dark contemporary, closed triad (presumably). A retelling of Tristan and Isolde, in which a bodyguard falls for his boss, then is sent to collect said boss's fiancee... And the shit really hits the fan. Again, super hot, really intense.

The Thornchapel Series by Sierra Simone. Dark light paranormal. Closed(ish) triad with a secondary but prominent monogamous f/f romance. A group of childhood friends get back together just in time for a mysterious magic to begin wreaking havoc on the land... VERY dark academia with some pretty intense taboo (message me if concerned).

Consort of Fire and Queen of Dreams by Kit Rocha. Fantasy, closed triad. A princess sets out to marry a dragon shifter known for killing his previous spouses—except she, with the help of her handmaiden and lover, sets out to kill HIM.

Give Me More by Sara Cate. Contemporary, closed triad. A married couple and their best friend set out on a road trip together, only for things to become... blurred.

Your Friendly Neighborhood Spider-Man is Off to a Great Start, but Who Asked for This?

*No spoilers*

I stayed up to watch the premiere of Your Friendly Neighborhood Spider-Man (3am on the east coast) and things are off to an interesting start, but I have to ask, who wanted this show? When it was announced, the series was meant to tell Spider-Man’s origin story in the MCU, but as production went on, the producers realized how boxed in they were, so they decided to make it a multiverse story. Your Friendly Neighborhood Spider-Man takes place in a universe similar to the sacred timeline, but instead of Tony Stark recruiting Peter, it’s Norman Osborn.

I understand why this show isn’t in the MCU, and while I admit that the series is taking the character in a different direction, I’m tired of seeing Peter Parker in high school and most fans seem to agree. I love a good superhero/average teen combo, which we see in this series. Peter misses class and skips parties to fight bad guys, and I love that dynamic. I love that Peter can’t tell his teachers why he wasn’t there for the test, or tell his friends why he missed their play, or birthday party. I enjoy that dynamic every time I see it, but it’s not anything that The Spectacular Spider-Man (2008-09), Ultimate Spider-Man (2012-17), or Spider-Man (2017-20) didn’t do. The live-action films also take on these scenarios, and they execute them well for the most part.

I don’t mean to be a pessimist, because this is a good show, but I can’t write down my thoughts and opinions about it without also expressing my exhaustion at how many times we’ve seen this play out. Marvel Animation should’ve placed Peter in college for this series. It would’ve been way more interesting, especially if they framed it for adults specifically, like Invincible (2021-) or Creature Commandos (2024-). My idea isn’t for them to make Spider-Man unnaturally dark, brooding, or edgy, but it would’ve brought more fans to the table in my opinion.

Some people say this show should’ve been about Miles Morales and I don’t agree. To me, the Miles-shaped hole in my heart is being filled by the Spider-Verse movies, and if they do a Miles Morales animated series, I believe it should wait until the Spider-Verse movies are over because the Spider-Verse movies are animated I believe the producers would have their work cut out for them trying to create another animated universe that rivals the Spider-Verse films, and because of this I believe that the show would suffer critically for it because everyone would compare it to the Sony rendition.

But let’s talk about this show and why it’s good, sans spoilers, of course.

The first thing you notice about this series is the animation and it’s just splendid. The fight scenes look immaculate, the shots of Spider-man swinging around the city are so well done. Episode 2 in particular had some really sweet shots. The voice acting was okay. I can’t decide if Hudson Thames is a good Peter Parker. At times he sounds good, but then it sounds like he’s got phlegm and didn’t bother to clear his voice before recording. The opening title was superb. The music and art together were just perfect. The callbacks to Civil War were also pretty cool. The suit Peter wears feels homemade, more so than the MCU edition and I liked that. I like that he uses some propane-type thing to power his webshooters.

Peter Parker feels like Peter Parker in this series. He’s stumbling around, chronically late, and missing the bus, it’s all very Peter-coded. On top of that, he’s very empathetic to criminals, something I think was lost in some of the films. The characters have got good chemistry. I like the dynamic between Peter and his friends. There was a certain character whose name I recognized from the comics, but he looked so different and there were some scenes with him that I didn’t fully understand, so I’m curious how his future in the show will play out. I can’t decide if Norman Osborn will be a villain or not. I always got the vibe that he has something going on under the surface, but that could be an intentional choice to make us suspect misdeeds from him. This show wants to subvert our expectations, similar to how the MCU films did. There were more names I recognized and I’m excited to see where they go from here, especially since the series was renewed for a second and third season.

I like that Marvel Studios is putting effort into this show. There have been plenty of Spider-man shows in recent years, but you could tell they were for children. This series has more attention to detail, it’s an animated superhero show that can be enjoyed by adults, and as I get older that’s something I value more and more. I love to rewatch shows like The Spectacular Spider-Man (2009-09) but something gets lost there as you get older. You can’t enjoy the story as much because it’s written for children, but today’s animators seem to understand the need adults have for these shows.

I just said that I’m tired of seeing Spider-Man in high school, but this series makes me nostalgic in all the best ways. Watching shows like this makes me feel like a kid again, and in recent times I value that experience so much. Listening to the awesome music selection as Spidey swings through the city oddly reminds me of walking to class in the morning, blasting music, and worrying about the math test I had later that day.

Overall, I’m excited to see where this show goes.

Final grade: B+

Rick Stepp (irresponsibleink@gmail.com)