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D. Alan Holmes, Enlightenment // Signet Amenti // @cryptonature // Alan Wilsom Watts // Evan M. Cohen, "Oceans" // Nikita Gill // @pauladoodles // Julian Gough, "Minecraft End Poem" // Sleeping At Last—Saturn

Life is happening, life is happening all the time. I can’t seem to catch it in between my fingers, elusive as rays of light. I cannot keep it high in my lungs, it leaves me like a breath. I am a meager stone in a fast coursing river and I watch what erodes me away. Life is cold. Invigorating. I wish I could hold its hand and study its face before it escapes me again.

That is the curse of living, that we choose what is familiar and not what is good.

I see her far from me. My mother is cool and white and floats like a sun in my mind. But she is a dying star. Her past self pervades my memory but her realness, her fullness in the present is nothing but black space where a blip of sunshine used to be. I cannot reconcile what I reminisce in my mind and what truly exists. I see her far from me. My mother is cool and white and explodes in my mind. The old light she used to shine will keep going long after she stops. And one day, even that false hope will fade. And there will be nothing left for me to peer at from a distance, but a stretch of sky I once called my mother.

I felt a twinge at first in my stomach, like I’d eaten bad crab, only worse. Like I’d eaten two bad crabs. Horrendous to even imagine. As my god unraveled me by an invisible umbilical cord leading back to him, my skin loosened and bones leaned on each other like the limbs of a wooden puppet. Weirdly hollow, with a sudden cacophony of clatter, I simply disappeared. I come to you now as a memory. A ghost, maybe. Or a cloud of events so positively stupid and unyielding that not even a god could get rid of it. I’m sure you’re wondering how I pissed off a god I so dutifully doted on for years on end to the point of being turned to dust, I must tell you, the reasons are long and each grow more foolish than the last. It began the day I blamed god. And he blamed me back.

Living in an anxious mind, I know fear intimately, I know nervousness like a favorite cousin-always sitting by me at dinner, insisting we stay in to watch movies instead of go out for dessert because when we go out I don’t enjoy myself at all. Too worried about the drive home, where I’ll park, all the trivial details that make it so I can’t taste the ice cream anyways. And don’t mistake me, I favor my fear just as much as it favors me. It keeps me comfortable, and how I love to be comfortable, though it’s a shaking uneasy kind of comfort. The sort a doomed man has on death row.

There is something so magical about the bus boy’s dish cart. Coffee cups with cold wet sugar resting on their rims, plates with forks neatly splayed out on their porcelain cheeks, saucers holding old tea bags like newborn babes. Such a security in knowing the meal is done, and carried away, and nobody can take the conversations over your dinner table with them.

I am fickle with happiness. They say you don’t know a good memory is happening until it ends, but I do. I’m acutely aware of how precious the good times are—pair that with the odd feeling I get of being watched by my future self, having dealt with the deaths and tragedies that growing older brings, seeking refuge in the past. I feel anxious knowing it will be over, and that no matter how deeply and fully I cherish the strong legs beneath me, the wind on my face, my parents by my sides, it will end the same. All happinesses are doomed to be memories. And that bitters them for me; when I am at my happiest, and my smile is wide as it is earnest, I still taste the rancor in the back of my throat.

Sirens often eat out of hatred, not love. So when the sailor girl asked the siren if she found her appetizing, she shook her head with a tight lipped grin. The human took it as rejection, her eyes falling to her hands and picking at the callouses she found unsightly, not understanding she had just shown her affection for her. That hiding one’s teeth was a gentle act of favor the merfolk used.

It hurts to watch my father split in two each night.

Right down the middle of his face, one half hops to bed and the other to the garage to yell.

The sleeping half is kind, and has never touched a drop of alcohol, and makes big pancake breakfasts on Sunday mornings.

The waking half is cruel, and has fascist memorabilia on his walls, and drills screws in pictures of the opposition to hang.

I can only love half of him, but I cannot stop even that. His image bleeds in my mind, I cannot grapple with the fact that they are the same man after all—that Nazi’s have daughters, too.