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Your Friendly Neighborhood Spider-Man is Off to a Great Start, but Who Asked for This?

*No spoilers*

I stayed up to watch the premiere of Your Friendly Neighborhood Spider-Man (3am on the east coast) and things are off to an interesting start, but I have to ask, who wanted this show? When it was announced, the series was meant to tell Spider-Man’s origin story in the MCU, but as production went on, the producers realized how boxed in they were, so they decided to make it a multiverse story. Your Friendly Neighborhood Spider-Man takes place in a universe similar to the sacred timeline, but instead of Tony Stark recruiting Peter, it’s Norman Osborn. 

I understand why this show isn’t in the MCU, and while I admit that the series is taking the character in a different direction, I’m tired of seeing Peter Parker in high school and most fans seem to agree. I love a good superhero/average teen combo, which we see in this series. Peter misses class and skips parties to fight bad guys, and I love that dynamic. I love that Peter can’t tell his teachers why he wasn’t there for the test, or tell his friends why he missed their play, or birthday party. I enjoy that dynamic every time I see it, but it’s not anything that The Spectacular Spider-Man (2008-09), Ultimate Spider-Man (2012-17), or Spider-Man (2017-20) didn’t do. The live-action films also take on these scenarios, and they execute them well for the most part. 

I don’t mean to be a pessimist, because this is a good show, but I can’t write down my thoughts and opinions about it without also expressing my exhaustion at how many times we’ve seen this play out. Marvel Animation should’ve placed Peter in college for this series. It would’ve been way more interesting, especially if they framed it for adults specifically, like Invincible (2021-) or Creature Commandos (2024-). My idea isn’t for them to make Spider-Man unnaturally dark, brooding, or edgy, but it would’ve brought more fans to the table in my opinion. 

Some people say this show should’ve been about Miles Morales and I don’t agree. To me, the Miles-shaped hole in my heart is being filled by the Spider-Verse movies, and if they do a Miles Morales animated series, I believe it should wait until the Spider-Verse movies are over because the Spider-Verse movies are animated I believe the producers would have their work cut out for them trying to create another animated universe that rivals the Spider-Verse films, and because of this I believe that the show would suffer critically for it because everyone would compare it to the Sony rendition. 

But let’s talk about this show and why it’s good, sans spoilers, of course. 

The first thing you notice about this series is the animation and it’s just splendid. The fight scenes look immaculate, the shots of Spider-man swinging around the city are so well done. Episode 2 in particular had some really sweet shots. The voice acting was okay. I can’t decide if Hudson Thames is a good Peter Parker. At times he sounds good, but then it sounds like he’s got phlegm and didn’t bother to clear his voice before recording. The opening title was superb. The music and art together were just perfect. The callbacks to Civil War were also pretty cool. The suit Peter wears feels homemade, more so than the MCU edition and I liked that. I like that he uses some propane-type thing to power his webshooters. 

Peter Parker feels like Peter Parker in this series. He’s stumbling around, chronically late, and missing the bus, it’s all very Peter-coded. On top of that, he’s very empathetic to criminals, something I think was lost in some of the films. The characters have got good chemistry. I like the dynamic between Peter and his friends. There was a certain character whose name I recognized from the comics, but he looked so different and there were some scenes with him that I didn’t fully understand, so I’m curious how his future in the show will play out. I can’t decide if Norman Osborn will be a villain or not. I always got the vibe that he has something going on under the surface, but that could be an intentional choice to make us suspect misdeeds from him. This show wants to subvert our expectations, similar to how the MCU films did. There were more names I recognized and I’m excited to see where they go from here, especially since the series was renewed for a second and third season. 

I like that Marvel Studios is putting effort into this show. There have been plenty of Spider-man shows in recent years, but you could tell they were for children. This series has more attention to detail, it’s an animated superhero show that can be enjoyed by adults, and as I get older that’s something I value more and more. I love to rewatch shows like The Spectacular Spider-Man (2009-09) but something gets lost there as you get older. You can’t enjoy the story as much because it’s written for children, but today’s animators seem to understand the need adults have for these shows. 

I just said that I’m tired of seeing Spider-Man in high school, but this series makes me nostalgic in all the best ways. Watching shows like this makes me feel like a kid again, and in recent times I value that experience so much. Listening to the awesome music selection as Spidey swings through the city oddly reminds me of walking to class in the morning, blasting music, and worrying about the math test I had later that day.

Overall, I’m excited to see where this show goes. 

Final grade: B+

Rick Stepp (irresponsibleink@gmail.com)

here’s my contribution

These men just stole the personal information of everyone in America AND control the Treasury. Link to article.

Akash Bobba

Edward Coristine

Luke Farritor

Gautier Cole Killian

Gavin Kliger

Ethan Shaotran

Spread their names!

Rashida Tlaib is a powerhouse. Her grandmother just passed away under occupation (her words) but she’s still organizing for HEAL Palestine— an initiative providing Health, Education, Aid, and Leadership opportunities in a collective effort to help heal Gaza’s youth.

A donation to HEAL Palestine will help shelter, feed, and treat injured and sick Palestinians who have fled military violence, and who are in dire need of basic necessities including food, clean water, and medical supplies because of Israel’s cruel blockade. currently HEAL is working to open a neonatal intensive care unit (NICU) and a new maternity department in Rafah, plus sponsoring medical teams to go to Gaza.

In addition to funding urgent needs, a donation will support long-term solutions and projects in Palestine as well, such as mental health and mentorship for children who’ve been living with trauma their entire lives, and programs to rebuild Gaza’s education and health systems.

Here’s the link to donate.

Change.org

Can you spare a minute to help Caleb Stepp?

Protect the Porkies, Protect Lake Superior— Stop the Copperwood Mine!

I signed the petition, I recommend y'all do the same

Please take a moment to read this. A Canadian company (Highland Copper Company) wants to build a sulfide copper mine near Lake Superior (Copperwood Project), which holds 10% of the world’s freshwater. The mine would produce 98.5% toxic waste, stored in a dam just two miles from the lake. The dam can only withstand a 1-in-100-year storm, but the area has had two 1-in-1,000-year storms in the past decade. If it breaks, toxic water could contaminates Lake Superior & nearby freshwater sources, which could lead to acid mine drainage, where sulfide minerals react with water and air to produce sulfuric acid. This acid can leach heavy metals such as arsenic, lead, and mercury into the water, severely harming aquatic ecosystems and making the water unsafe for human consumption. Similar contamination events have led to long-term environmental damage and water quality degradation at other sulfide mines in the U.S., where nearly all have failed to prevent pollution. Additionally, this could negatively impact local communities by reducing property values, limiting long-term employment opportunities due to the finite nature of mining operations, and creating economic instability linked to environmental degradation. The company wants $50 million in taxpayer funding to move forward. The Michigan Senate is about to vote, if they don’t get the funding they can’t build it.

Sign the petition if you want to prevent this disaster by clicking the link below or searching “Protect the Porkies, Protect Lake Superior— Stop the Copperwood Mine!” at change.org.

Change.org

Sign the Petition

Protect the Porkies, Protect Lake Superior— Stop the Copperwood Mine!

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conservatives need to get the fuck off of Tumblr, this is NOT your place buddy...

I would sell my soul for a ticket to a live show

Already seeing people on tiktok saying “I still hate trump but he ate with this one” like … babes … you just got propagandized … that’s literally exactly what he created this situation in the hopes you would say …

Companion (2025) is a Great Critique of 'Nice Guy' Culture

1/31/25

Companion (2025) directed by Drew Hancock

*No Spoilers*

If I had to choose my favorite media trope, it would be the Relatable Robot. This trope has been used countless times, with later examples such as Terminator 2 and recent examples like Alien Romulus. Companion adds to this growing list, contributing a rogue sexbot that’s framed for murder, and despite being one month in, this might be one of my favorite movies of the year. 

Companion opens with Josh (Jack Quaid) and his girlfriend, Iris (Sophie Thatcher), who are going to a remote cabin to spend some time with Josh’s friends, Kat (Megan Suri), Eli (Harvey Guillén), Patrick (Lukas Cage), and Sergey (Rupert Friend). Iris feels off about the trip and bares a suspicion that Josh’s friends don’t like her. The truth is far more unsettling. After an unfortunate series of events, Iris discovers she’s a Companion, a robot made for subservience and intimacy. As she comes to terms with this truth, she must fight to stay alive and get home before her boyfriend and his friends murder her. 

All the actors were amazing, but the standouts were Sophie Thatcher and Jack Quaid. Thatcher’s character, Iris, must accept some terrible truths while also doing whatever it takes to survive, and Thatcher does a great job making us feel for a supposed machine. I liked her the moment she insisted Josh say 'thank you' to the Alexa in their car. From bright and earnest, to badass and scary, her range knows no bounds. Iris’s one goal is to make Josh happy, but we can sense that deep down Iris is unsatisfied with the circumstances. Quaid’s character, Josh, is a difficult one to portray, because for the story to work, he needs to present as a harmless nice guy, who actually has something nasty and depraved lurking beneath, and Quaid did a great job. You can tell through Jack Quaid’s intentional choices and actions, Josh truly believes that he is the good guy, even when his actions are deplorable.  

This movie’s true antagonist is the ‘Nice Guy.’ Josh believes he is owed something for how ‘nice’ he is. He believes the world is rigged against him, and Iris isn’t enough for him because he ‘deserves someone real.’ He’s controlling with robots and he’s controlling with humans, and his arrogance and self-entitlement lead to everything spiraling out of control. I related to Iris’s character because I think we’ve all tried to find worth in someone else, and that’s what I felt when watching this movie. Iris believes that she’ll be happy if Josh is happy, she believes she’ll feel complete, and you can feel how desperate she is to really be loved and accepted by Josh. The power dynamic in the movie shifts when Iris begins to accept herself. This movie draws on themes such as consent and personal choice, and the ending brings everything together nicely. 

Final Grade: A+

Rick Stepp (irresponsibleink@gmail.com)

no matter what this will always hold true in a daredevil series: